Photographers

Jones’ Hotel, Philadelphia, Pennsylvania

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The Jones’ Hotel, on the south side of Chestnut Street between Sixth and Seventh Streets in Philadelphia, in December 1858. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

The first photo shows the Jones’ Hotel, which stood on the south side of Chestnut Street between Sixth and Seventh Street. The photo is part of a scrapbook that was compiled in the 1850s to document historic 18th and early 19th century buildings in Philadelphia. Most of the buildings in the scrapbook have long since been demolished, so images such as this one provide a rare glimpse of the city during the early years of photography. The original image, which is now in the collections of the Library Company of Philadelphia, also includes a caption, probably contemporary to the photo, that reads:

Yohe’s, late Jones’ Hotel. On the south side of Chestnut St., next to the Clymer mansion (afterward Geo. Harrison’s residence) between Sixth and Seventh St. The site, in the olden times, of the celebrated “Oeller’s hotel.”

As indicated by the caption, this was once the site of Oellers’s Hotel. It was one of the city’s leading hotels of the late 18th century, but it was destroyed by a fire on December 17, 1799. The site was subsequently redeveloped with houses, but in 1833 hotelier Catharine Yohe purchased two of these homes, demolished them, and constructed the right-hand side of the building in the first photo. It opened in December 1833, and according to a July 10, 1859 article in the Sunday Dispatch it was, at the time of its completion, the only purpose-built hotel building in the city. Its opening was widely announced in newspapers, including classified advertisements as well as news articles that may have been thinly-disguised advertisements. One such article, published in the Philadelphia Inquirer on December 5, speaks of the hotel in glowing terms:

This elegant and commodious establishment is now opened for the reception of Travellers. A more beautiful situation could hardly have been chosen for the erection of a large Hotel—it stands on Chestnut Street—directly opposite the Philadelphia Arcade and Peale’s Museum—between Sixth and Seventh Streets. This extensive building contains numerous parlours, all beautifully furnished—upwards of 100 Bed chambers, admirably arranged for comfort and convenience in all seasons. The Bars are judiciously placed so as to prevent confusion, in directing servants. The Dining Room is perhaps the largest, and most beautifully arranged, of any in the United States—the whole furnished after the order of Modern Architecture, with Furniture to correspond. This extensive and valuable establishment is under the immediate direction of Mrs. Yohe, the owner. From the well known character and capacity of this Lady we may infer that hospitality, kindness and attention will be extended to all, who favour the North American Hotel with their patronage.

Catharine Yohe operated the hotel for the next six years, but in 1839 she sold it to John A. Jones. He subsequently expanded the hotel by purchasing the other two adjoining houses, demolishing them, and building the section of the hotel on the left side of the scene. He also changed the name of the hotel, and it became Jones’ Hotel, as shown above the door in the first photo Under his management, the hotel became the finest in the city during the mid-19th century. The 1859 Dispatch article described it as having been the “‘crack’ house of its time,” a term that meant something very different than it does now.

Jones retired in 1847 and sold the hotel to Noah Bridges and John West. They retained the name, likely because of the reputation that it carried, and the hotel continued to be successful into the mid-1850s. During this time, one of its notable guests was Jenny Lind, during her highly-publicized tour of the United States. She arrived in Philadelphia in October 1850, and her first performance in the city was across the street from here at the Chestnut Street Theatre. Her arrival was highly anticipated by the people of Philadelphia, to the point where Chestnut Street was crowded with people waiting to catch a glimpse of her. However, because of the dense crowds she had to enter via the back entrance on Samson Street. This upset the crowd, though, and they did not disperse until Lind acceded to their demands and appeared at the window waving a handkerchief.

The hotel changed ownership several more times during the 1850s, and by 1858 it had declined to the point where it was vacant, with the furniture sold at auction by order of the sheriff. It was subsequently renovated and reopened in 1859, but it does not appear to have remained in business for very long. Over the next few decades, the building saw several other uses, including as a theater and as the newspaper offices of the Philadelphia German Democrat. Despite these changes, though, an 1887 article in the New York Tribune reported that the room where Jenny Lind stayed has never been altered, and was at the time being used as the offices of W. H. Shaffer & Co. jewelers.

