Fort Griswold, Groton, Connecticut

The view of Fort Griswold from the top of the Groton Monument in Groton, around 1900. Image from The Battle of Groton Heights (1903).

The scene in 2022:

These two photos show Fort Griswold, which was built during the American Revolution on the east side of New London Harbor. Most significantly, the fort was the site of the Battle of Groton Heights on September 6, 1781. This battle is often overlooked, perhaps because it was a British victory that ultimately had little bearing on the outcome of the war. However, it was the largest battle to be fought in Connecticut during the Revolution, and it was also the last major battle in the northern states.

Fort Griswold was built between 1775 and 1778 on Groton Heights, a hill immediately to the east of New London Harbor. The site is less than a thousand feet from the water, yet it rises to about 125 feet in elevation, making it an ideal place for a fort to defend New London, which is located directly across the harbor. It was named in honor of Matthew Griswold, who was at the time the lieutenant governor and would eventually become governor of Connecticut. Aside from this fort, the harbor defenses also included Fort Trumbull in New London, which was named for Jonathan Trumbull, who served as governor from 1769 to 1784. Fort Trumbull is visible in the distance of both of these photos, across the harbor on the far right side of the scene.

Fort Griswold was laid out as a star fort, roughly pentagonal in shape, with bastions projecting outward to enable enfilading fire against attackers. The walls, which were made of stone topped with earth, were thick and relatively low, in order to protect against enemy artillery, and it was surrounded by a ditch to make it more difficult for the enemy to scale the walls. This was a typical fort design for the 18th century, although much smaller in scale than more notable ones of the era, such as Fort Ticonderoga and Fort Crown Point. The main entrance was on the north side, as shown here in the foreground of these two photos, but there was also a sally port on the south side of the fort that led to ditch connecting the fort to the lower battery. On the inside of the fort were the barracks, which were located on the east side, on the spot now marked by a large rectangular outline in the second photo.

Stephen Hempstead, who was one of the fort’s defenders during the battle, provided the following description of Fort Griswold in his subsequent account of the battle:

The fort was an oblong square, with bastions at opposite angles, its longest side fronting the river in a northwest and southeast direction. Its walls were of stone, and were ten or twelve feet high on the lower side, and surrounded by a ditch. On the wall were pickets, projecting over twelve feet; above this was a parapet with embrasures, and within a platform for the cannon, and a step to mount upon to shoot over the parapet with small arms. In the southwest bastion was a flag-staff, and in the side, near the opposite angle, was the gate, in front of which was a triangular breast-work to protect the gate; and to the right of this was a redoubt, with a three-pounder in it, which was about 120 yards from the gate. Between the fort and the river was another battery, with a covered way, but which could not be used in this attack, as the enemy appeared in a different quarter.

These defenses would be put to the test on September 6, 1781, when Benedict Arnold landed around 1,700 British soldiers here in the New London area. By this point the war in the north was winding down, and most of the focus had shifted south, where Lord Cornwallis had taken up a vulnerable position on a peninsula in Virginia. George Washington and Rochambeau had begun marching their army south in the summer of 1781, but Arnold hoped that a raid on New London would distract Washington and take pressure off of Cornwallis.

In conducting the raid, Arnold divided his force of about 1,700 men into two groups of roughly equal numbers. One group, commanded by Arnold himself, landed on the west side of the Thames River in New London. They met with minimal resistance at Fort Trumbull, which had been lightly garrisoned, and the 23 defenders who had been positioned there abandoned the fort after spiking the guns. Those defenders then crossed the harbor to join the American soldiers at Fort Griswold, which was a much more substantial fortification. In the meantime, Arnold had free reign of New London, and he burned a significant portion of it, including over 140 buildings. Adding insult to this injury was the fact that Arnold was a local, having been born and raised in nearby Norwich.

While Arnold was burning New London, the other group of about 800 British soldiers landed in Groton, on the east side of the Thames River. They were commanded by Lieutenant Colonel Edmund Eyre, who had been given the task of capturing Fort Griswold. Rather than attempting a frontal assault directly from the river, Eyre instead landed his men further to the south, at the entrance to the harbor in the distant left side of these two photos. This spot is marked by a small “4” in the first photo. This route of attack enabled him to approach the fort from the southeast, which, as noted in Stephen Hempstead’s account, rendered the lower battery ineffective against them.

According to Arnold’s post-battle report, his orders to Eyre were at least partially based on information that he had received from a Loyalist resident of New London, who informed him that the fort was only partially complete and was only defended by 20 or 30 men. However, in reality the fort had about 160 defenders, and Arnold would soon discover that it was definitely not incomplete. From a vantage point at the old burial ground in New London, Arnold surveyed the fort’s defenses, and subsequently wrote in his report that he “found it much more formidable than I expected, or than I had formed an idea of, from the information I had before received.” This led him to countermand his original orders to Eyre, but the message arrived after the battle had already started.

