Architecture

Nathaniel Stillman Jr. House, Wethersfield, Connecticut

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The house at 468 Main Street in Wethersfield, around 1935-1942. Image courtesy of the Connecticut State Library.

The house in 2024:

This house was built around 1743 as the home of Nathaniel Stillman Jr. This date coincides with his marriage to Mehitabel Deming, and the upcoming marriage may have been the reason for its construction. The design of the house is typical of mid-18th century homes here in the Connecticut River Valley, with a central chimney, a symmetrical front facade with nine windows and a door, and a door on the south side of the house that is often referred to nowadays as a “coffin door.” This term comes from its supposed use in removing coffins from the south parlor, since the large ground-floor footprint of the central chimney makes it difficult to move large objects through the front door.

The top photo was taken around the late 1930s or early 1940s, as part of an effort to document historic homes across Connecticut. By this point the appearance of the house had been altered with the addition of a front porch, which was probably put on the house sometime around the late 19th century. Other changes included the installation of 6-over-6 windows, which replaced the original ones that would have likely had 12 panes on each sash. The doors had also been changed by this point, including a front doorway with windows on either side of the door. This was probably added at some point around the early or mid 19th century, and is often found on Greek Revival style homes of that period.

Today, the house looks very different compared to its appearance in the top photo, but it more closely resembles its original 18th century appearance. At some point the house underwent restoration work, which included removing the front porch, installing 12-over-12 windows, installing plank doors, and constructing a period-appropriate front doorway. The house also now has a window directly to the right of the “coffin door,” in an area where there was no window in the top photo. It is possible that this window had once existed, but by the 1930s had been removed or covered up. Overall, the house survives as an excellent example of a mid-18th century center chimney colonial, and it is one of the many homes that comprise the Wethersfield Historic District, which was added to the National Register of Historic Places in 1970.

72-72 1/2 Greenwood Street, Springfield, Massachusetts

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The house at 72-72 1/2 Greenwood Street in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The scene in 2024:

Although it no longer exists, Greenwood Street once ran for two blocks from Main Street eastward to Chestnut Street, two blocks north of Congress Street. The street was developed in the second half of the 19th century, when Springfield saw rapid population growth due to industrialization. The land that would eventually become the street was once owned by Samuel Green, which was likely the source of the name.

The house in the top photo was likely built sometime around the 1860s based on its architectural style. It has a Mansard roof, a distinctive feature of Second Empire style architecture that was popular in the United States in the 1860s and into the 1870s. The house was definitely in existence by 1880, when it appears on the U.S. Census as a two-family home. In one unit was William L. and Eliza Elwell, who lived here with their two children, a nephew, a niece, and a lodger. The other unit was the home of John and Almeda Alexander, who had two children and also lived here with Almeda’s sister.

By the turn of the 20th century, this part of Springfield had become the home of many immigrant families, and this is reflected in the nationalities of the residents who lived here during the 1900 census. In one unit was Frank and Apolina Hepsick, who immigrated to the U.S. from Bohemia in 1875. They were both 59 years old in 1900, and the census indicated that they had 11 children, although only three were still living by that point. All three of these surviving children lived here, including their daughters Mary and Jennie and their son Frank. Also living here was Jennie’s husband Michael Kelleher, who was the son of Irish immigrants. Jennie and Michael had one child, three-year-old Roger. In the other unit was Harry and Esther Aronson and their young children Milton and Arnold. Harry was born in Russia and immigrated to the U.S. as a teenager in 1882, perhaps to escape persecution from the anti-Jewish pogroms. Esther was born in New York, but her parents were immigrants from Germany.

By 1920 the house was owned by Max Schaffer, a 38-year-old auto repair shop owner who lived here in the house with his wife Anna and their four children. The birthplace of both Max and Anna was listed as “Russia Poland,” and they spoke Yiddish as their native language. The Schaffers rented parts of their house to three other Jewish families: Isaac and Etta Hutner, Morris and Bertha Saven, and Nathan and Bertha Newman.

Over the course of the 20th century, the neighborhood demographics continued to evolve. By mid-century the area along Main Street between the railroad tracks and Memorial Square had become one of the city’s two major black neighborhoods, along with the Mason Square area farther to the southeast. This was partially a result of discriminatory housing practices, such as collusion among realtors and landlords to not sell or rent to black families in predominantly white areas. As a result, by 1950 more than 70% of the city’s black population lived in just one of two census tracts, with Tract 10—here in the area around Greenwood Street—having the highest percentage of black residents of the city, at 34%.

