U.S. Post Office and Courthouse, Rock Hill, South Carolina

The U.S. Post Office and Courthouse at the corner of East Main and Caldwell Streets in Rock Hill, on March 6, 1933. Image courtesy of the National Archives.

The scene in 2020:

The city of Rock Hill experienced dramatic population growth during the late 19th and early 20th centuries, increasing from under a thousand in 1880 to over 11,000 by 1930. A new post office was built in Rock Hill in 1906, but within just a few decades the city had outgrown this space, requiring the construction of a new federal building. Work began on this building in the summer of 1931, and it was completed less than a year and a half later, in November 1932.

The first photo was taken a few months later, showing the view of the building from the southwest. At the time, the post office was located on the ground floor, with the federal district courtroom on the second floor. Further in the distance of this scene, on the right side of the two photos, is the First Baptist Church, which was built in 1920 and features a similar Classical Revival design with a yellow brick exterior. The third historic building in this scene is the Andrew Jackson Hotel, which opened in 1926 and is barely visible beyond the church on the far right.

Today, nearly 90 years after the first photo was taken, Rock Hill has continued to increase in population. The city’s postal needs ultimately outgrew this building after just a few decades, and in 1971 the post office moved to a new, larger facility. The old building was subsequently sold to the city of Rock Hill, and it is now known as the Gettys Art Center. The old courtroom is now a performing arts venue, and the rest of the building houses office and studio space for local artists and organizations. Despite these changes, though, this scene has remained essentially unchanged since the 1930s, and all three buildings here are part of the Rock Hill Downtown Historic District, which was added to the National Register of Historic Places in 1991.

Henry Howser House, Cherokee County, South Carolina (2)

The front entrance of the Henry Howser House on the grounds of the Kings Mountain National Military Park in South Carolina, in 1938. Image taken by Frances Benjamin Johnston, courtesy of the Library of Congress, Carnegie Survey of the Architecture of the South.

The scene in 2020:

As discussed in more detail in the previous post, this house was built in 1803 by Henry Howser, a stonemason whose name appears on the lintel above the front door here. He lived here for the rest of his life, until his death in 1822, and the property would remain in his family for many generations, before being sold by his great-great grandsons in 1918.

Howser was originally from Pennsylvania, and he drew inspiration from that state’s architectural styles when building this house. As a result, its design bears little resemblance to other rural farmhouses in early 19th century South Carolina, particularly in the use of stone. These two photos show some of the detail of Howser’s stonework, which consisted of coursed ashlar here on the main facade, with stones of varying colors and sizes.

The first photo shows a glimpse of the interior of the house, which is also modeled on Pennsylvania German architecture. Known as a kuche and stube layout, the first floor featured a large kitchen, or “kuche,” that occupied more than half of the floor, including everything to the right of the doorway. The remaining part of the first floor was divided into two rooms, one of which would have been the parlor, or the “stube.” Likewise, the second floor is divided into three rooms, one of which was larger than the other two combined.

The Howser family did not consistently live here after the death of Henry’s daughter-in-law Faithy in 1882, but they often rented the property to tenant farmers. After they sold it in 1918, the new owners continued renting it, but it steadily deteriorated over the years. By the time the first photo was taken in 1938, almost all of the windows were broken, and the front door appeared to be off its hinges, leaving the house exposed to the elements.

Also in 1938, the National Park Service acquired this property, and it became part of the Kings Mountain National Military Park, which commemorates a pivotal battle in the southern theater during the American Revolution. However, because the house was built more than 20 years after the battle, it did not have any direct connection to it. Perhaps for that reason, the National Park Service did not fully restore it until the 1970s, when the stonework was repointed, the interior was rehabilitated, and the sheet metal roof was replaced with a shingled one.

Today, the house is still standing here, and it is in much better condition than it was when the first photo was taken. It survives not only as a rare example of its architectural style in the south, but also as a reminder of the ways in which the land use of the battlefield has changed over the years. However, it is situated in a secluded area on the edge of the park, far from the main battlefield site, so it receives few visitors and is only open for tours several times each year.

Henry Howser House, Cherokee County, South Carolina

The Henry Howser House on the grounds of the Kings Mountain National Military Park in South Carolina, in 1938. Image taken by Frances Benjamin Johnston, courtesy of the Library of Congress, Carnegie Survey of the Architecture of the South.