It seems unclear as to exactly when the old hotel building was demolished, but it was definitely gone by the early 1920s, when this entire block of Chestnut Street was cleared to build the new office building of the Philadelphia Public Ledger. The newspaper went out of business only two decades later, but the massive 12-story building is still standing here today, as shown in the 2019 photo.

Chestnut Street Theatre, Philadelphia, Pennsylvania

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The Chestnut Street Theatre on the north side of Chestnut Street, just west of Sixth Street in Philadelphia, on April 30, 1855. Image courtesy of the Library Company of Philadelphia, James McClees Philadelphia Photograph Collection.

The scene in 2019:

During the colonial era, theater was not a significant part of American culture, particularly in the northern and middle colonies. In New England, the Puritans saw plays and acting as immoral, and here in Philadelphia the Quakers similarly disapproved, believing that going to theaters was a frivolous use of time and money. Some colonies, including Pennsylvania, even outlawed plays. However, this trend began to change after the American Revolution, and one of the first purpose-built theaters in the country was the Chestnut Street Theatre, which opened here in 1794. 

At the time, Philadelphia was the capital city of both the United States and Pennsylvania, and the theater was located in the midst of these governmental buildings. The national capitol, Congress Hall, was diagonally across the street from the theater, and just beyond Congress Hall was Independence Hall, the seat of the state government. The Supreme Court met in a building on the other side of Independence Hall, and a block to the north of the theater was the President’s House, home of George Washington and later John Adams.

The original Chestnut Street Theatre burned in 1820, but it was rebuilt two years later. This new building, which is shown here in the first photo, was designed by prominent Philadelphia architect William Strickland, who was responsible for many important buildings in the city during the early 19th century. On the exterior, the theater featured classically-inspired elements such as the arched entryways on the ground level and the four columns on the upper floor. The columns were flanked by a pair of statues, representing Tragedy and Comedy, that were carved by sculptor William Rush. The interior of the theater featured three rows of boxes arranged in a semi-circle around the stage, and it could accommodate around 2,000 people. It was built with fire safety in mind, including large stairways and multiple exits with outward-swinging doors, and it was said that a full crowd could evacuate the building in under three minutes.

The theater opened on December 2, 1822, and the occasion was marked by the reading of a letter from poet Charles Sprague, followed by a performance of the comedy The School for Scandal. Several days later, the National Gazette reported on it, observing that it opened “to a crowded, brilliant and good humoured house. The spectators and the actors appeared to be in the best spirits and both performed their respective parts in the best manner.” The article went on to say that “Everything went on and off swimmingly and satisfactorily” and that “Several gentlemen who had been abroad, and some foreigners, were heard to say that the Theatre was the prettiest they had ever seen.”

The new Chestnut Street Theatre, which came to be known as “Old Drury,” remained a popular venue for plays and concerts throughout the first half of the 19th century. During this time, perhaps the most famous performer was Jenny Lind, a Swedish opera singer who toured America from 1850 to 1852. The tour was organized by P. T. Barnum, who used his showman skills to generate fanfare for her performances. She arrived in New York in September 1850, and a month later she came to Philadelphia, where her first performance in the city occurred here at the Chestnut Street Theatre on October 17. In order to meet the anticipated demand, the tickets were auctioned off. The first one sold for the astronomical price of $625, equivalent to around $20,000 today, but prices quickly dropped for the subsequent tickets. The second one sold for just $15, and before long they were selling for under $10. In the end, about 1,700 tickets were sold at the auction, at an average of $7 each.

The day after the concert, the Philadelphia Inquirer published an account of the event, including a description of the crowd inside the theater:

A more brilliant audience never assembled within its walls, and this is saying a great deal, for “Old Drury” ranked for many years as the very temple of taste, fashion, dramatic and musical triumph. The spectacle was, indeed, fairy-like. The splendid dresses, the bright eyes, the flushed cheeks, the eager expectation depicted on every countenance, the brilliant gas-lights, and the whisperings and buzzings of many voices, served to produce an unwonted excitement; and thus, long before the hour for the commencement of the entertainment, the blood seemed to flow more rapidly through the veins, even of the most passionless.

