Hotels

Mount Washington Hotel, Carroll, New Hampshire (2)

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The Mount Washington Hotel, with Mount Washington behind it in the distance, around 1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2020:

As discussed in more detail in the previous post, the Mount Washington Hotel was the finest of the many grand hotels that were built in the White Mountains during the Gilded Age of late 19th and early 20th centuries. It was completed in 1902, and could accommodate 600 guests who paid the princely sum of $20 per night to stay here. From here, guests enjoyed expansive views of the White Mountains, including the Presidential Range, which forms a dramatic backdrop here in this scene. The hotel’s namesake mountain, looms in the distance on the right side of the photos, and some of the summit buildings are barely visible, some seven miles away and 4,600 feet higher in elevation.

Today, nearly 120 years after it opened, the Mount Washington Hotel still stands as one of the few surviving grand hotels of its era in New England. It has entertained many prominent guests over the years, and in 1944 it was the site of the Bretton Woods Conference, which was a meeting of delegates of 44 Allied nations to establish postwar international monetary policies. The hotel is now known as the Omni Mount Washington Resort, and in 1986 it was designated as a National Historic Landmark, making it one of only 23 properties in the state to earn this recognition.

Mount Washington Hotel, Carroll, New Hampshire

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The Mount Washington Hotel, with its namesake mountain behind it in the distance, around 1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2020:

The White Mountains became a popular tourist destination during the second half of the 19th century, and the region featured a number of grand hotels. However, few could match the Mount Washington Hotel, which was built here in the Bretton Woods area of Carroll, New Hampshire between 1900 and 1902. It was owned by Joseph Stickney, a coal tycoon who had been involved in White Mountain hotels since 1881, when he purchased the Mount Pleasant House. Located approximately where these two photos were taken, the Mount Pleasant House started small, but it was subsequently expanded under Stickney’s ownership and became a prosperous hotel.

Around the turn of the century, Stickney decided to build an even larger hotel across the street from the Mount Pleasant House. He hired noted New York architect Charles Alling Gifford, who designed this Spanish Renaissance-style building, as shown in these two photos. It has a Y-shaped footprint, and its most distinctive exterior features are the two large octagonal towers. The hotel was completed in 1902 at a cost of about $2 million, and it formally opened on July 31, with a ball that was attended by dignitaries such as Chester B. Jordan, the governor of New Hampshire.

Upon completion, the hotel had 352 rooms and could accommodate around 600 guests. A night’s stay cost $20, which was a substantial amount of money at the time, and it included the room and three meals. Writing about a month before it opened, the Boston Herald declared it to be “one of the largest and most perfectly appointed resort hotels not only in New England, but in the summer resort world.” The article continued with the following description of the hotel:

It will contain, besides the ordinary accommodations for the comfort of guests, many novel and attractive features. The music room is 115 by 73 feet in size, with a spacious stage at one end to be used for amateur theatricals, and the rotunda, which is 135 by 103 feet, is the largest in any hotel in New England. The octagonal dining room in the northwest wing is 84 by 84 feet, and will seat 500 people. On two sides are spacious galleries, which can be utilized for the orchestra. Every suite has a private bath, and the chambers are all very large.

On the ground floor are the indoor amusements, including billiard rooms, ping-pong tables, golf club quarters, gun room, clubroom, bicycle room, shuffle boards, a large play room for children, and a mammoth swimming pool filled with water from the Ammonoosuc River, and tempered by steam jets to the right warmth. The floor of the pool is tiled, and adjoining are dressing and toilet rooms, with facilities for Turkish baths.

The first photo was taken only a few years after the Mount Washington Hotel opened. It shows the building and grounds from the main road, about a half mile away. In the foreground is the bridge over the Ammonoosuc River and the long driveway to the hotel. In the distance is the hotel’s namesake mountain, Mount Washington, which stands beyond and to the right of the hotel. The summit is about seven miles east of the hotel, and about 4,600 feet higher in elevation. Rising 6,288 feet above sea level, it is the highest mountain in the northeastern United States, and it is flanked by other peaks in the Presidential Range, including Mount Jefferson on the far left and Mount Monroe on the far right.

