Asher Benjamin

Alexander House Staircase, Springfield, Mass

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The main staircase of the Alexander House in Springfield, on December 2, 1938. Image courtesy of the Library of Congress, Historic American Buildings Survey collection.

The scene in 2019:

As discussed in more detail in the previous post, the Alexander House is one of the oldest and most architecturally-significant houses in Springfield. It was built in 1811 by local contractor Simon Sanborn, based on designs by prominent architect Asher Benjamin, and it features an unusual floor plan with no front door. Instead, the house has two side doors, with a hallway running the width of the house between them. On one end of this hallway, at what was once the east entrance, is the main staircase, which is shown here. It is curved, with an elliptical appearance when viewed from the top, and it is perhaps the house’s single most striking interior feature.

The house had several important owners over the years, including famed portrait artist Chester Harding, who lived here in the early 1830s, and Mayor Henry Alexander, Jr., who lived here from 1857 until his death in 1878. The Alexander family remained here for many years, until his surviving child, Amy B. Alexander, died in 1938. The first photo was taken less than a year after her death, at a time when the house’s future was still uncertain. It was nearly moved to Storrowton Village on the Big E fairgrounds in West Springfield, but instead it was purchased in 1939 by the Society for the Preservation of New England Antiquities, which restored and preserved the house.

The Alexander House has been moved twice in its history. It was originally located on the north side of State Street, between Elliot and Spring Streets, but it was moved a few hundred feet on this lot in 1874 in order to remove drainage issues. The second move came in 2003, when it was moved around the corner to its current location on the east side of Elliot Street, in order to make room for the new federal courthouse on State Street. Because of this, these two photos were not taken in the same physical location, even though they show the same scene inside the house.

Today, the Alexander House is no longer owned by the Society for the Preservation of New England Antiquities. The organization, now known as Historic New England, sold the property soon after its 2004 move. It is now privately owned and used for office space, but it has retained its historic appearance on both the interior and exterior, including its distinctive staircase, which has hardly changed since the first photo was taken more than 80 years ago.

Alexander House Interior, Springfield, Mass

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The east room on the first floor of the Alexander House in Springfield, on December 2, 1938. Image courtesy of the Library of Congress, Historic American Buildings Survey collection.

The room in 2019:

The Alexander House is one of the oldest surviving houses in Springfield, and perhaps the city’s best example of Federal style architecture. It was built in 1811, and it originally stood on the north side of State Street, between Elliot and Spring Streets. However, it has been moved twice over the years, first in 1874 when it was moved a few hundred feet because of drainage issues. Then, a more substantial move occurred in 2003, when it was moved around the corner to Elliot Street so that its old lot could be redeveloped as a federal courthouse. As a result, while these two photos show the same room, they were taken at different locations, with the first one on State Street and the second one at the house’s current lot on Elliot Street.

The original owner of this house was merchant James Byers, who lived here from 1811 until 1820, when he sold it to Colonel Israel Trask. The house was briefly owned by prominent portrait artist Chester Harding, but he sold it back to Trask in 1832. Trask died three years later, but his family owned it until 1857. The next owner, and current namesake of the house, was banker and local politician Henry Alexander, Jr. He was the president of Springfield Bank, and he also held a number of elected offices, including city alderman from 1857 to 1858, mayor from 1864 to 1865, and state senator from 1865 to 1868. Alexander named the house Linden Hall, and it was during his ownership that the house was moved for the first time. He lived here until his death in 1878, and the house remained in the Alexander family for the next 60 years, until the death of his last surviving child, Amy B. Alexander, in 1938.

The Alexander House was designed by prominent architect Asher Benjamin, and it was built by local contractor Simon Sanborn, who was responsible for many of the fine early 19th century homes in Springfield. In a rather unusual arrangement for a New England home, the house lacks a front door. Instead, it has two side entrances, which are connected by a hallway that runs the width of the house. At the front of the house are two parlors, one of which is shown here in these two photos. This particular room—located on the right side of the house when viewing it from the street—originally faced southeast towards the corner of State and Spring Streets, although in the house’s current orientation it faces southwest.

The first photo was taken less than a year after Amy Alexander’s death, as part of an effort to document the house for the Historic American Buildings Survey. At the time, the future of the house was still uncertain. One proposal would have involved moving it across the river to Storrowton Village at the Big E fairgrounds, but this was ultimately abandoned because of the challenges involved in such a move. Instead, in 1939 the house was acquired by the Society for the Preservation of New England Antiquities. Now known as Historic New England, this organization has restored and maintained many historic houses across the region, and it owned the Alexander House until shortly after the 2003 relocation. Since then, it has been privately owned and rented out for office space, but it retains its historic appearance on both the exterior and interior, and it stands as one of the city’s most historic and architecturally-significant houses.