The excitement of this event notwithstanding, by the 1850s the Chestnut Street Theatre was past its prime. Its location was no longer as desirable as it had once been, and the building was considered too small by this point. The first photo was taken on April 30, 1855, a day before its final performance, as indicated by the playbills at the main entrance, which indicate that it will be the “last night but one” for the old theater. That evening’s entertainment consisted of the burletta The Loan of a Lover, followed by the comedy Faint Heart Never Won Fair Lady and the drama Sixteen String Jack. The leading performer was 21-year-old Philadelphia native Julia Daly, whose name appears prominently on the playbills. According to newspaper advertisements, admission started at 12.5 cents for the gallery. General admission was 25 cents, and reserved seats for 37.5 cents. Orchestra and private box seating was 50 cents, and the “Colored Gallery” was 25 cents.

Somewhat more ominously than the playbills, the first photo also includes several visible posters advertising for the public sale that would take place on May 2, the day after the final performance. The sale would include the theater’s scenery, wardrobe, machinery, and other items, along with building materials such as doors, windows, rafters, roofing, and even the marble facade. This included the four marble columns, which sold for $25 each.

The theater was demolished soon after the sale, and it was replaced by a commercial building. All of the other buildings in the first photo have since been demolished as well, and the site of the theater is now a bank, which was built in 1965. It was originally the First Pennsylvania Bank, but after a series of mergers it is now a Wells Fargo branch. Further in the distance, on the other side of Sixth Street, is part of the Independence National Historical Park, and just out of view on the far right is Congress Hall and Independence Hall.

Chestnut Street from Sixth Street, Philadelphia, Pennsylvania

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Looking east on Chestnut Street from the corner of Sixth Street in Philadelphia, in June 1851. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

The first photo is a print made from a daguerreotype that was taken in June 1851, looking east along Chestnut Street from the corner of Sixth Street. The photo shows a mix of brick commercial buildings, mostly ranging from three to five stories in height. They stood directly opposite Independence Hall, which is just out of view on the right side of the scene. Based on their architectural style, the buildings with the sloped roofs were likely older, probably from the early 19th century, while the ones with flat roofs were likely from around the 1840s.

In the foreground of the first photo, on the left side of the scene, is Hart’s Building, a five-story building constructed only a few years earlier in 1848 by publisher Abraham Hart. This building housed a number of commercial tenants. By late 1851 these included, on the first floor, a hat store, a bookstore, a draper and tailor, a music dealer, a Venetian blind manufacturer, another tailor, a shaving saloon, a cigar store, and a musical instrument manufacturer. The second floor housed a billiard saloon, along with Sattler’s Cosmorama, which appears to have been an art gallery of some sort. On the upper floors, the building housed several different businesses involved in the publishing industry, including wood engraver William Gihon, bookbinder John F. Ducomb, Butler’s copper plate printing, and Mears’s Stereotype Foundry.

Further down Chestnut Street, just to the right of Hart’s Building, was the law book publishing firm of T. & J. W. Johnson. Beyond it was the three-story Eagle Hotel, followed by a four-story building occupied by bookseller J. W. Moore. His bookstore was located on the first floor, and other tenants of the building included a restaurant and a boarding house. The only other building with legible signs in the first photo is the five-story building in the center of the scene. It has a large sign atop it that reads “China Hall,” and it was occupied by William J. Kerr, who sold china and other imported goods.

This scene was dramatically altered only months after the first photo was taken. In the early morning hours of December 27, 1851, a fire broke out in Hart’s Building, in the third floor drying room of Butler’s copper plate printing offices. Firefighting efforts were hampered by below-zero temperatures, which froze some of the water sources. Because of this, plus the amount of flammable materials stored inside it, the entire building was soon engulfed, and firefighters began trying to save the surrounding buildings.

