Memorial Hall, Monson, Mass

Memorial Hall on Main Street in Monson, around 1892. Image from Picturesque Hampden (1892).

The scene in 2020:

One of the most architecturally-impressive buildings in Monson is Memorial Hall, which was completed in 1885 as a town hall and a memorial to the town’s residents who served in the Civil War. Prior to this time, Monson did not have a purpose-built town hall; instead, town meetings were held at the First Church and the Methodist Church. It was at one of these town meetings, in 1883, that Rice M. Reynolds offered to donate land and money to help construct a new town hall. Together with his brother Theodore and their father, prominent local industrialist Joseph L. Reynolds, the family gave $17,000 towards the project, with the town covering the remaining $42,000 in construction costs.

The late 19th century was the heyday for Civil War monuments in New England, and almost every city or town had at least one to recognize its residents who fought for the Union. Here in Monson, the town had two major memorials. The first of these was the Soldiers’ Monument in front of the First Church, which was donated by Cyrus W. Holmes and dedicated in 1884. Memorial Hall followed a year later, and together these two monuments honored the 155 Monson residents who served in the war. Of these, sixteen were killed in battle, and thirteen died of disease during the war.

Memorial Hall was designed by architect George E. Potter, and it was constructed with granite that was quarried in the town by the William N. Flynt Granite Company. It features a Gothic-inspired design with an asymmetrical main facade. On the left side, at the northwest corner of the building, is a 100-foot tower, and on the right, in the southwest corner, is a 45-foot turret that is topped by a statue of a soldier. Most Gothic and Romanesque-style public buildings of this era were built with multi-colored exteriors, using either contrasting light and dark bricks or sandstone. This was not as easy to do with gray granite blocks, but there are were some efforts to create contrast, particularly with the alternating light and dark stones in the arches above the doors.

On the interior, the largest space in the building was the auditorium on the first floor. It had a capacity of a thousand people, and could be used for town meetings and other civic events. The building also included offices for town officials such as the town clerk, the selectmen, the assessor, and the superintendent of schools. In the basement was the town lockup, along with utility and storage space, including the town safe.

The second floor was originally occupied by the Marcus Keep Post of the Grand Army of the Republic. The GAR was a prominent and politically-powerful fraternal organization in the North during the late 19th century, and its membership was comprised exclusively of Union veterans of the Civil War. Here in Monson, the local chapter of the organization was named for Marcus Keep, a town resident who died from infection in 1864 after being wounded in the leg during a skirmish in Virginia. Along with the regular GAR post, the second floor space was also used by the Woman’s Relief Corps and the Sons of Veterans, the two main auxiliary organizations of the GAR.

Memorial Hall was completed in mid-1885, and the first public event to be held here was, appropriately enough, a service in memory of Ulysses S. Grant, who had died on July 23. Then, on August 15, the building was formally presented to the town at the first official town meeting here in Memorial Hall. The occasion was marked with little ceremony, and only about 50 voters attended the meeting. Rice M. Reynolds spoke on the reason for its construction, and then the chairman of the building committee, Edward D. Cushman, presented it to the voters, who accepted it.

The first photo was taken less than a decade after the building opened. Since then, remarkably little has changed here in this scene. Memorial Hall continued to be used as the town hall until 1992, when the town offices moved a few blocks north to the old high school building at the corner of Main and State Streets. The town still owns Memorial Hall, though, and it is now used for concerts, plays, fairs, and other community events.

As shown in the present-day photo, the exterior has remained well-preserved throughout this time, and even the 19th century homes on either side of it are still standing, although the one on the left was significantly expanded around 1910. Because of its historic and architectural significance, Memorial Hall was added to the National Register of Historic Places in 1984, and in 1991 it became a part of the Monson Center Historic District, which is also listed on the National Register.

First Congregational Church, Fall River, Mass

The First Congregational Church, seen looking up Cherry Street from the corner of June Street, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The church in 2020:

The First Congregational Church of Fall River was established in 1816, and throughout most of the 19th century the church worshipped in a building at the northwest corner of North Main and Elm Streets. However, in 1913 the church moved into this new building, which was donated by one of its parishioners, Sarah S. Brayton. The building was designed by the prominent Boston architectural firm of Shepley, Rutan & Coolidge, and it features a granite, Gothic Revival exterior. It was formally dedicated on January 9, 1913, on the 97th anniversary of the church’s founding. Among those in attendance was Sarah Brayton, who was 78 years old at the time, and the dedication sermon was delivered by the Rev. Nehemiah Boynton of the Clinton Avenue Congregational Church in Brooklyn.

The first photo was taken within a few years after the building was completed. It is a rather strange angle, because it shows the rear and side of the church, with the parish house in the foreground on the left. Further up in the distance, on the other side of Rock Street, is the B.M.C. Durfee High School, which was built in 1886. The three girls on the sidewalk are likely students at the school, and are apparently walking home at the end of the school day. During the early 20th century, the Durfee High School ended at 1:25 p.m., and the photo was taken ten minutes later at 1:35, according to the school’s clock tower.

