House of Providence Hospital, Holyoke, Mass

The House of Providence Hospital, at the corner of Elm and Dwight Streets in Holyoke, around 1900-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2017:

The origins of the present-day Sisters of Providence Health System date back to 1873, when four women from the Sisters of Providence of St. Vincent de Paul in Kingston, Ontario arrived in the Holyoke area, in order to serve the needs of the largely Catholic, immigrant workforce in Holyoke. Originally, they were located across the river in South Hadley, but in 1874 the Sisters of Providence moved to Holyoke, and built a hospital here at the corner of Dwight and Elm Streets. This became the first public hospital in Holyoke, and served the needs of rapidly-growing city over the next few decades.

The Sisters of Providence remained a mission of the Kingston congregation until 1892, when it became an independent congregation, and two years later a new, larger House of Providence Hospital building was completed here on the site. The first photo shows the building about a decade later, with the Father Harkins’ Home for Aged Women just beyond it on the left. At the time, this area had a number of Catholic institutions, including the Immaculate Conception School, the Convent of Notre Dame, the Convent of St. Vincent de Paul, the St. Jerome Institute, and St. Jerome’s Church, all of which where located within a block of here.

More than a century after the first photo was taken, Holyoke has undergone some significant changes, and today there are no recognizable landmarks from the first photo. In 1958, the hospital moved to its current location in Ingleside, in the southern part of the city, and it is now the Providence Behavioral Health Hospital. The old building was subsequently demolished, and today the site is a vacant lot, although the old Immaculate Conception School – later home of Holyoke Catholic High School – is still standing in the distance on the left.

National Guard Armory, Holyoke, Mass

The National Guard Armory at the corner of Sargeant and Pine Streets in Holyoke, around 1907-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The building in 2017:

Around the turn of the 20th century, the Massachusetts Volunteer Militia – later known as the Massachusetts National Guard – built a number of similar, castle-style armories across the state, including ones in Boston, Springfield, and Worcester. The armories were designed to look imposing, and to represent the strength of the state militia, but the architecture was not entirely for looks. At least in the case of the Boston armory, the building was designed to withstand riots and other civil unrest, and its tower could be used to transmit signals to government leaders at the State House.

Here in Holyoke, the armory was smaller than those in the larger cities, but it had similar architecture, with turrets, narrow windows, and a crenellated parapet atop the building. It was designed by local architect William J. Howe and completed in 1907, and was supposedly based on the design of the 18th century Hawarden Castle in Wales. The building included the castle-like structure in the front, along with a drill hall in the back, and it was the home of the 1st Battalion, 104th Infantry Regiment. Only about a decade after the first photo was taken, the 104th Infantry went on to serve with distinction during World War I, suffering heavy casualties and earning the Croix de Guerre from the French government, marking the first time that an American military unit was honored for bravery by a foreign country.

The armory remained in use for much of the 20h century, and in 1990 it took on an usual role as a temporary prison. At the time, the old York Street Jail in Springfield was dangerously overcrowded, to the point where inmates were being released early in order to make room for newly-convicted prisoners. Despite pleas from Hampden County Sheriff Michael Ashe, county and state officials were slow in responding to the problem, so in February 1990, Ashe took a dramatic step to call attention to the situation. Invoking an obscure 1696 state law that empowered sheriffs to do whatever was necessary to restore order in times of “imminent danger of a breach of the peace”, Ashe commandeered the National Guard armory in Springfield, over the objections of the armory commander, and housed 17 prisoners in the facility.

The bold move quickly gained the attention of state officials, and the news story made headlines across the country. Although Ashe was threatened with criminal trespass charges, a judge ruled that the prisoners could remain in the armory, and the state soon made arrangements for the prisoners to be moved here to the Holyoke armory. The building served as a prison annex for most of 1990, housing nearly 70 inmates, but it had to close in late November after governor Michael Dukakis refused to provide more funding. This closure required the early release of dozens of convicts, but the armory annex was reopened the following year when the newly-elected governor, Bill Weld, authorized funding.

The armory would remain in use as a jail annex until 1992, when the current Hampden County House of Correction opened in Ludlow. The historic building has remained vacant since then, and it is now owned by the city. Over the years, it has been the subject of various redevelopment proposals, but none have come to fruition and the building has steadily deteriorated. In early 2016, the drill shed in the rear of the building collapsed, requiring emergency demolition of the ruins. The front portion of the building survived the collapse, and it is still standing, but it is still vacant, despite efforts by the city to find a buyer for the property.

St. John’s Episcopal Church, Northampton, Mass

St. John’s Episcopal Church on Elm Street in Northampton, around 1900-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The church in 2017:

St. John’s Episcopal Church was established in 1826, initially meeting in the town hall until their own church building was completed on Bridge Street in 1829. The congregation worshipped there for more than 60 years, but by the early 1890s they had outgrown that building and were in need of a new one. The funding for such a church was provided by George Bliss, a wealthy New York banker who had grown up in Northampton and had attended St. John’s back when services were held at the town hall.

