Carpenters’ Hall, Philadelphia, Pennsylvania (2)

Carpenters’ Hall in Philadelphia, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

As explained in more detail in the previous post, Carpenters’ Hall is an important historic landmark in Philadelphia, having been the meeting place for the First Continental Congress in 1774. Over the ensuing years, it would be used for a variety of other purposes, including as a hospital during the American Revolution, as the offices of Secretary of War Henry Knox during the early 1790s, and as the temporary home of both the First Bank of the United States and the Second Bank of the United States. By the mid-19th century it had become an auction house, a comparatively undignified use that helped to inspire the restoration and preservation of the building in 1857.

By the time the first photo was taken at the turn of the 20th century, Carpenters’ Hall was more than 125 years old, but it still retained its colonial-era exterior appearance. However, by this point the building, which is situated at the end of a narrow alley in the middle of a city block, was hemmed in by much larger buildings. This would remain the case until the mid-century, when the Independence National Historical Park was created. Among the more controversial aspects of the park’s creation was the large-scale demolition of many historic 19th and early 20th century buildings, in order to create a more park-like setting that highlighted only the Revolutionary-era buildings.

Today, Carpenters’ Hall is now twice as old as it had been when the first photo was taken. However, because of the removal of so many surrounding buildings, its exterior setting now more closely resembles what it would have looked like when the delegates to the First Continental Congress arrived here in 1774. It is still owned by its original occupant, the Carpenters’ Company of the City and County of Philadelphia, and it is open to the public as one of the many preserved 18th century buildings here in Philadelphia.

Carpenters’ Hall, Philadelphia, Pennsylvania

Carpenters’ Hall, seen looking south from Chestnut Street in Philadelphia, in May 1859. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

One of the many important Revolutionary War-era landmarks in Philadelphia is Carpenters’ Hall, shown here in these two photos. Despite its rather unusual location at the end of a narrow alley in the midst of a city block, this building played an important role as the meeting place of the First Continental Congress, which convened here in September and October 1774. This gathering was attended by many of the future Founding Fathers, and it marked the first time that the various American colonies gathered together in response to grievances against the British government.

As is suggested by its name, Carpenters’ Hall was—and still is—owned by the Carpenters’ Company of the City and County of Philadelphia, a craft guild comprised of the city’s architects and builders. The building was designed by one of its members, the prominent architect Robert Smith, and the construction work began in 1770. It was not completed until 1775, but it was finished enough to allow its use as a meeting space as early as 1773. Then, in 1774, when the delegates arrived here in Philadelphia, they selected the building as their meeting space. John Adams described it in his diary on September 5, the first day that the First Continental Congress was in session:

At Ten, The Delegates all met at the City Tavern, and walked to the Carpenters Hall, where they took a View of the Room, and of the Chamber where is an excellent Library. There is also a long Entry, where Gentlemen may walk, and a convenient Chamber opposite to the Library. The General Cry was, that this was a good Room, and the Question was put, whether We were satisfyed with this Room, and it passed in the Affirmative. A very few were for the Negative and they were chiefly from Pensylvania and New York.

The convening of the First Continental Congress was largely motivated by the Intolerable Acts that the British had passed against Massachusetts, in response to the Boston Tea Party of 1773. Although the other colonies were not directly affected by these measures, which included closing the port of Boston and dissolving the colonial legislature, the Intolerable Acts raised fears in other colonies that their liberties could similarly be revoked by Parliament. A total of 12 colonies sent delegates to the Continental Congress, with only Georgia declining to participate.

The delegates who met here at Carpenters’ Hall included many leaders who would subsequently go on to play active roles in the American Revolution. The most notable of these were George Washington of Virginia and John Adams of Massachusetts, but other prominent delegates included Samuel Adams of Massachusetts, Roger Sherman of Connecticut, John Jay of New York, and Patrick Henry. However, despite the presence of radical figures like Samuel Adams and Patrick Henry, the assembly also included many moderates who opposed separation from Britain, including Isaac Low of New York and Joseph Galloway of Pennsylvania, both of whom ultimately became loyalists during the American Revolution.

At this point, few delegates were prepared to embrace political independence from Great Britain, so the First Continental Congress ultimately took a moderate stance. The delegates approved the Declaration and Resolves, which outlined colonial grievances against Britain, and they also created the Continental Association, an agreement that involved boycotting British goods while also threatening to ban exports to Britain if the Intolerable Acts were not repealed by the following September. In addition, they agreed to reconvene on May 10, 1775, as what would become the Second Continental Congress.

