1910s

First Congregational Church, Fall River, Mass

by

The First Congregational Church, seen looking up Cherry Street from the corner of June Street, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The church in 2020:

The First Congregational Church of Fall River was established in 1816, and throughout most of the 19th century the church worshipped in a building at the northwest corner of North Main and Elm Streets. However, in 1913 the church moved into this new building, which was donated by one of its parishioners, Sarah S. Brayton. The building was designed by the prominent Boston architectural firm of Shepley, Rutan & Coolidge, and it features a granite, Gothic Revival exterior. It was formally dedicated on January 9, 1913, on the 97th anniversary of the church’s founding. Among those in attendance was Sarah Brayton, who was 78 years old at the time, and the dedication sermon was delivered by the Rev. Nehemiah Boynton of the Clinton Avenue Congregational Church in Brooklyn.

The first photo was taken within a few years after the building was completed. It is a rather strange angle, because it shows the rear and side of the church, with the parish house in the foreground on the left. Further up in the distance, on the other side of Rock Street, is the B.M.C. Durfee High School, which was built in 1886. The three girls on the sidewalk are likely students at the school, and are apparently walking home at the end of the school day. During the early 20th century, the Durfee High School ended at 1:25 p.m., and the photo was taken ten minutes later at 1:35, according to the school’s clock tower.

Today, more than a century after the first photo was taken, almost nothing has changed in this scene except for the trees, which now partially hide the buildings. The church is still an active congregation, and the exterior of the building has remained well-preserved. Further up the hill, the old high school building was converted into a family and probate courthouse in the 1990s, but it has retained its historic exterior appearance. The high school building was added to the National Register of Historic Places in 1981, and two years later both it and the church were designated as contributing properties in the Highlands Historic District.

Rock Street from Pine Street, Fall River, Mass

by

Looking north on Rock Street from the corner of Pine Street in Fall River, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2020:

The first photo shows a street scene in Fall River with an interesting assortment of commercial storefronts, single-family homes, and multi-family homes, along with a church and a school. The buildings also vary widely in age; some date back to the 1840s, while others were built just a few years before the photo was taken. Remarkably, though, all of the buildings from the first photo are still standing today, and this scene does not look substantially different from its appearance more than a century ago.

The city of Fall River developed into a major textile manufacturing center during the early 19th century, and some of the oldest buildings in this scene were built during that time. In the distance, on the left side of the street, is a group of four houses, located at 222, 232, 242, and 254 Rock Street. The oldest of these, number 222, is hidden from view by the building in the foreground, but it was built around 1815. Just beyond it, and also hidden here, is number 232, built around 1848. Both of these buildings have had significant exterior alterations, but the two that are visible in the distance of this scene, at 242 and 254 Rock Street, were built in the mid-1840s and have remained well-preserved over the years. In particular, 254 Rock Street survives as an excellent example of Carpenter Gothic architecture.

On the right side of the street, the oldest building here is at 223 Rock Street, which is the three-story building just beneath the clock tower. It was built around 1845, but it was originally located at 151 Rock Street. It was moved to its current location in 1913, so its presence here in the first photo establishes the earliest possible date for the photo.

Closer to the foreground, on the far right side of the scene, is 201-203 Rock Street. It was built around 1861, and its original owner was Albert Winslow, a former New Bedford whaling ship captain who retired to Fall River. According to the 1861 city directory he ran a grocery store here at the house, presumably in the basement storefront, and the 1870 census shows him living here with his wife Permela, their five children, and his sister Rowena. By 1900 both Albert and Permela were still living here, as were their three daughters: Hope, Amelia, and Ella. Permela died in 1902, and Albert in 1908, but the three sisters were still here when the first photo was taken. They evidently rented a portion of the house, because both the 1910 and 1920 censuses show a second family living here.

Until the late 19th century, this section of Rock Street primarily consisted of small wood-frame houses. However, in 1886 the city constructed the B.M.C. Durfee High School a block to the north of here. Most of the building is hidden from view in this scene, but its prominent clock tower is visible in the distance on the right side of the photos.  Another major addition to this scene is the First Congregational Church, which stands opposite the high school building in the distance on the left side of Rock Street. The church was designed by the prominent architectural firm of Shepley, Rutan & Coolidge, and it was dedicated in January 1913, probably only a few years before the first photo was taken. Aside from the school and church, the other new building in the first photo was the Gee Building, the two-story commercial building in the foreground on the left side. It was built in 1910, at the northeast corner of Rock and Pine Streets.

