Crawford Notch

Crawford Notch, Carroll, New Hampshire (2)

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The view looking south toward Crawford Notch in New Hampshire, as painted by Thomas Cole in 1839. Image courtesy of the National Gallery of Art.

The scene in 1841, photographed by Dr. Samuel A. Bemis. Image courtesy of the Art Institute of Chicago.

The scene around 1890-1901. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2020:

This view is similar to the one in the previous post, although this one is a little further to the south, showing a closer view of the dramatic gap in the mountains at Crawford Notch. It is a view that has long captivated artists and photographers, as shown by the many different images here. This particular angle looks south through what are known as the gates of Crawford Notch, the narrowest point in the mountain pass. Barely 20 feet wide when discovered by European colonists in 1771, it has subsequently been widened to accommodate road and rail traffic, but it still retains much of the same appearance, with the steep cliffs on either side and the slopes of Mount Webster looming in the background. On the left side of the notch is an exposed rock formation known as Elephant Head, due to its somewhat vague resemblance to the head and upper trunk of an elephant.

The first image here is a painting of Crawford Notch by prominent landscape artist Thomas Cole. He is generally regarded as the founder of the Hudson River School, an artistic movement that emphasized the natural beauty of the American landscape. Cole typically used his artwork to convey the power of nature, and this painting features several of his common motifs, including gnarled trees, ominous storm clouds, and a small human figure that is barely noticeable amid the surrounding landscape. Perhaps the most foreboding element is the dense fog in the valley beyond the notch, giving a sense that the notch is a sort of passage to another world.

Thomas Cole made several visits to the White Mountains, including one in the summer of 1839, accompanied by fellow artist Asher Durand. While here, he sketched this view of Crawford Notch, and he painted this painting after returning to his home in Catskill, New York. Titled A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch), it was commissioned by Rufus L. Lord, who paid Cole $500 for the finished work. It is now regarded as one of Cole’s finest American landscapes, and it is currently on display at the National Gallery of Art in Washington, D.C.

The second image here is a daguerreotype taken in 1841, just two years after Cole’s visit. It is the oldest photograph that I have featured on this blog, and among the earliest photographs to be taken in the United States, just a few years after Louis Daguerre invented the daguerreotype process. The photographer was Dr. Samuel A. Bemis, a Boston dentist who became one of the first photographer in the country. He began taking photographs in 1840, but evidently abandoned the hobby around 1843, leaving behind a relatively small number of photographs, most of which are poorly exposed. However, his works include the earliest photographic images of the White Mountains, many of which were taken in and around Crawford Notch.

This particular photograph shows nearly the same scene that Thomas Cole had painted two years earlier, although Bemis was a little closer to the notch than Cole was when he sketched the view. On the left side is the Notch House, which appears to be the same building shown in the distance on the left side of the painting. This inn was built in 1828 by Ethan Allen Crawford, and it was operated by his brother Thomas. From here, visitors could ascend to the summit of Mount Washington by way of the 8.5-mile Crawford Path, which Ethan Allen Crawford and his father Abel had cut in 1819.

In 1845, a few years after the photo was taken, the Notch House was expanded with a new addition. The attic was also converted into rooms, giving the inn a capacity of 75 guests. Then, around 1850 Thomas Crawford decided to build a new hotel nearby, just a little to the north of here. However, he ran into financial trouble and ended up having to sell the partially-completed hotel in December 1850. The hotel was finished under the new ownership, and it was named the Crawford House, with Joseph L. Gibbs as its manager. With this new, modern hotel nearby, the old Notch House quickly faded into obscurity. It was used occasionally for overflow accommodations, but it was ultimately destroyed by a fire in June 1854.

The Crawford House ultimately suffered a similar fate when it burned in 1859, but it was quickly rebuilt on the same site and stood there for well over a century, until it too was destroyed by fire in 1977. By the time the third image was taken of Crawford Notch in the 1890s, it was a popular resort destination. The hotel was located about a quarter mile behind where this photo was taken, so it is not visible in this scene, but there are other signs of changes here in the 1890s photo, particularly the railroad. In the 1841 image, the Notch House would have been accessible only by stagecoach, but in 1875 the Portland & Ogdensburg Railroad opened through the notch, making it much easier for tourists to visit the area.

