Soldiers and Sailors Memorial Arch, Concord, New Hampshire

The Soldiers and Sailors Memorial Arch on the east side of the New Hampshire State House, around 1900-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

This arch was built in 1892 at the eastern end of the State House grounds, in honor of Concord’s Civil War veterans. It is built of granite, measuring 33.5 feet high and 53 feet in width. It was was designed by the prominent Boston architectural firm of Peabody and Stearns, and it features symbolic elements such as wreaths and shields, and it is topped by a Gatling gun. Just below the gun is the year 1892, and beneath the cornice is the inscription “To the memory of her soldiers and sailors the city of Concord builds this monument.”

The arch was dedicated on July 4, 1892, in a ceremony that drew Civil War veterans from around the state. In reporting on the event, the Boston Globe compared it to the wartime enthusiasm from decades earlier, noting how “Many of the men who today marched through Concord’s streets in honor of this occasion were vividly reminded of the stirring times from ’61 to ’65 when, with buoyant hearts and with martial tread, they departed from the capital city to meet their country’s enemy on the battlefield” In addition to the veterans, other important dignitaries included 95-year-old Nathaniel S. Berry, who had been governor for the first two years of the war, and Harriet P. Dame, a New Hampshire native who served on the front lines throughout the war as a nurse.

During the ceremony, the arch was unveiled by two Civil War veterans. It was then accepted by the mayor of Concord, who in turn introduced the keynote speaker of the day, Senator Joseph R. Hawley of Connecticut. In addition to holding various political roles, Hawley had also served as a brevet major general in the war, and during his speech he spoke about what the monument meant to Union veterans. He also spoke of the appropriateness of dedicating it on July 4, a day that emphasized national unity and patriotism rather than sectional differences and conflict.

The first photo was taken about a decade after the monument was dedicated. Since then, this scene has undergone a few changes, including the demolition of a few of the buildings along Park Street in the distance on the right. Overall, though, this view looks essentially the same as it did more than a century ago, and today both the arch and the State House in the background are part of the Concord Civic District on the National Register of Historic Places.

John P. Hale Statue, Concord, New Hampshire

The John P. Hale statue on the grounds of the New Hampshire State House in Concord, around 1900-1909. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The statue in 2019:

This statue of Senator John P. Hale is one of several on the grounds of the New Hampshire State House that honor famous New Hampshire residents. Although not as nationally-prominent as some of the others, such as Franklin Pierce and Daniel Webster, Hale was an important politician in the years immediately before and after the Civil War. He served for 16 years in the Senate, where he was a staunch opponent of slavery, and he later served as the U. S. Minister to Spain from 1865 to 1869.

Ironically, despite being a political ally of Abraham Lincoln, Hale inadvertently almost became the father-in-law of John Wilkes Booth. His daughter, Lucy Lambert Hale, was a leading socialite in Washington D.C., and she had many suitors, including Robert Todd Lincoln, whom Senator Hale hoped she would marry. Instead, though, she became secretly engaged to Booth, who was a successful actor at the time. They never married, and Booth was killed less than two weeks after he assassinated Lincoln, but Lucy’s photo was found on his body after he was killed.

Lucy Lambert Hale ultimately married William E. Chandler, a New Hampshire attorney and newspaper publisher who subsequently represented the state in the Senate from 1887 to 1901. During this time, he lobbied for a statue here on the State House grounds to honor his father-in-law, who had died in 1873. Chandler paid for the statue, and the state agreed to accept it and place it here in front of the northeast corner of the State House. The statue was designed by German sculptor Ferdinand von Miller, and it was cast in his foundry in Munich, the same place where the nearby Daniel Webster statue was cast several years earlier.

Hale’s statue was unveiled on August 3, 1892, in a ceremony that included addresses by William Chandler and Governor Hiram A. Tuttle. Other dignitaries included four former governors, along with members of the Hale and Chandler families, including John Hale’s widow and his daughter Lucy. The keynote speaker was Colonel Daniel Hall, a Civil War veteran from Hale’s hometown of Dover. His speech included an outline of the history of slavery in America and Hale’s opposition to it, noting that Hale had, early in his political career, “found his conscience and his whole better nature insurgent against the slave system.” These abolitionist sentiments are also expressed on the plaque at the base of the monument, which includes the claim that he was the “first anti-slavery U. S. Senator.”

