Italianate

Town Hall, Brattleboro, Vermont

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The old town hall on Main Street in Brattleboro, around 1894. Image from Picturesque Brattleboro (1894).

The scene in 2017:

The Brattleboro town hall was built here on Main Street in 1855, and served a wide variety of roles during its 98 years of existence. Aside from the town offices, this building housed the police department, post office, county clerk’s office, and library, and its hall was used for town meetings, concerts, theatrical performances, and other public events. The town also rented space in the building to private tenants, and over the years these included a bookstore, a dry goods store, and lawyers’ offices. Another tenant was William Morris Hunt, a prominent artist who had lived across the street from here as a child in the 1820s and early 1830s. He subsequently spent many years in Europe, but returned to Brattleboro for about a year in 1856, living in his old boyhood home and renting studio space here in the town hall.

The first photo was taken around 1894, nearly 40 years after the building was completed. The town hall had not changed much at that point, but about a year later it underwent an extensive renovation and expansion, which added an 875-seat opera house to the building. Like the original meeting hall in the building, this opera house was used for a variety of live performances, but by the early 1920s it had been converted into a movie theater, known as the Auditorium. Over the next few decades, though, the theater steadily declined, especially as newer, purpose-built movie theaters opened in downtown Brattleboro. In 1937, the building just to the right of the town hall was converted into the Paramount Theatre, and a year later the Latchis Theatre opened a few blocks to the south.

In the meantime, the building remained in use as the town hall until the early 1950s. However, in 1951 a new high school building opened in the southern part of town, leaving the old downtown school building vacant. The school was then converted into town offices, and the old town hall was sold. It was mostly demolished in 1953, although some of the exterior walls were left standing and were incorporated into the W. T. Grant department store, which was built on this site. This store is now long gone, but the one-story building remains, and still has some of the original walls of the town hall.

Aside from these walls, the only other surviving feature from the first photo is the building on the far right. Built around 1850, this commercial block is distinctive for its Main Street facade, which is made of granite blocks. The building was substantially altered when it was converted into the Paramount Theatre in 1937, including a large addition to the rear, a flat roof to replace the original gabled roof, and metal panels that covered the granite exterior. The building was gutted by a fire in 1991, but it was subsequently restored and is still standing today. Now that it no longer has the metal panels or the theater marquee, it looks more like its original appearance than it did for most of the 20th century, and despite the many changes it is still recognizable from the first photo.

Main Street from High Street, Brattleboro, Vermont

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Looking north on Main Street from the corner of High Street in Brattleboro, in May 1937. Photo taken by Arthur Rothstein, courtesy of the Library of Congress, FSA/OWI Collection.

The scene in 2017:

The first photo was taken in May 1937 by Arthur Rothstein, a prominent photojournalist who worked for the Farm Security Administration during the 1930s. Like the other photographers of this New Deal-era agency, Rothstein traveled around the country, documenting rural life during the Great Depression. In 1936 he visited Oklahoma, where he took one of the most iconic images of the Dust Bowl, and the following year he was in Vermont, where his images included this scene on Main Street in the downtown Brattleboro. The photo shows rows of cars parked along the street, with a mix of houses, businesses, and public buildings on the east side of the street.

Probably the oldest building in this scene is the Centre Congregational Church, with its prominent steeple in the middle of both photos. The church was originally built in 1816, and was located a little north of here on the town common. However, in 1842 the building was dismantled and reconstructed here on this site, with a design similar to the old building. The new church was dedicated in 1843, and included a steeple and a columned portico at the front of the building. This steeple was destroyed in high winds in 1864, though, and it was rebuilt with a new Italianate-style design that omitted the columns at the front entrance. In 1929, the steeple was damaged in a fire, but was repaired and has not seen any other significant changes since the first photo was taken.

The other notable building in the first photo is the town hall, which is on the right side of the scene. Built in 1855, this building saw a variety of uses, including as town offices, post office, library, and the police department, and it also housed commercial tenants over the years. In 1895, the building was renovated, and an 875-seat opera house was added to it. By the time the first photo was taken, the opera house had the less-glamorous name of Auditorium, and was used primarily as a movie theater, with the marquee advertising Night Must Fall, starring Robert Montgomery. However, the auditorium fell into decline as newer theaters opened on Main Street in the late 1930s, and in 1951 the town offices moved just up Main Street to the old high school, leaving this building vacant. It was mostly demolished two years later, and a W. T. Grant department store was built on the site. However, portions of the exterior walls of the old town hall were left standing, and were incorporated into the new building.

