Grand Central Terminal Whispering Gallery, New York City

The whispering gallery at the bottom of the ramp to the lower concourse at Grand Central Terminal, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The scene in 2016:

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These photos were taken from the bottom of the ramp that is seen in an earlier post, which leads from the Main Concourse to the station’s lower concourse. Because of the curve of the ceiling here, two people can stand facing the walls on opposite corners and speak at a normal level. The acoustics of the ceiling will carry their voices across the arch and the other person will be able to hear them perfectly clearly. That is, in fact, exactly what the person on the far right of the 2016 photo is doing; his friend was standing just out of the frame of the photo on the left side. I don’t know whether it was deliberately designed like that, or if the man in the bowler derby and overcoat in the first photo ever tried it out, but it is one of Grand Central Terminal’s more unusual architectural features.

Grand Central Terminal Suburban Concourse, New York City (2)

Another view of the lower concourse at Grand Central Terminal, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The scene in 2016:

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Like the photos in the previous post, this view shows the lower concourse at Grand Central Terminal. It is located directly underneath the Main Concourse, and when the station opened in 1913, this level was used for suburban commuter trains. The row of windows on the right side in the first photo were the ticket offices of the New York Central and Hudson River Railroad, which provided commuter service to the north of the city, along the present-day Hudson and Harlem Lines on the Metro-North Railroad. The ramp in the center of the photo is the same one that appears in the first photo, and it leads up to the Main Concourse. Beyond it are more ticket windows, for the New York, New Haven & Hartford Railroad, which provided service along the current Metro-North New Haven Line.

Today, this concourse is still used by commuters to access the trains on the lower tracks, but it also doubles as the station’s food court. Several prominent New York City restaurants have locations here, including Junior’s in the foreground and Shake Shack beyond it. Most of the original features are still here, including the marble walls, decorative ceiling, information kiosk to the left, and the ticket windows to the right, which now display menus.

Grand Central Terminal Suburban Concourse, New York City

The lower concourse at Grand Central Terminal, showing the ramp to the upper level, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The scene in 2016:

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Grand Central Terminal is best known for its spacious Main Concourse, but when the station first opened in 1913 the upper level was only used for inter-city trains. Commuters to the outer suburbs departed from this significantly less breathtaking concourse located on the lower level, directly underneath the Main Concourse. The first photo was probably taken around the time that the station opened, but over the years its function has changed. As explained in the previous post, the station is no longer split between long-distance and suburban trains; instead, Amtrak uses nearby Penn Station along with the Long Island Railroad and New Jersey Transit commuter lines, while Grand Central is exclusively a commuter rail station, used by the Metro-North Railroad.

Today, the lower concourse is significantly more crowded today than it was in the first photo. The lower tracks are still in use, but the concourse has taken on a second role as the station’s food court, with Shake Shack and other restaurants occupying the space on the left side where the ticket office windows were located in the first photo. Despite this, though, the underlying architecture has not changed much, and the station would still be recognizable to a commuter from the early 20th century.

Grand Central Terminal Ramp, New York City

The ramp to the lower concourse at Grand Central Terminal, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The same location in 2016:

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New York’s Grand Central Terminal is the world’s largest train station in terms of number of platforms, and in order to save space in crowded midtown Manhattan, it was built with two levels of tracks. The first photo was taken shortly after the station opened in 1913, showing the ramp to the lower platforms. At the time, the Main Concourse, located just on the other side of the columns on the left, served inter-city passengers, while the lower tracks were for suburban commuter trains.

By the mid-1900s, passenger travel had significantly declined, and the station was subject to a major alteration that would have destroyed most of the original interior. However, it survived and was subsequently restored, and today the only real difference in these two photos is the appearance of the walkway above the ramp. Amtrak no longer uses the station, though, so today all of the platforms on both the upper and lower levels are used by Metro-North Railroad commuter trains.

McGraw Rotunda, New York Public Library, New York City

The McGraw Rotunda on the third floor of the New York Public Library Main Branch, around 1911-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The scene in 2016:New York Public LibraryN

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The main branch of the New York Public Library, located at the corner of Fifth Avenue and 42nd Street, was completed in 1911, and the first photo was probably taken soon after, as it is part of a series of photos that the Detroit Publishing Company took to show the interior of the new building. The rotunda includes walnut paneling and a valuted ceiling, and the present-day photo also shows the murals that were added after the first photo was taken. Located on the walls and on the ceiling, the murals are entitled “The Story of the Recorded Word,” and were painted in 1937 by Edward Laning. One of them depicts Johannes Gutenberg holding a page from his famous Bible, which was the first book to have been printed using movable type. Appropriately, the McGraw Rotunda is also home to the New York Public Library’s copy of the Gutenberg Bible, which can be seen in the center of the 2016 photo. It was the first Gutenberg Bible in the United States, when James Lenox brought it here in 1847, and today it is one of only 49 existing copies in the world.

Lost New England Goes West: Main Cell Block, Alcatraz, San Francisco

Alcatraz guard Carl T. Perrin, on duty on March 21, 1963, the last day of the prison’s operation. Photo taken by Keith Dennison, courtesy of the National Park Service.

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The scene in 2015:

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The corridors between the cell blocks at Alcatraz were named after major streets; this particular one was known as Broadway, and it was the central corridor in the facility, separating blocks B and C. The block had three levels of cells, and most of the inmates were kept in either B or C blocks, with the more isolated D block being used for isolation and punishment, like solitary confinement.

Because Alcatraz was intended for the nation’s most problematic federal prisoners, the prison enforced many strict regulations. Each cell housed only one person, and conversations between inmates were strictly limited to discourage them from coordinating escapes. “Lights out” was at 9:30 P.M., and, unless they worked a prison job, the inmates spent nearly 23 hours a day in their cells, passing the time by reading, smoking, and occasionally playing musical instruments or making artwork. Images of the interior of the cells can be seen in this earlier post and this one.

This post is part of a series of photos that I took in California this past winter. Click here to see the other posts in the “Lost New England Goes West” series.