The first photo was taken about a decade or so after the statue’s installation, and it has remained here ever since. Not much else has changed in this scene, with the exception of some alterations to the State House in the background. The building was renovated in 1909-1910 with a large addition to the rear, along with a third floor in place of the 1860s mansard roof. Otherwise, though, the State House looks much the same as it did when the first photo was taken more than a century ago, and it remains in use as one of the oldest state capitol buildings in the United States.

Daniel Webster Statue, Concord, New Hampshire

The Daniel Webster statue in front of the New Hampshire State House in Concord, around 1900-1909. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The statue in 2019:

The grounds of the New Hampshire State House feature statues of some of the state’s most famous residents, including Daniel Webster, whose statue occupies a prominent location directly in front of the eastern entrance to the building. Webster is best known for being part of the Great Triumvirate, which also included John C. Calhoun of South Carolina and Henry Clay of Kentucky. These three senators were among the most influential American politicians of the first half of the 19th century, serving as the primary advocates for their respective regions of the country from the 1820s until their deaths in the early 1850s.

Although Webster spent most of his political career in Massachusetts, he was born in New Hampshire and represented the state in the U. S. House of Representatives from 1813 to 1817. He subsequently moved to Boston, but he was not forgotten here in his native state, and in 1886 this statue was dedicated here in front of the State House. The commission for designing the statue had originally gone to Martin Milmore, but he died in 1883 and the statue was completed by noted sculptor Thomas Ball, whose previous works had included a large statue of Webster in Central Park.

The first photo was taken several decades after the statue was installed here, and shortly before the State House underwent a major renovation in 1909-1910. From this angle, the result of this renovation can be seen with the third floor, which replaced the 1860s mansard roof from the first photo. Otherwise, though, not much has changed here in this scene, and the statue of Daniel Webster still stands here overlooking downtown Concord.

Mount Pleasant, Philadelphia, Pennsylvania

The Mount Pleasant mansion in Fairmount Park, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2019:

Fairmount Park is located along the banks of the Schuylkill River, several miles to the northwest of downtown Philadelphia. During the colonial era, this area of the city was still sparsely-settled, and the bluffs overlooking the river were desirable locations for the country estates of some of Philadelphia’s affluent families. These mansions were generally used as summer homes, allowing these families to escape the heat and diseases of the densely-populated city center. Most of the homes were built in the 18th or early 19th centuries, and 16 are still standing today as part of Fairmount Park, the largest park in Philadelphia. Of these, perhaps the finest mansion is Mount Pleasant, which was built here in the early 1760s on the east bank of the Schuylkill River.

Mount Pleasant was designed by Thomas Nevell, and it is an excellent example of colonial Georgian-style architecture. As was typical for Georgian houses of the period, its design is symmetrical, and it makes use of decorative elements such as quoins on the corners, a pedimented doorway, a Palladian window, and a hip roof with dormers. The main house is flanked by two smaller buildings with matching exteriors. The one on the north side—which is just out of view on the right side of this scene—was the office, and the one on the south side, in the foreground of these photos, was the summer kitchen.

The original owner of this house was John MacPherson, a sea captain who became wealthy as a privateer during the French and Indian War. In command of the 20-gun ship Britannia, MacPherson captured several dozen French vessels throughout the war, in the process hurting the French war effort while simultaneously enriching himself. His exploits cost him his right arm, which he lost to a French cannonball in the midst of a battle, but upon returning to Philadelphia he used his new wealth to build his country estate here in Philadelphia. He originally named it Clunie, after his family’s ancestral home in Scotland, but subsequently changed it to Mount Pleasant. The size of the property also changed during MacPherson’s ownership; he started with about 31 acres, but the estate eventually grew to 120 acres.

