Concord Massachusetts

Old North Bridge, Concord, Mass (4)

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The view looking east across the Old North Bridge in Concord, around 1890-1901. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

The Old North Bridge was discussed in more detail in an earlier post, which shows the view looking west across the bridge. However, this view shows the opposite side of the bridge, facing east from directly in front of the famous statue The Minute Man. The bridge was the site of the Battle of Concord, which occurred on April 19, 1775, only a few hours after the first shots of the American Revolution were fired in a skirmish in nearby Lexington.

Although the Battle of Lexington came first, it was almost entirely one-sided, and the British continued their march to Concord with only a single wounded soldier, compared to eight dead and ten wounded militiamen. As a result, it was here in Concord that the British first encountered significant resistance from the colonists. Prior to the battle, the British had secured the bridge during their search for hidden military supplies. However, as the colonial militiamen began assembling on the west side of the river, the outnumbered redcoats withdrew to the east bank, where the monument stands in the distance of this scene.

When the battle began, the militiamen were approaching the bridge from approximately where these photos were taken. At this point, some of the British soldiers began opening fire, evidently under the mistaken impression that their commanding officer had given the order. Two militiamen at the head of the line, Private Abner Hosmer and Captain Isaac Davis, were killed, but the colonists did not break ranks. Instead, they returned fire with a devastating volley that killed three redcoats and wounded nine more. This came to be known as “The shot heard round the world,” and it was the first time that American colonists killed British soldiers in battle. It also forced the British to retreat, marking the first American victory of the war.

The original bridge here across the Concord River was removed several years after the end of the war, and the roads were rerouted to a new bridge nearby. As a result, for many years there was little evidence of the brief but momentous battle that was fought here. The first memorial here on the battlefield was the obelisk in the distance of this scene, which was installed in 1836 and dedicated a year later. At the time, there was still no bridge here, so the monument was placed on the east bank, where it was more reality accessible from the center of town. A new bridge would not be constructed until 1874, in advance of the battle’s centennial celebration. As part of the centennial, the statue The Minute Man was dedicated here on the west side, marking the colonial position during the battle.

By the time the first photo was taken around the turn of the 20th century, the bridge had been replaced again after the 1874 one was destroyed in a flood. This one was, in turn, destroyed in a 1909 flood, and its replacement was a concrete bridge that was designed to resemble the original one. However, it sustained heavy damage in a flood in 1955, and it was subsequently replaced by the current one, which is a wooden replica of the original. Aside from the bridge, though, this scene has remained well-preserved, with few changes since the first photo was taken, and the battlefield is now part of the Minute Man National Historical Park, which was established in 1959.

Elisha Jones House, Concord, Mass

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The house at 242 Monument Road in Concord, around 1908. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2018:

The age of this house is somewhat of a mystery, with some sources claiming that it dates as far back as the mid-17th century. However, it was probably built sometime around 1740 as the home of Thomas Jones, a blacksmith who lived here until his death in 1774. His son Elisha then inherited the property, and he went on to become perhaps the most notable occupant of this house.

Elisha Jones was about 30 years old when inherited the house. Like his father and grandfather, he was also a blacksmith, and he was evidently a wealthy man, with an estate that was valued at 1,121 pounds 8 shillings in 1777. In addition, he served in the local militia, where he held the rank of lieutenant during the American Revolution, and prior to the war his house was reportedly one of the places in town where colonial military supplies were hidden from the British.

However, Elisha Jones and his house are best known for an incident that may or may not have occurred here on April 19, 1775, during the Battle of Concord. The house is located across the street from the Old North Bridge, where the famous “Shot heard round the world” was fired by the colonial minutemen, and according to legend Jones was standing at the door of his shed after the battle, watching the retreating soldiers. One of them is said to have fired at him, although the ball missed Jones by about three feet, and instead passed harmlessly through the wall.