Today, nearly two centuries after Thomas Cole painted Crawford Notch, the foreground of this scene has undergone substantial changes. Cole himself hinted at some of these impending changes with the cleared ground and tree stumps, but he probably did not anticipate that a railroad would one day be built through here, or that the rough stagecoach road would eventually become the modern US Route 302. However, despite these changes, the surrounding landscape has remained nearly unchanged. Cole did embellish parts of the scene, including the prominence of Mount Webster and the narrowness of the notch, but overall the landscape is still instantly recognizable from the painting, and Crawford Notch remains one of the most impressive natural features in the White Mountains.

Crawford Notch, Carroll, New Hampshire

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The view looking south toward Crawford Notch from the Crawford House in Carroll, New Hampshire, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2020:

As explained in an earlier post that shows the view from the opposite direction, Crawford Notch is an important mountain pass that, for many years, was the only east-west route through the White Mountains. The notch, which was originally barely 20 feet wide, was unknown to European colonists until 1771, when two settlers discovered it while hunting. It soon became a major transportation corridor, beginning with a rough road that was later upgraded for stagecoach travel. By the late 19th century, a railroad also ran through the notch, as shown by the tracks and station building in both photos.

Like most mountain passes, Crawford Notch forms the divide between two major rivers. In the foreground of this scene is Saco Lake, the headwaters of the Saco River. From here, the river runs through the gap in the mountains, which is known as the “gates” of Crawford Notch. The river then flows through a narrow, steep-sided gorge for several miles, and it ultimately flows through Maine and into the Atlantic Ocean a little south of Portland. On the other side of the divide is the Crawford Brook, which rises just behind where these photos were taken and flows into the Ammonoosuc River. The Ammonoosuc River then flows into the Connecticut River, which eventually reaches the ocean in Long Island Sound.

These two photos show perhaps the most dramatic view of Crawford Notch, looking south from right about the point where the two watersheds divide. From here, the relatively broad, flat valley on the north side of the notch narrows to a small opening that is flanked by steep cliffs on either side. Just to the left of the notch is a rock formation known as Elephant Head, and on the right is the eastern slope of Mount Willard. However, the most prominent landscape feature here is Mount Webster, which forms an impressive backdrop to the scene. At 3,911 feet in elevation, its summit rises two thousand feet above the floor of Crawford Notch, and it forms the southern end of the Presidential Range.

Given the amount of traffic that was funneled through Crawford Notch, the area was the site of several hotels and inns in the early 19th century. Perhaps the most famous of these was the Willey House, located about three miles south of here. In 1826, the occupants of the inn were killed in a landslide, after they fled the house in the middle of the night in an effort to escape the falling rocks and mud. Ironically, the building itself was unharmed by the landslide, and the tragic event was subsequently immortalized in paintings and literary works.

Many accounts of the tragedy made it a moral lesson about the untamed power of nature, yet it did little to dissuade visitors to Crawford Notch. If anything, it seemed to have the opposite effect, and by the mid-19th century the area was no longer simply a convenient transportation corridor; it had become a destination in its own right. Among those who benefitted from this was the Crawford family, for whom the notch is named. In 1828, just two years after the landslide, Ethan Allen Crawford built the Notch House here at the gates of Crawford Notch, and his brother Thomas subsequently ran it for many years. From here, the Crawfords offered guided tours to the summit of Mount Washington via the 8.5-mile Crawford Path, which Ethan Allen Crawford and his father Abel had cut in 1819.