MacPherson was a patriot during the American Revolution, and he even made an ultimately unsuccessful bid to become commander of the newly-established Continental Navy. His two sons, William and John, served in the Continental Army during the war. William resigned his commission as a British lieutenant in order to join the Continental Army, and he eventually became a brevet major and served on the staff of the Marquis de Lafayette. His brother John was also a staff officer during the war, serving as aide-de-camp to General Richard Montgomery, but both he and Montgomery were killed in the Battle of Quebec on December 31, 1775.

In the meantime, the elder John MacPherson interacted with high-ranking members of the Continental Congress, which met in Philadelphia’s Independence Hall throughout the war. On at least one occasion, on September 25, 1775, Massachusetts delegate John Adams visited him here at Mount Pleasant for dinner. The future president subsequently wrote about it in his diary, commenting on the house, his family, and MacPherson’s naval ambitions:

Rode out of town, and dined with Mr. McPherson. He has the most elegant seat in Pennsylvania, a clever Scotch wife, and two pretty daughters. His seat is on the banks of the Schuylkill. He has been nine times wounded in battle; an old sea commander; made a fortune by privateering; an arm twice shot off, shot through the leg, &c. He renews his proposals of taking or burning ships.

Despite living in “the most elegant seat in Pennsylvania,” MacPherson eventually decided to move out of the house and offer it for sale. He had no immediate buyers, but in the meantime he leased the house to Juan de Miralles, Spain’s unofficial envoy to the United States. Although Spain was officially neutral at this point in the war, Miralles established connections with many American leaders in Philadelphia, including by hosting lavish balls here at Mount Pleasant.

Then, in 1779 General Benedict Arnold purchased Mount Pleasant from John MacPherson. At the time, Arnold was still an ostensibly loyal officer in the Continental Army. He had been a hero at the Battle of Saratoga, but in the process he suffered a leg injury. During his recovery he was unable to fight on the front lines, so Washington appointed him military governor of Philadelphia in 1778. However, Arnold’s volatile personality made him ill-suited for a position that required tact and subtlety in dealing with local leaders, and he also faced accusations that he was using his position to enrich himself. It was also during his time in Philadelphia that Arnold met and fell in love with 18-year-old Peggy Shippen, whose wealthy family had Loyalist sympathies. Despite being twice her age and from a very different social background, Arnold began courting her later in 1778, and they were married on April 8, 1779.

At the time, Arnold’s financial situation was somewhat strained, and he was under suspicion for misusing his authority for personal gain. However, he purchased Mount Pleasant as a wedding gift for Peggy, giving the impression that he was wealthier than he really was. In reality, he was hampered by debt, which would only worsen after he and Peggy moved in here and began living a lavish lifestyle. This, combined with Arnold’s belief that patriot leaders were not grateful for his actions and sacrifices that he made on the battlefield, ultimately helped lead him to famously betray the Continental Army in 1780. Peggy likely played a role in this decision as well, as she had Loyalist connections and may have helped initiate contact between Arnold and his British handler, Major John André.

As it turned out, the Arnolds’ stay here at Mount Pleasant was short. His treason was discovered after André was captured on September 23, 1780, and Arnold himself only narrowly escaped capture. Mount Pleasant was subsequently confiscated, and it changed hands several times before being purchased by Peggy’s father, Edward Shippen, in 1784. Despite his Loyalist connections during the war, and the infamy of his son-in-law, Shippen remained a respected member of Philadelphia society, eventually becoming chief justice of the Supreme Court of Pennsylvania. He owned Mount Pleasant until 1792, when he sold it to Jonathan Williams.

Originally from Boston, Williams spent much of the Revolutionary period in France, first as a secretary to his great uncle, Benjamin Franklin, and then as a commercial agent of the United States. He later became an Army officer upon returning to the United States, and he held the position of Chief of Engineers for the Army Corps of Engineers from 1802 to 1803, and 1805 to 1812. During this time, he also became the first superintendent of West Point, serving from 1801 to 1803, and 1805 to 1812. In 1814 Williams was elected to the House of Representatives, but he died just two months into his term in 1815, without ever having attended a session of Congress.

After his death, his son Henry J. Williams inherited Mount Pleasant, and the house remained in the Williams family until 1853. By this point, the banks of the Schuylkill River were no longer as desirable a location for country estates as they had been a century earlier, in part because the city’s growth was encroaching on the area. Starting in the mid-19th century, the city of Philadelphia began purchasing estates along the river, in order to better protect the public water supply. These acquisitions became Fairmount Park, and in 1868 the city purchased Mount Pleasant and added it to the parkland.