The top photo shows the house at 72-72 1/2 Greenwood Street around the late 1930s. The 1940 census, which was conducted only a few years later, shows two black families living here. In one unit was James and Mary Bartley, who were 72 and 69, respectively. They were both born in Georgia, only a few years after the end of the Civil War, and they lived here with a lodger, James Lattimore, who was also from Georgia. In the other unit was David and Irene Lofton, and Irene’s mother Sally Patterson. David was from South Carolina, and Irene and Sally were from Georgia. At the time of the census, David was working for the city water department, while Irene was working as a seamstress.

Irene Lofton died prior to the 1950 census, but David was still living here in 1950. His occupation was listed as special inspector for the water department, and he lived here with several lodgers, including Curtis and Fannie Jones and their two young children, and also Ray Evans. Curtis was from South Carolina, Fannie was from Georgia, and Ray Evans was from Illinois. The other unit in the building was the home of Mamie Gullick, who was from Georgia. Her son Roger lived here, along with Roger’s wife Hermione and their infant son. Mamie also had two lodgers who lived here with her.

By the late 1950s, this part of Springfield was targeted for a large-scale urban renewal project. This included the demolition of nearly every building north of the railroad tracks and south of Memorial Square, along with the elimination of many of the side streets, including Greenwood Street. The result was a series of large blocks with commercial development, along with a highway interchange with Interstate 91 and Interstate 291. This house was among the many that were demolished as part of the project, and the site of it is now an embankment that leads up to Interstate 291, near where it crosses Dwight Street.

Springfield City Library, Springfield, Massachusetts

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the Springfield City Library, shown from near the intersection of State and Chestnut Streets in Springfield, around 1905. Image from Springfield Present and Prospective (1905).

The scene in 2024:

The origins of the Springfield City Library date back to 1857, when the quasi-public City Library Association was established through the merger of the collections of the Young Men’s Institute and the Young Men’s Literary Association. It was initially funded through private donors, but it was located within city hall starting in 1859, and it began receiving funding from the city starting in 1864. Then, in 1871 its first purpose-built library was constructed here on State Street just east of Chestnut Street on land that had been donated by George Bliss. It was built of brick, and it was designed by New York architect George Hathorne, with a High Victorian Gothic style that was popular for public buildings of this period.

The top photo shows the building viewed from the west, from the corner of State and Chestnut Streets. In the foreground is Merrick Park, and just beyond the library is the steeple of St. Michael’s Cathedral. The library building was only about 20 years old by this point, but its collections had grown significantly larger during this period. When it opened in 1871 it housed about 31,400 books, but by the late 1890s it had around 136,000 books, and the city was in need of a new library.

The new library was constructed starting in 1909, with money that was donated by steel magnate and philanthropist Andrew Carnegie. It was built on the same site as the old building, so to keep the library open during construction the old building was moved about 200 feet northward, onto what is now the Quadrangle. Work on the new building was completed in 1912, and it opened to the public on January 10, 1912. The old library was then demolished a few months later.

Today, the 1912 library is still standing here. Just behind the library is the Quadrangle, a small park that is surrounded by two art museums, a science museum, and the Dr. Seuss Museum. The oldest of these buildings, the George Walter Vincent Smith Art Museum, was built in 1895, only a few years after the top photo was taken. It is partially visible on the far left side of the 2024 photo. Despite these changes, though, the scene is still recognizable from the top photo because of Merrick Park in the foreground, which still features the same granite curbing. On the other side of the library, St. Michael’s Cathedral is still standing, but it is not visible from this particular angle.

Josiah Cooley House, Longmeadow, Massachusetts (5)

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The house at the corner of Longmeadow and Emerson Streets in Longmeadow, Massachusetts, on September 12, 1917. Image courtesy of the Longmeadow Historical Society, Paesiello Emerson Collection.

The house in 2023:

This house has been featured in previous posts, and there are many early 20th century images of it thanks to Paesiello Emerson, an amateur photographer who lived here during that period. As explained in more detail in an earlier post, the house is believed to have been built around 1760 as the home of Josiah and Experience Cooley. An earlier house, belonging to Josiah’s father Eliakim, had stood here on this same spot earlier in the 18th century, and it is possible that the current house may have been built in part on the foundation of Eliakim’s house.

These two photos show the view of the back of the house from the southwest, on what is now Emerson Road. From this angle, the house would have looked very different when it was initially constructed. It was built as a saltbox, with a second floor on the front part of the house and a long sloping roof here on the back of the house. However, when Josiah and Experience’s granddaughter Lucy Colton inherited the house in the late 1820s, she modernized and expanded the house.