Prior to the battle, Eyre had demanded the unconditional surrender of the fort. With about 800 soldiers, he had a significant numerical advantage, but the fort’s commanding officer, Lieutenant Colonel William Ledyard, refused to surrender. Throughout the war, the British tended to avoid assaulting fortified, elevated American positions, likely in part because of their experiences early in the war at Bunker Hill. Ledyard may have had Bunker Hill in mind on this day, but he also believed that there were reinforcements who would arrive momentarily, so he held his position.

After the rejected surrender demand, Colonel Eyre concentrated his attack on the southwest bastion of the fort, located in the far right-hand side of the fort from the perspective of these two photos. They suffered heavy casualties in the process, including Major William Montgomery, who was impaled with a pike by Jordan Freeman, a formerly enslaved man who was subsequently killed in the battle.

According to Stephen Hempstead’s account, at one point in the battle the fort’s flagpole was shot down. The flag was quickly raised on a pike, but Hempstead believed that the British had interpreted the initial falling of the flag as a sign of surrender. This, he asserted, had given them the added motivation to get over the walls because they believed victory was at hand. It is also possible that the British may have seen the action as a feigned surrender designed to draw them into a vulnerable position. If that was the case, it may explain their subsequent actions once they breached the fort.

Regardless of exactly how the fallen flag may have influenced the British, they managed to get some of their soldiers over the walls. They then opened the gate from the inside, allowing the rest of the soldiers to enter the fort. It was at this point that Colonel Ledyard recognized that the battle was lost. Stephen Hempstead, who had been wounded by a musket ball in his left arm in the fighting right before this, described the ensuing events in his narrative:

Colonel Ledyard, seeing the enemy within the fort, gave orders to cease firing, and to throw down our arms, as the fort had surrendered. We did so, but they continued firing upon us, crossed the fort and opened the gate, when they marched in, firing in platoons upon those who were retreating to the magazine and barrack-rooms for safety. At this moment the renegade Colonel Beckwith commanding, cried out “Who commands this garrison?” Colonel Ledyard, who was standing near me, answered “I did, sir, but you do now,” at the same time stepping forward, handed him his sword with the point towards himself. At this instant I perceived a soldier in the act of bayonetting me from behind. I turned suddenly round and grasped his bayonet, endeavoring to unship it, and knock off the thrust, but in vain. Having but one hand, he succeeded in forcing it into my right hip, above the joint, and just below the abdomen, and crushed me to the ground. The first person I saw afterwards was my brave commander, a corpse by my side, having been run through the body with his own sword, by the savage renegade.

Over the years there has been debate and speculation about exactly who killed Colonel Ledyard, but American accounts of the battle generally agree on what happened next. Up to this point, only about six or seven Americans had been killed in the battle, according to Hempstead’s estimate. However, many more would be killed here in the fort after this attempted surrender. Hempstead continued by writing:

Never was a scene of more brutal wanton carnage witnessed than now took place. The enemy were still firing upon us in platoons, and in the barrack-rooms, which were continued for some minutes, when they discovered they were in danger of being blown up, by communicating fire to the powder scattered at the mouth of the magazine while delivering out cartridges; nor did it then cease in the rooms for some minutes longer. All this time the bayonet was “freely used,” even on those who were helplessly wounded and in the agonies of death. I recollect Captain William Seymour, a volunteer from Hartford, had thirteen bayonet wounds, although his knee had previously been shattered by a ball, so much so, that it was obliged to be amputated the next day. But I need not mention particular cases. I have already said that we had six killed and eighteen wounded previous to their storming our lines; eighty-five were killed in all, thirty-five mortally and dangerously wounded, and forty taken prisoners to New York, most of them slightly hurt.

Another American soldier, Rufus Avery, gave a similar account in his own description of the battle:

They killed and wounded nearly every man in the fort as quick as they could, which was done in about one minute. I expected my time to come with the rest. One mad-looking fellow put his bayonet to my side, and swore, “bejasus, he would skipper me.” I looked him very earnestly in the face and eyes, and asked for mercy and to spare my life. He attempted three times to put the bayonet in me, but I must say I believe God forbade him, for I was completely in his power, as well as others that was present with the enemy. The enemy at the same time massacred Lieut. Enoch Stanton within four or five feet of me. A platoon of about ten men marched up near where I stood, where two large outer doors to the magazine made a space wide enough for ten men to stand in one rank. They discharged their guns into the magazine among the dead and wounded, and some well ones, and some they killed and wounded.