Center Church, New Haven, Connecticut

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Center Church on the New Haven Green, around 1900-1915. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The church in 2018:

Center Church has been featured in several previous posts, which show the building along with the neighboring churches. However, this particular view provides the best look at its design, which was the work of noted architects Asher Benjamin and Ithiel Town. It was completed in 1814, but the congregation itself is considerably older, dating back to 1639, just a year after New Haven was settled. The first two meeting houses were located near the center of the eastern part of the Green, at approximately the spot where these two photos were taken. A third meeting house, built of brick, was completed in 1757, and stood a little further to the west, probably in the middle foreground of this scene.

This third meeting house remained in use until the early 19th century, when it was replaced by the current church, which stands even further to the west than its predecessors. This site was not without controversy, though, because the western part of the green had long been used as New Haven’s burial ground. An estimated 4,000 to 5,000 people had been buried here during the 17th and 18th centuries, before the opening of the Grove Street Cemetery in 1797. The burials on the Green had largely ceased by the turn of the 19th century, and around 1812 the church decided to construct its new building on a portion on the burial ground.

This action caused considerable controversy in New Haven, with many objecting to the perceived desecration of their ancestors’ graves. The book Chronicles of New Haven Green, published in 1898, provides the following description:

A public meeting was held at the County House, in March, 1813, at which a protest was adopted, signed by one hundred and seventy-eight subscribers, and resolutions passed vigorously denouncing the proposed location of the building. The construction was nevertheless commenced, but when the workmen began to excavate the trenches, a number of persons assembled with shovels and began to throw back the earth as fast as it was thrown out.

The work went on, though, and few of the graves were ultimately disturbed. Instead of removing the remains or the headstones, the church was built over a part of the existing burial ground, which became the floor of the basement. This created an unusual sort of crypt, with all of the headstones left standing in the same position that they had been in prior to the construction of the church. As it turned out, these graves would be better preserved than the ones outside of the church. In 1821, those stones would be moved to the Grove Street Cemetery, but the remains were not disinterred, leaving several thousand unmarked graves that are still located beneath the New Haven Green today.

Aside from its unconventional basement, the design of the church was typical of many New England churches of this era. It was built of brick, and featured Federal-style elements such as rounded arches over the windows, a balustrade along the roofline, and a classically-inspired columned portico at the front entrance, with modillions around the pediment and an ornate carving in the middle of it. Asher Benjamin, who at this point was a well-established architect, provided the original plans for the church, which was evidently based on St. Martin-in-the-Fields in London. However, the design was modified by his former protege Ithiel Town, who was at the beginning of a long and successful career as an architect.

The completed church was dedicated on December 27, 1814, with a ceremony that included a closing prayer by Timothy Dwight, the eminent theologian and author who served as president of Yale from 1795 until his death in 1817. At the time, the pastor of the church was Nathaniel W. Taylor, a young Yale graduate who had studied under Dwight. Like his mentor, he went on to become a prominent theologian. He served as pastor of the church until 1822, when he left to accept a position as a professor at Yale. He was also one of the founders of what later became the Yale Divinity School, and he continued to teach didactic theology at Yale until his death in 1858.

Reverend Taylor’s successor, Leonard Bacon, was installed as pastor in 1825, at the age 23, and he served for more than 50 years until his death in 1881, although he retired from active ministry in 1866. He was also a Yale graduate, of the class of 1820, and in 1823 he had graduated from Andover Theological Seminary. Like his predecessor, he would go on to become a prominent clergyman, but during this time he also achieved fame as an author and editor. He was the editor of the Christian Spectator, which was a literary journal that later became the Yale Review, and he was also a founder and the longtime editor of The Independent. In addition, he published several books, including Slavery Discussed in Occasional Essays from 1833 to 1846. This abolitionist book helped to influence, among others, Abraham Lincoln, whose famous statement, “If slavery is not wrong, nothing is wrong,” is actually a paraphrase of Bacon’s assertion in the book that “if those laws of the Southern States, by virtue of which slavery exists there, and is what it is, are not wrong — nothing is wrong.”

The first photo was taken only a few decades after Reverend Bacon’s death, and by this point the church building was already nearly a century old. Very little changed on the exterior during this time, and although another century has passed since this photo was taken, the church has remained well-preserved today. Along with the two other nearby historic churches, it is now a contributing property in the New Haven Green Historic District, which was designated as a National Historic Landmark in 1970. Underneath the church, the crypt has been unaltered since the building was completed, and 137 headstones still mark the graves. It is the only visible remnant of the large colonial cemetery on the Green, and it is seasonally open to the public for tours.

Temple Street, New Haven, Connecticut

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The view looking north on Temple Street from near the corner of Chapel Street in New Haven, around 1900-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

This block of Temple Street passes through the New Haven Green, and in front of three historic churches that stand on the Green. The southernmost of these, the 1816 Trinity Church, is just out of view on the far left side of the scene, but the 1814 Center Church, along with the more distant 1815 United Church, are both visible on the left side of the street. The latter two churches have very similar designs, with each one featuring a brick exterior and Federal-style architecture. Both of these photos also show the eastern portion of the Green, with a number of people walking across it or sitting on benches. The longer exposure time of the first photo is shown by the blurred images of several people walking on the right side, while the people seated on the left remain sharp and clear.