The First Continental Congress adjourned on October 26, 1774. When the delegates to the Second Continental Congress arrived here in Philadelphia just over six months later, they met in the Pennsylvania State House, now known as Independence Hall, rather than the much smaller Carpenters’ Hall. Aside from a different physical location, the Second Continental Congress also faced very different circumstances, as the American Revolution had begun just three weeks earlier with the battles of Lexington and Concord. The outbreak of war made it more difficult for the moderate delegates to continue advocating reconciliation, as shown by the harsh British response to the Olive Branch petition, and it would eventually lead to Congress famously declaring independence in 1776.

In the meantime, Carpenters’ Hall continued to be used by the Carpenters’ Company, but it also served a number of other roles during and after the Revolution. The Continental Army used it as a hospital and as storage for military supplies, and the British similarly used it as a hospital during their occupation of the city. Then, in 1790, when Philadelphia temporarily became the national capital, Secretary of War Henry Knox had his offices here in this building. A year later, the Carpenters’ Company built a second building here on this site, known as New Hall. The group moved their headquarters to this building, and Knox likewise moved his offices there. However, the Carpenters’ Company continued to rent out their original building to various tenants.

From 1791 to 1793, Carpenters’ Hall was occupied by the Bank of North America, and it subsequently became the temporary home of the First Bank of the United States from 1794 until 1797, when its permanent facility was completed about 50 yards to the east of here. The building’s next tenant was the Bank of Pennsylvania, and in 1798 it became the site of a major bank heist when thieves stole over $160,000 from the vaults. However, one of the men died just a few days later from yellow fever, and the other one was later arrested after attempting to deposit some of his stolen loot here at the bank that he had robbed.

During the early 19th century, Carpenters’ Hall served as the Philadelphia Custom House, and then from 1816 to 1821 it was the home of the Second Bank of the United States, which was located here during the construction of its own building on Chestnut Street. Several other organizations used the building in the 1820s, including the Philadelphia College of Pharmacy, the Musical Fund Society, and the Franklin Institute. Then, starting in 1828 it was rented by auctioneer C. J. Wolbert & Co., who used the building as his auction hall.

Carpenters’ Hall would remain in use as an auction house for nearly 30 years, but by the mid-19th century some began to lament the fact that such a historic building was being used for such base commercial purposes. In 1848, historian Benson J. Lossing visited the building, which at the time bore a banner on the façade advertising for Wolbert’s company. Lossing subsequently wrote about how the “very Temple of Freedom” was covered in the “placards of grovelling Mammon.” Continuing the biblical imagery, he challenged the people of Philadelphia, asking “[i]s there not patriotism strong enough in Philadelphia to enter the temple, and ‘cast out all them that buy and sell, and overthrow the tables of the money-changers?’”

The Carpenters’ Company ultimately chose to heed his words, and drove out the money-changers, in the metaphorical sense. In 1856, they voted to not renew Wolbert’s lease, and when he left the organization began restoring the building to its original appearance. It was rededicated on September 5, 1857, on the 83rd anniversary of the opening of the First Continental Congress. Reporting on the event the next day, the Sunday Dispatch praised the restoration of the building, writing about how the Carpenters’ Company,

determined that henceforth the old Hall should go into a respectable and dignified retirement, and that for the food it had already done, it should no more be the scene of traffic. The society have fitted the ancient Hall up in handsome style, and, while doing so, they have adhered as closely as practicable to the original plan of the building, and Carpenters’ Hall is now nearly in the same condition it was in when the historical events occurred which gave it importance. 

The first story, in which the first Continental Congress assembled, has been grained in imitation of oak, and such articles of new furniture as it was necessary to procure, have been made in a style to comport with the ancient relics preserved in the building, and which tradition says were used there by Congress in 1774. . . .

The Carpenters’ Society intend keeping the Hall sacred for the future, and citizens and strangers will be afforded an opportunity of visiting and inspecting this relic of the most interesting period of the city’s history.

The upper part of the building has been handsomely fitted up with a library and meeting room for the members of the society, and with rooms for the residence of the janitor and his family. In the library are several of the original fire buckets which belonged to the hall before the introduction of a hose.

Outside the Hall, in front of the building, a neat grass plot and flower beds have been laid out, and handsome lamps occupy the sides of the main entrance. The inside of the building has also been supplied with elegant and appropriate chandeliers, brackets, &c., which were designed purposely by their manufacturers.