This large shed, which was later attached directly to the main house on the left side of this scene, still has a hole in the wall, which is supposedly where the British musket ball struck the building. However, it is difficult to prove exactly what caused this hole, and there are no contemporary accounts of this incident. The earliest published description came many years later, and it was written by John Shepard Keyes, the late 19th century owner of this house. He heard the story from Elisha Jones’s oldest daughter Mary, who was four years old at the time of the battle, and he wrote the following description in his book, Story of an Old House:

Mr. Jones had prudently taken his wife and babies down cellar, where they cowered in fear and trembling in the dark corners, while he stood guard over the barrels of beef. Soon the clatter and noise of the Britishers ceased, and all was still. Then the silence was broken by the volleys of musketry at the bridge. He could stand it no longer, but rushing up from the cellar followed by his wife and crying children, they saw the regulars retreating in confusion back to the village, bearing their wounded, some with ghastly faces, supported by their comrades, others with bloody limbs hastily bandaged to stanch the flow. . . .

To her father it lent new excitement and patriotic rage; he pointed his gun out of the bedroom window on the north-west corner of the house, determined to have one raking shot at the foe. His wife clung to his arm, begging him not to risk their burning the house if he fired from it, and succeeded in preventing his purpose and getting the gun away. Then he went to the door of the shed, and stood there looking at the retreating soldiers in scorn and triumph. One of the rear guard who may have seen his attempt to shoot, or “misliked his look,” drew up as they passed the house, and fired a “British musket ball” at Elisha. It was a well pointed shot considering that the red coats fired from the hip, and not from the shoulder with a sight along the gun barrel, as the Yankees did. The ball struck at the height of Jones’ head about three feet to the right, and passing through the boarding, glanced from an oak joist, and out through the back side into the ground behind.

It is impossible to conclusively prove or disprove this story, but in either case it has become a part of local legend, and it has contributed to the fame of the house, which is sometimes referred to as “The Bullet Hole House.” In the meantime, though, the property remained in the Jones family for many years, with Elisha’s son James Jones inheriting it after his death in 1810. James, like the previous three generations of his family, was also a blacksmith, and he owned this house until 1836, when he sold it to Nathan Barrett for $800.

Barrett evidently never lived here, instead using the house as a rental property, and over the years it fell into disrepair. He ultimately sold the house in 1863 to John Shepard Keyes, who soon set about restoring the house and documenting its history. Keyes was a Concord native who was about 42 years old at the time. He was a lawyer, and he had previously served as sheriff of Middlesex County from 1853 to 1859. In 1860, he was a delegate to the Republican National Convention, which nominated Abraham Lincoln to the presidency, and a year later he became a U. S. Marshal. He also served as a bodyguard for Lincoln, and he accompanied him during his inauguration and during the Gettysburg Address. Keyes went on to serve as a marshal until 1867, and in 1874 he became a judge on the Middlesex District Court.

After purchasing this property, Keyes soon oversaw dramatic alterations to the house. On the exterior, this included replacing the windows, installing a second-floor dormer window on the north side, and adding a portico to the front door. Keyes also moved the shed and attached it to the north side of the house, turning it into a large two-story wing. Overall, most of the house’s present-day appearance dates back to this mid-1860s renovation.

John Keyes lived here in this house with his wife Martha until her death in 1895, and he remarried three years later. He was still residing here when the first photo was taken around 1908, more than 40 years after he first moved in, and he remained here until his death in 1910 at the age of 88. His daughters, Alicia Keyes and Annie Emerson, then inherited it, although only Alicia appears to have actually lived here after her father’s death. Annie gained full ownership of the property after Alicia’s death in 1924, and a year later she sold it to Henry H. Fay.

Fay was the last private owner of the house, and he lived here until 1963, when he sold it to the National Park Service. It then became a part of the Minute Man National Historical Park, which had been established in 1959 to preserve the historic sites associated with the battles of Lexington and Concord. Since then, the house has been well-preserved in its post-1860s appearance, with hardly any changes from this view since the first photo was taken more than a century ago. However, because of these renovations it bears little resemblance to its appearance during the American Revolution, and it is not open to the public for tours, with the National Park Service instead using it as a rental property.

Orchard House, Concord, Mass

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Orchard House, at 399 Lexington Road in Concord, around 1900-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

The earliest portion of this house dates back to sometime around the early 18th century, but its present-day appearance was the result of an extensive expansion and renovation that occurred in 1857. In that year, the property was purchased by Amos Bronson Alcott, a teacher, writer, and philosopher who is best remembered today as the father of author Louisa May Alcott. He was a part of Concord’s Transcendentalist movement, and during the early 1840s he was one of the founders of Fruitlands, a short-lived utopian commune in Harvard, Massachusetts. However, this experiment failed in just seven months, and in 1845 the Alcott family moved to Concord, where they lived in a house on Lexington Road that they named Hillside.