Like Hempstead, Avery also commented on how the British became concerned that they would ignite the powder magazine. He wrote:

That platoon fell back, and another platoon came forward to discharge their guns into the outer part of the magazine, where the others did. As they made ready to fire, Capt. Bloomfield came suddenly round the corner of the magazine, and very quickly raised his sword, exclaiming, “Stop firing! You’ll send us all to hell together ! ” Their language was bad as well as their conduct. I was near him when he spoke. Bloomfield knew there must be, of course, much powder scattered about the magazine, and a great quantity deposited there, but I expect the reason it did not take fire was that there was so much human blood to put it out. They did not bayonet many after they ceased firing their guns. I was amongst them all the time, and they very soon left off killing, and then went stripping and robbing the dead and wounded, and also those that were not wounded.

As the battle came to an end, the British began taking prisoners. They also attempted to destroy the fort itself, but they were not successful. In his official report to his commanding officer, Sir Henry Clinton, Arnold described how:

A very considerable Magazine of Powder, and Barracks to contain 300 men, were found in Fort Griswold, which Captain Lemoine, of the Royal Artillery, had my positive directions to destroy. An attempt was made by him, but unfortunately failed. He had my orders to make a second attempt. The reason why it was not done Captain Lemoine will have the honor to explain to your Excellency.

Arnold’s report did not specify exactly why the first attempt failed, or why the second one was not carried out, although his tone clearly indicated frustration with Lemoine’s inaction. However, Lemoine did subsequently offer his explanation to Clinton, who indicated that he was satisfied with the reason.

Based on other accounts, the reason for the failure of the first attempt appears to have been due to interference by Americans who disrupted the trail of powder that was supposed to ignite the magazine. Another American who was present at the battle, John Hempsted, described the incident in a narrative that was somewhat less polished than Arnold’s report:

But the Enemy Intended to blow up the fort for they Stroed a train of powder from the gate to the magesean & itt burnt from the gate about half way to the magesean, and the Comunication was cut of by a mans fingers which Sean in the durt.

The Americans ultimately managed to save the fort itself, but overall they had sustained heavy losses in the battle. Different sources give somewhat different figures for the total number killed, wounded, and captured, but Stephen Hempstead’s estimates, which were quoted earlier, seem to be reasonably correct, with about 85 killed, 35 wounded, and 40 taken prisoner. The wounded figure included those who would subsequently die of their wounds, along with those who were deemed to be too injured to be taken prisoner, including Stephen Hempstead. Among the prisoners was Rufus Avery, who was subsequently transported to New York.

In his report, Benedict Arnold also stated that 85 Americans had been killed, although he also estimated that 60 were wounded (“most of them mortally”), and 70 captured. These latter two figures are likely inflated, since that would put the total number killed, wounded, and captured at 215, which was significantly higher than the total number of defenders who were present in the fort. As for the British, Arnold reported 48 killed and 145 wounded, and also noted that three of the wounded officers had since died. Other wounded British soldiers appear to have died of their wounds while making the voyage back across the Atlantic.

Based on these numbers, both sides had similar numbers of casualties, although for the Americans these represented a much higher percentage of their total force. With at least 85 dead in the battle, plus others who were mortally wounded, it meant that well over half of the fort’s defenders died during or soon after the battle. And, with nearly all of the remaining American soldiers either wounded or taken prisoner, it meant that they had a casualty rate of nearly 100%. Because of this, and because so many of the Americans were killed after they attempted to surrender, the battle is sometimes referred to as the Fort Griswold Massacre. At least one modern historian, Jerald P. Hurwitz, has even taken this a step further, declaring it to be the “Alamo of the Revolution” in his 2020 book of the same name.

For the British, the battle probably brought back memories of the Battle of Bunker Hill, which had been fought six years earlier at the start of the Revolution. Like Fort Griswold, it was a battle that they technically won, but it was largely a pyrrhic victory that involved heavy losses without gaining any significant strategic advantage. It would also prove to be their last major victory of the war. The goal of distracting Washington’s army did not succeed, and they continued on their way to Virginia despite the raid on New London and Groton.

Just 22 days after the battle here in Groton, the combined French and American armies began laying siege to General Cornwallis on the Yorktown Peninsula. This ultimately led to his surrender on October 19, 1781, which effectively ended the American Revolution. Interestingly, the total number of American and French soldiers killed in the three-week siege was about 88, which was approximately the same number who were killed here in Fort Griswold in the span of 40 minutes.