Today, more than a century after the first photo was taken, much of this scene has remained largely unchanged, particularly in the foreground and on the left. All three churches are still standing and in active use by their congregations, and they are contributing properties in the New Haven Green Historic District, which is a National Historic Landmark. However, there have been some significant changes to this scene, particularly in the distance on the right side. This block of Elm Street was once known as Quality Row, and had a number of elegant early 19th century mansions that are visible in the first photo. These included the Nathan Smith House, which stood second from the right. It was built around 1815, and was once the home of U. S. Senator Nathan Smith, but it was demolished – along with the rest of Quality Row- by the 1910s, soon after the first photo was taken. The block is now occupied by the 1911 New Haven Free Public Library on the left, and the 1914 New Haven County Courthouse on the right.

Center Church and United Church, New Haven, Connecticut

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Center Church and United Church, as seen looking west on the New Haven Green, around 1900-1915. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

This view shows two of the three historic churches that were built on the New Haven Green in the 1810s. The oldest of these, on the left side of the scene, is Center Church, which was completed in 1814. It was built of brick, and featured a Federal-style that was designed by Asher Benjamin and Ithiel Town, two Connecticut-born architects who were among the leading American architects of the early 19th century. Like many New England churches of this period, it featured a columned portico, along with a tall, multi-stage steeple that rose above it.

Although not readily apparent in this view, one of the more unusual features of Center Church is its basement. Throughout the colonial era, this section of the Green served as New Haven’s burial ground, and an estimated 4,000 to 5,000 bodies were interred here. Center Church was built in the midst of this cemetery, but rather than removing the remains or the headstones, the church was simply built above them. The ground became the floor of the basement, but otherwise the graves were not disturbed, and the headstones are still well-preserved today. However, this was only a small portion of the entire cemetery. The rest of the headstones, which are once located around the outside of the church, were moved to Grove Street Cemetery in 1821. The remains themselves were not disinterred, though, and they are still buried here under the Green.

In the meantime, Center Church was joined by two other churches in the mid-1810s. To the right of it, at the corner of Temple and Elm Streets, is the United Church, which was completed in 1815. It was, along with the neighboring Center Church, a Congregationalist church, and it likewise had very similar architecture. There is some disagreement among historic sources over who the architect was, but it appears to have been Ebenezer Johnson, Jr. His design was likely influenced by Center Church, but the United Church does have some differences, such as a lack of a portico, and it featured a shorter steeple with a rounded top, instead of a tall pointed spire.

The third church to be built here on the Green was Trinity Church, completes a year after United Church in 1816. Although not visible in these photos, it featured Gothic-style architecture that sharply contrasted with its Federal-style neighbors, and was one of the first Gothic churches to be built in the country. Today, all three of these church buildings are still here, and they are all contributing properties in the New Haven Green Historic District, which was designated as a National Historic Landmark in 1970. Overall, very little has changed in this scene, and even many of the buildings in the distance have remained. These include another historic church, the First and Summerfield United Methodist Church, which can be seen in the background just beyond and to the left of the United Church. It was built in 1849, with a design similar to these other two churches, and it still stands at the corner of Elm and College Streets.

Trinity Church and Center Church, New Haven, Connecticut

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Trinity Church on the Green (left) and Center Church (right), seen from across the New Haven Green, around 1900-1912. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

These two churches were completed only two years apart, and were designed – at least in part – by the same architect, yet they represent two very different architectural styles. On the right is the Federal-style Center Church, which was completed in 1814. It was the work of notes architects Asher Benjamin and Ithiel Town, and it reflects the typical appearance of New England churches during this period. Common features include a columned portico with a triangular pediment above it, a tall, multi-stage steeple, and an exterior of red brick. The United Church, located just out of view to the right, was completed a year later, and in many ways its design was a close imitation of Center Church.

A third church, Trinity Church, was also built on the New Haven Green around the same time. It was completed in 1816, and can be seen in the distance on the left side of the scene. However, while the two earlier churches were Congregationalist, Trinity was an Episcopalian parish, and its members were interested in a design that would set it apart from the new neighboring churches. As discussed in more detail in an earlier post, the result was a stone, Gothic Revival church, perhaps the first church of this style to be built in the United States. Like the neighboring Center Church, it was designed by Ithiel Town, and his work predated the widespread popularity of Gothic Revival architecture by several decades.

The first photo was taken nearly a century later, and shows the view of the Green with both churches still standing. Aside from a partially-reconstructed steeple on Trinity Church, neither building had seen many exterior changes by this point. Today, the churches are more than twice as old as they were when the first photo was taken, yet they have still remained well-preserved. The only noticeable difference is the removal of the pyramidal spire atop Trinity Church, which was not original anyway. The Green itself has also remained largely unchanged, aside from the loss of the elm trees that once gave New Haven its nickname of Elm City. The only other major change to this scene since the early 20th century has been the construction of the Hotel Taft, which was completed in 1912 and can be seen in the distance between the two churches.