At the time, the family consisted of Bronson Alcott, his wife Abigail, and their four daughters: Anna, Louisa, Elizabeth, and Abigail. They lived at Hillside for several years before moving to Boston in 1848, but they ultimately returned to Concord in 1857 and purchased this house. It was located immediately to the west of their old house, which had been acquired by Nathaniel Hawthorne five years earlier and renamed The Wayside. Bronson Alcott soon began renovating his house, which he named Orchard House after the large apple orchard that was located on the property. The work was completed the following year, and the Alcotts moved in during the spring of 1858, only a few weeks after the death of their 22-year-old daughter Elizabeth.

Louisa May Alcott was 25 years old when she moved into this house with her parents and sisters, and she went on to reside here for much of her early literary career. She was already a published author at the time, following the 1854 publication of her first work, Flower Fables, but she had not yet become widely known. Over the next few years, she wrote several novels and short stories, including Hospital Sketches, which was published in 1863. It was based on her own experiences as a Civil War nurse in Georgetown, where she served for six weeks during the war before falling ill with typhoid fever.

However, Alcott’s literary breakthrough came in 1868 with the publication of Little Women, which she wrote here in this house. This novel was largely autobiographical, with the March sisters in the book representing the four Alcott girls, and much of the plot was inspired by her own experiences. The book is set at a fictional version of Orchard House, although most of the real-life events in the book had actually occurred at Hillside, where Alcott lived during her teenage years.

Aside from the improvements to the main house, the Alcotts also built the structure on the left side of the scene. Originally known as the Hillside Chapel, it was later renamed the Concord School of Philosophy. Here, Bronson Alcott ran a school that was modeled on Plato’s Academy, with a series of lectures and readings that were based on Transcendentalism and other contemporary philosophies. Bronson was nearly 80 years old when he started the school, but he continued to oversee it for the next nine years, giving lectures here while also inviting guest speakers

In the meantime, Louisa May Alcott continued to live here until 1869, when she moved to Boston, but she continued to visit her family here in Concord. Then, in 1877 she purchased Henry David Thoreau’s former house on Main Street, and both she and her father subsequently lived there. Bronson sold Orchard House in the early 1880s, and he eventually moved to a house on Louisburg Square in Boston’s Beacon Hill neighborhood, where he died on March 4, 1888 at the age of 88. Only two days later, Louisa suffered a stroke—possibly a long-term effect of mercury medication that she had taken to treat her typhoid fever some 25 years earlier—and she died at the age of 55.

The first photo shows the front of the house at some point around the turn of the 20th century. It was already recognized as an important landmark, as this photo was taken by a major postcard company, but at the time it was still a private residence. However, in 1911 the Concord Woman’s Club formed the Louisa May Alcott Memorial Association, which purchased the property and, starting in 1912, opened it to the public as a museum.

The house has remained as a museum ever since, and it continues to be open for guided tours, with hardly any exterior changes since the first photo was taken more than a century ago. It is one of the many important literary sites in Concord, and in 1962 it was designated as a National Historic Landmark. More recently, the house gained attention with the release of the 2019 film adaptation of Little Women, much of which was filmed in Concord. However, this house itself was not included in the movie; instead, the producers constructed a replica home elsewhere in Concord, which was used for filming and subsequently dismantled.

Ephraim Wales Bull House, Concord, Mass

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The house at 491 Lexington Road in Concord, around 1910-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2018:

This house is famous for being the place where the Concord grape was developed in 1849, although the house itself is actually much older than that. It was built sometime in the late 17th or early 18th centuries, making it among the oldest surviving buildings in Concord. The main section of the house, in the center-left of this scene, is the oldest portion, and it was standing here by 1716, when it was the home of blacksmith Thomas Ball. For more than a century afterward, the house was occupied by a succession of blacksmiths, the last of whom was Nathaniel French, who rented the property until his death in 1834.