The Mount Washington Hotel was a popular resort destination throughout the early 20th century, drawing prominent guests such as Woodrow Wilson, Warren Harding, Winston Churchill, Thomas Edison, Mary Pickford, and Babe Ruth. However, the most famous gathering here occurred in July 1944, in the midst of World War II, when 730 delegates from 44 Allied nations met at the Mount Washington Hotel. Known as the Bretton Woods Conference, this meeting was held in anticipation of the end of the war, in order to establish international monetary policies for the postwar world.

The Bretton Woods Conference delegates included many of the world’s leading economists, including Harry Dexter White, John Maynard Keynes, and U.S. Secretary of the Treasury Henry Morgenthau Jr., who presided over the conference. Among the agreements reached here were the establishment of the International Monetary Fund and the World Bank, along with policies for currency exchange rates. The conference led to what became known as the Bretton Woods system, which remained the predominant international economic system until the early 1970s.

In the meantime, the mid-20th century was a difficult time for the grand 19th century hotels in the White Mountains. Many succumbed to fire, while others faced a slow, steady decline as the buildings aged and tourist preferences shifted. However, the Mount Washington Hotel managed to avoid the fate of nearly all its contemporaries, and it still stands here nearly 120 years after it opened.

Today, there have been few significant exterior changes to the hotel, and the scene still looks much the same as it did at the turn of the 20th century, although the trees are now much taller and partially hide the building from this spot. Now known as the Omni Mount Washington Resort, it remains one of the premier hotels in the region, and it stands as a rare surviving Gilded Age resort hotel here in New England. Because of its historic significance, particularly with regards to the Bretton Woods Convention, the hotel was added to the National Register of Historic Places in 1978, and it was designated as a National Historic Landmark in 1986.

The Pavilion, Montpelier, Vermont

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The Pavilion on State Street in Montpelier, around 1904. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

Throughout the 19th and early 20th centuries, one of the major landmarks in Montpelier was the Pavilion Hotel, which stood on the north side of State Street, just east of the Vermont State House. The original Pavilion was built in 1808, the same year that the first state house was built next door. At the time, Montpelier had just recently been designated as the capital of Vermont, and it was still a small town, with under 900 residents during the 1800 census. As a result, the Pavilion was built, in part, to meet the anticipated need for accommodations, especially during legislative sessions. Over time, the hotel would come to be closely identified with the state government, and despite being privately owned it was unofficially regarded as the “third house” of the legislature.

The first Pavilion Hotel stood here until 1875, when it was demolished to build a new, larger Pavilion. Work on the new hotel began with the groundbreaking on February 22, 1875, and it opened for guests exactly 11 months later, on January 22, 1876. The formal dedication ball occurred a month later, on February 22, and it was attended by over 250 couples. The event lasted well into the night, and did not wrap up until 6:00 the following morning.

Upon completion, the new hotel consisted of four floors, with a low roof atop the building; the fifth floor with its Mansard roof would not be added until 1888. The main entrance was located here on the State Street side of the building, with the ladies’ entrance on the left side facing the state house. The first floor of the building featured the hotel offices, along with a reception room, reading room, two dining rooms, the kitchen, and some of the guest rooms. On the second floor there were more guest rooms, along with three parlors and the hotel proprietor’s living quarters, and the two upper floors were entirely comprised of guest rooms. In total, the hotel had 90 guest bedrooms. The basement was primarily utility space, but it also included a billiards room and barber shop.

The first photo was taken around the turn of the 20th century, after the 1888 expansion that added 35 guest rooms to the building. At the time, the hotel was still popular among Vermont legislators, and it also enjoyed steady business from tourists who sought the relatively quiet, rural setting of Montpelier. According to a 1906 advertisement in a travel guide, rooms cost $2 per night, or about $58 in today’s dollars, which made it the most expensive of the three Montpelier hotels that had prices listed.

By mid-century, though, these trends had changed. Across the country, historic downtown hotels were suffering from declining business, and the Pavilion was no exception. The explosion of car owner0hips, along with the Interstate Highway System, made it easier for travelers to stay at convenient new motels right off the highway, rather than driving into a downtown area and trying to find parking in order to stay at an aging hotel. Here in Montpelier, this was compounded by the fact that many legislators no longer needed to stay overnight in the city during legislative sessions. With travel times drastically reduced, commuting became a more attractive option for those who lived within easy driving distance of the capital.

As a result, the Pavilion declined to the point where it was in poor repair, and was generally seen as a low-budget alternative to newer motels. In the meantime, the state became interested in acquiring the property, given its highly visible location next to the state house. The state ultimately purchased it in 1966, and the hotel closed for good later in the year.

