1900s

John Jack Gravestone, Concord, Massachusetts

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The gravestone of John Jack at Old Hill Burying Ground in Concord, around 1904. Image from The History of Concord, Massachusetts (1904).

The gravestone in 2023:

It is rare to find surviving colonial-era gravestones for African Americans in New England. Although the region had a sizeable population of enslaved and free people of color during this time, most were buried in unmarked graves, often on the far edges of the town burial grounds. The few gravestones that do exist for enslaved people were apparently commissioned by the families that enslaved them, with inscriptions that often describe them as being their “servant.”

In this regard, the gravestone for John Jack is particularly unusual. Rather than simply identifying him as the servant of a master, the inscription tells the story of his enslavement and subsequent freedom, and in the process it delivers a striking rebuke of the institution of slavery. It reads:

God wills us free, man wills us slaves.
I will as God wills Gods will be done.
Here lies the body of
JOHN JACK.
A native of Africa who died
March 1773, aged about 60 years.
Tho’ born in a land of slavery,
He was born free.
Tho’ he lived in a land of liberty,
He lived a slave,
Till by his honest, tho’ stolen labors,
He acquired the source of slavery
Which gave him his freedom,
Tho’ not long before,
Death the grand tyrant
Gave him his final emancipation,
And set him on a footing with kings.
Tho’ a slave to vice,
He practised these virtues
Without which kings are but slaves.

As the epitaph indicates, John Jack was born in Africa, probably sometime around 1713. At some point he was kidnapped and sold into slavery, and by the 1750s he was in Concord, where he was enslaved to Benjamin Barron, a shoemaker. As an enslaved man, he did not have a surname. Instead, he was referred to in many historical records simply as Jack, or as Jack Negro. Barron died in 1754, and the inventory of his property included Jack, who was valued at 120 pounds, along with “One Negro maid named Vilot, being of no vallue.”

Jack later purchased his freedom, and by 1761 he had acquired enough wealth to become a landowner. That year, he purchased four acres from Benjamin’s daughter Susanna Barron, and he also purchased two more acres from another seller around the same time. He later bought another two and  half acres and built his house on it. According to the 1902 essay John Jack, the Slave and Daniel Bliss, the Tory by George Tolman, John Jack did a variety of work for local farmers, including assisting with haying and pig slaughtering, and he also supposed himself by repairing shoes, a skill that he had likely learned during his time in slavery.

He died in March 1773, and in his will he left his entire estate “to Violet, a negro woman, commonly called Violet Barnes, and now dwelling with Susanna Barron of said Concord.” However, it seems unclear whether she actually benefitted from this bequest. Because she was still enslaved, she could not own property on her own, and any property given to her would instead have belonged to her enslaver.

John Jack’s death occurred right around the time that Revolutionary sentiment was rapidly growing in and around Boston. Many prominent figures spoke of ideals such as freedom and liberty, but in many cases they were also slaveowners, including Concord’s own minister, the Rev. William Emerson, who enslaved at least four people. This irony was not lost on some people, including Concord lawyer Daniel Bliss, who held loyalist views despite being the brother in law of Rev. Emerson, who was an outspoken patriot.

Shortly after John Jack’s death, Bliss commissioned this gravestone for him, and likely wrote the famous epitaph himself. The epitaph features a series of antithetical statements that, among other things, declare slavery to be a violation of God’s will and a contradiction to the values that the patriot leaders were expressing. There is a considerable amount of irony, such as how he was born free “in a land of slavery” but lived as a slave “in a land of liberty.” The epitaph also alludes to the “source of slavery,” (i.e. money), and how acquiring it ultimately resulted in gaining his freedom. But, despite his former status as a slave, the epitaph mentions how death is the great equalizer, and how he is now both slaves and kings ultimately share the same fate.

It did not take long for this epitaph to become famous. Supposedly, several British soldiers stopped by the burying ground on a visit to Concord in March 1775, and they copied the epitaph and sent it back across the Atlantic, where it was republished in British newspapers. By the late 18th century, the text of the epitaph was being published on a regular basis in American newspapers, especially after Massachusetts became the first state to abolish slavery in the 1780s. For example, Boston’s Independent Chronicle and the Universal Advertiser published it in 1791 at the request of a customer, who described it as “greatly admired by the curious, for its ingenious and striking antithesis.” This would continue into the 19th century, especially as abolitionist sentiment grew in the north.