The original Notch House was located in the distance of this scene, close to the actual notch. However, in the early 1850s Thomas Crawford began construction on a new hotel just to the north, located where these two photos were taken. He ran into financial difficulties and had to sell the half-finished hotel, but it was completed under new ownership. However, the building was destroyed by a fire in 1859, and was subsequently rebuilt and reopened later in the year. Known as the Crawford House, it became a popular tourist destination throughout much of the 19th and 20th centuries. It ultimately closed in 1975, and burned two years later.

When the Crawford House opened, there was no rail service through Crawford Notch. However, this changed in 1875, when the Portland & Ogdensburg Railroad opened here. This railroad was subsequently acquired by the Maine Central Railroad in 1888, and in 1891 the new owners built a Queen Anne-style station here at the Crawford House, which is visible in the foreground of both photos. The first photo shows a locomotive at the station, Maine Central No. 101, a 4-4-0 steam locomotive that was built in 1889 and scrapped in 1916.

Today, around 120 years after the first photo was taken, relatively little has changed in this scene. Right behind where the photos were taken, the Crawford House is long gone, and it is now the site of the Appalachian Mountain Club’s Highland Center. However, the view south toward the notch looks much the same as it did in 1900, including the historic railroad station, Saco Lake, and the surrounding landscape. Most of the land within Crawford Notch is now part of the Crawford Notch State Park, which was established in 1913, and the surrounding land on the mountains is part of the White Mountain National Forest, which was established in 1918.

Willey House, Hart’s Location, New Hampshire (3)

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The view looking north in Crawford Notch in the White Mountains, with the Willey House in the distance on the left, around the 1860s or 1870s. Image courtesy of the New York Public Library.

The scene in 2018:

These photos show the view looking north in Crawford Notch, a long, narrow valley through the heart of the White Mountains. For many years, it was the only east-west route through the mountain range, and since the late 18th century it has been a vital transportation corridor. As explained in more detail in an earlier post, the first road through the notch was opened in 1774, and over the years it was steadily improved, eventually becoming part of the Tenth New Hampshire Turnpike in 1806.

To serve these travelers in the midst of the northern New Hampshire wilderness, a series of inns were opened in and around the notch. The first building within the notch itself was a house that was constructed in 1793. Later known as the Willey House, it stood in the left-center of the first photo, where the peak of its gabled roof is barely visible beyond a much larger three-story hotel that was constructed in 1845.

The house served as both a residence and a small inn, and it had several different owners in the early 19th century before being acquired by Samuel Willey in 1825. It was an isolated location in the middle of the notch, several miles away from the nearest neighbor, but Willey moved here in the fall of 1825, along with his wife Polly and their five young children. He spent much of the fall improving the property and preparing it for the long, cold northern New England winter, and the result was a modest but comfortable place for travelers to stop for food, drink, or shelter.

As the Willeys would soon discover, though, the house’s location at the base of a steep cliff made it susceptible to landslides. One occurred in June 1826, and it narrowly missed the house. Then, two months later, another one occurred during a heavy rainstorm on the night of August 28. This time, the house was completely encircled by the debris, although the house itself survived unscathed thanks to a low ledge just above it, which split the flow into two channels.

Unfortunately, though, the Willey family attempted to flee the house in the midst of the storm, evidently fearing that the house would be destroyed. However, in the darkness they unknowingly ran directly into the path of the slide, and all seven were killed, along with two hired hands who lived here with them. Searchers subsequently found six of the bodies, some of them badly mangled, but three of the Willey children were never recovered.

The sudden deaths of nine people, more than half of whom were children under the age of 13, quickly gained national attention. This helped to spur tourism to the White Mountains, and over the next few years many curious visitors came to Crawford Notch to see the Willey House, the aftermath of the landslide, and the surrounding wilderness. The story also became the subject of a now-lost painting by noted artist Thomas Cole, and a short story, “The Ambitious Guest,” by Nathaniel Hawthorne.

By the mid-19th century, the area was a popular destination thanks in large part to the publicity generated by the Willey disaster, and there were many hotels in the vicinity of Crawford Notch. These included the Willey House itself, which had been purchased by Horace Fabyan in 1845. He constructed a new, much larger hotel building adjacent to the old house, and it can be seen on the left side of the first photo. Both buildings stood here until nearly the end of the 19th century, but they were ultimately destroyed by a fire in September 1899.