Over the next five years, the building became the topic of debate between state officials who wanted to demolish the old hotel and construct a new state office building, and preservationists who wanted to see the historic building renovated into offices. The reasoning behind the demolition was that it would cost more to renovate the building than to construct a new one. In the end, the state struck a sort of compromise that involved demolishing the hotel and constructing an exact replica on the same spot. This maintained the visual effect from the street, but it was hardly a win for preservationists, who argued that complete demolition could in no way be considered a type of historic preservation.

The building was demolished during the winter of 1969-1970, and the replica state office building was completed in early 1971. Among the occupants of the new building was the governor. The formal governor’s office remained in the state house, and continues to be used during legislative sessions, but the governor’s working office has been in the new Pavilion ever since. Initially, the governor’s office was located on the fifth floor, in the corner on the right side of the building, but it was subsequently relocated to a modernist addition, located in the rear of the building.

Today, these two photos give the appearance that very little has changed, although in reality there is almost nothing left from the first photo. Aside from a few pieces of the old Pavilion façade that were incorporated into the new one, the only survivor in this scene is the former offices of the Vermont Mutual Insurance Company, the corner of which is visible on the right side of the first photo. Although it is not shown in the 2019 photo, it is still standing today, and it is now used as offices for the state’s attorney and the sheriff’s department. The other government building visible in this scene is the one on the far left of the 2019 photo, which was completed in 1918 and houses the state library and the state supreme court.

Marshall House, Alexandria, Virginia

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The Marshall House at the corner of King and Pitt Streets in Alexandria, around 1861-1865. Image courtesy of the Library of Congress, Civil War Collection.

The scene in 2021:

The Marshall House in Alexandria, VA was built in 1799, originally as a tavern and inn called the Washington Tavern. Some time around the mid-1820s, the name of the tavern and inn was changed to the Marshall House, and by the eve of the Civil War it had become a popular meeting spot for secessionists. One of these secessionists was the recently hired manager of the Marshall House, James W Jackson. Jackson was a fiery secessionist, and months before the firing on Fort Sumter, decided to raise a massive, 18 foot wide Confederate flag up the flagpole that stood at the top of the Marshall House. The flag was so large and conspicuous, that it was reported to have been able to be seen with a spyglass from Washington, DC. To protect his flag, Jackson borrowed a ceremonial cannon from his neighbor and placed it in the backyard of the tavern facing the front door. Exclaiming that the flag would be removed over his dead body, his words would end up becoming perfectly prophetic.

May 24, 1861 marked the day that the Union Army began their advance across the Potomac river into Virginia. Colonel Elmer E. Ellsworth, close friend of President Lincoln and commander of the famous New York Fire Zouaves (11th New York Infantry), was tasked with cutting telegraph wires leading out of Alexandria. As Ellsworth marched past the Marshall House though, he felt it was his sole duty to first remove the flag of secession from the top of the tavern. Taking Private Francis E. Brownell with him, Ellsworth managed to make his way up to the roof of the tavern and remove the flag. On their descent though, they were surprised by Jackson pointing a double-barreled shotgun at Ellsworth. Jackson immediately shot Ellsworth in the chest, killing him instantly. Simultaneously, Private Brownell shot Jackson in the face and bayoneted him, killing him instantly as well. This incident at the Marshall House would mark the first Union officer to die in the Civil War. Ellsworth’s body would be sent to the White House for public mourning, while Jackson’s actions made Southerners view him as their first martyr of the war.

During and after the war the Marshall House attracted many tourists, soldiers and civilians alike. Many took souvenirs of the carpet, floorboards, or the outside signage. In 1873 most of the tavern burned down by an arsonist. Only the brick exterior remained after the fire. The building was restored after the fire, although with many Victorian style decorations added to the exterior. By the time the Marshall House was razed in the 1950s for downtown development, it resembled little of how it did during the Civil War.

Fittingly enough, the spot where the Marshall House was is today a hotel. The latest iteration of the site is The Alexandrian Hotel, owned by Marriott Bonvoy. Nothing currently marks the spot where Ellsworth and Jackson died, although up until recently there was a plaque on the side of the hotel posted by the Sons of Confederate Veterans that read:

THE MARSHALL HOUSE
stood upon this site, and within the building
on the early morning of May 24,
JAMES W. JACKSON
was killed by federal soldiers while defending his property and
personal rights as stated in the verdict of the coroners jury.
He was
the first martyr to the cause of Southern Independence.
The justice of history does not permit his name to be forgotten.