Some of this work included raising the roof to create a full second story, along with additions on the north and west sides of the house. The two-story northern addition, which is visible in the distance on the far side of the house, included living space for Lucy’s son Luther Woolworth Colton and his newlywed wife Abigail. The western addition, shown on the left side of these photos, was one story in height, and it appears to have been used for storage and workshop space, rather than as living space

Aside from these structural changes, Lucy also made some interior and exterior design changes, in keeping with early 19th century trends. On the exterior, this included removing the original 12-over-12 windows from the front of the house and replacing them with new 6-over-6 windows. However, rather than discarding the old windows, they were installed here on the back part of the house and in the back addition, likely because they would not be as visible from the street.

The house would remain in the Cooley-Colton family for several more decades, but in 1869 Lucy’s son Josiah Cooley Colton sold the house and 20 acres of land to Bradford W. Palmer for $4,500. The Palmer family, however, would only stay here for a few years before selling it to William G. Emerson, a carpenter who was originally from eastern Massachusetts. His family included his wife Lovina and their children William, Annie, and Henry. The elder William died in 1887, Lovina died in 1897, and at some point the younger William moved into a house of his own in Longmeadow, but Annie and Henry would live here for their entire lives.

Neither Annie nor Henry ever married, but in 1907 they were joined here by their older half brother Paesiello Emerson. He was a widower in his mid-70s, and he had worked for much of his life as a boot maker. However, when he was in his 70s he took up photography as a hobby. He tended to prefer photographing landscapes and old buildings, and he captured several thousand images, including many here in Longmeadow. He continued his photography into his 90s, creating a valuable photographic archive of the town’s early 20th century development.

Paesiello Emerson died here in the house in 1927 at the age of 95. At some point in the 1920s, William Emerson also returned to live here, and he died in the house in 1930 at the age of 81. The two younger siblings, Annie and Henry, remained here until their deaths in 1941 and 1943, at the age of 81 and 77 respectively. Henry was a farmer who grew raspberries and asparagus here, along with raising poultry. Annie was a teacher, but she was also the town historian. She conducted extensive research on the historic homes in Longmeadow, including her own, and much of the information about this house is based on her notes.

The house was sold by the Emerson heirs after Henry’s death in 1943, and subsequent owners did some restoration work as well as modernization of the house. Here on the back part of the house, this included adding an enclosed porch to the back of the house and adding an open porch to the back addition. The garage was also extended outward by a few feet to accommodate cars, and a second garage door was added. Other changes, which are hard to notice from this particular angle, included removing the “coffin door” from the south side of the house, and adding another second-story window to the back of the house. The latter was evidently done in the late 1940s, when two new bathrooms were installed in the back part of the second floor.

Overall, though, the appearance of the house is not drastically different from its appearance in 1917 when Paesiello Emerson took the top photo. Aside from the porches and the small addition to the garage, the overall form of the house has not changed. It retains its chimneys, including the large central chimney, and most of the windows appear to either be original or, in the case of the 6-over-6 windows, date to the late 1820s renovation. Many of the 12-over-12 windows can still be found in the back part of the house, and are likely the same ones that had once been installed on the front part of the house in the mid-1700s.

Wells-Thorn House, Deerfield, Massachusetts

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The Wells-Thorn House at the corner of Old Main Street and Memorial Street in Deerfield, in November 1959. Image courtesy of the Library of Congress, Historic American Buildings Survey Collection.

The house in 2023:

This house was built around 1747 as the home of Ebenezer Wells (1691-1758) and his wife Abigail Barnard (1691-1772). They had no children, but their household here included at least two enslaved people: Lucy Terry (c.1733-1821) and Caesar (baptized 1734). Lucy is best remembered today for being the author of the poem “Bars Fight,” earliest known work of African American literature. The poem memorializes those who were killed during a 1746 Native American raid on a group of families that were working in the meadows, or “bars,” near the village. It seems unclear when the poem was first put down on paper, but it remained an oral tradition for more than a century before it was published by Josiah Gilbert Holland in his 1855 book History of Western Massachusetts. According to Holland, the poem reads:

August ’twas the twenty-fifth,
Seventeen hundred forty-six;
The Indians did in ambush lay,
Some very valient men to slay,
The names of whom I’ll not leave out.
Samuel Allen like a hero fout,
And though he was so brave and bold,
His face no more shall we behold.
Eleazer Hawks was killed outright,
Before he had time to fight,—
Before he did the Indians see,
Was shot and killed immediately.
Oliver Amsden he was slain,
Which caused his friends much grief and pain.
Simeon Amsden they found dead,
Not many rods distant from his head.
Adonijah Gillett we do hear
Did lose his life which was so dear.
John Sadler fled across the water,
And thus escaped the dreadful slaughter.
Eunice Allen see the Indians coming,
And hopes to save herself by running,
And had not her petticoats stopped her,
The awful creatures had not catched her,
Nor tommy hawked her on her head,
And left her on the ground for dead.
Young Samuel Allen, Oh lack-a-day!
Was taken and carried to Canada.