Today, more than a century after the first photo was taken, almost nothing has changed in this scene except for the trees, which now partially hide the buildings. The church is still an active congregation, and the exterior of the building has remained well-preserved. Further up the hill, the old high school building was converted into a family and probate courthouse in the 1990s, but it has retained its historic exterior appearance. The high school building was added to the National Register of Historic Places in 1981, and two years later both it and the church were designated as contributing properties in the Highlands Historic District.

South Entrance, Connecticut State Capitol, Hartford

The view just inside the south entrance of the Connecticut State Capitol, around 1891. Image from Hartford Illustrated (1891).

The scene in 2019:

These two photos show the entryway at the south entrance of the Connecticut State Capitol. The building was completed in 1878, and it features a highly ornate interior comprised primarily of marble, along with polished granite columns. This entrance is located directly beneath the House of Representatives chamber, which can be accessed by either of the two staircases here. In between the staircases is the rotunda at the center of the building, underneath the dome.

Today, this particular scene has hardly changed in about 130 years since the first photo was taken. The building has been well-maintained and preserved over the years, and it stands as an important architectural landmark. The only significant difference between these two photos is the replica Liberty Bell to the right of the west staircase. This was one of 55 produced by the Department of the Treasury in 1950 as gifts to each of the states and territories, and it even features a painted-on crack to mimic the one on the original Liberty Bell.

Staircase in the Connecticut State Capitol, Hartford

A staircase in the Connecticut State Capitol in Hartford, around 1891. Image from Hartford Illustrated (1891).

The staircase in 2019:

The Connecticut State Capitol is an architectural masterpiece, on both the interior and exterior. It was the work of prominent architect Richard M. Upjohn, and it was completed in 1879 with an ornate High Victorian Gothic design comprised largely of marble and granite. At the center of the building, beneath the dome, is a large rotunda that is flanked on either side by marble staircases. This particular staircase is on the east side of the rotunda, and in the distant center of the scene, on the second floor, is the door to the House of Representatives chamber.

Today, around 130 years after the first photo was taken, there are hardly any differences between these two photos. The building underwent a major restoration from 1979 to 1989, and on the interior this included cleaning grime off of the marble floors and other stonework, along with restoring the intricately painted details throughout the building. As a result, the building now looks the way that it did when it first opened nearly 150 years ago, and it remains an important architectural landmark while also continuing to serve as the seat of the Connecticut state government.

Nathan Hale State, Connecticut State Capitol, Hartford

The Nathan Hale statue inside the Connecticut State Capitol in Hartford, around 1891. Image from Hartford Illustrated (1891).

The statue in 2019:

Perhaps the most celebrated Revolutionary War figure from Connecticut is Nathan Hale, the young schoolteacher-turned-soldier who was hanged as a spy in 1776. He is memorialized by several statues throughout the state, including here in the east wing of the state capitol building. This statue was designed in 1886 by sculptor Karl Gerhardt, and it is made of bronze atop a marble base, on which is inscribed Hale’s famous, if possibly apocryphal last words: “I only regret that I have but one life to lose for my country.”

The statue was formally unveiled here in the capitol on June 14, 1887, in a ceremony attended by dignitaries such as Governor Phineas C. Lounsbury and Mayor Morgan Bulkeley, who would later go on to become governor and U.S. senator. The dedication address was presented by Charles Dudley Warner, a writer whose most famous work was the novel The Gilded Age: A Tale of Today, which he had co-authored with fellow Hartford resident Mark Twain.

The first photo was taken about four years after the statue was installed here, and since then essentially nothing has changed in this scene. The statue is still here in the same spot, and the interior of the capitol itself has remained well-preserved, retaining its original ornate Victorian-era design.

The Genius of Connecticut, Connecticut State Capitol, Hartford

The plaster model of The Genius of Connecticut, located inside the Connecticut State Capitol in Hartford, around 1891. Image from Hartford Illustrated (1891).

The scene in 2019:

Connecticut’s current state capitol building was completed in 1878, and it was originally topped by The Genius of Connecticut, which was designed by sculptor Randolph Rogers. This 18-foot-tall bronze statue stood atop the building’s dome for many years, but the original plaster model was also retained, and it stood here on the main floor of the capitol, just inside the northern entrance. The first photo was taken around 1891, showing the plaster model along with some of the ornate Victorian-era decorations inside the building.

The statue on the dome was ultimately damaged during the 1938 hurricane and was taken down, and it was subsequently melted down for scrap metal during World War II. However, the plaster model has remained here inside the capitol, although in the 1980s it was painted bronze as part of a restoration effort. Then, in 2007, it was again used as a model, this time with the use of lasers to accurately measure every detail of the statue. Using this information, a replica statue was cast in bronze, with the goal of eventually placing it atop the dome.

Today, neatly 130 years after the first photo was taken, the plaster model still stands here in the entryway. Aside from the bronze paint to the statue and the addition of a few items inside the building, hardly anything has changed here in this scene, and the capitol remains in use as the seat of the state government. Just around the corner, out of view to the left, is the replica bronze statue, which as of right now stands at the base of the rotunda, awaiting the necessary funds to raise it to the top of the building.