Today, more than a century after the first photo was taken, some of the buildings here have undergone changes, but overall this section of Rock Street remains well-preserved. In the foreground, probably the most visible difference is the ground floor of the Gee Building, which has been completely altered from its early 20th century appearance. The storefront on the Winslow house across the street has also changed, but not to the same extent. Further in the distance, both the church and the high school are still standing, although the high school has since been converted into a probate and family courthouse. The only building in this scene that was constructed after the first photo was taken is the house in the distance at 253-255 Rock Street, which was built in 1923. Because of their preservation and historic significance, all of the buildings on this block of Rock Street are now part of the Lower Highlands Historic District, which was added to the National Register of Historic Places in 1984.

Augustus Saint-Gaudens House, Cornish, New Hampshire (2)

by

The home of Augustus Saint-Gaudens in Cornish, around the early 20th century. Image from The Reminiscences of Augustus Saint-Gaudens, Volume 2 (1913).

The house in 2019:

As explained in more detail in the previous post, this house was the home of sculptor Augustus Saint-Gaudens, who used it as a summer home starting in 1885, and as his full-time residence from 1900 until his death in 1907. The house itself is far older, dating back to the early 19th century, but Saint-Gaudens made substantial improvements to both the house and the grounds. Here in this scene, this included piazzas on both sides of the house, a dormer window above the front door, and stepped parapets next to the chimneys. He also planted Lombardy poplars at the corners of the house, and a honey locust to the right of the front steps.

The first photo was probably taken soon after Saint-Gaudens’s death, and it was published in his biography in 1913, which was written by his son Homer. In 1919, his widow Augusta established the Augustus Saint-Gaudens Memorial, and two years later she transferred the property to this organization, which preserved the house and grounds. Then, in 1964 the site became the Saint-Gaudens National Historical Park, and it was subsequently acquired by the National Park Service.

Today, more than a century after the first photo was taken, this scene has hardly changed, except for the loss of the Lombardy poplars. The exterior of the house still looks essentially the same as it did in the early 20th century, and even the honey locust is still here, although it has grown substantially larger than the house. The site is still run by the National Park Service, and it remains the only National Park System unit in the state of New Hampshire.

Washington Irving Grave, Sleepy Hollow, New York

by

The gravesite of Washington Irving in Sleepy Hollow Cemetery, around 1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

Washington Irving was the first widely-successful American fiction writer, best known for his short stories such as “Rip Van Winkle” and “The Legend of Sleepy Hollow.” His lifetime coincided with the early years of the country; he was born in New York City in 1783, just months before the Treaty of Paris, and he died in 1859, less than a year and a half before the start of the Civil War. Throughout this time, he published many works, including short story collections, biographies, and histories. He served in the War of 1812, as recognized by the flag next to his headstone, and many years later he served as the US minister to Spain during the John Tyler administration, from 1842 to 1846.

Although he grew up in New York City, and spent a number of years in Europe, Irving spent much of his later life in the vicinity of Sleepy Hollow. In 1835 he purchased Sunnyside, his estate in nearby Tarrytown. With the exception of his time in Spain, it was his home for the rest of his life, and after his death he was buried here in Sleepy Hollow Cemetery. The cemetery is located directly adjacent to the Old Dutch Church of Sleepy Hollow and its churchyard, both of which Irving featured in his “Legend of Sleepy Hollow.”

Washington Irving never married, and he had no children, but he is interred here in the cemetery with a number of other family members. When the first photo was taken in the early 20th century, these included his parents William Irving and Sarah Sanders immediately to the left of his gravestone, and his brother Ebenezer Irving and Ebenezer’s wife Elizabeth Kip to the right.

In the second row of the first photo, starting on the left, is Lewis Irving, the grandson of Washington Irving’s older brother William. Further to the right in the second row are Mary and Julia Irving, who were daughters of Ebenezer and Elizabeth Irving. On the far right is William R. Grinnell, the husband of Mary and Julia’s sister Charlotte. The two rounded headstones in the back row are Julia Granger and her husband Sanders Irving, and to the right are Amanda Tenant and her husband Edgar Irving. Both Sanders and Edgar were sons of Ebenezer and Elizabeth. There is also a flag in the back row, which might be a temporary marker for Washington Irving, the son of Edgar and Amanda, who died in 1910. The first photo was taken around this time, so it may have been taken after he died but before a permanent stone was installed.

