Italianate

Ethan Ely House, Longmeadow, Massachusetts (2)

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The house at 664 Longmeadow Street in Longmeadow, on August 9, 1908. Image courtesy of the Longmeadow Historical Society, Paesiello Emerson Collection.

The house in 2024:

As explained in more detail in the previous post, this house was built in 1856 as the home of Ethan Ely and his son, who was also named Ethan. The younger Ethan lived here until his death in 1906, and the house was subsequently owned by real estate developer James B. Burbank, who lived here until the 1930s.

The top photo was taken in 1908, and not much has changed with the exterior appearance of the house, with the  exception of the loss of the balustrade above the front porch. The house is one of the many historic homes that line this portion of Longmeadow Street, and it is a contributing property in the Longmeadow Historic District, which was added to the National Register of Historic Places in 1982.

Ethan Ely House, Longmeadow, Massachusetts

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The house at 664 Longmeadow Street in Longmeadow, around 1908. Image courtesy of the Longmeadow Historical Society, Paesiello Emerson Collection.

The house in 2024:

This house was built in 1856 as the home of Ethan Ely (1791–1875) and his son, who was also Named Ethan Ely (1835–1906). It was constructed on the site of an earlier house, the Thomas Bliss House, which was moved across the street to accommodate the new construction. The Ely house was built of brick with stone trim, and it features an Italianate design that stands out among the predominantly colonial and Federal-style homes that line this part of Longmeadow Street.

Shortly after the completion of this house, the younger Ethan Ely married his wife, Charity Bush (1836–1867). The 1860 census shows the elder Ethan Ely as the owner of the property, which was valued at 17,000 in addition to a personal estate that was valued at $23,000. The younger Ethan was living here with Charity and their one-year-old son Mason. They had at least one other child, Ethan, who died in infancy in 1862, and Charity died in 1867 from consumption (tuberculosis) at the age of 30. Mason also died young, from scarlet fever in 1871 at the age of 13.

Ethan does not appear to have ever remarried, and by the 1880 census he had no other family living here, although his household included two housekeepers, a servant, and a boarder who all lived here. Likewise, in 1900 he was living here with a boarder and a servant. He died in 1906, and his house was subsequently sold to James B. Burbank (1854–1936), who was living here when the top photo was taken around 1908.

Burbank was a real estate developer, and he was responsible for developing residential subdivisions in Longmeadow during the early 20th century, at a time when the town was becoming a desirable suburb of Springfield. The 1910 census shows him living here with his wife Martha and their children Eunice, Daniel, Laura, and Lulu. They also had a live-in servant, 29year-old Irish native Rose Doyle.

The Burbanks remained here until the 1930s, and the house has had many subsequent owners. Much of the property behind the house was subdivided and developed around the 1950s, creating modern-day Wheelmeadow Drive. However, the old house has remained mostly unchanged, and it still retains its historic appearance, as shown in the second photo. It is now part of the Longmeadow Historic District, which was added to the National Register of Historic Places in 1982.

Medlicott House, Longmeadow, Massachusetts

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The house at 720 Longmeadow Street in Longmeadow, on August 10, 1909. Image courtesy of the Longmeadow Historical Society, Paesiello Emerson Collection.

The scene in 2023:

The house in the first photo was built as the home of Calvin and Experience Burt, although the exact date of construction seems unclear. Some sources cite 1786, which would be about two years after their marriage. However, contemporary newspaper accounts indicate that the Longmeadow home of Calvin Burt was “entirely consumed” by an accidental fire in 1814. Assuming this is the same Calvin Burt, that would indicate that the house in the first photo was not the same one that was built in 1786, unless there was enough of the structure of the house that survived and enabled it to be restored.

However, despite this apparent discrepancy in construction dates, the house was definitely the home of the Burt family. Calvin was a merchant, and in 1805 he built a store just a little to the south of here, which still stands on Longmeadow Street. He and Experience had nine children, who were born between 1785 and 1801. The couple would live here for the rest of their lives, until Experience’s death in 1833 and Calvin’ s death in 1848.

The next owner of this house was William G. Medlicott, who purchased it in 1851. Originally from England, Medlicott was the son of a shipping merchant. He became a sailor, but made a rather inadvertent arrival in America as a young man when he was shipwrecked on Long Island. He subsequently shifted his efforts to industry, eventually becoming a woolen manufacturer in Enfield and Windsor Locks, Connecticut.