Today, the site of the house and hotel is now the visitor center and park headquarters for the Crawford Notch State Park. There is little evidence of the buildings that once stood here, although the location of the Willey House is now marked by a small stone monument. The road has also changed significantly since the first photo was taken some 150 years ago, and the narrow dirt path is now U.S. Route 302. Overall, the only thing from the first photo that has not changed is the surrounding landscape, which has been preserved as part of the state park. This includes the most prominent feature in both photos, the 2,804-foot Mount Willard, which dominates the background of the scene and marks the northern end of Crawford Notch.

Willey House, Hart’s Location, New Hampshire (2)

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The Willey House in Crawford Notch, around 1872. Image courtesy of the New York Public Library.

The scene in 2018:

As discussed in more detail in the previous post, this building was constructed in 1793 in Crawford Notch, a long, narrow pass through the White Mountains of New Hampshire. At the time, it was the only building in the notch, and for the next few decades it was operated as a tavern, providing food, drink, and lodging to travelers along this important transportation route.

In the fall of 1825, Samuel Willey moved here with his wife Polly and their five children. The family lived in the house, and Samuel continued to run the tavern. The house proved to be in a precarious location, though; it was at the base of a steep cliff, and the site was vulnerable to landslides, as the Willey family learned in June 1826 when one such slide narrowly missed their home.

Undeterred by this threat, the Willey family decided to remain here, in an isolated location far from any other neighbors. Samuel Willey was apparently convinced that this was a once-in-a-lifetime event, but another landslide came just two months later, during a torrential downpour on the night of August 28. This time, the house sat directly in the path of the slide, and the family—which also included two hired men—evidently heard it coming and evacuated the building. However, in the darkness outside they were engulfed by the landslide, and all nine of them were killed. Ironically, though, the house itself survived the landslide with minimal damage; a low ridge just behind the house had divided the landslide into two streams, causing it to circle around either side of the house before rejoining in the front yard.

The sudden, unexpected death of a young family, combined with the harsh wilderness setting and the seemingly cruel twist of fate that saved the house, resulted in national attention for this tragedy. Within a matter of months, tourists were flocking here to see the site of the disaster for themselves, and this would only increase over the next few years. Up until this point, the White Mountains were largely seen as an obstacle to travel, but in the aftermath of this event the region began to be seen as a destination in itself.

The tragedy also became the subject of various works of art and literature. Prominent painter Thomas Cole made a visit to the site early in his career in 1828, and he subsequently painted a now-lost landscape of the scene. Another young, aspiring artist was Nathaniel Hawthorne, who came here a few years later and, in 1835, published a fictionalized account of it as a short story, titled “The Ambitious Guest.”

In 1845, Horace Fabyan purchased the property and built a three-story hotel directly to the left of the house. It had room for 50 guests, and it was one of many hotels that were constructed around this time to accommodate the influx of visitors to the region. The first photo was less than 30 years later, showing the house in the foreground with the hotel behind it to the left. The buildings would stand here until September 1899, when both were destroyed by a fire that was apparently caused by a defective chimney.

Today, this site is now the location of a visitor center and the park headquarters of the Crawford Notch State Park. However, the Willey tragedy has not been forgotten. The spot where the house once stood is now marked by a small stone monument in the lower center of the 2018 photo, and the 4,285-foot mountain behind the house has been named Mount Willey, in honor of the family.

Willey House, Hart’s Location, New Hampshire

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The Willey House in Crawford Notch, probably around the 1860s or 1870s. Image courtesy of the New York Public Library.

The scene in 2018:

The one-and-a-half-story building in the center of the first photo was built in 1793 in Crawford Notch, a long, narrow valley through the White Mountains of New Hampshire. The notch was, at the time, the only east-west route through the mountains, and this was evidently the first building to be constructed here. Known as the Notch House, it served as a tavern for travelers through here, and it was operated by several different innkeepers during the late 18th and early 19th centuries.