Two years later, another metalworker moved into this house. Ephraim Wales Bull was a goldbeater, which involved hammering gold into thin sheets of gold leaf. He was originally from Boston, but by the 1830s he had begun to experience lung problems, so his doctor recommended that he leave the polluted city and move to the countryside. Here in Concord, he continued to work as a goldbeater in a shop behind his house, but he was also an amateur horticulturalist, so he spent a significant amount of time growing plants in his garden.

One of Bull’s goals was to create a grape cultivar that would ripen early and could withstand the cold New England climate. In 1843, he found a wild grapevine—the fox grape—growing on his property, and he planted the seeds from this vine in his garden, alongside cultivated Catawba vines. The resulting hybrid seedlings grew for the next six years, and in the fall of 1849 one of the vines produced satisfactory grapes. He named this cultivar Concord, and in 1853 he exhibited it at the Massachusetts Horticultural Society, where it received high praise. Concord grapes became commercially available the next year, and they have remained popular ever since.

Bull subsequently had success in state and local politics, serving in both houses of the state legislature, on the state board of agriculture, and on Concord’s board of selectmen and school committee. However, despite the widespread recognition that he received for having developed the Concord grape, he received little financial benefit from it. He earned about $3,200 from selling seedlings during the first year, but commercial nurseries subsequently began growing and selling their own plants, without paying any royalties to Bull. By the end of his long life, he was in extreme poverty and his house had become badly deteriorated, and he died in 1895 at the age of 89.

After Bull’s death, his neighbor Harriett Lothrop purchased the house. She lived a few houses down at Nathaniel Hawthorne’s former home, The Wayside, and she was a noted children’s book author, best known for her Five Little Peppers series, which were written under the pen name of Margaret Sidney. Aside from her writing, she was also interested in historic preservation, so she soon began restoring the old house. By the time the first photo was taken around the 1910s, Lothrop had named the house “Grapevine Cottage,” and she owned it as a rental property. The original Concord grapevine was still growing here at the time, although it is not visible in this photo.

Today, more than a century after the first photo was taken, the house is still standing. It has seen some changes, most notably the addition of an enclosed second-story porch on the right side, but otherwise it looks much the same as it did in the first photo. It has recently undergone another restoration, including remodeling the interior, and it stands as a rare surviving example of an early colonial-era house in Concord, in addition to its historical significance as the birthplace of the Concord grape.

The Wayside, Concord, Mass

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The Wayside, at 455 Lexington Road in Concord, around 1890-1901. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2018:

This house is best known for having been the home of three different notable authors during the 19th century, although the house itself is actually much older than that. It has been heavily altered over the years, but it dates back to at least 1717, when owner Caleb Ball sold the property to glazier Samuel Fletcher. It changed hands several more times during the first half of the 18th century, and during this time its owners included housewright Nathaniel Coleburn, who lived here from 1723 to 1730 and 1740 to 1747, and cordwainer John Breed, who lived here from 1747 to 1769.

In 1769, Breed sold the property to Samuel Whitney. He was involved in the Patriot cause in the years leading up to to  the American Revolution, including serving as a delegate to the Massachusetts Provincial Congress, which met in Concord in October 1774. He was also the muster master for the Concord minutemen, and in early 1775 he stored a cache of ammunition here on the property. The British redcoats, who had come to Concord to seize colonial military supplies on April 19, marched right past the house both before and after the Battle of Concord, although they evidently did not search Whitney’s house or outbuildings.

The Massachusetts colonial government was not the only institution that ended up in Concord because of the Revolution. From 1775 to 1776, the Continental Army laid siege to British-occupied Boston, and many of the soldiers were stationed in Cambridge. Around 1,600 were housed at Harvard, requiring the college to relocate to Concord during the 1775-1776 school year. Here in Concord, classes were held in the meetinghouse, the courthouse, and a schoolhouse, and students and faculty boarded at various locations throughout the town. This house became the residence of John Winthrop, a noted scientist who held the Hollis Chair of Mathematics and Natural Philosophy at Harvard from 1737 to 1779.

In 1778, Samuel Whitney sold the house to Daniel Taylor, who in turn told it to Daniel Hoar two months later. He was a farmer, and he lived here for the rest of his life, until his death in 1814. His son, Daniel Hoar Jr., then inherited the property, which remained in the Hoar family until 1827. The house subsequently went through several more owners, and in 1845 it became the home of Amos Bronson Alcott, his wife Abigail, and their four daughters: Anna, Louisa, Elizabeth, and Abigail.