William Medlicott was about 35 years old when he purchased this house. He had married his first wife, Marianne Dean, in New York in 1842. However, she evidently died at some point afterwards, because in 1854 he married his second wife, Eliza. The 1855 state census shows William and Eliza living here with four children. The three oldest—Arthur, Mary, and Agnes—were presumably from his first marriage, but the youngest child—three-month-old Bertha—was from his second marriage.

It was during Medlicott’s ownership that he significantly altered the exterior of the appearance, in keeping with changing architectural tastes. This work occurred around the mid-1860s, and included the addition of a front porch, a Mansard roof, and a two-story bay window on the left side of the house. The result was an architectural hybrid that combined the original Federal-style house with newer Italianate and Second Empire features.

Aside from his industrial pursuits, Medlicott was also a rare book collector, specializing in Anglo Saxon and early English literature. He eventually amassed one of the world’s most extensive collections in these fields, with about 20,000 volumes in his library. He made the books available to researchers, many of whom traveled to his home here in Longmeadow to study these works. Medlicott experienced a financial setback in 1876, and he had to sell a large portion of his collection. However, he retained about 13,000 works, and he continued to live here until his death in 1883.

By the time the first photo was taken in 1909, the house was still owned by the Medlicott family. According to the 1910 census there were 12 people living here. These included the homeowner, William B. Medlicott, who was the son of William G. Medlicott. He lived here with his wife Grace and their six children: William, Grace, Arthur, Alexander, Robert, and Harriet. William’s older sisters Bertha and Mary also lived here, as did Irish-born servants Annie Flynn and Julia Devaney.

William B. Medlicott worked as an insurance agent, and in 1917 he moved to Cambridge to accept a position at a Boston-based firm. That same year, he sold his Longmeadow house to Stanford L. Haynes, who lived in a neighboring house directly to the north of here. He owned it until his death in 1921, and his heirs subsequently sold the former Medlicott house, which was then demolished.

A 1921 article in the Springfield Republican reported the concerns that many residents had about the demolition of this house, noting how “[t]his town is in danger of losing some of its identity by the removal of so many old landmarks. The tearing down of the Medlicott house is the cause of much regret, at least to older residents.” Despite this concern, though, the house was demolished, and it was later replaced by a new house that is set further back from the road. The new house was built around 1927, and it is partially visible beyond the trees on the left side of the scene.

Today, more than a century after the Republican suggested that the town might be losing some of its identity, many of the old homes are still standing here on Longmeadow Street. The town has grown significantly since the 1920s, and is now a busy suburb of Springfield, but Longmeadow Street has maintained much of its colonial-era identity, including a number of historic homes that still line the street. These houses are now protected as part of the Longmeadow Historic District, which restricts exterior changes to homes along the Longmeadow Green.

Old Third District Courthouse, New Bedford, Massachusetts

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The building at the northeast corner of William and North Second Streets in New Bedford, around the 1870s. Image courtesy of the New Bedford Free Public Library.

The building in 2022:

This small brick and brownstone building was constructed in 1853, and it has seen a variety of uses over the years. It was originally built for the New Bedford Institution for Savings, as shown on the signage in the first photo, which was taken around 1870. The bank would remain here throughout most of the 19th century, before relocating to a different building in 1897. This building here on William Street was then converted into a courthouse, and it was used by the Third District Court of Bristol County.

As it turned out, its time as a courthouse would be relatively brief. The court left the building around 1914, and over the years it was occupied by a variety of commercial tenants, including an auto parts store by the second half of the 1900s. However, it was eventually reacquired by its original owner, the New Bedford Institution for Savings, and subsequently operated as a branch bank. The Institution for Savings would later be merged into Fleet Bank, and in 1995 Fleet donated the historic building to the Waterfront Historic Area League (WHALE), a preservation organization that was focused on revitalizing downtown New Bedford.

A few years later, WHALE in turn donated the building to the National Park Service, following the establishment of the New Bedford Whaling National Historical Park. It now serves as the park visitor center, and despite the many changes in use over the years the exterior has remained well preserved throughout all of this, as shown in these two photos. It is one of several buildings that comprise the National Historical Park, where they stand as important reminders of New Bedford’s heyday as a prosperous 19th century whaling port.

 

Ford’s Theatre, Washington, DC (2)

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The exterior of Ford’s Theatre on 10th Street NW in Washington, DC, around 1909-1919. Image courtesy of the Library of Congress, National Photo Company Collection.