Today, more than a century after the first photo was taken, much of this scene has remained the same; even the pine tree in the background appears to be the same one in both photos. However, the headstones are significantly more weathered than they had been in the early 20th century, and there have been several more interments here in the Irving family plot. Immediately behind and to the right of Washington Irving’s headstone is Catherine Irving, the last surviving child of Ebenezer and Elizabeth, who died in 1911 at the age of 95.

In the back row is the headstone of the younger Washington Irving, in the place of the flag from the first photo. Further to the left in the back row is his sister, Mary Irving Huntington. She died in 1932 at the age of 82, and hers is the most recent headstone in this scene. She was ten years old when her famous great uncle died in 1859, so she may have been the last living member of the family who would have had memories of Washington Irving.

East India Marine Hall, Salem, Mass

by

East India Marine Hall on Essex Street in Salem, around 1910-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

The Peabody Essex Museum in Salem is one of the oldest museums in the United States, with a complex lineage that traces back to 1799, with the formation of the East India Marine Society. At the time, Salem was one of the most prosperous seaports in the country, with merchants who were among the first Americans to trade with southeast Asia. The society was established by local captains with several goals, including sharing navigational information, providing aid to families of members who died, and collecting artifacts and other interesting objects from the East Indies. Membership was limited to captains and supercargoes of Salem vessels who had sailed beyond either the Cape of Good Hope or Cape Horn.

The organization moved into its first permanent home in 1825 with the completion of East India Marine Hall, shown here in these two photos. The building was formally dedicated on October 14 of that year, in a ceremony that was attended by many noted dignitaries. These included President John Quincy Adams; Congressman and former Secretary of the Navy Benjamin W. Crowninshield; Associate Justice Joseph Story of the U. S. Supreme Court; former Senator, Postmaster General, Secretary of War, and Secretary of State Timothy Pickering; and famed navigator and mathematician Nathaniel Bowditch.

The building was designed by Boston architect Thomas Waldron Sumner, and it features a Federal-style design with a granite exterior here on the main facade, which faces Essex Street. Originally, the main entrance was located in the center of the building on the ground floor, and it was flanked by storefronts on either side. These storefronts have long since been altered, but the names of the first two commercial tenants—the Asiatic Bank and the Oriental Insurance Company—are still carved in the granite above the ground floor. The East India Marine Society itself was located on the second floor, which consisted of a large open hall.

Despite the grand celebration for the completion of this building, though, Salem was already in decline as a seaport. Both the Embargo Act of 1807 and the subsequent War of 1812 had crippled Salem’s shipping, and it never fully recovered, with much of the international trade shifting to other northeastern ports, such as Boston and New York. Elsewhere in New England, the region’s economy was transitioning from trade to manufacturing, and Salem’s growth had stagnated by the mid-19th century, even as nearby industrial cities such as Lowell experienced rapid increases in population.

Because of this, the East India Marine Society faced dwindling membership, and by the 1850s it began considering selling objects from its collections in order to remain financially viable. However, prominent London financier George Peabody—a native of the neighboring town of Peabody—intervened, and in 1867 he established a $140,000 trust fund. The museum was then reorganized as the Peabody Academy of Science, for the “Promotion of Science and Useful Knowledge in the County of Essex.” As part of this, the natural history collections of the Essex Institute, which had been established in Salem in 1848, were transferred to the Peabody. In exchange, the Essex Institute received the Peabody’s history collections.

The Peabody Academy of Science continued to use the East India Marine Hall, but over the years it made some significant alterations to the building. In the mid-1880s the museum added a wing, known as Academy Hall, to the southeast corner of the original building. It stands in the distance on the left side of the first photo, and the sign for it is visible just beneath the awning. Then, in 1904 the storefronts were removed and replaced with museum exhibit rooms, and around this time the original front entrance was also closed. A new one-story entryway was then built on the right side of the building, as shown in the first photo. This photo also shows a large anchor in front of the building. It was made sometime around the turn of the 19th century, and it was donated to the museum by the United States Navy in 1906.

