Isabella Stewart Gardner Museum, Boston

Fenway Court, which later became the Isabella Stewart Gardner Museum in Boston, around 1904. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The museum in 2015:

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In the late 1800s, Boston resident Isabella Stewart Gardner began acquiring a substantial art collection. Her husband, Jack Gardner, was a wealthy merchant, and the two began planning a museum to house their rapidly growing collection. He died in 1898, before any real work could be done, but Isabella soon began creating the museum, which she had built in the city’s Fenway neighborhood.  At the time, this area was recently-filled marshland with very little development, and the museum would be the first building in this section of Fenway.

By 1900, the construction was underway, with Willard T. Sears as the architect.  Sears’s most notable work was probably the New Old South Church, although architecturally speaking the museum probably could not have been more different.  While the church is an excellent example of Gothic Revival architecture, the museum was built in the style of a Venetian palace, with a red tile roof, tan brick walls, and a glass-enclosed courtyard in the center of the building.

The museum, which was originally named Fenway Court, opened in 1903, probably not long before the first photo was taken.  Isabella Stewart Gardner died in 1924, and the museum was subsequently named for her.  In her will, she left a $1 million endowment to the museum, along with instructions on how the museum was to be run.  These included significant stipulations about the collection not being substantially altered, but in keeping with her somewhat eccentric personality it also included items such as free admission for anyone named Isabella and discounted admission for anyone wearing Red Sox attire (to this day, Red Sox paraphernalia entitles visitors to a $2 discount off admission).

Today, the Gardner Museum is less than a quarter mile away from the much larger Museum of Fine Arts, which relocated there in 1909, only six years after the Gardner Museum opened.  Both museums have significant collections of prominent works, but but unfortunately the Gardner Museum is perhaps best known for what it doesn’t have in its collection.  In 1990, the museum was the scene of the most expensive art theft in history, when two men entered the building disguised as Boston police officers and stole 13 works, including The Concert by Vermeet and The Storm on the Sea of Galilee by Rembrandt, along with other works by Rembrandt, Degas, Manet, and Flinck.  Together, the stolen items had an estimated value of $500 million, and despite over 25 years of investigation and a $5 million reward, the FBI and other law enforcement agencies have been unable to recover the paintings.

Aside from the stolen paintings, though, the most significant change to the museum has been the addition of a new wing, which was completed in 2012.  It is barely visible on the far left beyond the trees, about 50 feet west of the original building, and it was intentionally designed to expand the size of the museum while at the same time preserving its historical integrity.  Otherwise, not much has changed between the two photos, except for the giant inflatable medallion hanging from the chimneys at the front of the building.

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Another view of the Museum of Fine Arts, taken around 1909-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The view in 2015:

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It’s hard to tell, but the Museum of Fine Arts is still there; it is just mostly hidden by the trees in the median of Huntington Avenue. As mentioned in the previous post, this was the second home of the museum, after it outgrew its first permanent building at Copley Square.  Since it opened in 1909, this building has steadily been expanded, with the most recent addition opening in 2010.  From this angle, though, not much has changed.  Even the trolley tracks in the foreground are still there; most of Boston’s trolley lines were replaced with buses in the mid 1900s, but Huntington Avenue’s line is now the E Branch of the MBTA Green Line

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The Museum of Fine Arts on Huntington Street in Boston, around 1910-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The museum in 2015:

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This view of the Museum of Fine Arts really hasn’t changed much in the past century, although it is hard to tell with all of the trees blocking the view in the second photo.  The Museum of Fine Arts had been established in 1870, and its first permanent home was opened at Copley Square in 1876.  The original building soon became too small for the museum’s growing collections, though, and in 1899 they purchased this plot of land on Huntington Avenue, a little over a mile west of Copley Square.

The new museum was designed by architect Guy Lowell, who deliberately designed it so that it could easily be expanded as the museum grew and as money became available.  Since then, it has grown substantially beyond its original 1909 footprint, and is now over 600,000 square feet in area.  One major addition was the West Wing, now the Linde Family Wing for Contemporary Art, which was designed by noted architect I.M. Pei in 1981, and the most recent was in 2010, when the new Art of the Americas wing was completed.  It is now one of the largest art museums in the United States, with an internationally-significant collection of nearly half a million works from around the world.  Much of their collection has also been digitized, and it can be viewed online through their website.  At least one of their works, an early photograph by J.J. Hawes, is featured in this blog post about Arlington Street Church.

Museum of Fine Arts, Boston

The old Museum of Fine Arts building at Copley Square in Boston, probably sometime in the 1880s. Image courtesy of the Boston Public Library.

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The building around 1890-1901. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The location in 2015:

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Boston’s Museum of Fine Arts was established in 1870, and six years later it moved into this Gothic Revival building on the south side of Copley Square.  Because of the museum’s presence here, it was originally named Art Square, but in the 1880s it was renamed in honor of colonial Boston painter John Singleton Copley.  The museum has a substantial collection of his works, including portraits of prominent figures such as John Adams, Samuel Adams, John Hancock, and Paul Revere.

In 1909, the museum relocated further down Huntington Avenue in the Fenway-Kenmore neighborhood, on a larger plot of land that allowed for more expansion as the museum grew.  Today’s museum is many times larger than the original Copley Square building, and it is among the most visited art museums in the world, attracting over a million visitors each year.  The old art museum was demolished soon after the museum moved, and in 1912 the Copley Plaza Hotel, which is still standing today, was built on the site.