The scene in 2021:

As explained in more detail in the previous post, Ford’s Theatre is famous for having been the site of Abraham Lincoln’s assassination on April 14, 1865. The theater had opened in 1863, but after the assassination it was acquired by the federal government and converted into offices. This involved the entire reconstruction of the interior, and much of the interior was rebuilt again in 1893, following a tragic collapse of the interior floors.

The building continued to serve as government offices and storage until the early 1900s, and in 1932 it became the site of a museum in memory of Abraham Lincoln. Then, in 1933 it was acquired by the National Park Service, and in the 1960s the interior was again reconstructed, this time to convert it back into a theater.

The first photo was taken around 1909-1919, showing the exterior during its time as an office building for the War Department’s Division of Records and Pensions. Today, the exterior remains preserved in its original appearance, and the restored theater interior continues to be used for performances. It is open to the public for tours, as part of the Ford’s Theatre National Historic Site.

Ford’s Theatre, Washington, DC

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The exterior of Ford’s Theatre on 10th Street NW in Washington, DC, in April 1865. Image courtesy of the Library of Congress. Civil War Glass Negatives and Related Prints collection.

The scene in 2021:

These two photos show Ford’s Theatre, which was the site of Abraham Lincoln’s assassination on the night of April 14, 1865. The origins of the theater date back to 1834, when the First Baptist Church was built here on this site, on the east side of 10th Street NW, between E and F Streets. The church congregation remained here until 1859, when it merged with another Baptist church, and in 1861 the building here was sold to John T. Ford. He converted it into a theater, and it opened in 1862 as Ford’s Athenaeum.

However, the original building was destroyed by a fire in December 1862. Ford subsequently rebuilt here on the same site, and the new Ford’s Theatre opened on August 27, 1863, with a performance of The Naiad Queen. The country was in the midst of the Civil War at the time, but for many Washingtonians the theater provided a welcome diversion from the conflict. Among them was Abraham Lincoln, who regularly attended plays here, including a November 9, 1863 performance of The Marble Heart, starring his future assassin John Wilkes Booth.

Lincoln visited the new theater on at least eight other occasions. On the night of his assassination, he was watching Our American Cousin, accompanied by his wife Mary Todd Lincoln, Major Henry Rathbone, and Rathbone’s fiancée Clara Harris. They were seated in the presidential box to the right of the stage when, around 10:15 p.m., John Wilkes Booth entered the box and shot Lincoln in the head with a pistol. After a brief struggle with Rathbone, Booth jumped down to the stage and made his escape out a side door.

There were several doctors in attendance at the theater. They rendered what aid they could, but determined that his wound was fatal. Rather than attempting to bring him all the way back to the White House, they instead brought him across the street to the Petersen House, where he died at 7:22 the following morning. The first photo in this post was taken only a few days after the assassination, showing the exterior of the theater and several surrounding buildings.  Immediately to the right of the theater was the Star Saloon, a three-story brick building where John Wilkes Booth had a drink of whiskey and water immediately before entering the theater to kill Lincoln.

Following the assassination, the government determined that it would be inappropriate to continue using the building as a theater. As a result, they leased—and then later purchased—it from Ford, and converted it into office space. In the process, the interior was completely gutted, and three new stories were built in the space that had once housed the theater. These floors were occupied by the War Department’s Division of Pensions and Records, and also by the Army Medical Museum.

The building would end up being the site of another tragedy on June 9, 1893. It was in the midst of being modernized with the installation of an electric plant, which involved excavation work in the basement. In the process, one of the supporting piers collapsed, causing a portion of the upper floors to likewise collapse. The building was occupied at the time, and 22 workers were killed in the collapse, with many others seriously injured.

The disaster did not affect the exterior walls, and the interior was subsequently repaired. It continued to be used by the Division of Records and Pensions for many years, but in 1932 it became the site of a museum in memory of Lincoln, and a year later the building was acquired by the National Park Service. Then, in the 1960s the interior was reconstructed into a theater, based on its original design.

Today, Ford’s Theatre is still standing, and it is still used as a performing arts venue while also serving as an important Washington landmark. However, because of the many renovations over the years, there is very little left of the original structure aside from the brick exterior walls. As for the adjacent Star Saloon, the present-day building is entirely a reconstruction. The original building was demolished in 1930 to create a parking lot, but it was rebuilt in the 1960s as part of the reconstruction of the theater. Both of these buildings, along with the Petersen House across the street, are still operated by the National Park Service as part of the Ford’s Theatre National Historic Site.