George Bliss purchased this lot on Elm Street, adjacent to Smith College, and he paid for the construction of the church, which was designed by noted New York architect Robert W. Gibson. Like many other churches of the era, it features Romanesque  Revival architecture, with features such as a tall tower in the corner, rounded arches, and a rough-faced stone exterior. The church was completed in 1893, and Bliss attended the consecration service along with his business partner, Levi P. Morton, who had served as Vice President of the United States under Benjamin Harrison from 1889 to 1893.

More than 110 years after the first photo was taken, the church has not significantly changed. Although surrounded on all sides by the Smith College campus, it remains in use as an Episcopal church, with close ties to the college. The church appears to be missing the weathervane that was atop the tower in the first photo, but otherwise all of the other architectural details have been preserved, even down to the gargoyles that extend from the corners of the tower.

College Hall at Smith College, Northampton, Mass

College Hall on the campus of Smith College, seen from West Street in Northampton, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

College Hall in 2018:

Smith College was established in 1871, as part of the will of Sophia Smith (1796-1870), who left a large bequest to establish a women’s college in Northampton. This building, College Hall, was the first building on the campus, and it was completed in 1875, the same year that the school opened. It was designed by Peabody and Stearns, a prominent Boston-based architectural firm, and its design reflected the High Victorian Gothic style that was fashionable at the time. Smith College has just 14 students and six faculty members when it opened in the fall of 1875, and this building was used for almost everything except dormitory space. When completed, it included classrooms, a laboratory, a social hall, an art gallery, and administrative offices, although this soon began to change as the college grew.

By the time the first photo was taken at the turn of the 20th century, the college’s enrollment had increased significantly. The campus had grown accordingly, and included new residential buildings, a gymnasium, a music hall, an art gallery building, a science building, a chemistry building, and a new academic building. College Hall itself had also been expanded, with an 1890 addition that increased the capacity of the social hall – renamed Assembly Hall – from 500 to 900. In 1901, Assembly Hall was expanded again, by opening up the second floor above the hall and adding another 500 seats. However, this ended up being a temporary change. John M. Greene Hall, with its 2,225-seat auditorium, was completed in 1910, eliminating the need for such a large auditorium here in College Hall, and the second floor above Assembly Hall was subsequently reconstructed.

By the 1909-1910 school year, Smith College employed 104 faculty members and had 1,635 students, with an annual tuition that had just been increased from $100 to $150. At this point, College Hall was only used for the auditorium, some classrooms, and administrative offices, but over time this would continue to change as more buildings were added to the campus. College Hall would ultimately come to be used only for offices, resulting in significant changes to the interior in he process. However, the exterior appearance has remained well-preserved over 140 years after the building first opened, and today the only noticeable difference between these two photos is the lack of ivy on the brick walls of the building.

Ochre Point Avenue Gates at The Breakers, Newport, Rhode Island

The western entrance to the driveway of The Breakers, seen from Ochre Point Avenue at the corner of Victoria Avenue in Newport, around 1899. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2017:

These imposing gates stand at the Ochre Point Avenue entrance of The Breakers, which was built as the summer residence of Cornelius Vanderbilt II. Constructed over a two-year period from 1893 to 1895, at a cost of $7 million, it was the largest of the many Gilded Age homes that were built here in Newport as seaside “cottages” for some of the nation’s richest families. The house is situated at Ochre Point, on a 13-acre lot that is bordered on three sides by a 12-foot-high wrought iron and limestone fence. The fence is broken by two gates, one here and one on Shepard Avenue, that rise 30 feet above the driveway. They were manufactured by the William H. Jackson Company of New York, and are flanked on either side by smaller gates for pedestrian access to the property.

Together, these two main gates weigh more than seven tons, and feature intricate details, including Cornelius Vanderbilt’s initials in a monogram at the top of the gate. Other decorative features include acorns and oak leaves, both of which served as important symbols for the Vanderbilt family. Reflecting the saying that, “from little acorn a mighty oak shall grow,” the symbols represented the life of Cornelius’s grandfather, Cornelius “Commodore” Vanderbilt, who rose from humble beginnings as a teenage Staten Island ferry operator to become the wealthiest man in America. As a result, acorns and oak leaves can be found throughout The Breakers, along with other Vanderbilt buildings such as New York’s Grand Central Terminal.

If the 1899 date for the first photo is accurate, it would have been taken sometime during Cornelius Vanderbilt’s last summer at The Breakers. He had suffered a debilitating stroke in 1896, only a year after the completion of the house, and he never fully recovered. He left The Breakers for the last time on September 11, 1899, to attend a railroad board meeting in New York, and he died the next morning from a cerebral hemorrhage. His widow Alice inherited both his mansion in New York and The Breakers, and she went on to own the latter until her death 35 years later.