In the fall of 1825, the Notch House was acquired by Samuel Willey, who moved into the house with his wife Polly and their five children, who ranged in age from 2 to 11 years old. At the time, the property had been abandoned for several months, so Samuel spent much of the fall repairing the house, enlarging the stables, and making preparations for winter. The tavern was ready in time for the winter, and, despite its modest size and appearance, it was a welcome shelter for cold, weary travelers on their way through the mountains.

Willey continued to operate the tavern throughout the spring and summer of 1826, and a description of the house was published in the August 11 issue of the New Hampshire Sentinel newspaper. The writer, in describing a journey northbound through Crawford Notch, included the following account about the Notch House:

At the conclusion of this six miles, the eye is greeted with the appearance of a small but comfortable dwelling house, owned and occupied by a Mr. Willey, who has taken advantage of a small, a very small intervale, – where the bases of the two mountains seem to have paused and receded, as if afraid of coming in contact and amalgamating into one impassible pile, – to erect his lone habitation. Rude and uninviting as the spot appears, he has contrived to gather around it the necessaries if not conveniences of life. We observed a large flock of sheep in one of his inclosures; other domestic animals in the barn-yard, and several flocks of ducks and geese in the little meadow which fronted the house. We were furnished with a dinner of ham, eggs, and the usual accompaniments to such a meal in a country tavern. – The interior of the house exhibited a neatness that might well become some inns that we have seen of more frequent resort, and the faces of parents and children were the pictures of content. Can philosophy or conjecture account for or explain the motives that can induce a man thus to plant himself at a distance of six miles from the habitation of any of his race, and in a spot where it is next to impossible he can ever have a nearer neighbor?

Despite this bucolic description, though, there were more hazards to life here in Crawford Notch than simply its isolation. The house was situated at the base of a steep slope, on a narrow plot of flat ground between the mountain in the back, and the Saco River in front of the house on the other side of the road. As a result, this location was vulnerable to landslides, and its occupants would have no viable way to escape its path if one was to occur.

This reality became very clear to the Willey family in June 1826, when they survived a close call from one such landslide. The slide, which came within less than 200 feet of their house, covered about an acre of land by Samuel’s estimate, and it traveled nearly a mile in a matter of minutes. An account of this event was published in the New England Galaxy, and it subsequently appeared in The Farmers’ Cabinet on August 12, 1826, in an article that included the following description:

Just before our visit to this place, – on the 26th of June, – there was a tremendous avalanche, or slide, as it is there called, from the mountain which makes the southern wall of the passage. an immense mass of earth and rock from the side of the mountain was loosened from its resting place and began to slide towards the bottom. In its course it divided into three portions, each coming down with amazing velocity into the road, and sweeping before it shrubs, trees and rocks, and filling up the road beyond all possibility of its being recovered. 

The article went on the describe the Willey family’s reaction:

The place from which this slide or slip, was loosened, is directly in the rear of Mr. Willey’s house; and were there not a special Providence in the fall of a sparrow, and had not the fingers of that Providence traced the direction of the sliding mass, neither he nor any soul of his family would ever have told the tale. – They heard the noise when it first began to move, and ran to the door. In terror and amazement, they beheld the mountain in motion. But what can human power effect in such an emergency? Before they could think of retreating, or ascertain which way to escape, the danger was past.

According to Samuel’s brother Benjamin, who discussed the event in a book many years later, the Willeys had initially planned on moving away after this near-disaster, but upon further reflection they decided to stay. Benjamin related a conversation that Samuel had with another person after the incident, with Samuel supposedly explaining, “Such an event, we know, has not happened here for a very long time past, and another of the kind is not likely to occur for an equally long time to come. Taking things past in this view, then, I am not afraid.”