More than 80 years after the first photo was taken, this scene has not significantly changed aside from the loss of the old town hall. The W. T. Grant building that replaced it is still there, although the old department store has long since given way to new retail tenants. The church is also still there, as is the three-story granite building on the far right, which was built around 1850 and was later converted into the Paramount Theatre soon after the first photo was taken. Today, these 19th century buildings are now part of the Brattleboro Downtown Historic District, which was added to the National Register of Historic Places in 1983.

Richards Bradley House, Brattleboro, Vermont

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The house at 53 Harris Avenue in Brattleboro, around 1894. Image from Picturesque Brattleboro (1894).

The house in 2017:

This house was built in 1858 as the home of Richards Bradley, a member of a prominent political family in Vermont. His grandfather, William C. Bradley, had served two terms in Congress in the 1820s, and his great grandfather, Stephen R. Bradley, had been one of Vermont’s first two U. S. Senators, and served as President pro tempore of the Senate from 1802 to 1803 and 1808 to 1809. Richards Bradley briefly worked as a merchant in New York City, but in 1856 he married Sarah Ann Williams Merry, a wealthy heiress from Boston. With this fortune, he was able to live as a country gentleman, and in 1858 he built this elegant house on a large plot of land, just to the north of downtown Brattleboro on the banks of the Connecticut River.

Richards and Sarah’s first child, Robert, was born in 1857 but died just a week later. They had six more children, all of whom grew up in this house: Susan, Richards, Jonathan, Emily, Sarah, and Walter. During the 1870 census, the family also lived here with three servants and a coachman. Richards was listed as a farmer in that census, with real estate valued at $50,000 and a personal estate of $20,000, for a net worth equivalent to over $1.3 million today. Then, in 1877, they purchased a second house at 122 Commonwealth Avenue in Boston, in the city’s exclusive Back Bay neighborhood. This became their winter residence, with the family spending summers here at their Brattleboro home, and they continued this arrangement until 1891, when they permanently returned to Brattleboro.

Richards Bradley died in 1904, and Sarah in 1914, but the house remained in the family for several more decades, until it was finally sold in 1940. Six years later, the house was converted into apartments, and at some point it was expanded, with a large addition on the right side of the photo. The large estate has also since been subdivided, and the house is now surrounded by mid-20th century homes. The exterior of the original part of the house has seen some changes, particularly the loss of the porch, but it retains much of its original appearance. It is now used as a senior living facility, and it is currently undergoing a major renovation and expansion to increase the number of residents.

Crosby Block, Brattleboro, Vermont

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The Crosby Block on Main Street, just north of the corner of Elliot Street in Brattleboro, around 1871-1885. Image courtesy of the New York Public Library.

The scene in 2017:

As mentioned in the previous post, the Crosby Block was built in 1871, replacing several earlier commercial buildings that had been destroyed in a large fire two years before. It was owned by grain and flour merchant Edward Crosby, who built it at a cost of almost $175,000, or around $3.6 million today. Its Italianate-style design was the work of local architect George A. Hines, and it was originally 26 window bays in width, extending along Main Street from the corner of Elliot Street north to the Brooks House. Upon completion, the ground floor of the building housed a variety of stores, while the second floor had professional offices and the third floor had apartments.

Nearly 150 years after it was built, most of the Crosby Block has seen little change. However, the southernmost section of the building – once the home of Vermont National Bank – was rebuilt in the late 1950s, with an International Style yellow brick and metal facade. Now occupied by People’s United Bank, this section is still standing on the left side of the scene, and sharply contrasts with the surviving three quarters of the Crosby Block. The rest of the building, particularly the upper floors, has remained well-preserved, though. Today, it is one of the many historic 19th century commercial buildings that still line Main Street, and it is a contributing property in the Brattleboro Downtown Historic District, which was added to the National Register of Historic Places in 1983.

Crosby Block and Brooks House, Brattleboro, Vermont

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Looking north on Main Street, from near the corner of Elliot Street in Brattleboro, around 1871-1885. Image courtesy of the New York Public Library.

The scene in 2017:

This block, on the west side of Main Street between Elliot and High Streets, was the scene of one of the most disastrous fires in Brattleboro history, which occurred on October 31, 1869. All of the buildings along this section of Main Street, mostly wood-frame stores and hotels, were destroyed in the fire, including the Brattleboro House hotel and several other important commercial blocks. However, the property was quickly redeveloped, and within two years the ruins had been replaced by two large, brick commercial buildings, with the Crosby Block on the left and the Brooks House further in the distance on the right.