Following the was, Fort Griswold would continue to be used as a harbor defense fort for many years, although primarily in a supporting role, with Fort Trumbull becoming the main fort here in New London. Fort Griswold saw use during the War of 1812, and then in the early 1840s the lower batter was rebuilt, as shown on the right side of these photos. This work included emplacements for 20 guns, along with a powder magazine and a shot furnace. The latter was used to heat cannonballs before firing them, in order to start fires when they struck wooden warships. Both structures were built in 1843, and they are still standing today, with the magazine visible on the far right and the furnace a little to the left of it.

In the meantime, the battlefield also became the site of one of the earliest large-scale monuments to the American Revolution. In 1825, work began on a 127-foot monument just to the north of the fort. The cornerstone was laid on September 6, 1781, on the 44th anniversary of the battle, and approximately 8,000-10,000 people attended the ceremony, including 18 survivors of the battle. One of them even wore the same vest that he had worn during the battle, complete with a musket ball hole and other damage from the battle.

This event occurred less than three months after the cornerstone was laid for the more famous Bunker Hill Monument in Charlestown, Massachusetts. It had a design that was similar to the Bunker Hill Monument, although it was topped with a cupola rather than a traditional obelisk point. It was much shorter than Bunker Hill, standing at 127 feet compared to 221 feet. However, it also took much less time to build; it was completed in 1830, compared to 1843 for the Bunker Hill Monument.

The design of the Groton Monument was later modified for the centennial of the battle in 1881. The original cupola was removed, and the top of the monument was reconstructed to make it a true obelisk. This project added eight feet to the monument’s height, which now rises 135 feet above the battlefield.

The interior of the monument has a spiral staircase that leads to an observation platform with one window on each side of the monument. These windows provide expansive views of New London, the harbor, and the surrounding countryside, along with a birds-eye view of Fort Griswold, as shown in these two photos. From here, it is easy to get a sense of the layout of the fort and the topography around it, and also to visualize how the battle unfolded.

Even after the completion of the monument, the fort itself would remain an active military installation for many years. The lower battery, which had been reconstructed in the 1840s, was upgraded again around the time of the Civil War, including the installation of Rodman guns. It would ultimately continue to be used until after World War II, although for most of this time it was only lightly garrisoned, and never saw any other combat.

The site of the fort was subsequently transferred to the state, which established the Fort Griswold State Park here in 1953. Today, the park includes the fort itself, along with the monument and a small museum adjacent to it in the Monument House. Visitors can climb up the 166 steps to the top of the monument, and they can also explore the fort, which is open for self-guided tours.

Overall, the battlefield has not changed much in the 120 years or so since the first photo was taken. Although the battle is often overlooked when compared to the other major battles of the war, the site here has remained well-preserved, even as the surrounding area has been extensively developed over the years. There are now far more houses on the other side of the battlefield than there were in the first photo, and probably the most significant change is the large General Dynamics Electric Boat shipyard in the distance. This facility specializes in building nuclear-powered submarines for the U.S. Navy, so its proximity to Fort Griswold provides for an interesting contrast to the Revolutionary-era fort in the foreground.

George B. Boomer Monument, Worcester, Massachusetts

The monument at the gravesite of George B. Boomer at Rural Cemetery in Worcester, Massachusetts, around 1895. Image from Picturesque Worcester (1895).

The scene in 2021:

These two photos show the gravesite of George B. Boomer, a Civil War officer who was killed in action during the Siege of Vicksburg on May 22, 1863. Born in Sutton, Massachusetts in 1832, Boomer grew up in the Worcester area, but later moved west to St. Louis, where he was involved in bridge building. Upon the outbreak of the Civil War, he found himself in a border state that had divided loyalties. Missouri ultimately remained in the Union, as did Boomer, who helped to raise a regiment of Missouri soldiers.

Boomer was commissioned as colonel of the 26th Missouri Infantry Regiment in 1862. He suffered serious wounds at the Battle of Iuka in September 1862, but after his recovery he returned to action, including participating in the Vicksburg campaign. Vicksburg proved to be a major turning point for the Union during the war, and Boomer fought with distinction, including at the Battle of Champion Hill, a major Union victory on May 16, 1862 that directly led to the Siege of Vicksburg. He was also involved in the Battle of Big Black River Bridge on the following day, and in the assault on Vicksburg itself on May 22. However, this assault proved unsuccessful, and the Union sustained many casualties, including Boomer, who was killed instantly by a gunshot wound to the head.