Over the next two months, the region experienced a severe drought that dried the soil to a much greater depth than usual. However, this drought came to a sudden end on the night of August 28, when a severe storm passed through here. The torrential rainfall destroyed nearly all of the bridges in the notch, and it also soaked deep into the dry earth, making the ground particularly susceptible to landslides along the steep cliffs. One such slide occurred here at the Notch House, but, as in the June slide, the building was narrowly spared. It stood right in the path of the landslide, but the falling debris struck a low ridge just above the house, causing it to split into two streams. As a result, the landslide passed on both sides of the house, destroying the stables but otherwise leaving the building miraculously intact before reuniting into a single stream just below the house.

Over the next few days, though, the nearby residents of the notch could find no sign of the seven members of the Willey family, or the two hired men who lived here. Inside the house, there was evidence that the occupants had left in a hurry, suggesting that they had tried to flee to safety in advance of the landslide. Subsequent searches of the area uncovered the badly-mangled bodies of Polly Willey and one of the hired men, David Allen, in the debris below the house. Samuel’s remains were soon discovered as well, along with those of their youngest child, three-year-old Sally. The body of David Nicholson, the other hired man, was found five days after the disaster, and a day later the body of twelve-year-old Eliza Willey was found far from the house, on the other side of the Saco River. However, the other three children—eleven-year-old Jeremiah, nine-year-old Martha, and seven-year-old Elbridge—were never found.

In the aftermath of the disaster, there were many theories as to exactly what happened here on the night of August 28. The most likely explanation, which Benjamin Willey provided in his book, is that Samuel stayed up during the night to monitor the storm and watch for signs of a landslide. As he heard the slide approaching, he awakened his family, and as they were leaving they heard the sound of the stables being destroyed. This caused them to flee in the opposite direction, and in the darkness and pouring rain they unknowingly ran directly into the path of the other side of the landslide.

Regardless of the actual sequence of events, though, the news of the disaster quickly spread across the country. Within just a few months, curious sightseers were making their way up to Crawford Notch to see the house and the devastation caused by the landslide, and over the next few years many more continued to arrive. This helped to fuel a nascent tourist industry here in the White Mountains. At the time, the eastern United States was becoming increasingly industrial and urbanized, and many were drawn by the primeval wilderness of the area and the destructive forces of nature that were demonstrated in the Willey disaster. Local innkeeper Ethan Allen Crawford—for whose family the notch is named—enjoyed brisk business in the aftermath of the tragedy, and in 1828 he constructed a new hotel a few miles away from here at the gates of the notch. Even Samuel’s brother, Benjamin Willey, capitalized on the influx of tourism by charging visitors for a guided tour of the house.

The tragedy also inspired noted artists and writers. Painter Thomas Cole visited here in October 1828, and he described how “[t]he sight of the Willey House, with its little patch of green in the gloomy desolation, very naturally recalled to mind the horrors of the night when the whole family perished beneath an avalanche of ricks and earth.” Cole was the founder of the Hudson River School art movement, and his paintings typically featured dramatic landscapes that emphasized both the beauty and the dangers of the untamed American wilderness. This setting in Crawford Notch, combined with the Willey disaster, was perfect subject matter for Cole, and he subsequently painted this scene. The painting, titled Distant View of the Slides that Destroyed the Whilley [sic] Family, is now lost, but there are several surviving lithographic reproductions, including the one below, which is located at the Library of Congress.

In addition to Cole, author Nathaniel Hawthorne also incorporated the disaster into one of his works. In 1835, when he was still a young, relatively obscure author, he published the short story “The Ambitious Guest,” which was based on the event. The story does not mention the Willey family by name, and there are some differences in the ages and composition of the family, but otherwise it is largely a retelling of the commonly-accepted theory about the Willey family’s demise. However, Hawthorne embellishes it by adding a character—the eponymous ambitious guest—who arrived at the house on the night of the storm. In the story, the young man talks with the family about his desire to leave a legacy so that he will be remembered after death. In the end, though, he dies along with the rest of the family, his body is never found, and there is uncertainty among the locals as to whether or not there had even been a guest in the house at the time.