The first photo shows the Crosby Block as it appeared within about 15 years of its completion in 1871. It was owned by grain and flour merchant Edward Crosby, and was designed by local architect George A. Hines, whose plans reflected the prevailing Italianate style for commercial buildings of this era. Only about two thirds of the building is visible in this scene, as it was once 26 window bays wide, extending all the way to the corner of Elliot Street. As was often the case in downtown commercial blocks, it was originally a mixed-use building, with stores on the ground floor, professional offices on the second floor, and apartments on the third floor.

Further in the distance, on the right side of the scene, is the Brooks House, which was also known as the Hotel Brooks. Although completed in the same year as the Crosby Block, it featured far more elaborate Second Empire-style architecture that contrasted with the modest design of its neighbor. Designed by noted architect Elbridge Boyden, the hotel was reportedly the country’s largest Second Empire-style building outside of New York City at the time, and was a popular Gilded Age summer resort. It was owned by George Jones Brooks, a merchant who had grown up in the Brattleboro area but later made his fortune in San Francisco, as a merchant during the Gold Rush. However, he later returned to Brattleboro, where he built this hotel and also later founded the Brooks Memorial Library.

More than 130 years after the first photo was taken, this scene has remained remarkably unchanged. The facade of the southernmost section of the Crosby Block, just out of view to the left, was rebuilt in the late 1950s and is now completely unrecognizable from its original appearance. However, the section of the building in this scene has been well-preserved, and still continues to house a variety of shops on its ground floor. On the right side of the scene, the Brooks House is also still standing. The interior was completely rebuilt in the early 1970s and converted into offices and apartments, but the exterior was preserved. More recently, the upper floors were heavily damaged by a fire in 2011, but the building has since been restored and still stands as a major landmark in downtown Brattleboro.

Wight & Chapman Block, Springfield, Mass

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The commercial block at the corner of Main and Oak Streets in the Indian Orchard neighborhood of Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The scene in 2017:

The neighborhood of Indian Orchard is located in the northeastern corner of Springfield, about five miles from the city center, and during the mid-19th century it developed into a small factory village along the Chicopee River. In part because of this distance, Indian Orchard’s growth was largely independent from the rest of Springfield, and came to include a small downtown area, with its own Main Street that was lined with brick commercial blocks. Among these was this three-story, Italianate-style building at the corner of Oak Street. Built in 1875, it was located at one of the busiest intersections in the neighborhood, and included stores on the first floor, plus offices and a public hall on the upper floors.

The building was originally owned by businessmen Henry K. Wight and George H. Chapman, who each had stores on the ground floor. Wight was a partner in Wight, Rivers & Co., a grocery store that occupied the corner storefront, and city directories of the era describe the company as “Dealers in Choice Groceries, Crockery and Glass Ware, Flour, Teas, Coffees, Sugars, Butter, Cheese, Syrup and Molasses. All varieties of Canned Fruits, with a complete assortment of goods usually kept in a first-class store. Also Dealers in Paints, Oils, Window Glass, etc.” Next to this store, on the left side of the building, was Chapman & Bengle, “Dealers in Clothing, Gentlemen’s Furnishing Goods, Boots and Shoes. Repairing neatly and promptly done.”

George Chapman’s business partner, Charles Bengle, purchased Chapman’s interest in the company in 1886, and he remained in business in this building until 1905, when he built a new commercial block, directly across Oak Street from here, and moved his store into the new building. Then, around 1910, the older Wight & Chapman Block was purchased by Charles Rieutord, the proprietor of the nearby National House hotel on Oak Street. Upon purchasing this building, he set about renovating it, including extending the storefronts along both the Main Street and Oak Street sides.

Rieutord opened a wholesale liquor store on the left side of the ground floor, and ran it for about a decade, until Prohibition was enacted in 1920. Along with this, he was also involved with the Springfield Breweries Company, which attempted to adapt to Prohibition by producing non-alcoholic beverages. By the mid-1920s, he was the company’s vice president, serving under president Theodor Geisel – the father of Dr. Seuss – but the brewery ultimately went out of business before the end of Prohibition.

By the time the first photo was taken in the late 1930s, the building’s retail tenants included Frank J. Livi, an Italian immigrant who ran a clothing shop in the corner storefront. The store would remain here until at least the 1960s, and since then the exterior of the building has remained well-preserved. Indian Orchard still retains much of its historic appearance, and still bears closer resemblance to a small mill town rather than a neighborhood of a large city. The Wight & Chapman Block is one of many historic buildings along this section of Main Street, and today it stands as one of the finest commercial buildings of its era, not just in Indian Orchard but in the entire city of Springfield.