1900s

Corner of Longmeadow Street and Emerson Road, Longmeadow, Massachusetts (2)

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A wintry scene looking southeast toward the intersection of Longmeadow Street and Emerson Road in Longmeadow, around 1902-1909. Image courtesy of the Longmeadow Historical Society, Paesiello Emerson Collection.

The scene in 2024:


These two photos show the same scene as the ones in the previous post, except these photos here were taken in the winter rather than in the summer. And, rather than being taken from ground level, they are taken from the southeastern bedroom on the second floor of the Josiah Cooley House. The photographer who took the top photo, Paesiello Emerson, lived in this house in the early 20th century with his half siblings Annie and Henry, and this is one of the many photos that he took of Longmeadow during this period.

The top photo is undated, but as explained in the previous post it must have been taken in 1909 or earlier, due to the presence of the house on the far right side of the photo. This house was demolished around 1909, when Springfield-based heating and plumbing contractor George R. Estabrook purchased the property and built a new house on the site. Likewise, the house on the left, which stood at the corner of Bliss Street, was demolished around the late 1920s in order to build St. Mary’s Church.

Today, both the church and the former Estabrook house are still standing, and the latter now serves as the rectory. Although these were built after the top photo was taken, the overall scene is still recognizable from that photo, especially when the landscape is covered with freshly-fallen snow. And, there is at least one noticeable surviving feature from the top photo—the maple tree in the foreground. It is now probably around 150 years old, and it still stands in the front yard of the Josiah Cooley House.

Corner of Longmeadow Street and Emerson Road, Longmeadow, Massachusetts

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The view looking southeast toward the intersection of Longmeadow Street and Emerson Road, sometime around 1902-1909. Image courtesy of the Longmeadow Historical Society, Paesiello Emerson Collection.

The scene in 2023:

These two photos were taken from the front yard of the Josiah Cooley House, looking southeast across Longmeadow Street. The top photo was taken by amateur photographer Paesiello Emerson, who lived in the Cooley House, and it is one of the many images that he captured of early 20th century Longmeadow.

The top photo shows a trolley traveling northbound on Longmeadow Street. At the time, trolley tracks ran the length of the street from the Connecticut state line in the south, to the Springfield border on the north. The tracks were operated by the Springfield Street Railway, and this provided direct service from Longmeadow to Springfield. Passengers could also take the trolleys south to Hartford, so this section of track in Longmeadow provided an important link in the interurban trolley system between these two major cities.

The trolley was a sign of changing times here in Longmeadow. Throughout the 19th century, the town had remained a small agricultural community, with very little development aside for the houses that lined either side of Longmeadow Street. However, the arrival of the trolley line meant that people could now live in Longmeadow and easily commute to Springfield, so by the early 20th century many of the old farms were being subdivided into residential streets.

On the other side of Longmeadow Street in the top photo, several old houses are visible through the trees. It’s hard to say whether this was a deliberate juxtaposition on Paesiello Emerson’s part, to show the modern trolley with a backdrop of old farmhouses, but the photo certainly has that effect. These two houses, which once stood on the east side of Longmeadow Street just south of Bliss Road, were likely built at some point in the 18th or early 19th centuries, but both would disappear within the first few decades of the 20th century.

The house further to the right, just beyond the trolley, was the first to go. Its presence in the photo helps to establish the date that it was taken, because the house was demolished by about 1909, when Springfield-based heating and plumbing contractor George R. Estabrook purchased the property and built a new brick house on the site. Further to the left, the house at the corner of Bliss Street was demolished around the late 1920s, in order to build St. Mary’s Church.

Aside from new buildings across the street, this scene would undergo more changes in the years after the top photo was taken. As automobiles became more common in the early 20th century, Longmeadow Street became part of the main north-south route through the Connecticut River Valley. This was made official with the designation of New England Route 2 in 1922, which was later renumbered as U.S. Route 5 with the establishment of the United States Numbered Highway System in 1926. Longmeadow Street was a part of this route, resulting in heavy automobile traffic through the center of a town that, a few decades prior, had been a quiet village on the outskirts of Springfield. This led to concerns about speeding, and after a string of traffic fatalities in 1927 the town decided to install traffic lights at five key intersections, including one here at the corner of Emerson Road.

Today, almost nothing survives from the top photo, but this scene has still managed to retain much of its original scale, even if the buildings themselves are different. St. Mary’s Church still stands at the corner nearly a century after it was built, and next to it is the house that George Estabrook built around 1909. This house was sold to the church in the 1930s, and it now serves as the rectory. However, perhaps the only identifiable thing that survives from the top photo is the maple tree in the foreground on the right side of both photos. It is probably around 150 years old now, and it still stands here in the front yard of the Josiah Cooley House.

Old Manse North Parlor, Concord, Massachusetts

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The north parlor at the Old Manse in Concord, probably around 1890-1910. Image courtesy of the Phillips Library at the Peabody Essex Museum, Frank Cousins Glass Plate Negatives Collection.