The Breakers would remain in the Vanderbilt family until 1972, when it was sold to the Preservation Society of Newport County in 1972, and it is now open to the public as a museum. Very little has changed in this scene except for the trees, which now hide more of the property than the newly-planted ones did in the first photo. The house is now the centerpiece of the Preservation Society’s many historic properties in Newport, and it is the most popular tourist attraction in the state, drawing over 400,000 visitors through these gates each year.

Newport Casino, Newport, Rhode Island

The Newport Casino on Bellevue Avenue in Newport, around 1900-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

 

One of Newport’s many architectural landmarks is the Newport Casino, which is located on Bellevue Avenue, just a little south of the present-day intersection of Memorial Boulevard. Its origins date back to 1879, when New York Herald publisher James Gordon Bennett, Jr., purchased the Stone Villa house on the west side of Bellevue Avenue, plus a vacant lot directly across the street where the Newport Casino would subsequently be built. Bennett had inherited a considerable fortune – including one of the nation’s leading newspapers – after his father’s death in 1872. Just 31 when his father died, the younger Bennett acquired a reputation as a flamboyant and eccentric member of New York society.

Bennett’s famously erratic behavior included an incident in New York in 1877, when he urinated in the fireplace during a party at his fiancée’s house. The resulting outrage ended their engagement and also resulted in a duel between Bennett and his would-be brother-in-law, although neither man was injured. Another oft-repeated – though probably apocryphal – incident happened in Newport in 1879 when, according to the tale, Bennett dared a friend to ride his horse onto the porch of the Newport Reading Room, an exclusive social club for the city’s elite. Supposedly, the friend lost his membership, and Bennett was said to have resigned his membership in protest before establishing the Newport Casino as a social club of his own.

Whether or not the story is entirely true, it speaks to Bennett’s reputation for impulsive behavior, and either way he soon began work on building the Newport Casino on the vacant lot opposite his Bellevue Avenue mansion. For the designs, he hired McKim, Mead & White, a newly-established architectural firm whose subsequent meteoric rise to prominence would be due in no small part to their work here on the Newport Casino. The result was an architectural masterpiece, which was built in 1880 as one of the first significant Shingle-style buildings. McKim, Mead & White helped to pioneer this distinctly American style of architecture, which would go on to become predominant in New England coastal resort communities in the late 19th century.

In 19th century terminology, a casino was not specifically a place for gambling, but instead referred more broadly to a social and recreational facility. At the time of the casino’s opening in the summer of Newport, the city had already been well-established as the premier summer resort for New York millionaires, and the casino quickly became its social center. The building offered a wide variety of amenities, including stores along the Bellevue Avenue facade, plus a restaurant, a ballroom, a theater, and tennis courts. Unlike the elite Reading Room, it was also less exclusive, with both the wealthy members and the general public able to enjoy the facilities.

The casino would go on to play an important role in the early history of tennis. Originally referred to as lawn tennis, so as to distinguish it from the earlier game of court tennis, the sport came to America in the 1870s and was played under a variety of rules until 1881, when the United States National Lawn Tennis Association – today’s United States Tennis Association – was established to standardize the rules of the sport. Given its reputation as an affluent summer resort, Newport was chosen as the site of the association’s first championships in 1881, with the newly-built Newport Casino serving as the site for both the men’s singles and men’s doubles championships.

The men’s doubles championships would be played here at the Newport Casino for the rest of the 1880s, and the men’s singles championships through 1914. During this time, the sport was dominated by Richard Dudley Sears, a Boston native and Harvard student who won the first seven singles championships from 1881 to 1887, plus the doubles championships from 1882 to 1887, before retiring from the sport at the age of 26. In later years, other prominent winners here included Oliver S. Campbell and Malcolm D. Whitman, who each one three singles titles, and William Larned, who won in 1901, 1902, and from 1907-1911.

In 1915, the tennis championships were moved to the West Side Tennis Club in the Forest Hill neighborhood of Queens, which was more conveniently located and could accommodate more spectators. The Newport Casino continued to be used for other tennis events over the years, but both the building and the city entered a decline in the first half of the 20th century, as Newport began to fall out of fashion as a summer resort. Many of the Gilded Age mansions were demolished in the middle of the century, including James Gordon Bennett’s house across the street from here. Demolished in 1957, the site of his Stone Villa is now a shopping plaza, and a similar fate nearly befell the Newport Casino, which had been threatened with demolition a few years earlier.

The Newport Casino was ultimately preserved, though, thanks to the efforts of Jimmy Van Alen, a Newport native and former court tennis champion who established the International Tennis Hall of Fame here in 1954. Since then, the building has remained well-preserved, with hardly any changes in this scene since the first photo was taken. The Hall of Fame is still here, along with indoor and outdoor tennis courts, plus one of the country’s few remaining courts for court tennis. Along Bellevue Avenue, the building’s first floor houses upscale retail shops and a restaurant, and it forms part of a continuous row of historic buildings that extends the entire block from Memorial Boulevard to Casino Terrace. Because of its level of preservation, its architectural significance, and its role in the early history of tennis, the building was designated as a National Historic Landmark in 1987.