National Register of Historic Places

Augustus Saint-Gaudens House, Cornish, New Hampshire (2)

by

The home of Augustus Saint-Gaudens in Cornish, around the early 20th century. Image from The Reminiscences of Augustus Saint-Gaudens, Volume 2 (1913).

The house in 2019:

As explained in more detail in the previous post, this house was the home of sculptor Augustus Saint-Gaudens, who used it as a summer home starting in 1885, and as his full-time residence from 1900 until his death in 1907. The house itself is far older, dating back to the early 19th century, but Saint-Gaudens made substantial improvements to both the house and the grounds. Here in this scene, this included piazzas on both sides of the house, a dormer window above the front door, and stepped parapets next to the chimneys. He also planted Lombardy poplars at the corners of the house, and a honey locust to the right of the front steps.

The first photo was probably taken soon after Saint-Gaudens’s death, and it was published in his biography in 1913, which was written by his son Homer. In 1919, his widow Augusta established the Augustus Saint-Gaudens Memorial, and two years later she transferred the property to this organization, which preserved the house and grounds. Then, in 1964 the site became the Saint-Gaudens National Historical Park, and it was subsequently acquired by the National Park Service.

Today, more than a century after the first photo was taken, this scene has hardly changed, except for the loss of the Lombardy poplars. The exterior of the house still looks essentially the same as it did in the early 20th century, and even the honey locust is still here, although it has grown substantially larger than the house. The site is still run by the National Park Service, and it remains the only National Park System unit in the state of New Hampshire.

Augustus Saint-Gaudens House, Cornish, New Hampshire

by

The home of Augustus Saint-Gaudens in Cornish, around 1885. Image from The Reminiscences of Augustus Saint-Gaudens, Volume 1 (1913).

The scene in 2019:

Augustus Saint-Gaudens was one of the most prominent sculptors in American history, with a body of work that includes many important public monuments, along with the designs for several United States coins. Born in Ireland to an Irish mother and French father, Saint-Gaudens came to America in 1848 when he was six months old, and he subsequently grew up in New York City. Then, in the late 1860s he studied at the École des Beaux-Arts in Paris, and by the mid-1870s he had established himself as a successful sculptor.

It was a good time to be a sculptor in the United States at the time, given the large number of Civil War monuments that were being built around the country. Many of Saint-Gaudens’s most celebrated works were created in honor of Union heroes from the war, including statues of David G. Farragut, John A. Logan, Robert Gould Shaw and the 54th Massachusetts Regiment, William T. Sherman, and Abraham Lincoln. In addition to these statues, his other major works included Diana for Madison Square Garden, The Puritan in Springfield, Massachusetts, and the Adams Memorial in Washington, D.C. Near the end of his life, Saint-Gaudens was also commissioned to redesign American coinage, and he supplied designs for new $10 and $20 coins before his death in 1907.

In 1885, in the midst of his career, Saint-Gaudens came to Cornish for the summer, at the suggestion of his friend Charles Cotesworth Beaman. A prominent attorney, Beaman owned several farms in Cornish, including this property, which was known as Huggins’ Folly. Saint-Gaudens and his rented it for the summer, and the first photo was taken on the front lawn at some point during the summer. In the photo, Augustus Saint-Gaudens himself is kneeling in the lower right corner. Standing in the foreground is his wife Augusta, and further to the left is their son Homer, who would have been about five years old at the time. Just to the left of Homer is Saint-Gaudens’s assistant Frederick William MacMonnies, and furthest to the left is his younger brother Louis Saint-Gaudens. Both of these men would become accomplished sculptors in their own right, and MacMonnies also had a successful career as a painter.

The Saint-Gaudens family would return here to Cornish for subsequent summers, and in 1891 he purchased the property from Beaman for $2,500 plus a bronze bust. He renamed it Aspet, after his father’s birthplace in France, and over the years he made a number of improvements, including landscaping the grounds and constructing studios and other outbuildings. As part of the landscaping, a honey locust was planted just to the right of the front steps, probably around 1886. This tree is still here, and now towers over the house in the center of the 2019 photo. Saint-Gaudens also made alterations to the main house, some of which are visible in this scene, including piazzas on either side of the house, a dormer window above the front door, and stepped parapets to replace the earlier sloped ones.

Saint-Gaudens moved into this house year-round in 1900, and he lived here until his death in 1907. This period marked the heyday of the Cornish Art Colony, which flourished in large part because of Saint Gaudens’s influence. During this time, dozens of prominent artists and other public figures spent summers in Cornish and the surrounding towns. Even Woodrow Wilson spent time in Cornish during his presidency, leasing the home of novelist Winston Churchill. The importance of the art colony steadily diminished after Saint-Gaudens’s death, but the town would continue to see prominent residents over the course of the 20th century, including writer J. D. Salinger, who died in Cornish in 2010.

