1930s

Simeon Belden House, Wethersfield, Connecticut (3)

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The doorway of the house at 249 Main Street in Wethersfield, around 1935-1942. Image courtesy of the Connecticut State Library.

The scene in 2024:

As explained in an earlier post, this house was built in 1767 as the home of Simeon and Martha Belden, and it is particularly notable for its front doorway, which is shown here in these two photos. During the mid 18th century, many affluent residents of the Connecticut River Valley commissioned ornate doorways for their homes. These generally consisted of fluted columns on either side of the door and a large entablature above it. In many instances, they were also decorated with carvings of flowers, leaves, and other patterns.

There were several different varieties of this type of doorway. The simplest had flat tops, but others had pediments above the entablature, including some that were triangular or arched. However, the most elaborate of the doorways tended to have scroll pediments, as shown here on the Belden house. This is the style that tends to be most associated with the 18th century doorways of the region, and there are examples of these doorways in major art museums, including one at the Metropolitan Museum of Art in New York and two at the Museum of Fine Arts in Boston.

According to the book Connecticut River Valley Doorways, the doorway was restored in 1917, which included installing replicas of the pedestals, along with new double doors. The rest of the doorway is original, though, and it survives as one of the few remaining scroll pediment doorways that it still located on its original house.

Simeon Belden House, Wethersfield, Connecticut (2)

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The house at 249 Main Street in Wethersfield, around 1935-1942. Image courtesy of the Connecticut State Library.

The house in 2024:

As explained in more detail in the previous post, this house was built in 1767 as the home of Simeon and Martha Belding, and it stands as an excellent example of mid-18th century Connecticut River Valley architecture. Most notably, it features an elaborately carved scroll pediment doorway. This was a distinctive characteristic of high-end homes in the valley, and it is one of the few such homes to have survived with its original doorway intact.

The top photo was taken around the late 1930s or early 1940s, showing the view of the house from the southeast. Very little has changed since then, and it stands as one of the many historic 18th century homes that still line Main Street in Wethersfield. Along with the other homes in the area, it is a contributing property in the Wethersfield Historic District, which was added to the National Register of Historic Places in 1970.

Ebenezer Talcott House, Wethersfield, Connecticut

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The house at 366 Main Street in Wethersfield, around 1935-1942. Image courtesy of the Connecticut State Library.

The house in 2024:

This house was built around 1750, and it was originally the home of Ebenezer Talcott. Its design is typical for the period, including a front facade with four windows and a door on the first floor, and five windows on the second floor. On the southern side of the house is a so-called “coffin door,” and in the middle of the house is a large central chimney that would have provided heat to all of the rooms. This particular house also has a saltbox-style roof, with a long back roof that slopes down to the first floor.

By the time the top photo was taken around the late 1930s or early 1940s, the house had seen some changes to its original appearance. The front doorway, with its sidelights and entablature, was likely added at some point in the first half of the 19th century. The 6-over-6windows on the first floor may have been added around the same time, although the second floor still had 12-over-8 windows, which may have been original. Other changes included the installation of exterior shutters, which were likely also a 19th century modification.

Today, this view of the house has seen few changes in the past 80-85 years. The historically inaccurate shutters are gone, and the front door has been replaced by a colonial-style plank door with strap hinges. The “coffin door” is likewise a plank door now, although it is hidden from view by the tree in the foreground. Overall, the exterior of the house has retained much of its historical integrity, and it is one of the many colonial-era homes that line Main Street in Wethersfield. Along with the other houses in the area, it is now part of the Wethersfield Historic District, which was added to the National Register of Historic Places in 1970.

Nathaniel Stillman Jr. House, Wethersfield, Connecticut

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The house at 468 Main Street in Wethersfield, around 1935-1942. Image courtesy of the Connecticut State Library.

The house in 2024:

This house was built around 1743 as the home of Nathaniel Stillman Jr. This date coincides with his marriage to Mehitabel Deming, and the upcoming marriage may have been the reason for its construction. The design of the house is typical of mid-18th century homes here in the Connecticut River Valley, with a central chimney, a symmetrical front facade with nine windows and a door, and a door on the south side of the house that is often referred to nowadays as a “coffin door.” This term comes from its supposed use in removing coffins from the south parlor, since the large ground-floor footprint of the central chimney makes it difficult to move large objects through the front door.