The original gravestone stood here for nearly 50 years, but it was destroyed sometime in the late 1810s, evidently in an act of vandalism. The May 27, 1819 issue of the Middlesex Gazette reported that “[t]he following lines were inscribed on a stone, which was in good preservation, about two years since. Some person, or persons, however, from evil disposition, no doubt, have entirely demolished it.” The broken remains of the original stone laid here for about a decade, until lawyer Rufus Hosmer of Stow started an effort to replace it with a new stone. He and other members of the Middlesex County Bar Association collected funds, and around 1830 commissioned a new stone, which bears the same inscription as the original one. This is the stone that stands here today, and it is the one that is also shown in the top photo around the turn of the 20th century.

By the 1830s, the abolitionist movement had grown strong in Concord and in other places throughout New England. The new gravestone became an important symbol for local abolitionists, and the gravesite was maintained by Mary Rice, who planted lilies here, cleaned lichen off the gravestone, and trimmed the grass around the stone. In his 1902 essay, George Tolman described her as:

[A] little old gentlewoman who lived hard by; quaint in dress and blunt of speech, and with the kindest heart that ever beat; eccentric to a marked degree even among the eccentric people that Concord has always been popularly considered to abound in. She was devoted to all the “reform” causes of the day, and particularly to the anti-slavery movement, and was an active and enthusiastic agent of the “Underground Railway,” an institution by the way, of which Concord was one of the principal station. Many a fugitive found refuge, and, if needed, concealment, in her cottage or from her scanty purse was furnished the means to help him onward toward a free country. To her the epitaph of John Jack had a meaning; it was more than a mere series of brilliant antitheses; it was a prophecy and a promise. The humble grave upon the hillside was a holy sepulchre; its nameless tenant was the prophet and Messiah of the gospel of freedom.

Today, nearly 200 years after the replacement stone was installed here, it remains in good condition. It is made of durable slate, and its inscription is still easily legible, although the lighting was not ideal in the bottom photo. It stands as an important reminder of the history of slavery in New England, and of the contradictions that many Americans dealt with in trying to reconcile the revolutionary-era ideals of freedom and liberty with the practice of slavery. At the end of his essay on the gravestone, George Tolman expressed this quite eloquently in contrasting the stone to the other famous monuments here in Concord:

In the public square at Concord stands a monument to the memory of her sons who, in the late civil war, gave up their lives in defence of the principle of national freedom and unity; by the side of her quiet river her noble Minute-man keeps his unceasing watch over the spot where her sons stood to defend the principle of national independence. Both of these monuments are typical of political, and, in a sense, local and restricted ideas, narrow principles touching merely institutions and policies. But earlier than either, over the grave of a nameless slave in her ancient burying ground, stands the plain gray slab of slate that typifies the far higher idea which is of the constitution of humanity itself,—the principle of individual personal liberty.

We look in vain in the writings of speeches of our patriot fathers for any enunciation of this principle, for any condemnation of slavery as a sin against the moral government of the world. That was reserved for the man they called a Tory,—the man who believed that personal freedom was the God-given birthright of humanity, and whose clear and intelligent vision pierced through the mists of future years to the glorious time when that birthright should be everywhere acknowledged.

Ralph Waldo Emerson House, Concord, Massachusetts

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The house at 28 Cambridge Turnpike, near the corner of Lexington Road in Concord, around 1900-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2023:

This house was built in 1828 by John T. Coolidge for his son, Charles Coolidge. However, it is most famous for having been the longtime home of Ralph Waldo Emerson, who purchased the house from the Coolidge family in 1835. He was in his early 30s at the time, and he lived here for the rest of his life, until his death in 1882.

Ralph Waldo Emerson was born in Boston in 1803, but he had Concord roots. His grandfather, William Emerson, had been the pastor of the church in Concord, and lived in the Old Manse until his death in 1776 while serving in the Continental Army. William’s eldest son, William, also became a pastor, serving at the First Church in Boston, and William Emerson Jr.’s son, Ralph Waldo Emerson, likewise continued the family legacy and entered the ministry. He was ordained as pastor of the Second Church in Boston, but he began to struggle with doubts about his faith, especially after his wife Ellen’s death in 1831. He resigned his position at the church a year later, and then spent the next year overseas in Europe.