Bronson Alcott, as he was generally known, was a noted writer and philosopher who was associated with the Transcendentalist movement. A few years before moving here, he had been the founder of Fruitlands, a short-lived utopian commune in the town of Harvard, Massachusetts. This effort ultimately failed after just seven months, in part because of poor agricultural practices and strict dietary rules that prohibited all animal products and even some vegetables. The Alcotts subsequently relocated to Concord in 1844, where they lived with a friend for a short time before moving into this house.

Although Bronson Alcott was a noted figure in his own right, his fame was eclipsed by that of his second daughter, Louisa May Alcott. She was 12 years old when the family moved here, and they lived here for a little over three years before moving to Boston in 1848. However, despite her relatively short stay here, these were formative years for Louisa, and many of her experiences here were later incorporated into her best-known work, Little Women, a largely autobiographical novel that was published in 1868 and 1869.

In the three years that they lived here, the Alcotts made a number of changes to the property. Bronson did extensive landscaping work, in particular the creation of terraces on the hillside behind the house. He planted these with a variety of flowers and trees, and he grew fruits, vegetables, and grains here in order to accommodate his vegan diet. The family also made changes to the house itself, which they named Hillside. This work included the addition of two new bedrooms for Louisa and her older sister Anna. During this time, the family was also involved in the Underground Railroad, and they are believed to have sheltered at least a few runaway slaves here in the house.

In 1848, the Alcotts moved to Boston, although they would eventually return to Concord in 1857. A year later they purchased Orchard House, located immediately to the west of this house on Lexington Road. It would remain in the family for more than 25 years, and Louisa lived there for most of her literary career. In the meantime, though, their former home here was sold to another prominent author, Nathaniel Hawthorne. He had previously lived in various places throughout his adult life, including several years in Concord at the Old Manse, but this was the only house that he ever owned.

Hawthorne moved into this house in 1852, along with his wife Sophia and their three children, Una, Julian, and Rose, whose ages ranged from one to eight. When he had left Concord in 1845, Hawthorne was still a relatively unknown author who struggled to make ends meet. He subsequently lived in Salem, where he worked as surveyor at the Custom House for several years, before moving to Lenox in the Berkshires. However, by the time he returned to Concord to live here in this house, he was a well-established author, thanks to the recent publications of The Scarlet Letter (1850), The House of the Seven Gables (1851), and The Blithedale Romance (1852).

Also in 1852, Hawthorne published a campaign biography of Franklin Pierce. The two men had been friends since their time at Bowdoin College, and Hawthorne helped Pierce’s presidential campaign by lending him both his name and literary talents to write the biography. It was evidently successful, because Pierce won the election and was inaugurated in 1853. Pierce then rewarded his friend by appointing him as the United States consul in Liverpool, a prestigious diplomatic post that Hawthorne held for the next four years until the end of Pierce’s presidency.

As a result of this appointment, the Hawthornes only lived here for a little over a year before moving overseas, and they would not return here until 1860, after an extended tour of Europe. Hawthorne would continue to reside here for the last four years of his life, until his death in 1864 in Plymouth, New Hampshire, while on a trip through the White Mountains with ex-President Pierce. His widow Sophia remained here in Concord until 1868, when she and her children moved to England. She ultimately sold the house in 1870, a year before her own death.

Although Hawthorne lived in this house for a relatively short period of time, he made some substantial alterations to the house. Upon returning from Europe, he added a third-story tower to the rear of the house, which became his study. Other changes included the addition of a bedroom above the wing on the left side, and a bay window where the front door had originally been. During his ownership, he also changed the name of the house, from Hillside to The Wayside.

In the 1870s, after Sophia Hawthorne sold the property, it was owned by Mary C. Pratt, who operated the Wayside School for Young Ladies out of the house. Her neighbor Bronson Alcott, who was still alive and approaching 80, was a frequent visitor here during this time. He often lectured at the school, and he also gave tours of the grounds, telling stories to visitors about Nathaniel Hawthorne.