The top photo was taken around the late 1930s or early 1940s, as part of an effort to document historic homes across Connecticut. By this point the appearance of the house had been altered with the addition of a front porch, which was probably put on the house sometime around the late 19th century. Other changes included the installation of 6-over-6 windows, which replaced the original ones that would have likely had 12 panes on each sash. The doors had also been changed by this point, including a front doorway with windows on either side of the door. This was probably added at some point around the early or mid 19th century, and is often found on Greek Revival style homes of that period.

Today, the house looks very different compared to its appearance in the top photo, but it more closely resembles its original 18th century appearance. At some point the house underwent restoration work, which included removing the front porch, installing 12-over-12 windows, installing plank doors, and constructing a period-appropriate front doorway. The house also now has a window directly to the right of the “coffin door,” in an area where there was no window in the top photo. It is possible that this window had once existed, but by the 1930s had been removed or covered up. Overall, the house survives as an excellent example of a mid-18th century center chimney colonial, and it is one of the many homes that comprise the Wethersfield Historic District, which was added to the National Register of Historic Places in 1970.

Boston Skyline from Boston Harbor

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The view of Boston from Boston Harbor, around 1928-1938. Image photographed by Samuel Chamberlain; courtesy of the Phillips Library at the Peabody Essex Museum.

The same scene in 2021:

These two photos show the view of Boston from the northeast, from near the waterfront of the North End. The most visible landmark in the top photo is the Custom House Tower, which was completed in 1915. It was the tallest building in the city by a considerable margin, with a height of 496 feet. At the time, the city had a height limit of 125 feet for buildings, but as a federal building the Custom House was exempt from the limit. This restriction was eventually lifted, but the Custom House Tower would dominate the city’s skyline throughout much of the 20th century, and it remained the tallest building in the city until the construction of the Prudential Tower in 1964.

Today, the Custom House Tower is still here, although it is a much less prominent part of the skyline, due to the many other tall buildings in and around the Financial District. Aside from the skyline, other major changes to this scene include the waterfront, which was primarily comprised of commercial wharves in the top photo. Over the years, the port facilities in Boston have moved out of the North End area, and most of the wharves have been redeveloped with hotels, condominiums, and marinas, as shown in the 2021 photo.

76 Greenwood Street, Springfield, Massachusetts

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The house at 76 Greenwood Street in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The scene in 2024:

This house stood directly to the east of the one in the previous post, and it was likely built around the same time, probably in the 1860s or 1870s. It was definitely here by 1880, when it was owned by Charles D. Ufford. He was 43 at the time, with his occupation listed as working for the railroad. He lived here with his wife Fidelia, who was 37.

The Uffords later moved to a house on State Street, and by 1900 this house on Greenwood Street was the home of Jennie Aronson, along with Abram and Ida Lewis and their three young children. The children were born in the United States, but the adults in the household were born in Russia. They were part of a large Jewish community that had begun to form here in this part of Springfield, many of whom had immigrated to the United States to escape persecution in the Russian pogroms.

By 1920, two different immigrant families were living here in this house. In one part of the house was Patrick Moran, a 55-year-old machinist who was born in Ireland. His wife Bessie was born in the United States, but her parents were likewise from Ireland. The other part of this house was the home of Anthony and Martha Chmielewski, along with Martha’s mother Teofila Roztiboske. All three were immigrants from Poland.

The top photo was taken in the late 1930s. By this point it was still a two-family property, with Charles and Doris Faughman and their children in one unit, and Charles and Josephine Barker in the other unit, according to the 1940 census. They each paid $18 per month in rent, and Charles Faughman was employed as a painter, earning $400 per year.

The house was still standing here until at least the 1950s, but it was ultimately demolished by the early 1960s as part of a large-scale urban renewal project that involved the demolition of nearly every building between the railroad tracks and Memorial Square along the Main Street and Chestnut Street corridors. Some of the land was redeveloped for commercial properties, but the project also included the construction of Interstate 291, which has its interchange with Interstate 91 just to the west of here. The second photo shows the modern-day view, including the embankment for Interstate 291 where it crosses Dwight Street. The spot where the house once stood is just a little to the left of the willow tree.