In 1834, Emerson moved to Concord, where he lived with his grandmother’s second husband Ezra Ripley at the Old Manse. It was there that he wrote some of his early works, including his philosophical essay “Nature,” which laid out many of the tenets of Transcendentalism. Then, in 1835 he married his second wife Lidian and purchased this property as their home. The house had previously been known as “Coolidge Castle” but Emerson renamed it “Bush.”

Over the next few decades, Emerson rose in prominence as one of the leading American philosophers. He was known for his lectures and essays, the most famous of which included “The American Scholar” and “Self-Reliance.” He influenced many other figures in the Transcendentalist movement, including most notably fellow Concord resident Henry David Thoreau. Lidian was also involved in Transcendentalism, particularly on the more practical political and social side of the movement. Among other causes, she was active in reform movements such as abolitionism, women’s rights, and the humane treatment of animals.

From 1841 to 1843, Henry David Thoreau lived here with the Emersons. He was in his mid-20s, about 15 years younger than the Emersons, but he formed a close friendship with both Ralph Waldo and Lidian. This relationship, particularly between Thoreau and Lidian, has led to recent speculation about whether this was a strictly platonic friendship, or whether Thoreau—a lifelong bachelor with no known romantic partners—harbored romantic feelings for Lidian. Either way, the Emersons had a significant influence on Thoreau’s beliefs and writings. A few years after he moved out of the house, he began his famous two-year-long stay in a cabin at Walden Pond, which he built on land that was owned by Ralph Waldo Emerson. Thoreau stayed at the cabin until September 1847, and he then returned to the Emerson house, where he lived until 1848.

The Emersons lived here for the rest of their lives, and they had four children here, three of whom lived to adulthood. Probably the most significant change to the house during their ownership came in July 1872, when a fire started in the attic. It burned the roof, along with much of the second floor, but the rest of the house was saved and it was soon rebuilt. Ralph Waldo Emerson died in 1882 at the age of 78, and Lidian died 10 years later at the age of 90.

The top photo was taken around the turn of the 20th century, when their oldest surviving child Ellen was still living here. She died in 1909, and her siblings subsequently inherited the house. Today, the house is still owned by descendants of the Emerson family, with few changes since the top photo was taken more than a century ago. It is preserved as a museum, and it is seasonally open to the public for tours.

Pellet-Barrett House, Concord, Massachusetts

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The house at 5 Lexington Road in Concord, around 1895-1905. Image courtesy of the Boston Public Library.

The house in 2023:

The house in these two photos stands on the north side of Lexington Road, just to the east of Monument Square in the center of Concord. The main portion of the house was built around 1728-1729, but according to its MACRIS inventory form, the rear wing of the house is even older, possibly dating to the 1670s. Assuming that date is accurate, the earliest owner of the house appears to have been Mary Dane Pellet, who lived here with her husband Thomas Pellet. The property remained in the Pellet family until 1706, when their son Daniel Pellet sold it to Josiah Blood. By 1728 the house was owned by Edward Flint, and then by the 1730s by Benjamin Barrett.

The main portion of the house, with the gambrel roof, appears to have been built by either Flint or Barrett. Subsequent 18th century owners included Ezekiel Brown Jr., a merchant who fell into debt in the years leading up to the American Revolution. His creditors had him imprisoned in Boston, during which time he studied medicine and later served as a surgeon in the Continental Army during the Revolution. However, after the war his creditors again pursued him, and he landed in jail in the late 1780s and ultimately lost his house.

The next owner was Abel Barrett, who purchased it from Brown’s creditor in 1792. The Barrett family owned it until 1818, and then sold it to Elisha Tolman, a shoemaker and church deacon who lived here until his death in 1858. According to the MACRIS inventory, Tolman likely made shoes in the wing on the west side of the house, in the distance on the left side of this scene. His son Benjamin subsequently acquired the property, and he and his wife Anne continued to own it throughout the rest of the 19th century, although it appears to have been used as a rental property for some of that time.

By the time the top photo was taken at the turn of the 20th century, the house was still owned by the Tolman family. However, the Tolmans sold it in 1908, and then a year later it was purchased by the Old Concord Chapter of the Daughters of the American Revolution (DAR). Under the leadership of Harriet Lothrop, a noted children’s book author and historic preservationist, the DAR restored the house and used it as its headquarters for many years. During this time, the DAR added a wing on the back of the house in 1929. The organization ultimately sold the house in 1951.