He was initially buried in Louisiana, then in St. Louis, before his remains were eventually returned to Worcester. His funeral was held at the Third Baptist Church on June 28, and he was subsequently buried here in Rural Cemetery. Less than a week later, on July 4, Union forces finally succeeded in taking the city of Vicksburg. This, combined with the Confederate defeat at Gettysburg a day earlier, proved to be a decisive blow that the Confederacy was never able to recover from.

George Boomer would ultimately be memorialized here by the large monument that is shown here in these two photos. It is 27 feet tall, carved of Connecticut sandstone, and it takes the form of an ancient Roman victory column with a large eagle at the top. It was designed by local sculptor and gravestone carver Benjamin H. Kinney, and it was installed here in early 1865, shortly before the end of the Civil War. On the monument, he is referred to by the rank of Brigadier General, as do many other contemporary accounts of his military career. However, it seems unclear as to whether he actually received this promotion, because other sources indicate that the highest rank that he held was that of colonel.

The first photo was taken about 30 years after the monument was installed here, and more than 125 years have passed since then. During this time, very little has changed here except for the landscaping of the cemetery, which now features much larger trees than in the first photo. Otherwise, though, the cemetery looks much the same as it did in the 1890s, and many of the gravestones from the first photo are still easily recognizable in the present-day photos, including the Boomer memorial, which still stands as one of the most distinctive monuments in the cemetery.

Bancroft Monument, Worcester, Massachusetts

The monument to George and Elizabeth Bancroft in Rural Cemetery in Worcester, Massachusetts, around 1895. Image from Picturesque Worcester (1895).

The scene in 2021:

These two photos show the final resting place of historian and politician George Bancroft and his wife Elizabeth. Although he spent much of his life elsewhere, George Bancroft was a native of Worcester and was born here in 1800. He died in 1891, and his body was subsequently returned to his hometown, where he was buried here in Rural Cemetery. Then, two years later a large granite monument was constructed on the plot, as shown here.

As a historian, Bancroft’s magnum opus was his extensive multi-volume History of the United States of America, from the Discovery of the American Continent. However, he also had a successful career in politics and diplomacy. He served as Secretary of the Navy under James K. Polk from 1845 to 1846, and during this time he established the United States Naval Academy in Annapolis. He then served as the U.S. Minister to the United Kingdom from 1846 to 1849, and he was later the U.S. Minister to Germany from 1867 to 1874.

George Bancroft’s first wife was Sarah Dwight, from the prominent Dwight family of Springfield. They lived in Northampton and later in Springfield, where Sarah died in 1837. He subsequently remarried in 1838 to Elizabeth Davis Bliss, and they were married for nearly 50 years until her death in 1886. She was interred here in Worcester, as was her husband after he died five years later.

Their grave monument is one of the largest in Rural Cemetery, and it was designed by prominent architect Paul J. Pelz, whose most famous work was the Library of Congress building in Washington, D.C. The monument is 22 feet high, made of Vermont granite, and it features four large pillars with a dome above them. The original intent was for a bust or statue of Bancroft to be placed in the center of this space between the pillars, but this evidently did not happen. In total, the monument cost $7,000, and it was installed here in November 1893.

The first photo was taken within about a year or two after the monument was installed, and not much has changed in this scene since then. There have obviously been more burials since the 1890s, but overall this particular section of the cemetery remains essentially the same, including the same gravestones from the first photo. Aside from Bancroft, other prominent burials here in this scene include Bancroft’s sister Eliza and her husband John Davis. He had a lengthy political career in the first half of the 19th century, including serving as a U.S. representative, governor of Massachusetts, and U.S. senator. They are buried beneath the rectangular gravestone near the road on the right side of the scene.

Old Hadley Cemetery, Hadley, Massachusetts

Gravestones at Old Hadley Cemetery, around 1905. Image from History of Hadley (1905).

The scene in 2021:

Hadley was settled by European colonists in 1659, and incorporated as a town in 1661. Around the same time, this burying ground was laid out in a meadow just to the northwest of the town center, with the earliest known burials dating back to 1661. Among these was John Webster (1590-1661), who had served as governor of Connecticut before relocating to Hadley. As was the case for most of the other 17th century burials here, his grave was not marked by a stone, although a monument to him was installed in the cemetery in 1818 by his great-great-great grandson Noah Webster, the famous lexicographer and dictionary author.

The earliest surviving gravestones in the cemetery are two matching tablestones for Rebecca and John Russell. They died in 1688 and 1692, respectively, and their stones were installed in 1693, although they are not visible in this particular scene. Otherwise, though, gravestones were rare here until the 1710s, when Hadley resident Joseph Nash began carving gravestones. He used tan sandstone, and his gravestones were typically small, irregularly shaped, and with crudely-cut lettering. Despite the primitive appearance of the stones, he was evidently popular because his work appears in most of the early burying grounds in the Connecticut River Valley of Massachusetts. Several of his stones are visible in this particular scene, including those of Mehetebel Marsh (1694-1739) on the far right, and Aaron Cook (1641-1716) and Sarah Cook (1644-1730) near the foreground on the far left side.