The first photo was taken less than two years later by Frederick De Bourg Richards, as part of an effort to document Philadelphia’s historic buildings. It shows the north side of the building, looking down the narrow alley connecting it to Chestnut Street. The buildings in the foreground hide much of Carpenters’ Hall, and the one on the right also blocks the view of New Hall, which stood just to the northwest of Carpenters’ Hall. These modern buildings provide an interesting contrast to the old colonial-era landmark, in particular the advertisements for California-bound steamships, which indicate just how much the nation had changed since the First Continental Congress convened here less than a century earlier.

Today, more than 160 years after the first photo was taken, much of this scene has changed. At some point New Hall was demolished, as were the commercial buildings in the foreground. Some of these may have been demolished as part of the creation of the Independence National Historical Park, which involved the removal of most 19th century buildings across several city blocks. However, Carpenters’ Hall itself is still standing in the distant center of this scene. It is still owned by the Carpenters’ Company, and it is open to the public with free admission. In the present-day scene, it is joined here by a 1960s reconstruction of New Hall on the right, which now serves as the New Hall Military Museum, and on the left by the Pemberton House, a 1960s reconstruction of a colonial-era mansion.

Mercantile Library, Philadelphia, Pennsylvania

The Mercantile Library at the corner of Fifth Street and Library Street in Philadelphia, in December 1858. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

Prior to the second half of the 19th century, public libraries were essentially nonexistent in the United States. Instead, most cities had library organizations that were open to subscribing members. Among the first of these was the Library Company of Philadelphia, which was established by Benjamin Franklin in 1731, but by the early 19th century Philadelphia had several other libraries, including the Mercantile Library. It was established in 1821, and it was originally intended to serve primarily merchants and merchants’ clerks. However, its membership eventually expanded beyond the mercantile industry, and it became a popular library among the general public.

The library was housed in a series of different locations during its early years, but in 1845 this building was completed here at the corner of Fifth and Library Streets. It was designed by prominent Philadelphia architect William L. Johnston, and it featured a Greek Revival exterior, including a columned portico here on the Fifth Street side of the building. The building was dedicated on September 6, 1845, with a ceremony that included a keynote speech by Congressman Joseph Reed Ingersoll, who would later become the United States Minister to Great Britain.

The first photo shows the building a little over a decade later, in 1858. By this point the library had around two thousand members, and around 20,000 books in its collection. Its most popular items were novels, which accounted for 60 percent of the books checked out in 1858. As described in the 1884 History of Philadelphia, the library focused on developing its collection of novels, as the librarians saw it as “their duty to gratify popular tastes, taking care, however, not to furnish material for abnormal or morbid appetites.” Because of this, the novels were carefully curated, to avoid any “immoral or pernicious works” in the library.

By 1868 the library had grown to a membership of 6,387, and a total of 52,000 books. The following year, the library sold this building and relocated to a new facility on Tenth Street. It continued to prosper throughout much of the 19th century, but then in 1894 the Free Library of Philadelphia opened, which provided a free alternative to subscription libraries. The Mercantile Library was ultimately absorbed into the public library system, with its Tenth Street location becoming a branch library.

In the meantime, the old building here on Fifth Street was converted into offices. By the early 1870s it was owned by Horatio N. Burroughs, and it became known as the Burroughs Building. It was ultimately demolished around 1925, and this site is now open parkland as part of the Independence National Historical Park.

Library Hall, Philadelphia, Pennsylvania

Library Hall, on Fifth Street near Chestnut Street in Philadelphia, in February 1859. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Collection.

The scene in 2019:

The Library Company of Philadelphia was established in 1731 by Benjamin Franklin as the first lending library in the present-day United States. At the time, free municipally-supported libraries were still more than a century in the future, but Franklin’s library functioned as a sort of quasi-public library, making books available to subscribing members. These types of subscription libraries would become common in America in the late 18th and early 19th centuries, and the Library Company of Philadelphia served as a model for many of these.

During its early years, the library did not have a permanent home. Instead, it was successively located in several different rented spaces, including the second floor of Carpenters’ Hall, which was occupied by the library starting in 1773. However, the library wanted a building of its own, a move that Franklin himself encouraged. So, in 1789 the library solicited designs for a new building, stipulating that it should measure 70 feet by 48 feet, and be two stories in height. The winning entry came from a rather unlikely source in William Thornton, a physician who had no architectural training and had never before designed a building. This would not be the only such competition that he would win, though. Four years later, George Washington selected his design for the U.S. Capitol building in Washington, D.C.