Because the raid happened only a year or so before this house was built, it is possible that Lucy was living in the house when she composed the poem. But either way, she appears to have lived here until at least 1756, when she married Abijah Prince, a free Black man who was from Curaçao. An article written by the Pocumtuck Valley Memorial Association suggests that the wedding may have occurred here in this house, as was customary for the time. Lucy appears to have gained her freedom around this time, and she and Abijah lived on the eastern part of the Wells property early in their marriage. By 1764, they had moved to Guilford, Vermont, where they owned land. Abijah died in 1794, and Lucy eventually moved to Sunderland, Vermont, where she died in 1821.

In the meantime, Ebenezer and Abigail Wells lived here until Ebenezer’s death in 1758. He left the house to his nephew Ebenezer Wells (1730-1783), and Abigail subsequently moved to Northampton. The younger Ebenezer lived here for the rest of his life, as did his wife Mercy Bardwell (1737-1801). Their son David then inherited the property, but sold it to lawyer Hezekiah W. Strong (1768-1848).

Strong repainted the house to a bright robins egg blue color, evidently in the hopes of drawing attention to his law practice. However, he only remained in town for a few years, and he sold it in 1804 to John Dwight. The house was later owned by the Ware family for most of the 19th century, and then in 1905 it was sold to Edwin (1874-1920) and Luanna (1874-1965) Thorn. Edwin was a physician, but both he and Luanna were involved in the Deerfield Arts & Crafts movement. They produced colonial-inspired household goods, including furniture and textiles, and they sold them out of a shop here in their home.

Edwin Thorn died in 1920, but Luanna outlived him by many decades. She was still living in the house when the top photo was taken in 1959, as part of the documentation of the house by the Historic American Buildings Survey. She eventually sold the property to Historic Deerfield in 1962, and the house has since been restored and opened to the public as a museum. On the interior, each room is decorated to match a different time period, beginning in the early 18th century and going through the mid 19th century. On the exterior, the house has been painted the same shade of blue that Hezekiah Strong had used in the early 19th century, as shown in the 2023 photo.

John Nims House, Deerfield, Massachusetts

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The house at 58 Old Main Street in Deerfield, on July 24, 1930. Image courtesy of the Boston Public Library, Leon Abdalian Collection.

The house in 2023:

These two photos show the Nims House, which is one of the many historic homes that line Old Main Street in Deerfield. The exact date of construction is unclear, but it stands on the site of an earlier home that was owned by Godfrey Nims in the late 17th century. The earlier house was burned during the February 29, 1704 raid on Deerfield, and three of his children died in the fire. Most of his surviving family members were taken captive and marched to Canada, and his wife Mehitable died several days into the march. Godfrey himself was not taken captive, but he died just a year later, in 1705.

The current house is traditionally said to have been built around 1710 by Godfrey’s son John Nims, who had been among the captives. He survived the ordeal and returned to Deerfield, where he married his wife Elizabeth Hull in 1707. However, recent dendrochronological analysis by William Flynt of Historic Deerfield has called this date into question. The timbers in the house reflected a wide range of ages, but indicated that the house could have been built no earlier than the early 1720s, and probably had significant alterations done in the 1740s. The gambrel roof is not original to the house, but rather was added sometime around the early 1790s.

Regardless of exactly when it was constructed, the house would remain in the Nims family for many generations. During the early 19th century it was owned by Seth Nims, who operated a post office here in the house from around 1816 until his death in 1831. The house was ultimately sold out of the family in 1894.

The top photo was taken in 1930, showing both the Nims house and also the neighboring Barnard Tavern in the distance on the left. A few years later, in 1936, the house was purchased by Nims descendants who, in turn, donated it to Deerfield Academy in 1938. The house is still owned by the school, and it serves as a faculty residence. As shown in the bottom photo, the house has seen only minimal changes since the top photo was taken nearly a century ago.