The two large tablestones in the center of this scene are for Joanna Porter (1665-1713) on the left and her husband Samuel Porter Jr. (1660-1722) on the right. Joanna was the daughter of Aaron and Sarah Cook, and she was also the mother of Mehetebel Marsh, so this was evidently their family plot. Tablestones were relatively uncommon because of the high cost, and were typically only used for clergymen and other prominent town residents. In this case, Samuel Porter was a wealthy merchant, and he also served as a representative in the colonial legislature, and as a judge and county sheriff. The Porter tablestones were not carved by Joseph Nash, as this was likely seen as too costly of a job to leave to a rather amateurish local stonecutter. Instead, these stones appear to have been carved by the Stanclift family in Middletown, Connecticut, who specialized in monuments such as these.

The Mehetebel Marsh gravestone was likely one of the last that Joseph Nash carved before his own death in 1740. By this point, gravestones in Western Massachusetts were starting to become more refined, in part because of an increased number of stones brought up the river from the skilled Middletown-area carvers. Among these was the gravestone of Samuel Porter III (1685-1748), the tall stone just to the right of the tablestones. He was the son of Samuel and Joanna, and although he died less than a decade after his sister Mehetebel, their two gravestones show the vast differences in skill level between local carvers like Nash and the professionally-trained carvers of Middletown. His gravestone was carved by the prominent Johnson family of Middletown, and its design suggests that it may have been carved somewhat later, perhaps in the 1750s or early 1760s.

The carvers from the Johnson family dominated the gravestone business along the Connecticut River Valley during the mid-1700s, but there were also some skilled local carvers who emerged in Western Massachusetts during this period. Foremost among them was Nathaniel Phelps of Northampton, who was active from the 1740s until the 1780s. Aside from Joseph Nash, perhaps no other 18th century carver is better represented here in Hadley, and one of his gravestones stands in the lower center of this scene, marking the grave of Joanna Porter’s brother Samuel Cook (1672-1746). This stone is a close imitation of the Johnson family’s style, but Phelps would subsequently develop his own style, and he occasionally carved highly ornate gravestones that featured full-body figures of angels. Among these was the gravestone of Sarah Porter (1741-1775), the wife of Samuel and Joanna’s grandson Elisha Porter. Her gravestone is visible in the background of this scene; it is the fourth one from the left in the back row.

By the early 19th century, gravestone styles had shifted away from the ornate carvings of the 18th century. Instead, these gravestones tended to either have generic designs of willows and urns, or no images at all. And, rather than sandstone, these 19th century stones were typically carved in slate or marble. Most of these burials were further to the east of the original section of the cemetery, but there are several 19th century marble stones here in the old section, including one in the back row in the distance for Nathaniel Porter (1709-1779). Although he died in 1779, the style of his gravestone suggests that it was probably carved at some point in the first half of the 1800s.

Aside from Nathaniel Porter’s backdated gravestone, perhaps the most recent gravestone in this particular scene is that of Elisha Porter (1742-1796). Like his grandfather Samuel had done many years earlier, Elisha served as sheriff of Hampshire County, and he was also a colonel in the state militia during the American Revolution. His gravestone is carved in marble, and it has a fairly plain design that is decorated only with an urn in the upper part of the stone.

More than a hundred years would pass between Porter’s burial in 1796 and when the first photo was taken at the turn of the 20th century. It is hard to say to what extent this scene changed during that time. Colonial-era burial grounds were often laid out in a somewhat haphazard manner, and during the 19th century many were rearranged into orderly rows of gravestones, often with little concern for whether the stones on the surface corresponded to the remains underground. This was often done for aesthetic reasons or to make maintenance easier, but it seems unclear whether it happened here in Hadley. However, the 18th century gravestones here are all arranged in parallel rows, suggesting that perhaps their positions may have been adjusted at some point.

Today, nearly 120 years after the first photo was taken, the background of this scene has changed significantly. Rather than the open meadows of the first photo, there is now a house directly to the west of the cemetery, with a tall hedge marking the property line. However, here in the foreground the cemetery has remained remarkably unchanged during this time. Sandstone gravestones are often vulnerable to weathering and erosion, and many in the river valley are badly deteriorated, especially those from the Middletown area. Here in Hadley, though, the stones have generally remained well-preserved, and this cemetery is one of the finest colonial-era burial grounds in Western Massachusetts.