Today, more than a century after the top photo was taken, there have not been very many changes to this scene. Both this house and the neighboring house to the left are still standing, as is the Colonial Inn in the distance on the far left side. The house is now apartments, with four units according to the town assessor’s property card. It stands as one of the many surviving 18th century homes that line Lexington Road, and it is a contributing property in the the Concord Monument Square–Lexington Road Historic District, which was added to the National Register of Historic Places in 1977.

Lexington Road, Concord, Massachusetts

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The view looking east on Lexington Road in Concord, around 1895-1905. Image courtesy of the Boston Public Library.

The scene in 2023:

These two photos show the row of historic homes that line the north side of Lexington Road, just to the east of the town center of Concord. Most of these homes have been featured in more detail in previous posts, including, starting in the foreground on the left side, the c.1752-1753 John Ball House. The next house, which does not yet have its own individual post on this site, is located at 47 Lexington Road, and it is said to have been built around 1650 as the home of Thomas Dale, although it was later enlarged in the 18th century. Beyond it is the c.1817 Captain John Adams House, and farther in the distance is the c.1720 Reuben Brown Saddler’s Shop and the c.1720 Reuben Brown House.

More than a century later, all of the houses from the top photo are still standing. A few of the trees also appear to be the same, including the elm in the foreground and the large sycamore in the distant center of the scene. Because of its level of preservation, and because of the road’s association with the Battle of Concord at the start of the American Revolution, this section of Lexington Road is part of the Concord Monument Square–Lexington Road Historic District, which was added to the National Register of Historic Places in 1977.

Captain John Adams House, Concord, Massachusetts

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The house at 57 Lexington Road in Concord, around 1895-1905. Image courtesy of the Boston Public Library.

The house in 2023:

The house in these two photos was built around 1817, making it relatively young compared to its colonial-era neighbors that line the north side of Lexington Road. It is an excellent example of Federal style architecture, and it was built for Captain John Adams, a shopkeeper who lived here with his family until 1831. According to the building’s MACRIS inventory form, the house was then divided into two separate units, with each one having a series of owners throughout the rest of the 19th century.

The top photo was taken around the turn of the 20th century, when it was owned by William and Marcella Brown. It was during their ownership that the house reverted to a single-family home, but they evidently never lived in it. Instead, they used it as a rental property, with tenants who included the prominent musician and music educator Thomas Whitney Surette. Thomas and his wife Ada lived here for the rest of their lives, and eventually purchased the house in the 1920s. She died in 1937, and Thomas died in 1941.

Today, more than a century after the top photo was taken, there is now a fence and a row of hedges in front of the house, and the house appears to have been expanded in the back. Otherwise, though, the exterior of the original part of the house looks essentially unchanged since the top photo was taken, and it stands as one of the many historic homes here in the center of Concord.

John Ball House, Concord, Massachusetts

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The house at 37 Lexington Road in Concord, around 1895-1905. Image courtesy of the Boston Public Library.

The scene in 2023:

The house in these two photos was built around 1752-1753 by John Ball, a silversmith who lived in the neighboring house to the east. He does not appear to have personally lived in this house, because he sold it in 1753. According to the house’s MACRIS inventory form, the house had a series of owners during the 18th and early 19th centuries. From the mid-1750s until 1773 it was owned by Joseph Butler, a tavern keeper who later served as a militia captain at the Battle of Bunker Hill during the American Revolution. In 1773 it was purchased by Thomas Cordis. He died young, and his widow Elizabeth remarried to Jonas Lee, and they lived here in this house until her death in 1808. Jonas then remarried to Martha Abbott, and then to Rebecca Colburn. It was in 1815, while he was married to Rebecca, that Jonas Lee enlarged the house with the large wing on the right side of the house.

The Lee family sold the house in 1827, and it saw a variety of owners throughout the rest of the 19th and into the 20th centuries. The top photo was taken around the turn of the 20th century, when it was owned by the Walcott family. It would remain a private residence until 1922, when artist Elizabeth Wentworth Roberts purchased it for the Concord Art Association. She had founded the association five years earlier, and this building became its first permanent home.

More than a century later, the Concord Art Association is still headquartered here, as shown in the bottom photo. Remarkably little has changed here in this scene, aside from the removal of the historically inappropriate shutters, and even the large elm in the foreground appears to be the same one that was growing here when the top photo was taken.