In the meantime, the Willey House continued to be a popular attraction. By the mid-19th century, the White Mountains had become a major tourist destination, thanks in large part to the publicity surrounding the Willey disaster. A number of new hotels were constructed around this time, including one right here at the Willey House. In 1845, local hotelier Horace Fabyan purchased the property and constructed a new hotel directly adjacent to the old house, as shown on the left side of the first photo. It was named the Willey Hotel, and it stood three stories in height and measured 40 feet by 70 feet, with a capacity of 50 people.

The hotel and house were still standing here when the first photo was taken around the 1860s or 1870s. By this point, some 40 to 50 years after the disaster, there was little visual evidence of the destructive landslide, but the house remained an important local landmark. It survived for several more decades, but ultimately met the same fate as so many other White Mountain hotels when it was destroyed by a fire in September 1899, evidently as a result of a defective chimney.

Today, more than 120 years after the fire, the house is long gone, but the story remains an important part of local lore. The site of the house is now marked by a small stone monument in the center of the first photo, and immediately to the left of it is a visitor center and the park headquarters of the Crawford Notch State Park. Further in the distance, the only landmark left from the first photo is the mountain itself, which looms more than 2,000 feet above the floor of the valley. At 4,285 feet in elevation, it is the 29th-tallest mountain in the state, and it is, appropriately enough, named Mount Willey.

Crawford House, Carroll, New Hampshire

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The Crawford House at Crawford Notch in the White Mountains of New Hampshire, seen from across Saco Lake, around 1891-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

The first photo shows the Crawford House, one of the many large hotels that were built in the White Mountains during the second half of the 19th century. It stood just to the north of the gates of Crawford Notch, one of the most important mountain passes in the region. The location of the hotel was near the high point of the notch, at the divide that separates the watersheds of the Ammonoosuc and Saco Rivers. In the foreground of this scene is Saco Lake, which forms the headwaters of the Saco River. From here, the river flows southeast through Crawford Notch before emptying into the Atlantic Ocean just south of Portland, Maine. Less than a half mile to the north of here, on the other side of the hotel, is Ammonoosuc Lake, which ultimately drains into the Connecticut River and then to Long Island Sound.

This site was an ideal location for a hotel. At the time, this road was the only east-west route through the mountains, and this area to the north of Crawford Notch was relatively broad and flat, unlike the long, narrow valley to the south of here. The first hotel in this immediate vicinity was the Notch House, which was built in 1828 by Ethan Allen Crawford. He was the son of Abel Crawford, the first white settler to live near the notch, and his family operated several taverns in the area. Ethan’s brother Thomas became the manager here at the Notch House, and he ran it until 1852, two years before it was destroyed by a fire.

The Notch House was located near the spot where these two photos were taken, but around 1850 Thomas Crawford began construction of a new hotel nearby, on the site of the hotel in the first photo. However, he ran into financial problems before it was completed, and he had to sell the property in the early 1850s. The new owner finished the hotel, which became known as the Crawford House, but, like the Notch House, it fell victim to fire, burning on April 30, 1859.

Such fires were not uncommon in large resort hotels of this period, which were generally made almost entirely of wood and lacked effective fire suppression systems. Despite this setback, though, the hotel was quickly rebuilt. The work began on May 10, 1859 and it was completed in just two months, with the hotel holding a celebratory dinner here on July 13. This new Crawford House, which was still standing when the first photo was taken, was three stories high and originally measured about 200 feet in length, with two wings that extended back about the same distance. Overall, it was much larger than the old building on the site, and a July 1859 article in the Boston Evening Transcript declared it to be the largest hotel in the state.

Another New England newspaper, the Independent Democrat of Concord, New Hampshire, published a letter around the same time that the hotel opened. The letter described a journey through the White Mountains, and it paid particular attention to the new Crawford House. The writer commented on how quickly the hotel was built, and also provided a glowing description of its interior, writing:

It is not too much to say that the “New Crawford house” is an advance upon any other at the Mountains. Its dining hall is of magnificent proportions, measuring 85 feet by 40, and 14 feet high. The principal parlor is 60 feet by 40. The general reception room is large and airy; while the sleeping rooms, of which there are some 120, are large, high, and thoroughly ventilated, leaving nothing, in these respects, to be desired. Then, the whole house is to be furnished in the most elegant and substantial style, and the whole is to be lighted with gas.