In 1915, around the same time that the first photo was taken, the Peabody Academy of Science was renamed the Peabody Museum of Salem. Throughout the 20th century, the museum continued to expand with more additions, reaching as far back as Charter Street on the other side of the block. From here on Essex Street, probably the most visible change was the addition of a large Brutalist-style wing on the left side of the original building, which was completed in 1976.

Then, in 1992 the Peabody Museum of Salem merged with the Essex Institute, forming the Peabody Essex Museum. Since then, its facility has grown even more, with new wings that were completed in 2003 and 2019. This most recent addition, which opened the same year that the second photo was taken, was built on the right side of this scene. It involved the demolition of the old 1904 entryway from the first photo, and now the original East India Marine Hall is almost completely surrounded by newer buildings. However, the main facade has remained largely unchanged throughout this time, and it remains an important landmark in downtown Salem nearly two centuries after its completion.

Derby House, Salem, Mass

by

The Derby House on Derby Street in Salem, around 1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2019:

Salem was at the peak of its prosperity as a seaport during the late 18th and early 19th centuries, and perhaps no family better exemplified this golden age than the Derby family. The family patriarch was Richard Derby, a ship captain who lived most of his adult life in a house nearby at the corner of Derby and Herbert Streets. Derby eventually retired from sailing in 1757, and he spent the next few decades as a merchant here in Salem. He owned a fleet of ships, and in 1762 he began construction of Derby Wharf, which would eventually become the largest wharf in the port.

Richard and his wife Mary had three sons and three daughters. Two of their sons became ship captains, and the other son, Elias, joined his father in the merchant business. In 1761, at the age of 21, Elias married Elizabeth Crowninshield, and that same year his father began constructing this house for the newlyweds. The house was completed a year later, and it features a brick exterior with Georgian-style details, including a gambrel roof, which was typical for homes of this era. The architect and builder is unknown, although Joseph McIntire—father of the famous Salem architect Samuel McIntire—was apparently involved in the construction, because in 1762 Richard Derby paid him 40 shillings for unspecified work.

The house is situated on the north side of Derby Street, opposite Derby Wharf, where it overlooks the harbor. From here, Elias could keep a close eye on the activity at the wharf, which included the arrival of merchant ships and, during the American Revolution, privateers. He owned or held shares in about half of all the Salem privateers that preyed on British shipping during the war, and he made a significant profit from their success, while simultaneously benefitting the American war effort. Then, at the end of the war, these privateering ships were well-suited for conversion to merchant ships. This put Elias in a good position to expand foreign trade networks, and he became one of the first Americans to trade with China and other ports in southeast Asia.

By the late 18th century, Salem was the seventh-largest city or town in the country, along with being the richest on a per-capita basis. Elias Hasket Derby played a significant role in this prosperity, and he was regarded as one of the wealthiest merchants in New England at the time. Many years later, Nathaniel Hawthorne would famously give him the moniker “King Derby” in his prologue to The Scarlet Letter, in which Hawthorne recounted the glory days of Salem and contrasted them with the mid-19th century decline of the port city.

However, Elias and his wife Elizabeth did not live here in this house for his entire merchant career. They lived here through at least the early years of the Revolution, and raised their seven children here, but they appear to have moved elsewhere by around 1778. They were definitely gone by 1782, when they moved into a house closer to the center of Salem, at what is now the corner of Washington and Lynde Streets. Then, in 1799 they moved again, this time to a newly-built house designed by Charles Bulfinch. However, both Elias and Elizabeth died that same year, and that house was ultimately demolished in 1815 to build a new town hall.

In the meantime, the Derby family continued to own this house here on Derby Street for most of the late 18th century, before ultimately selling it to Henry Prince in 1796. Price, who apparently had begun renting the house from the Derbys as early as 1784, was a successful sea captain who sailed for some of Salem’s leading merchants, including Derby. He also played a role in the career of famed navigator and mathematician Nathaniel Bowditch; Prince was the captain on Bowditch’s first voyage, departing Salem in 1795 aboard the Derby-owned Henry.