Not in the excitement of battle, but coolly and for a great principle,
he laid down his life, an example to all, in defence of his home and
the sacred soil of his native state.
VIRGINIA

Marriott Bonvoy seems to have quietly removed the plaque after pushback from the community.

Interestingly, the Marshall House also played a much smaller role in the Civil War. In 1859, the tavern issued tokens with an image of Minerva in profile on them. Tokens from private businesses were common before the war in both the North and the South. People hoarded metal coinage, believing their value would go up once war started. To counteract this, many businesses made their own tokens made from less valuable metals to help stimulate commerce. The tokens from the Marshall House eventually made their way down to Richmond, where the engraver Robert Lovett, Jr. used its image of Minerva as an exact model for his Confederate cent prototypes.

Jones’ Hotel, Philadelphia, Pennsylvania

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The Jones’ Hotel, on the south side of Chestnut Street between Sixth and Seventh Streets in Philadelphia, in December 1858. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

The first photo shows the Jones’ Hotel, which stood on the south side of Chestnut Street between Sixth and Seventh Street. The photo is part of a scrapbook that was compiled in the 1850s to document historic 18th and early 19th century buildings in Philadelphia. Most of the buildings in the scrapbook have long since been demolished, so images such as this one provide a rare glimpse of the city during the early years of photography. The original image, which is now in the collections of the Library Company of Philadelphia, also includes a caption, probably contemporary to the photo, that reads:

Yohe’s, late Jones’ Hotel. On the south side of Chestnut St., next to the Clymer mansion (afterward Geo. Harrison’s residence) between Sixth and Seventh St. The site, in the olden times, of the celebrated “Oeller’s hotel.”

As indicated by the caption, this was once the site of Oellers’s Hotel. It was one of the city’s leading hotels of the late 18th century, but it was destroyed by a fire on December 17, 1799. The site was subsequently redeveloped with houses, but in 1833 hotelier Catharine Yohe purchased two of these homes, demolished them, and constructed the right-hand side of the building in the first photo. It opened in December 1833, and according to a July 10, 1859 article in the Sunday Dispatch it was, at the time of its completion, the only purpose-built hotel building in the city. Its opening was widely announced in newspapers, including classified advertisements as well as news articles that may have been thinly-disguised advertisements. One such article, published in the Philadelphia Inquirer on December 5, speaks of the hotel in glowing terms:

This elegant and commodious establishment is now opened for the reception of Travellers. A more beautiful situation could hardly have been chosen for the erection of a large Hotel—it stands on Chestnut Street—directly opposite the Philadelphia Arcade and Peale’s Museum—between Sixth and Seventh Streets. This extensive building contains numerous parlours, all beautifully furnished—upwards of 100 Bed chambers, admirably arranged for comfort and convenience in all seasons. The Bars are judiciously placed so as to prevent confusion, in directing servants. The Dining Room is perhaps the largest, and most beautifully arranged, of any in the United States—the whole furnished after the order of Modern Architecture, with Furniture to correspond. This extensive and valuable establishment is under the immediate direction of Mrs. Yohe, the owner. From the well known character and capacity of this Lady we may infer that hospitality, kindness and attention will be extended to all, who favour the North American Hotel with their patronage.

Catharine Yohe operated the hotel for the next six years, but in 1839 she sold it to John A. Jones. He subsequently expanded the hotel by purchasing the other two adjoining houses, demolishing them, and building the section of the hotel on the left side of the scene. He also changed the name of the hotel, and it became Jones’ Hotel, as shown above the door in the first photo Under his management, the hotel became the finest in the city during the mid-19th century. The 1859 Dispatch article described it as having been the “‘crack’ house of its time,” a term that meant something very different than it does now.

Jones retired in 1847 and sold the hotel to Noah Bridges and John West. They retained the name, likely because of the reputation that it carried, and the hotel continued to be successful into the mid-1850s. During this time, one of its notable guests was Jenny Lind, during her highly-publicized tour of the United States. She arrived in Philadelphia in October 1850, and her first performance in the city was across the street from here at the Chestnut Street Theatre. Her arrival was highly anticipated by the people of Philadelphia, to the point where Chestnut Street was crowded with people waiting to catch a glimpse of her. However, because of the dense crowds she had to enter via the back entrance on Samson Street. This upset the crowd, though, and they did not disperse until Lind acceded to their demands and appeared at the window waving a handkerchief.