Guests at the Crawford House could enjoy a variety of outdoor activities. There were short hikes to places such as Ripley Falls, Arethusa Falls, and the summit of nearby Mount Willard, and for the more ambitious there was the Crawford Path, which led 8.5 miles to the summit of Mount Washington. This trail, which began here at the Crawford House, was created by Abel and Ethan Crawford in 1819, and it was eventually incorporated into the Appalachian Trail, making it probably the oldest active hiking trail in the country today. Guests could hike these trails on their own, but the hotel also had ponies that they could ride, along with experienced guides to accompany them.

In 1870, the Crawford House was purchased by brothers Asa T. and Oscar F. Barron. At the time, they also operated the nearby Twin Mountain House and Fabyan House, and their hotel empire would subsequently include the Mount Pleasant House and the Summit House, which was located at the top of Mount Washington. Oscar died here at the Crawford House in 1879, and Asa died eight years later, but the Barron family would continue to run these hotels for many years.

For the first two decades of its existence, the Crawford House was not directly served by railroads, but in 1875 the Portland & Ogdensburg Railroad opened through Crawford Notch, making the hotel far more accessible to visitors. At the time, it was the only hotel in the vicinity of the notch, and it received a glowing review in the 1887 Chisholm’s White-Mountain Guide-Book, which included the following description:

[T]his is a good hotel of the first class, 1,900 feet above the sea, with broad and almost interminable piazzas, cool and airy halls, post-office, telegraph-office, livery-stable, bowling-alley, gaslights; environs which the landscape-gardener has justly approved; and a dining-room where even Epicurus or Uncle Sam Ward need not famish….

Near the front of the house is the pretty little Saco Lake, the cradle of the Saco River, and so far widened and deepened by art as to give a reason for being for the boats which float on its crystal tide. The rugged forest between the lake and the overhanging mountain has been combed and brushed and perfumed, and otherwise adorned for a summer pleasaunce, so that it has won the happily suggestive name of Idlewild.

In 1888, not long after this description was published, the rail line through the notch was acquired by the Maine Central Railroad. Three years later, the railroad built a new station here at the Crawford House, which is visible on the left side of this scene. It was built of wood, and it featured an ornate Queen Anne-style design, complete with a small tower on one corner of the building. Most hotel guests and other visitors to Crawford Notch would have arrived here by way of the station, and the building also served as the local freight house and post office.

By the time the first photo was taken at the turn of the 20th century, the Crawford House was owned by the firm of Barron, Merrill, & Barron. This partnership was comprised of Asa Barron’s sons, Oscar G. and William A. Barron, along with Cardenio H. Merrill, and the trio also ran the other Barron hotels here in the White Mountains. Merrill died a few years later in 1908 at the age of 68, and Oscar in 1913 at 62, but William continued to operate the hotel until 1947, when he retired and sold the property. He died in 1964 at the age of 96, only a week after the death of his son, William A. Barron Jr., who had served as a brigadier general in the Army during World War II and as chairman of the board of Gillette after the war.

The Crawford House outlasted most of the other 19th century grand hotels in the White Mountains, but it ultimately closed in 1975, nearly 120 years after the building was constructed. It was destroyed by a fire two years later, on November 20, 1977, and the property was subsequently acquired by the Appalachian Mountain Club, which constructed the Highland Center on the site. This building, which serves as a lodge and an educational center, stands in the center of the 2018 photo. Today, the only surviving building from the first photo is the railroad station on the left. It was added to the National Register of Historic Places in 1982, and it remains in use as a railroad station, serving as the northern terminus for most tourist excursion trains on the Conway Scenic Railroad.