The school ultimately closed in 1879, and that same year the house returned to Nathaniel Hawthorne’s family when it was purchased by his daughter Rose and her husband, George P. Lathrop. They resided here intermittently for the next four years, and during one of their absences Rose’s brother Julian lived here with his family. George was the editor of the Boston Courier newspaper, and he also wrote several novels, although his works never received the same attention as those of his famous father-in-law. Rose would later go on to have success in a completely different field. After George’s death in 1898, she founded a Catholic religious order, the Dominican Sisters of Hawthorne, and became Mother Mary Alphonsa.

In 1883, the Lathrops sold the house to Boston publisher Daniel Lothrop and his wife Harriett. As with so many of the previous residents of this house, Harriet was an accomplished writer. She was best known for The Five Little Peppers, a children’s book series that was published by her husband’s company starting in 1881, under the pen name Margaret Sidney. She eventually took over the operation of the publishing company after Daniel’s death in 1892, and she continued writing children’s books into the 1910s.

The Lothrops had one child, Margaret, who was born here at The Wayside in 1884. Both George and Harriett were interested in literature and historic preservation, and they recognized the historical significance of their house. Margaret grew up with a similar appreciation, and she eventually inherited the property after her mother’s death in 1924. At the time, she was an economics professor at Stanford University, but she arranged to have the house preserved and open to the public for tours starting in 1928. She eventually returned to Concord in 1932, residing here at The Wayside while also organizing the tours of the house during the summer months.

Margaret’s goal was to sell the house to an organization that would preserve it for the future. She even wrote a book, The Wayside: Home of Authors, about the history of the house. It was published in 1940, and she hoped that it would generate interest in the property, but no prospective buyers came forward. She ultimately lived here for the next 25 years after writing the book, and she continued to give tours and conduct research throughout this time.

In 1963, she successfully lobbied for the house to be declared a National Historic Landmark, the highest level of federal recognition for a historic site. Two years later, she finally found a buyer in the National Park Service, and in 1965 the house became part of the recently-established Minute Man National Historical Park. The house has remained a part of the park ever since, and it is still open to the public, nearly a century after Margaret Lothrop first opened her house for tours.

The first photo in this post was taken sometime around the 1890s, during George and Harriett Lothrop’s ownership. Thanks in large part to their daughter’s efforts, the exterior has remained well-preserved since then. The shutters are gone, and there have been some changes to the wing on the right side, but otherwise the house hardly looks any different from this view.

Overall, the only other significant difference between the two photos is the front lawn, which was once shaded by two large trees that probably dated back to Hawthorne’s time. Both the elm on the left and the pine tree on the right are long gone, perhaps as a result of the 1938 hurricane or, in the case of the elm, to Dutch Elm Disease. However, there is at least one tree still standing from the first photo. On the left side of the house, in front of the porch, is a hawthorn tree that was, appropriately enough, planted by Nathaniel Hawthorne during his residence here. Despite its unassuming size, it is now more than 150 years old, and it survives today as a living reminder of the home’s famous occupant.

The Minute Man, Concord, Mass

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The Minute Man, a statue on the west side of the Concord River at the Old North Bridge in Concord, around 1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The statue in 2018:

This statue, which was dedicated in 1875, marks the site of the Battle of Concord, which was one of the opening events of the American Revolution. It stands on the west side of the Old North Bridge, on the spot where the colonial militiamen assembled on April 19, 1775 and fired the famous “shot heard round the world” at the British redcoats on the east side of the river. This short skirmish lasted less than three minutes, but it forced the British to abandon their search for colonial military supplies and retreat to Boston. This was the first military victory of the war for the colonists, and it was also the first time that British soldiers were killed in combat during the war.

The first monument at the battlefield was a granite obelisk, which was installed in 1836 on the east bank of the river. It was dedicated a year later, and the ceremony included the singing of a poem, “Concord Hymn,” which Ralph Waldo Emerson wrote for the occasion. The poem is best known for its opening stanza, which reads:

By the rude bridge that arched the flood,
Their flag to April’s breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.

The obelisk was placed on the east side of the river because, at the time, there was no longer a bridge across the river here, and the east side was more accessible from the center of Concord. However, this meant that the monument was actually on the spot where the British fought. This motivated one local resident, Ebenezer Hubbard, to bequeath money to the town for the construction of a new bridge and the creation of a new monument on the west side, where the militiamen had fired their famous volley.