The house in 2020:

The Battle of Kings Mountain was an important battle in the southern theater during the American Revolution. Fought in the rural northwestern part of South Carolina on October 7, 1780, the battle was a significant Patriot victory that helped shape the subsequent events in the war. In the battle, a Patriot militia force surprised and defeated a larger Loyalist militia force, resulting in 290 Loyalists dead and 668 captured, compared to just 28 Patriots killed. The outcome caused Lord Cornwallis to delay his planned invasion of North Carolina, which led to the even more decisive Battle of Cowpens three months later.

After the war, this area of South Carolina remained very rural. Then, in 1788 Henry Howser, a stonemason from Pennsylvania, moved here and purchased much of the former battlefield. He constructed this house in 1803, as indicated by the lintel above the front door, in which he carved “Henry Howser – Stone Mason / Jane Howser 1803.” The Jane here was apparently his wife, Christina Jane Howser, although other sources claim that this Jane Howser was an enslaved stonecutter who assisted Henry with the construction.

Henry Howser became a wealthy man here in South Carolina, and he is variously listed as a farmer and distiller, in addition to being a stonemason. Unlike the large-scale plantations in other parts of South Carolina, Howser’s farm did not have massive numbers of enslaved laborers, but during the 1810 census he did have three slaves here, and a decade later he had four. He died in 1822, leaving a personal estate that was valued at $5,353, not including his extensive real estate holdings.

Henry’s son, who was also named Henry, subsequently acquired this house, where he lived until his death in 1842. The property then passed to his wife, Faithy, who outlived him by 40 years. By the 1850 census, she was 55 years old and living here with David Howser, who appears to have been her son. In addition, she had a 42-year-old enslaved woman and a ten-year-old enslaved boy, neither of whom are identified by name on the census. At the time, her land was valued at $3,500, which included the house and 100 acres of improved land, along with 800 acres of unimproved land. Her farm produced a variety of crops that year, in particular wheat, corn, and oats. She also had four horses, four milk cows, eight other head of cattle, a sheep, and 13 swine.

Faithy Howser died in 1882, but the property remained in the family for several more generations. Her grandson, Lawson Howell, acquired it in 1884, followed by his sons Aaron and J. Grigg Howell in 1911. For most of this time, Lawson and his sons rented the house to tenant farmers, although J. Grigg Howell did live here from 1915 to 1918. He and Aaron then sold the property, more than a century after their great-great grandfather built it.

Under new ownership, the house continued to be rented to tenants, including Tom Morris, who lived here from 1919 until around the mid-1920s. In the 1920 census he was 50 years old, and he was living here with his wife Maggie, their daughters Mary and Julia, Julia’s husband James Norman and infant daughter Pauline, and Tom’s mother Sallie. Tom’s occupation was listed as a general farmer, his daughters were listed as laborers on a home farm, and James Norman was a sawyer.

In 1931, the federal government created the Kings Mountain National Military Park, in order to preserve the nearby battlefield site. The Howser House was not originally a part of this park, but in 1938 the National Park Service purchased this property and added it to park. The first photo was taken around this time, by prominent photographer Frances Benjamin Johnston. Her project, known as the Carnegie Survey of the Architecture of the South, involved photographing thousands of buildings in the southeast, which ranged from exquisite mansions to dilapidated ruins. By the time she documented the Howser House, it was much closer to the latter category, having evidently been abandoned for some time. The photo shows hardly a shard of glass remaining in any of the window panes, and the front door was likely wide open long before Johnston arrived, exposing the interior to the southern elements.

Even after the National Park Service acquired the house, its condition did not improve for many years. The doors and windows were boarded up in 1941, offering some protection for the house, but otherwise it was largely neglected. This was perhaps because the house was not directly related to the battle itself, and because of its remote location near the northwestern fringe of the park. However, the house was ultimately restored in the 1970s, including repointing the exterior walls, repairing the interior woodwork and walls, and replacing the sheet metal roof with a shingled roof.

Today, unlike so many of the other decaying southern homes that Frances Benjamin Johnston visited in the 1930s, the Howser House is in much better condition than it was when she took the first photo more than 80 years ago. However, with its closed shutters and deteriorating roof, it retains a somewhat bleak appearance, which is only enhanced by its secluded location within the park. The house seems to be rarely visited by tourists to the park, and the restored interior is only open for tours several times a year. Nonetheless, it survives as an important early 19th century architectural work, and as an unusual example of a Pennsylvania-style stone house in South Carolina.