The new building, known as Library Hall, was built here on the east side of Fifth Street, a little south of Chestnut Street. This was an important location, as it was less than a block away from both Independence Hall, where the state legislature met, and Congress Hall, which would serve as the national capitol from 1790 to 1800. Construction began on Library Hall in 1789, and the cornerstone was laid on August 31. The stone featured an inscription written by Benjamin Franklin, who was still alive more than 50 years after he established the library. However, he would not live to see the building completed; he died on April 17, 1790, and the library moved into it around October. Two years later, the library added a marble statue of Franklin, which was installed in the niche above the front entrance.

The building’s completion occurred around the same time that the national government returned to Philadelphia, after a seven-year absence. The city would remain the capital for the next ten years, before the government moved to Washington. At the time, there was no Library of Congress, so the Library Company of Philadelphia served as the de facto national library for members of Congress during these formative years in the country’s history.

Also during this time, the library continued to expand its collections. In 1792 it absorbed the nearby Loganian Library, with its nearly 4,000 volumes. Although just completed, the new building here on Fifth Street was already too small, requiring a new wing to the rear that opened in 1794. This growth would continue into the 19th century, through a variety of bequests and purchases from private collections. By 1851, the library had around 60,000 volumes, making it the second-largest in the United States, behind only Harvard’s library.

As a result, the library was again in need of more space. A solution to this problem came in 1869, when Dr. James Rush left the library nearly $1 million in his will, for the purpose of constructing a new building. However, it came with stipulations, most significantly that it had to be located at the corner of Broad and Christian Streets in South Philadelphia. This was far removed from the city center, and from the homes of most of the library’s patrons, so the gift caused considerable controversy. By a very narrow margin, library members ultimately voted to accept it, and the building—known as the Ridgway Library—was completed there in 1878. Because of its remoteness, though, the building was used primarily for storage and for housing rare books.

Around the same time that the Ridgway Library was completed, the Library Company began constructing a new downtown building. With a more convenient, central location, this would serve primarily as a lending library, and its collection focused on modern works. It opened in 1880 at the corner of Juniper and Locust Streets, replacing this Fifth Street building as the Library Company’s downtown facility. The old building was then sold, and it was demolished in the late 1880s to make way for an addition to the adjacent Drexel Building.

The Drexel Building was demolished in the 1950s as part of the development of the Independence National Historical Park. This project involved demolishing entire blocks in the area adjacent to Independence Hall, leaving only the most historically-significant buildings as part of the park. Most of this cleared land then became open space, but here on Fifth Street the Drexel Building was replaced by a replica of the old Library Hall. This building was completed in 1959 as the home of the American Philosophical Society.

Today, there is little evidence of the changes that have occurred here since the first photo was taken in 1859. Despite being barely 60 years old, the new building has the appearance of being from the 18th century, and it fits in well with the nearby historic buildings. There are hardly any differences between its exterior and that of its predecessor, and it even has a replica of the Franklin statue in the niche above the door. In the meantime, the original statue is probably the only surviving object from the first photo. The marble is now badly weathered, but it is on display inside the current home of the Library Company of Philadelphia, at 1314 Locust Street.

East India Marine Hall, Salem, Mass

East India Marine Hall on Essex Street in Salem, around 1910-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

The Peabody Essex Museum in Salem is one of the oldest museums in the United States, with a complex lineage that traces back to 1799, with the formation of the East India Marine Society. At the time, Salem was one of the most prosperous seaports in the country, with merchants who were among the first Americans to trade with southeast Asia. The society was established by local captains with several goals, including sharing navigational information, providing aid to families of members who died, and collecting artifacts and other interesting objects from the East Indies. Membership was limited to captains and supercargoes of Salem vessels who had sailed beyond either the Cape of Good Hope or Cape Horn.

The organization moved into its first permanent home in 1825 with the completion of East India Marine Hall, shown here in these two photos. The building was formally dedicated on October 14 of that year, in a ceremony that was attended by many noted dignitaries. These included President John Quincy Adams; Congressman and former Secretary of the Navy Benjamin W. Crowninshield; Associate Justice Joseph Story of the U. S. Supreme Court; former Senator, Postmaster General, Secretary of War, and Secretary of State Timothy Pickering; and famed navigator and mathematician Nathaniel Bowditch.

The building was designed by Boston architect Thomas Waldron Sumner, and it features a Federal-style design with a granite exterior here on the main facade, which faces Essex Street. Originally, the main entrance was located in the center of the building on the ground floor, and it was flanked by storefronts on either side. These storefronts have long since been altered, but the names of the first two commercial tenants—the Asiatic Bank and the Oriental Insurance Company—are still carved in the granite above the ground floor. The East India Marine Society itself was located on the second floor, which consisted of a large open hall.