In the meantime, this property remained in the Saint-Gaudens family until 1921, when Augusta transferred it to the Augustus Saint-Gaudens Memorial, an organization that she had established two years earlier. It was designated as a National Historic Landmark in 1962, and then in 1964 it became the Saint-Gaudens National Historical Park, with the National Park Service acquiring the property a year later. It has remained open to the public ever since, and it features landscaped grounds and gardens, walking trails, several galleries, and one of Saint-Gaudens’s studio buildings. The main house, shown here in this scene, is also open for tours, and its appearance remains much the same as it did when Saint-Gaudens lived here more than a century ago.

Old Constitution House, Windsor, Vermont

by

The Old Constitution House on North Main Street in Windsor, Vermont, around 1927. Image from The Birthplace of Vermont; a History of Windsor to 1781 (1927).

The scene in 2019:

Vermont is one of several states that was arguably an independent nation prior to statehood. Although never formally recognized by any foreign nation, the lightly populated, mountainous land between New Hampshire and New York was a de facto country between 1777, when it declared its independence, and 1791, when it voted to join the United States as the 14th state. Since then, Vermonters have retained a high degree of independence, particularly when it comes to political thinking. However, Vermont’s 1777 independence had less to do with lofty political ideals, and more to do with practical necessities.

Prior to the American Revolution, both New Hampshire and New York claimed the territory that would become Vermont, and both issued land grants to settlers here. These grants often conflicted with one another, leading to conflict between the two groups of settlers. The British government recognized New York’s claims, but a band of New Hampshire-affiliated settlers, led by Ethan Allen, formed the Green Mountain Boys in 1770 to protect their interests. Over the next few years this led to instances of violence, most notably the Westminster Massacre, when two protesters were killed by a New York-affiliated sheriff at the Westminster courthouse in March 1775.

The settlers with New Hampshire grants ultimately gained control of much of the territory, and on January 15, 1777 they declared independence, at the same courthouse in Westminster where the massacre had occurred. In the declaration, the new state was named the Republic of New Connecticut, but several months later the name was changed to Vermont, which is based on the French name for the Green Mountains, les verts monts. From here, the next step was to draft a constitution to organize the new government. So, on July 2, 1777 the 72 delegates to the Vermont constitutional convention met here in Windsor, in the tavern of Elijah West. This building, which is shown in these two photos, was originally located on Main Street in the center of Windsor, although it has subsequently been moved twice over the years.

Unlike the United States Constitution, which took an entire summer to draft in 1787, the Vermont delegates created their constitution here in a week. They borrowed heavily from the Pennsylvania constitution, largely copying its structure and, in many cases, its exact wording. Among the features of the Vermont constitution was a declaration of rights, which guaranteed rights such as freedom of speech, freedom of religion, trial by jury, freedom from search and seizure, and free elections for all men in Vermont.

However, perhaps the most significant provision in the constitution’s declaration of rights—and one of the few not copied from Pennsylvania—was the first one, which abolished slavery among adults. This was the first constitution in the present-day United States to do so, although it proved difficult to enforce. Nonetheless, it was an important first step in ending slavery, and within less than a decade many other northeastern states had begun gradual abolition or, in the case of Massachusetts, outlawed it entirely.

The finished document was signed here in this building on July 8, 1777, and it went on to serve as Vermont’s constitution for much of the state’s time as a de facto independent nation. However, it was subsequently replaced by a new document in 1786, which was in turn followed by the current state constitution in 1793, two years after Vermont joined the union as the fourteenth state.

In the meantime, this building here in Windsor reverted to its primary use, and it remained a tavern until 1848. Then, around 1870 it was moved to a new location, where it was used first as a tenement house and then later as a warehouse. By the turn of the 20th century it was in danger of being demolished, but it was ultimately preserved and, in 1914, moved to its current location on North Main Street, just to the north of the village center.

The first photo was taken a little over a decade after the move. At the time, it was owned and operated as a museum by the Old Constitution House Association, which had been responsible for saving the building. Nearly a century later, very little has changed in this scene. The property was transferred to the state in 1961, but it continues to serve as a museum, and it stands as one of the oldest surviving  buildings in Vermont. Because of its significance as the birthplace of Vermont, it was added to the National Register of Historic Places in 1971, and it is also a contributing property within the Windsor Village Historic District, which was established four years later.