Like many prosperous captains, Prince subsequently became a merchant, and by the early 19th century he had ownership interests in a number of vessels, including the appropriately-named 219-ton ship Golden Age. However, by this point the golden age of Salem was already nearing its end. Thomas Jefferson’s Embargo Act of 1807 severely damaged the American economy in general, but it was particularly devastating for Salem, which was dependent upon foreign trade. The War of 1812 caused further disruption to trade, and these financial hardships eventually forced Prince to sell both this house and his warehouse.

Various sources give somewhat different information as to when Prince lost his house, but in any case it was ultimately acquired by Henry Ropes, who married Henry Prince’s daughter Mary in 1821. Born in Salem in 1791, Ropes was the son of Captain George Ropes, who died at sea in 1807, and the brother of George Ropes Jr., a noted artist who specialized in maritime themes. Henry Ropes likewise became a ship captain, and made a number of voyages to India before retiring from the sea. He subsequently became involved in banking here in Salem, including serving for many years as the treasurer of the Salem Savings Bank.

Henry and Mary had nine children, three of whom died in infancy. Of their six children who survived to adulthood, most of them still died relatively young, with only two living past the age of 43. Henry died in 1861, but Mary continued to live her in her father’s old house until her own death in 1873. The 1870 census shows here with several generations of her family, including her only two living children, Joseph and Benjamin, who were both in their 30s and unmarried. She also shared the house with Priscilla, the widow of her oldest son George. Priscilla was 44 years old at the time, and she lived here with her daughters Priscilla and Mary, who appear to have been the only grandchildren of Henry and Mary Ropes who survived infancy.

Mary Ropes died in February 1873, and by late May the property, which was described in the Salem Register as consisting of a “two-story brick dwelling and other buildings and 22,000 square feet of land,” had been sold to Daniel Leahy for $6,700, or about $145,000 today. Leahy was an Irish immigrant who was about 26 years old at the time, and he moved in here with his wife Mary and their infant daughter Johanna. Just a few years earlier, during the 1870 census, the couple had been living in Peabody. According to the census, he worked as a laborer, had a personal estate of $150, and was unable to read or write.

The historical record does not seem to indicate how an illiterate immigrant laborer with $150 to his name in 1870 was able to, within three years, purchase a house that had once belonged to one of the wealthiest merchants in New England. However, this example serves to illustrate just how far Salem had fallen in prosperity since the days of “King Derby.” Nathaniel Hawthorne was no longer alive at this point, but if he had been he likely would have seen this as further proof of what he discussed in the prologue to The Scarlet Letter.

In any case, by the 1880 census Daniel and Mary were living here with a number of other family members. In addition to eight-year-old Johanna, they had a four-year-old son Thomas, and they also lived here with Daniel’s mother Johanna, his siblings Bartholomew, Michael, Mary, Catherine, and Margaret, and Bartholomew’s wife Catherine and infant son Patrick. Daniel and his two brothers all worked as stevedores, perhaps on the same wharves that Elias Hasket Derby had once built, and the three sisters worked in cotton mills. The family also had three young Irish women living here as boarders, all of whom also worked in cotton mills.

The Leahy family lived in this house until around the turn of the 20th century, but they continued to own the property for many years. The first photo was taken sometime around 1910, and that year’s census indicates that it was rented by two different families. In one unit was William and Annie Doyle, middle-aged Irish immigrants who lived here with their 11-year-old adopted daughter Agnes. In the other unit was John and Julia Szezechowicz, their four children, and John’s brother Bradislaw. They were all immigrants from Poland, arriving in the United States only three years earlier.

The house continued to be used as a residence, but it was eventually acquired by the Society for the Preservation of New England Antiquities in 1927. Now known as Historic New England, this organization restored the house to its original appearance, and then in 1937 transferred it to the National Park Service. A year later, the house became part of the Salem Maritime National Historic Site, which was established that year as the first national historic site in the country.

Today, the Derby House is still part of the Salem Maritime National Historic Site. It is partially hidden behind the trees in the present-day view, but it stands as one of the many well-preserved historic 18th and early 19th century homes in Salem. In the rear of the house, the property also includes a formal garden, which is a recreation of the gardens that were typical for Salem merchants of this period. Just to the left of the house, outside of view in this scene, is the Benjamin Hawkes House, and beyond it is the Salem Custom House, both of which have likewise been restored as part of the national historic site.