Great Gulf, Mount Washington, New Hampshire

The Great Gulf, seen from just north of the summit of Mount Washington, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2021:

These two photos show the view looking north from Mount Washington, with the Great Gulf in the foreground and the summits of the northern Presidential Range beyond it. Mount Washington is the highest peak in New England and the northeastern United States, and it stands at the center of the Presidential Range, a north-south oriented range that contains many other high peaks. The five highest peaks are named after the first five presidents, mostly in descending order of elevation, and each one is higher than any other mountain in the northeast outside of the Presidential Range.

Mount Washington, the highest, is 6,288 feet above sea level. It is followed by Mount Adams (5,774 feet), which is seen on the right side of this scene; Mount Jefferson (5,712 feet) on the left side of the scene; Mount Monroe (5,384 feet) out of view on the opposite side of Mount Washington; and Mount Madison (5,367 feet) on the extreme right-hand side of this scene.

Just out of view in the foreground on the right side is a portion of Mount Washington, which extends to the northeast away from the summit area. That slope of Mount Washington, along with the northern Presidentials in the distance, form the walls of the Great Gulf, a large glacial cirque. There are a number of different cirques around Mount Washington that were formed by glacial activity, including Tuckerman Ravine, Huntington Ravine, and Ammonoosuc Ravine. However, the Great Gulf is by far the largest of these, extended more than two miles in length and over a mile in width.

The first recorded description of the Great Gulf comes from Darby Field in 1642. Although this was still very early in the history of European colonization in New England, and several centuries before recreational hiking became popular in the region, Darby Field and his two Native American guides became the first known people to have climbed Mount Washington. This achievement was considered remarkable enough that John Winthrop, governor of the Massachusetts Bay Colony, provided a lengthy account of Field’s expedition in his journal. Regarding the final ascent to the summit, Winthrop wrote:

They went divers times through the thick clouds for a good space, and within 4 miles of the top, they had no clouds but very cold. By the way among the rocks, there were two ponds, one a blackish water, and the other reddish. The top of all was plain about 60 feet square. On the north side was such a precipice, as they could scarcely discern to the bottom. They had neither cloud nor wind on the top, and moderate heat. All the country about him seemed a level, except here and there a hill rising above the rest, and far beneath them. He saw to the north, a great water which he judged to be 100 miles broad, but could see no land beyond it.

Although Winthrop’s description was secondhand information at best, the account seems reliable, since it contains information that Field would only have known if he had actually reached the summit. The “two ponds” are likely the Lakes of the Clouds, located along the ridgeline between the summits of Mount Washington and Mount Monroe, and the description of the “plain” at the summit likewise corresponds to reality. And, his description of the Great Gulf also helps to verify the account, since Field would have only known about “such a precipice, as they could scarcely discern to the bottom” if he and his guides had actually stood here at the edge of the Great Gulf headwall.

Aside from Field’s journey, there were very few recorded ascents of Mount Washington during the colonial period. However, this began to change by the early 19th century, as New Englanders began to travel to the White Mountains to experience the scenery here. By 1819 there was a footpath from Crawford Notch to the summit, and this was later followed by a carriage road in 1861 and a cog railway in 1868. The summit area became a seasonal community, with several hotels and even its own newspaper.

However, despite the extensive development on Mount Washington, the other summits on the Presidential Range remained largely untouched, as did the Great Gulf. Visitors were generally happy to admire these scenes from afar, and there were few landscapes that could compete with this view here in these photos. Writing in his 1856 book Incidents in White Mountain History, Benjamin G. Willey provided the following description of this scene:

[G]oing a few rods northward, you come to the brink of an almost unfathomable abyss, known as the Great Gulf. It is a rocky, precipitous descent of two thousand feet. Rising up opposite you from the bottom of this Gulf, almost perpendicularly, is the great range of mountains, comprising Clay, Jefferson, Adams and Madison. This vast range may be seen from their roots to their summits by one standing on the brink. Deep down in the very bottom of the hollow are rough, confused piles of rocks, with narrow and deeply-worn ravines between them. Springing up occasionally, near the very base of the mountain range, are tall spruces, while further up on their sides are birches and small firbushes. Toward the east, the Gulf has an opening, surrounded on all its other sides by mountains.