Old Post Office, Concord, New Hampshire

by

The post office on North State Street in Concord, around 1900-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The building, now the Legislative Office Building, in 2019:

This building is located directly to the west of the New Hampshire State House, and it was completed in 1889 as a post office and federal building. Like many public buildings of the era, it features Romanesque Revival architecture, and it was constructed of local New Hampshire granite. The ground floor of the building originally housed the post office, along with offices for the district attorney and U. S. marshal, while the second floor was occupied by the federal courtroom, court offices, and the pension office. The third floor had a variety of uses, including rooms for juries, railway mail clerks, and janitorial space.

The building was subsequently expanded in 1913 and then again in 1938, although these changes did not significantly affect the appearance from here on North State Street. It continued to be used as a federal building until 1967, and it was left vacant for several years before being purchased by the state and converted into offices for the state legislature. Now known as the Legislative Office Building, it continues to serve this purpose today, with few exterior changes from this angle since the first photo was taken. Because of its significance, it was added to the National Register of Historic Places in 1973, and it is also a contributing property in the Concord Civic District.

Merchants’ Exchange Building, Philadelphia, Pennsylvania

by

The Merchants’ Exchange Building, seen from the corner of Walnut and South Third Streets in Philadelphia in 1898. Image courtesy of the Library Company of Philadelphia, John C. Bullock Lantern Slide Collection.

The scene in 2019:

The Merchants’ Exchange Building is an important architectural landmark in Philadelphia, and it is also significant for having been the financial center of the city for many years. It was completed in 1834 as the first permanent home of what would become the Philadelphia Stock Exchange. Prior to this time, brokers and merchants met in a variety of coffee houses and taverns. However, by 1831 the city’s business leaders had recognized the need for a permanent, central location for a stock exchange, and began planning such a building.

The Exchange was designed by prominent Philadelphia architect William Strickland, who was heavily inspired by classical Greek architecture. The shape of the lot also contributed to the building’s design; although most of Philadelphia features a rectangular street grid, the Exchange was built on a triangular lot that was created by the diagonally-running Dock Street. As a result, the two main facades of the building are very different. Here at the west end of the building on Third Street, it has a fairly standard Greek Revival exterior, with Corinthian columns supporting a triangular pediment. However, on the east side of the building, facing Dock Street, Strickland designed an elaborate semi-circular columned facade that was topped by a tower. This tower, which is partially visible in the upper right corner of the 2019 photo, was inspired by the Choragic Monument of Lysicrates in Athens, which dates back to the fourth century B. C.

The cornerstone of the building was laid on February 22, 1832, on the one hundredth anniversary of George Washington’s birth. It was completed two years later, opening to the public in March 1834. A contemporary article in the Philadelphia Inquirer, republished from Bicknell’s Reporter, provides the following description:

It is built entirely of marble— occupies ninety-five feet front on Third street, and one hundred and fifty feet on Walnut. The basement story is fifteen feet high, and has twelve doorways on the Third Street front and flanks. The largest room in the lower floor, which is 74 by 36 feet, is occupied as the Philadelphia Post Office, at the west end of which is a hall or passage, designed for the shelter of persons while receiving or delivering letters. Beyond this hall to the west, and fronting Third street, is a large and commodious room, which has been fitted up as a Coffee Room, is now in the occupancy of Mr. J. Kerrison, a gentleman every way qualified to conduct a respectable establishment of the kind. South of the Post Office and the Coffee Room, is a large passage which runs from Dock to Third street, and further south again, a number of offices; which are to be occupied generally as Exchange and Insurance Offices. They open upon Walnut and Dock streets. No. 2 of this range will be occupied by the proprietor of this paper, as a Stock, Exchange and Publication Office.

Proceeding up stairs, the large Exchange Room, capable of containing several thousand persons, first arrests attention. It occupies an area of 83 superficial feet, fronts east, and extends across the whole building. The reading Room is oa [sic] the second floor, immediately over the Post Office, and is nearly of equal capacity. It is fitted up in the most appropriate manner, and is under the charge of Joseph M. Sanderson, Esq. assisted by Mr. J. Coffee. Both gentlemen are well know to our citizens, and are alike respected for urbanity of manner, intelligence, and attention to the duties entrusted to their care. Both have for several years been connected with the Merchants’ Coffee House of this city, Mr. Sanderson as Principal and Lessee of that establishment, and nothing can more fully show the estimation in which he is held by the Merchants than the fact of his unanimous election to the New Exchange.

The attic story is of the same height as the basement, 15 feet, contains six large rooms; the roof is of copper, and the ornaments on the semicircular portion over the front colonnade are very beautiful.

The building went on to serve as the city’s stock exchange for more than 40 years, in addition to housing other tenants such as the post office. However, in 1876 the stock exchange moved to the Girard Bank, located less than a hundred yards north of the Merchants’ Exchange on the opposite side of Third Street. This building was the home of the stock exchange until 1888, when it relocated to the Drexel Building a few blocks away. In a somewhat surprising move, though, the stock exchange then returned here to the Merchants’ Exchange at the turn of the 20th century, shortly after the first photo was taken. It remained here until 1913, when it moved into a new building at 1411 Walnut Street, near the corner of Market Street.