The hotel changed ownership several more times during the 1850s, and by 1858 it had declined to the point where it was vacant, with the furniture sold at auction by order of the sheriff. It was subsequently renovated and reopened in 1859, but it does not appear to have remained in business for very long. Over the next few decades, the building saw several other uses, including as a theater and as the newspaper offices of the Philadelphia German Democrat. Despite these changes, though, an 1887 article in the New York Tribune reported that the room where Jenny Lind stayed has never been altered, and was at the time being used as the offices of W. H. Shaffer & Co. jewelers.

It seems unclear as to exactly when the old hotel building was demolished, but it was definitely gone by the early 1920s, when this entire block of Chestnut Street was cleared to build the new office building of the Philadelphia Public Ledger. The newspaper went out of business only two decades later, but the massive 12-story building is still standing here today, as shown in the 2019 photo.

Ten Eyck Hotel, Albany, New York

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The Ten Eyck Hotel, seen from the corner of State and Chapel Streets in Albany, around 1901. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

The Ten Eyck Hotel was one of Albany’s leading hotels of the early 20th century. It was built in two different stages, but the oldest section of the building, which is shown here in the first photo, was completed in 1899 at the northeast corner of State and Chapel Streets. It was named for James Ten Eyck, a local businessman whose family traced back to the early years of the Dutch settlement in Albany. He was part of the ownership group that built the hotel, and he was also its first official guest, signing his name in the register as part of the hotel’s opening on May 8, 1899.

The Ten Eyck was built in order to meet the demand for a new hotel in Albany. The city’s famous Delavan House had burned in 1894, and 16 people died in the fire. Hiram J. and Frederick W. Rockwell, the father-and-son partnership that ran the Kenmore Hotel, recognized the need for a new hotel, and they helped to form the Albany Hotel Corporation, which was established in 1897 with James Ten Eyck as one of its directors. Work on the new building began in 1898, and upon completion the Rockwells signed a long term lease to operate the hotel.

At nine stories in height, the Ten Eyck towered above its neighbors here on the north side of State Street, as shown in the 1904 photo in a previous post. The eastern side of the hotel, which is visible in that photo, was unadorned brick, but it did feature a large painted advertisement that declared the Ten Eyck to be “positively fire proof.” This fact was touted in contemporary print advertisements as well, likely in order to assure customers that it would not suffer the same fate as the Delavan, whose fire was still in recent memory.

The first photo here was taken only about two years after the Ten Eyck opened. At the time, the hotel was flanked by two older, smaller commercial blocks. On the left side of the photo is the ornate Albany Savings Bank building, which was completed in 1875. However, by the time the photo was taken, the bank had moved to a new facility on North Pearl Street, and this building here on State Street was repurposed as county offices. Directly adjacent to the hotel, on the right side of the photo, is the Tweddle Building. It was built in the mid-1880s, replacing the earlier Tweddle Hall that had burned in 1883, and it featured a mix of commercial offices and retail space.

The Ten Eyck proved to be popular, and in the mid-1910s the owners embarked on a massive expansion project. They purchased the Tweddle Building, demolished it, and constructed a new 17-story hotel building, which opened in 1917. The older nine-story section became the Ten Eyck Hotel Annex, and together these two buildings were used by the hotel for many years.

Throughout the first half of the 20th century, the Ten Eyck remained one of the city’s most popular hotels. It changed ownership several times, eventually becoming a Sheraton, but by the 1960s it had begun to decline. This was the case in cities across the northeast, where once-fashionable downtown hotels were losing business to newer suburban hotels and motels. A major part of this was because of companies moving away from downtown locations, and also because of changes in transportation patterns. With most people now traveling by car instead of by train, it was much easier to stay at a modern hotel right off the highway rather than navigating downtown traffic to reach places like the aging Ten Eyck.

As a result, the Ten Eyck closed in 1968, and both buildings were demolished several years later. The old Albany Savings Bank on the left side of the photo appears to have been demolished around the same time, and the entire two-block section between North Pearl and Lodge Streets was redeveloped. Now completely unrecognizable from the first photo, this scene features several modern buildings, including an office building on the right and a Hilton hotel on the left.