A few years later, in his 1860 book The White Hills: Their Legends, Landscape, and Poetry, described the scene in even more rapturous language, from an overlook on the nearby carriage road. He wrote:

Yet the glory of the view is, after all, the four highest companion mountains of the range. Clay, Jefferson, Adams, Madison, that show themselves in a bending line beyond the tremendous gorge at the right of the path, absurdly called the ” Gulf of Mexico,” and are visible from their roots to their summits. . . . Except by climbing to the ridge through the unbroken wilderness of the northern side, there is no such view to be had east of the Mississippi of mountain architecture and sublimity. They do not seem to be rocky institutions. Their lines have so much life that they appear to have just leaped from the deeps beneath the soil. We say to ourselves, these peaks are nature’s struggle against petrifaction, the earth’s cry for air.

This scene certainly captivated visitors, but few were adventurous enough to actually descend into this “unfathomable abyss.” Because of its remoteness, the upper reaches of the Gulf escaped large-scale logging, and even the trail builders of the late 1800s tended to avoid the area. A single hiking trail was built through the Gulf as far as Spalding Lake in the lower foreground of these photos, but it did not ascend the headwall of the mountains. Nor did it apparently see much use, because it did not see much subsequent maintenance.

The Great Gulf was still an essentially trailless wilderness when the first photo was taken around 1900, but this would soon change. From 1908 to 1910, Warren W. Hart oversaw the construction of a series of trails in the area, starting with the Great Gulf Trail, which traversed the Gulf, climbed the headwall, and ended near the spot where these two photos were taken. Another trail, named the Six Husbands Trail, was opened to the summit of Mount Jefferson by way of the steep slopes in the right-center of the scene. Two other trails—Adams Slide and the Buttress Trail—climbed Mount Adams, and the Wamsutta and Chandler Brook Trails climbed the northeastern slopes of Mount Washington from the Great Gulf.

At the time, the Great Gulf was still in private hands, but in 1916 it was purchased by the U.S. Forest Service. It subsequently became part of the White Mountain National Forest, and in 1964 it was designated as the Great Gulf Wilderness, which conferred greater protections on the land than other portions of the national forest. As a result, this view from atop the headwall looks essentially the same as it did over 120 years earlier, and in all likelihood it also looks the same as it did over 380 years ago, when Darby Field first described the “precipice” where he could “scarcely discern the bottom.”

Burnside Bridge, Sharpsburg, Maryland (2)

The view of the north side of the Burnside Bridge, from the west bank of Antietam Creek, in September 1862. Photographed by Alexander Gardner. Image courtesy of the Library of Congress, Civil War Glass Negatives and Related Prints collection.

The scene in 2021:

As explained in more detail in the previous post, the Burnside Bridge—or lower bridge, as it had previously been known—was the focal point of the later phase of the Battle of Antietam on September 17, 1862. Ahead of the battle, the Confederates under Robert E. Lee had taken a defensive position near the town of Sharpsburg, with a line of soldiers that extended north to south. The southern end of his line was anchored on the heights just to the west of this bridge, and this led to intense fighting for control over the bridge.

Opposing the Confederates in the vicinity of the bridge was General Ambrose Burnside, whose IX Corps was positioned to the east of here, in the distance on the left side of this scene. However, because of poor coordination on the part of the Union commander, General George B. McClellan, Burnside received no orders until around 10:00 a.m., long after the fighting had begun on the northern part of the battlefield.

Despite the bridge being defended by only 500 Confederate soldiers, it took Burnside’s 4,000-man corps several hours to take the bridge, suffering about 500 casualties in the process. The Union forces finally took the bridge around 1:00 p.m., but Burnside delayed in moving his men, and they did not all cross until around 3:00 p.m. This gave the Confederates time to gather reinforcements, and rather than striking a decisive blow at the Confederate line, Burnside’s soldiers were faced with fresh Confederate soldiers commanded by A. P. Hill. The final portion of the battle occurred on the heights to the west of the bridge, to the right of where these photos were taken, and it was largely inconclusive, with Burnside’s soldiers managing to hold the bridge but unable to gain much ground.

The bridge came to be known as Burnside Bridge in his honor, although his actions here did face criticism. Some criticized his delays in moving his corps over the bridge, while others questioned whether the Union could have simply waded across the shallow creek, rather than making a costly and time-consuming effort to seize the bridge. Nonetheless, he was subsequently promoted to command of the Army of the Potomac in November, but he was ultimately dismissed after the disastrous Battle of Fredericksburg, which likewise involved a time-consuming crossing of a waterway.

The first photo was taken only days after the battle, by prominent Civil War photographer Alexander Gardner. Today, not much has changed here in this scene. The bridge is still standing, as is one of the trees from the first photo. Barely noticeable on the far left side of the first photo is a small sycamore tree, which now towers over the bridge in the present-day scene. It is the most famous “witness tree” at Antietam, and both the tree and the bridge itself are major landmarks here at the Antietam National Battlefield.