The Merchants’ Exchange Building was ultimately acquired by the National Park Service as part of the Independence National Historical Park. Although many other historic buildings within the park’s boundaries were demolished during this time, this building was preserved and restored, and it is now used as the park headquarters. It stands as the only surviving building in this scene from the first photo, and in 2001 it was designated as a National Historic Landmark because of its historical and architectural significance.

Independence Hall, Philadelphia, Pennsylvania (3)

by

The south side of Independence Hall, seen from Independence Square around 1905. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

This view is similar to the one in a previous post, but this one shows the scene horizontally from a little further back, revealing more of the surrounding buildings near Independence Hall. As discussed in that post and another one, Independence Hall was the site of some of the country’s most important events in the years during and immediately after the American Revolution.

Independence Hall was completed in 1753 as the meeting place of the Pennsylvania colonial legislature, but at the start of the American Revolution it took on a second role as the de facto national capitol. The Second Continental Congress convened here on May 10, 1775, less than a month after the start of the war. The delegates met in the Assembly Room on the first floor of the building, which is located directly to the right of the tower in this scene. The building is most famous for the fact that the Declaration of Independence was voted on and signed here during the summer of 1776, but the building continued to be used by the Continental Congress throughout the Revolution, aside from two interruptions during British occupations of Philadelphia.

Congress finally left Philadelphia in June 1783, after a mob of about 400 soldiers descended upon the building, demanding payment for their wartime service. The state of Pennsylvania refused to deploy its militia to protect Congress, so the delegates left the city on June 21, and reconvened nine days later at Nassau Hall in Princeton, which became the first of several temporary national capitols over the next two years. Independence Hall would never again serve as the federal capitol building, but it nonetheless played another important role in 1787, when delegates from 12 of the 13 states met here for the Constitutional Convention. The result of this four-month convention was the current United States Constitution, which was signed here on September 17, 1787.

In the meantime, Independence Hall continued to serve as the seat of the state government. The federal government also returned to Philadelphia, although not to Independence Hall. Instead, two newer and smaller buildings were constructed, flanking Independence Hall. On the west side, barely visible on the extreme left side of the photos, is Congress Hall. This was the national capitol building from 1790 until 1800, with the House of Representatives occupying the large chamber on the first floor, and the Senate in a smaller chamber on the upper floor. On the opposite side of Independence Hall, on the extreme right side of the photos, is the Old City Hall. On the exterior, it is essentially identical to Congress Hall, and it was originally built to house the city government. However, during the 1790s it was also occupied by the Supreme Court, which had its courtroom on the ground floor.

The state government ultimately left Philadelphia in 1799 and moved to a more central location in Lancaster. Then, a year later, the federal government moved to Washington D.C., despite the best efforts by Philadelphians to retain the city’s status as the capital. No longer needed for governmental purposes, Independence Hall was threatened by demolition during the early 19th century. By this point the original wooden steeple was already gone, having been removed in 1781 and replaced by a low roof. Then, in 1812 the original wings on either side of Independence Hall were demolished, although the rest of the building was spared a similar fate after the city purchased it from the state in 1816.

It often takes many years before the significance of historic buildings is recognized, and in many cases this comes too late. For Independence Hall, though, it seems that its significance was widely understood by the 1820s. It was around this time that it came to be known as Independence Hall, rather than as the State House, and in 1825 the public square here in the foreground was formally named Independence Square. Three years later, a new steeple was constructed based on the plans of the original one, and it still stands atop the tower today.

By the time the first photo was taken around 1905, this scene had undergone further changes. Most significantly, the buildings that had replaced the old wings in 1812 were demolished in 1898, and new wings were constructed as replicas of the originals. Another change would come two years after the photo was taken, when the statue of Commodore John Barry was installed here in Independence Square, as shown in the 2019 photo.

Today, more than a century after the first photo was taken, Independence Hall still looks essentially the same. Both Congress Hall and the Old City Hall have also been preserved, and all three of these buildings are now part of the Independence National Historical Park. However, one notable difference in this scene from the first photo is the row of buildings beyond Independence Hall on the other side of Chestnut Street. All of these buildings, along with two more entire blocks further to the north, were demolished in the mid-20th century in an effort to improve the aesthetics of the area surrounding Independence Hall. However, in an example of historic buildings not being recognized until they are gone, the project included the removal of the remnants of the old President’s House, where George Washington and John Adams had lived during the 1790s. This site, at the corner of Sixth and Market Streets, is now marked by a partial reconstruction of some of the house’s architectural elements.