The scene in 2023:

These two photos show the parlor in the northeast corner of the first floor at the Old Manse. In contrast to the south parlor, which was used primarily by family and close friends, the north parlor was historically a more formal space for entertaining guests, and would have generally had finer decorations and furnishings.

As described in more detail in an earlier post, the Old Manse was built in 1770 as the home of William and Phebe Emerson. William was the pastor of the church in Concord, but he died only a few years later in 1776, while serving as a chaplain in the Continental Army. His successor at the church was Ezra Ripley, who would go on to serve as pastor for 63 years. Ripley also married Emerson’s widow Phebe, and they lived here in this house for the rest of their lives.

The house remained in the Ripley family and their descendants for many years, but the house is best remembered for its association with two prominent writers who lived here early in their careers. From 1834 to 1835, William and Phebe Emerson’s grandson, Ralph Waldo Emerson, lived in the house, and then from 1842 to 1845 the family rented the house to Nathaniel Hawthorne and his newlywed wife Sophia. Both Emerson and Hawthorne used the same upstairs room as their study, and they each wrote some of their earliest published works there.

The top photo shows the north parlor at some point around the turn of the 20th century, when the house was owned by Ezra and Phebe’s granddaughter Sophia Thayer. Her daughter, Sarah Ames, subsequently inherited the house, and she owned it until her death in 1939. Sarah’s husband then donated the house and all of its contents to the Trustees of Reservations, a nonprofit conservation and historic preservation organization in Massachusetts.

Today, the house is still owned by the Trustees and operated as a museum. Here in the North Parlor, the highlights include an 1864 Steinway piano, which is partially visible in the lower right corner of the second photo, and the standing desk beyond it to the right. The desk originally belonged to Ezra Ripley, and it was there that he composed over 3,000 sermons during his more than six decades of ministry at the church.

Old Manse Main Staircase, Concord, Massachusetts (2)

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The second floor hallway and staircase at the Old Manse in Concord, probably around 1890-1910. Image courtesy of the Phillips Library at the Peabody Essex Museum, Frank Cousins Glass Plate Negatives Collection.

The scene in 2023:

These two photos were taken directly above the spot where the ones in a previous post were taken. The photos in the other post show the scene on the first floor, while these two photos show the stairway from the second floor, looing west. As discussed in more detail in other posts, this house was built in 1770 as the home of William and Phebe Emerson. The Emerson family was here when the Battle of Concord occurred in their backyard, and they witnessed the battle from the room on the right side of this hallway, in the northwest corner of the house. However, the house is perhaps best remembered for having briefly been the home of their grandson Ralph Waldo Emerson, and later as the home of Nathaniel Hawthorne.

Ralph Waldo Emerson lived here for about a year from 1834 to 1835. At the time he was a young widower and former pastor who had abandoned the ministry after the death of his first wife. Although he spent a relatively short time here, this was a formative period in his life as he began to develop his Transcendentalist philosophy. His study was located in the same room where his grandparents had watched the battle, and it was there that he wrote his famous essay “Nature,” which had a strong influence on the subsequent Transcendentalist movement.

Emerson moved out of the house after his marriage to his second wife Lidian in 1835. His step grandfather Ezra Ripley, who had owned the house, died in 1841, and starting in 1842 Ezra’s son Samuel rented the house to another young aspiring writer, Nathaniel Hawthorne. Hawthorne and his wife Sophia spent their wedding night here in the house in 1842, and they lived here for the next three years, with Hawthorne likewise using the same room as Emerson for his study. While living here, he wrote a number of short stories that were later published as a book, titled Mosses from and Old Manse.

The top photo was taken at some point around the turn of the 20th century by photographer Frank Cousins, who used his camera to document the interiors and exteriors of many historic New England homes. The house was still owned by descendants of the Ripley family, and it remained in the family until 1939, when Ezra and Phebe Ripley’s great granddaughter Sarah Ames died.

After Sarah Ames’s death, her husband donated the house and its contents to the Trustees of Reservations, which continues to operate the house as a museum. It remains well-preserved, and it is still furnished with the Ripley family’s belongings, including many of the items shown here in these photos. The furnishings are not all in the same spot as they were when the top photo was taken, but otherwise the only significant difference is the wallpaper. The current wallpaper, with its trompe l’oeil drapery, is based on the wallpaper that was in the hallway earlier in the 19th century, before the wallpaper in the top photo was installed.

Old Manse South Parlor, Concord, Massachusetts

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The south parlor at the Old Manse in Concord, probably around 1890-1910. Image courtesy of the Phillips Library at the Peabody Essex Museum, Frank Cousins Glass Plate Negatives Collection.

The room in 2023:

These two photos show the south parlor at the Old Manse, a historic home that was built in 1770 as the home of the Reverend William Emerson and his wife Phebe Bliss Emerson. The house served as the parsonage, or “manse” for Emerson until his death in 1776, and it was subsequently the home of his successor, the Reverend Ezra Ripley, who married his widow Phebe in 1780.