This gift came only a few years before the 100th anniversary of the battle, so over the next few years the town prepared for a large celebration. Boston architect William R. Emerson designed a new bridge, and the town commissioned noted sculptor Daniel Chester French to create the statue. Both the bridge and the statue were completed in 1874, and the town also built two large tents in preparation for the event, which were located to the west of the statue, on the hillside in the distance of both photos. One tent was for orations, and it could fit about 6,000 people, while the other was a dinner tent that could seat 4,500 people.

The statue was formally unveiled at the centennial celebration, which was held on April 19, 1875. The festivities ultimately drew crowd of some 50,000 people to Concord, far exceeding the capacities of either tent. There were a number of dignitaries here at the event, including President Ulysses S. Grant, Vice President Henry Wilson, and four members of Grant’s cabinet: Secretary of State Hamilton Fish, Secretary of War William W. Belknap, Postmaster General Marshall Jewell, and Secretary of the Interior Columbus Delano. Grant’s former Attorney General, Concord native Ebenezer Hoar, presided over the event, which also included brief remarks by Ralph Waldo Emerson and the recitation of a poem by James Russell Lowell. The main orator for the day was George William Curtis, who spoke about the history of the battle and how its lessons can be applied to the present day.

The Minute Man was well-received by the public. An article, published in the Boston Globe on the day of the ceremony, provided the following description of the statue:

[I]t is of heroic measure, more than seven feet in height, generously proportioned, and represents a young man turning at the hurrying call of the messenger from his labors in the field, and instantly ready for duty. His left hand rests a moment on a handle of his abandoned plough, across whose upper brace his coat is flung, his right hand grasps the old flint-lock musket; he rests on his left foot, while his right is just leaving the ground behind—the whole attitude indicating a moment’s pause, as if to listen. The figure is attired in the traditional continental costume, and will preserve its details for future ages. . . .

The features are strongly marked and bear the energy, the self-command, the ready shrewdness, immediate decision, and, above all, the air of freedom that belong to the New England face. The frame is stalwart, the shoulders squarely held, the muscles of the bared forearm—the one that leans strongly on the plow, the one that strongly grasps the musket—are tense and unencumbered by flabby flesh; the great veins stand knotted on the strenuous hands. The man is alive from head to foot, and indeed we know not where there is better represented the momentary pause of vigorous action than in this noble statue.

The statue stands atop a 7 1/2-foot granite pedestal, which was cut from the same boulder as the older monument on the other side of the river. The east side of the pedestal, shown here in this view, has the first stanza of Emerson’s poem inscribed on it, and on the other side is the date of the battle and the date of its dedication. The site of the statue is 110 feet west of the bridge, in line with it and the other monument. This spot is said to be where Captain Isaac Davis fell during the battle, becoming one of the first colonists—and the first officer—to be killed in the American Revolution.

Today, nearly 150 years after it was unveiled here, and more than a century after the first photo was taken, the statue still stands guard over the Old North Bridge. The statue itself looks essentially the same as it did in the first photo, although the surrounding area has seen a few changes. At the time, the statue was surrounded by a hedge, which had originally been planted for erosion control. Another hedge of Japanese barberry was later planted here, although it was ultimately removed in the late 20th century. Other changes include the base of the statue. Concrete curbing was installed here in 1909, probably soon after the first photo was taken, and in the late 1950s it was replaced by new granite curbing, along with granite slabs at the front and back of the statue.

Over the years, The Minute Man has remained an iconic symbol of the American Revolution, as well as one of the most important works of 19th century American sculpture. French made a number of smaller copies of the statue, including one that is now held by the Smithsonian, and images of the statue have also appeared in a variety of other mediums. For the 150th anniversary of the battle in 1925, the statue was featured on the five cent commemorative stamp, as well as the Lexington and Concord commemorative half dollar, which was issued the same year. More recently, in 2000 it appeared on the Massachusetts state quarter, superimposed over an outline of the state. However, perhaps its most famous use is as the logo of the U. S. National Guard, where it represents the historic tradition of citizen-soldiers that was exemplified by the colonial minutemen of 1775.