The first photo was taken at the turn of the 20th century, and it shows the exterior in a somewhat deteriorated condition, with plenty of peeling paint on both the main house and the kitchen building. However, in 1927 Mount Pleasant was restored by the Philadelphia Museum of Art, which has administered the house ever since. It underwent another major restoration in the early 2000s, and today its exterior looks far better than it did when the first photo was taken 120 years ago. Adams’s description of it as being “the most elegant seat in Pennsylvania” is as true now as it was in 1775, and in 1974 it was designated as a National Historic Landmark because of its historic and architectural significance.

William Tecumseh Sherman Statue, New York City (2)

The statue William Tecumseh Sherman, in Grand Army Plaza at the corner of Fifth Avenue and 59th Street in New York, in September 1942. Image courtesy of the Library of Congress, Farm Security Administration/Office of War Information Collection.

The statue in 2019:

As discussed in an earlier post, this statue was designed by prominent sculptor Augustus Saint-Gaudens and dedicated in 1903, in honor of General William Tecumseh Sherman, one of the most successful Union generals of the Civil War. The statue features Sherman seated on his horse, Ontario, while being led by the goddess Victory. She wears a laurel crown and is holding a palm frond in her left hand, both of which are classical symbols of victory. The statue stands atop a pink granite base, which was designed by architect Charles Follen McKim.

The first photo in the earlier post was taken only a few years after the statue was dedicated, but the first photo here was taken much later, in September 1942. In the interim, the statue had been moved 15 feet to the west in 1913, and then later in the 1910s it was temporarily removed from the site entirely, in order to make room for subway excavations. It was subsequently returned here by the early 1920s, and it has remained here ever since.

By the time the first photo was taken, America had been involved in World War II for less than a year. The photographer was Marjory Collins, a noted photojournalist and New York native who documented life on the home front as part of the United States Office of War Information. The only obvious clue about the war is the sailor seated on the base of the statue, but Collins likely included the photo as a way of connecting the war to past conflicts in the nation’s history.

In the nearly 80 years since the first photo was taken, the statue has undergone several restorations, including re-gilding the surface, and today it looks essentially the same as it did back then. Much of the background has also remained unchanged during this time. There are newer high-rises on the left side, but the two buildings on the right side of the first photo are still standing. On the far right side is the Metropolitan Club, built in 1893, and just to the left of it is The Pierre, a 41-story luxury hotel that opened in 1930.

William Tecumseh Sherman Statue, New York City

The statue William Tecumseh Sherman at the present-day Grand Army Plaza in New York, around 1903-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

The first photo was taken sometime soon after the 1903 dedication of William Tecumseh Sherman, an equestrian statue honoring the famous Civil War general. Although a native of Ohio, Sherman spent his later years in New York City, and after his death in 1891 the New York Chamber of Commerce commissioned prominent sculptor Augustus Saint-Gaudens to design a memorial in his honor.

It took Saint-Gaudens more than a decade to complete the statue, and it was installed here at the corner of Fifth Avenue and West 59th Street, at the southeast corner of Central Park. This area is now known as Grand Army Plaza, although it did not receive this name until 1923. The statue features Sherman astride his horse Ontario, and they are being led by the winged goddess Victory, who wears a laurel crown and carries a palm frond in her left hand. The figures stand atop a pink granite base, which was designed by Charles Follen McKim, one of the leading American architects of the late 19th and early 20th centuries.

In 1913, the statue was moved 15 feet to the west of its original location, in order to place it in line with the newly-installed Pulitzer Fountain on the south side of the plaza. Then, a few years later, it was temporarily removed from this site and placed in storage, in order to make room for the construction of a new subway line. It was eventually returned here by the early 1920s, and over the years it has been re-gilded several times, most recently in 2013. At some point the statue also lost its palm frond and sword, but these were replaced during a late 1980s restoration, and today the statue looks essentially the same as it did when the first photo was taken more than a century ago.