Despite the grand celebration for the completion of this building, though, Salem was already in decline as a seaport. Both the Embargo Act of 1807 and the subsequent War of 1812 had crippled Salem’s shipping, and it never fully recovered, with much of the international trade shifting to other northeastern ports, such as Boston and New York. Elsewhere in New England, the region’s economy was transitioning from trade to manufacturing, and Salem’s growth had stagnated by the mid-19th century, even as nearby industrial cities such as Lowell experienced rapid increases in population.

Because of this, the East India Marine Society faced dwindling membership, and by the 1850s it began considering selling objects from its collections in order to remain financially viable. However, prominent London financier George Peabody—a native of the neighboring town of Peabody—intervened, and in 1867 he established a $140,000 trust fund. The museum was then reorganized as the Peabody Academy of Science, for the “Promotion of Science and Useful Knowledge in the County of Essex.” As part of this, the natural history collections of the Essex Institute, which had been established in Salem in 1848, were transferred to the Peabody. In exchange, the Essex Institute received the Peabody’s history collections.

The Peabody Academy of Science continued to use the East India Marine Hall, but over the years it made some significant alterations to the building. In the mid-1880s the museum added a wing, known as Academy Hall, to the southeast corner of the original building. It stands in the distance on the left side of the first photo, and the sign for it is visible just beneath the awning. Then, in 1904 the storefronts were removed and replaced with museum exhibit rooms, and around this time the original front entrance was also closed. A new one-story entryway was then built on the right side of the building, as shown in the first photo. This photo also shows a large anchor in front of the building. It was made sometime around the turn of the 19th century, and it was donated to the museum by the United States Navy in 1906.

In 1915, around the same time that the first photo was taken, the Peabody Academy of Science was renamed the Peabody Museum of Salem. Throughout the 20th century, the museum continued to expand with more additions, reaching as far back as Charter Street on the other side of the block. From here on Essex Street, probably the most visible change was the addition of a large Brutalist-style wing on the left side of the original building, which was completed in 1976.

Then, in 1992 the Peabody Museum of Salem merged with the Essex Institute, forming the Peabody Essex Museum. Since then, its facility has grown even more, with new wings that were completed in 2003 and 2019. This most recent addition, which opened the same year that the second photo was taken, was built on the right side of this scene. It involved the demolition of the old 1904 entryway from the first photo, and now the original East India Marine Hall is almost completely surrounded by newer buildings. However, the main facade has remained largely unchanged throughout this time, and it remains an important landmark in downtown Salem nearly two centuries after its completion.

Masonic Temple, Springfield, Mass

The Masonic Temple on State Street in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The building in 2019:

The first Masonic organization in Springfield was the Hampden Lodge, which was established in 1817. The lodge originally met at the Hampden Coffee House on Court Square, and throughout most of the 19th century Springfield’s Freemasons met in a succession of rented quarters in the downtown area. However, in 1893 they moved into a building of their own, at the corner of Main and State Streets. This was used for the first few decades of the 20th century, but by the early 1920s the Freemasons were looking to construct a new building, located on this site further up State Street, opposite the Armory.

The new Masonic Temple was designed by local architects Edward McClintock and Charles Craig, both of whom were Freemasons, and it featured a Classical Revival-style design with an exterior of Indiana limestone. The architects also borrowed from ancient Egyptian and Assyrian designs, which was done, according to a contemporary article in the Springfield Republican, in order to “symbolically link the mythology of the past to the reality of the present and represent the earliest beginnings of Freemasonry.” On the interior, the building included lodge rooms on the first and second floors, and the third floor consisted of a large auditorium that could seat up to 1,500 people.

Construction began in October 1923, although the cornerstone was not laid until June 24, 1924. The building was completed by early 1926, and it was formally dedicated on February 16, 1926. The ceremony was attended by a variety of state and local Masonic leaders, including Frank L. Simpson, the Grand Master of the Grand Lodge of Massachusetts. After the ceremony, over 500 people gathered in the basement for a banquet, before moving upstairs to the auditorium for speeches by Simpson and other Masonic dignitaries.

The building was used by the Freemasons for far longer than any of their previous locations in Springfield, but they ultimately sold the building in 2007, amid high maintenance costs and declining membership. It was sold to a church organization and renamed the Basilica of the Holy Apostles, but the new owners faced similar financial challenges in trying to maintain and improve the building, so it was sold again just a few years later. Since then, the building has undergone a major renovation to convert it into the new home of the Springfield Conservatory of the Arts School. This work was still ongoing when the first photo was taken during the spring of 2019, but it was completed later in the year, with the building reopening in the fall of 2019.