New York Public Library Main Entrance, New York City

The main entrance to the New York Public Library at 5th Avenue and 41st Street, around 1911-1920. Image courtesy of the Library of Congress.

The scene in 2019:

As discussed in an earlier post, the main branch of the New York Public Library was completed here in 1911, on the west side of 5th Avenue between 40th and 42nd Streets. It was designed by the noted architectural firm of Carrère and Hastings, and it features an ornate Beaux-Arts exterior. Here on 5th Avenue, the main entrance consists of three archways, each flanked by a pair of Corinthian columns. Six statues stand above the entrance, and there are also others closer to the ground, including in the alcoves on the left and right, and the lions on either side of the stairway.

The first photo was evidently taken soon after the building was opened, because not all of the statues were installed by this point. The lions, designed by sculptor Edward Clark Potter, were here, but the statues in the alcoves—Beauty and Truth by Frederick William MacMonnies—had yet to be added. Above the entrance, a lonely statue stands on the far right side in the first photo, although it would later be joined by the other five figures.

Today, more than a century after the first photo was taken, the sidewalk in front of the library is significantly more crowded, as is the skyline in the distance. However, the library has remained standing throughout this time, with hardly an exterior changes in this scene aside from the additional statuary. Over the years, the lions have become probably the most recognizable feature here at the main entrance, and they have since come to represent the library itself, even appearing in its logo. The building itself remains in use as one of the world’s largest libraries, and in 1965 it was designated as a National Historic Landmark because of its architectural and historical significance.

Grand Central Terminal Whispering Gallery, New York City

The whispering gallery at the bottom of the ramp to the lower concourse at Grand Central Terminal, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The scene in 2016:

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These photos were taken from the bottom of the ramp that is seen in an earlier post, which leads from the Main Concourse to the station’s lower concourse. Because of the curve of the ceiling here, two people can stand facing the walls on opposite corners and speak at a normal level. The acoustics of the ceiling will carry their voices across the arch and the other person will be able to hear them perfectly clearly. That is, in fact, exactly what the person on the far right of the 2016 photo is doing; his friend was standing just out of the frame of the photo on the left side. I don’t know whether it was deliberately designed like that, or if the man in the bowler derby and overcoat in the first photo ever tried it out, but it is one of Grand Central Terminal’s more unusual architectural features.

Grand Central Terminal Suburban Concourse, New York City (2)

Another view of the lower concourse at Grand Central Terminal, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The scene in 2016:

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Like the photos in the previous post, this view shows the lower concourse at Grand Central Terminal. It is located directly underneath the Main Concourse, and when the station opened in 1913, this level was used for suburban commuter trains. The row of windows on the right side in the first photo were the ticket offices of the New York Central and Hudson River Railroad, which provided commuter service to the north of the city, along the present-day Hudson and Harlem Lines on the Metro-North Railroad. The ramp in the center of the photo is the same one that appears in the first photo, and it leads up to the Main Concourse. Beyond it are more ticket windows, for the New York, New Haven & Hartford Railroad, which provided service along the current Metro-North New Haven Line.

Today, this concourse is still used by commuters to access the trains on the lower tracks, but it also doubles as the station’s food court. Several prominent New York City restaurants have locations here, including Junior’s in the foreground and Shake Shack beyond it. Most of the original features are still here, including the marble walls, decorative ceiling, information kiosk to the left, and the ticket windows to the right, which now display menus.

Grand Central Terminal Suburban Concourse, New York City

The lower concourse at Grand Central Terminal, showing the ramp to the upper level, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The scene in 2016:

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Grand Central Terminal is best known for its spacious Main Concourse, but when the station first opened in 1913 the upper level was only used for inter-city trains. Commuters to the outer suburbs departed from this significantly less breathtaking concourse located on the lower level, directly underneath the Main Concourse. The first photo was probably taken around the time that the station opened, but over the years its function has changed. As explained in the previous post, the station is no longer split between long-distance and suburban trains; instead, Amtrak uses nearby Penn Station along with the Long Island Railroad and New Jersey Transit commuter lines, while Grand Central is exclusively a commuter rail station, used by the Metro-North Railroad.

Today, the lower concourse is significantly more crowded today than it was in the first photo. The lower tracks are still in use, but the concourse has taken on a second role as the station’s food court, with Shake Shack and other restaurants occupying the space on the left side where the ticket office windows were located in the first photo. Despite this, though, the underlying architecture has not changed much, and the station would still be recognizable to a commuter from the early 20th century.

Grand Central Terminal Ramp, New York City

The ramp to the lower concourse at Grand Central Terminal, around 1913-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The same location in 2016:

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New York’s Grand Central Terminal is the world’s largest train station in terms of number of platforms, and in order to save space in crowded midtown Manhattan, it was built with two levels of tracks. The first photo was taken shortly after the station opened in 1913, showing the ramp to the lower platforms. At the time, the Main Concourse, located just on the other side of the columns on the left, served inter-city passengers, while the lower tracks were for suburban commuter trains.

By the mid-1900s, passenger travel had significantly declined, and the station was subject to a major alteration that would have destroyed most of the original interior. However, it survived and was subsequently restored, and today the only real difference in these two photos is the appearance of the walkway above the ramp. Amtrak no longer uses the station, though, so today all of the platforms on both the upper and lower levels are used by Metro-North Railroad commuter trains.

Columbus Circle, New York City

Looking north at Columbus Circle, with the statue of Christopher Columbus in the foreground, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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Columbus Circle in 2016:

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Not much has remained the same at Columbus Circle since the first photo was taken; even the configuration of the circle itself has seen some dramatic changes. The one constant in both photos, though, is the Christopher Columbus monument in the center of the circle. It was designed by sculptor Gaetano Russo and dedicated in 1892 in honor of the 400th anniversary of Columbus’s voyage. When the first photo was taken, it was easily the most prominent landmark in the scene, but today it has a backdrop of high-rise buildings along Broadway and Eighth Avenue, including the Trump International Hotel and Tower, located directly behind the monument in the 2016 photo.