However, the house is best remembered for its association with two prominent 19th century writers. Ralph Waldo Emerson, a grandson of William and Phebe, lived here from 1834 to 1835 and wrote one of his earliest works, the essay “Nature,” in his upstairs study here in the house. Then, from 1842 to 1845 the house was rented to Nathaniel Hawthorne, who lived here with his wife Sophia and their infant daughter Una.

The floor plan of the house is typical for late 18th century homes. It features a hallway and staircase in the center of the house, with parlors on either side of it on the ground floor. As was often the case, the north parlor was the more formal one, where its expensive furnishings would be better protected from sunlight, while the south parlor—shown here in these two photos—was a less formal space that would have been used by family members and close friends. This room has a door connecting it to the main hall, and it also has a door to the kitchen, as shown on the left side of these photos.

By the time the top photo was taken, the house was over a hundred years old and had become a famous landmark, thanks in part to the title of one of Nathaniel Hawthorne’s early works, Mosses from an Old Manse, which he wrote while living in the house. It was still owned by descendants of the Ripley family, and many of its furnishings dated back to when Emerson and Hawthorne lived here.

Perhaps the most famous object in the top photo is the stuffed owl on the mantle. According to legend, the owl was brought to the house by Harvard students after they fled Cambridge at the start of the American Revolution. Regardless of how it ended up here, though, Hawthorne discovered it in the attic when he moved in. He brought it downstairs to the parlor and named it “Longfellow” after his Bowdoin College classmate Henry Wadsworth Longfellow. Hawthorne’s wife Sophia was somewhat less enamored with the owl, and the family left it here when they moved out in 1845. The owl is still here in this room today, although it is now in the corner behind where these two photos were taken from.

The house was owned by Ripley descendants until 1939, when Ezra and Phebe’s great granddaughter Sarah Ames died. Her husband then donated the house and its contents to the Trustees of Reservations, which has owned and preserved the house ever since. The room was decorated for Christmas when the second photo was taken, but otherwise it does not look much different from when the top photo was taken. The house remains an important literary and historic landmark, and it is open to the public for guided tours.

Old Manse Main Staircase, Concord, Massachusetts

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The main staircase at the Old Manse in Concord, probably around 1890-1910. Image courtesy of the Phillips Library at the Peabody Essex Museum, Frank Cousins Glass Plate Negatives Collection.

The scene in 2023:

These two photos show the view looking up the main staircase from the front door at the Old Manse in Concord. This house, which was featured in more detail in an earlier post, was built in 1770 as the home of William and Phebe Emerson. William was the pastor of the church in Concord, but he died in 1776 while serving as a chaplain in the Continental Army. His widow Phebe subsequently remarried his successor, the Reverend Ezra Ripley, and the house would remain in their family well into the 20th century.

During this time, the house had several notable residents. William Emerson’s grandson was the prominent Transcendentalist writer Ralph Waldo Emerson, and he lived here for about a year from 1834 to 1835. He was not yet a famous author at this point, but he wrote one of his early works, the essay “Nature,” here in this house, in his study at the top of the stairs on the right side of the hall.

Ezra Ripley died in 1841, and his son Samuel inherited the house. However, he did not immediately move in, and instead rented the house to Nathaniel Hawthorne and his newlywed wife Sophia. They spent their wedding night here on July 9, 1842, and they lived here for the next three years. Like Emerson before him, Hawthorne was an aspiring yet largely unknown writer. He also used the same upstairs room for his study, and he wrote a number of short stories there, which would later be published in 1846 as the book Mosses from an Old Manse. However, Hawthorne struggled financially during this time and was unable to pay rent for the house, so he and his family ultimately moved out in 1845.

Another prominent resident here was Sarah Bradford Ripley, wife of Samuel Ripley. She and her husband moved into the house after the Hawthornes left in 1845, but Samuel died just two years later. Sarah was a self-taught scholar and educator, and after her husband’s death she earned an income by tutoring Harvard students here at the house.

Sarah Ripley died in 1867, but the house remained in her family for several more generations. The top photo was taken sometime around the turn of the 20th century, during the ownership of Sarah’s daughter Sophia Thayer. By this point the house was already a famous landmark, largely because of its association with Emerson and Hawthorne, and it had become known as the “Old Manse” because of the title of Hawthorne’s book that he wrote here.

In 1914, Sophia Thayer’s daughter Sarah Ames inherited the house. Sarah was the great granddaughter of Ezra and Phebe Ripley, making her the fourth consecutive generation to own the property. She died in 1939, and her husband subsequently donated the house, including all of its contents, to the Trustees of Reservations, a nonprofit conservation and historic preservation organization.

Today, the house still looks largely the same as it did when the Ripley family and their descendants lived here. The wallpaper here in the stairway hall has changed since the top photo was taken, in order to reflect the style of wallpaper that was here earlier in the 19th century. Otherwise, though, not much is different from the top photo, and even the sofa appears to be the same in both photos. The house is still owned by the Trustees, and it is open to the public for guided tours.