In the end, Hart’s Building was a total loss, and was insured for only $10,000 of the estimated $100,000 that it would cost to replace it. The neighboring book publishing building was also completely destroyed, at a cost of about $50,000, and the Eagle Hotel likewise suffered heavy damage. The building beyond the Eagle Hotel was only minimally damaged, but the fire also spread across Sixth Street and damaged or destroyed several other properties. There were even fears that the fire might spread across Chestnut Street to Independence Hall, but the famous landmark ultimately escaped damage.

Even worse than the property loss, though, was the loss of life from the fire. Contemporary newspaper articles give different reports on the death toll, but there appear to have been at least five fatalities. The early accounts mentioned two unidentified African Americans who were killed by falling debris, along with a police officer named Johnson who was also killed in the fire. As workers sifted through the debris, though, they uncovered the bodies of William H. Haly and William Baker. Haly, a lawyer and former state legislator, was probably the most notable victim of the fire. However, his body was burned to the point where it was indistinguishable from Baker’s body, so the two men were buried together in the same coffin.

A number of other people were badly injured in the fire, including at least three other police officers and a fireman. One of the officers, Thomas Grant, was pulled from the wreckage while on fire, and was described as having been “bruised in a shocking manner.” Newspaper accounts gave little hope for his recovery, but it seems unclear as to whether he ultimately succumbed to his injuries.

The damaged area was rebuilt soon after the fire, and for the next century this block of Chestnut Street continued to feature a mix of low-rise commercial buildings. However, this all changed in the mid-20th century, as part of an urban renewal project to create Independence Mall, a three-block park area with Independence Hall at its southern end. As part of this, all of the buildings between Fifth and Sixth Streets were demolished, from Chestnut Street up to Race Street, with the sole exception of the Free Quaker Meeting House on Arch Street. This included all of the buildings that stood in this scene, although it seems as though few, if any, of the buildings from the 1851 photo were still standing by that point anyway.

Today, the Independence Mall is part of the Independence National Historical Park, and it remains mostly open parkland, with a few modern buildings running along the Sixth Street side. Here at the corner of Sixth and Chestnut Streets, just out of view on the far left side of the scene, is the Liberty Bell Center, which houses the famous bell across the street from its original location at Independence Hall.

Library Hall, Philadelphia, Pennsylvania

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Library Hall, on Fifth Street near Chestnut Street in Philadelphia, in February 1859. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Collection.

The scene in 2019:

The Library Company of Philadelphia was established in 1731 by Benjamin Franklin as the first lending library in the present-day United States. At the time, free municipally-supported libraries were still more than a century in the future, but Franklin’s library functioned as a sort of quasi-public library, making books available to subscribing members. These types of subscription libraries would become common in America in the late 18th and early 19th centuries, and the Library Company of Philadelphia served as a model for many of these.

During its early years, the library did not have a permanent home. Instead, it was successively located in several different rented spaces, including the second floor of Carpenters’ Hall, which was occupied by the library starting in 1773. However, the library wanted a building of its own, a move that Franklin himself encouraged. So, in 1789 the library solicited designs for a new building, stipulating that it should measure 70 feet by 48 feet, and be two stories in height. The winning entry came from a rather unlikely source in William Thornton, a physician who had no architectural training and had never before designed a building. This would not be the only such competition that he would win, though. Four years later, George Washington selected his design for the U.S. Capitol building in Washington, D.C.

The new building, known as Library Hall, was built here on the east side of Fifth Street, a little south of Chestnut Street. This was an important location, as it was less than a block away from both Independence Hall, where the state legislature met, and Congress Hall, which would serve as the national capitol from 1790 to 1800. Construction began on Library Hall in 1789, and the cornerstone was laid on August 31. The stone featured an inscription written by Benjamin Franklin, who was still alive more than 50 years after he established the library. However, he would not live to see the building completed; he died on April 17, 1790, and the library moved into it around October. Two years later, the library added a marble statue of Franklin, which was installed in the niche above the front entrance.

The building’s completion occurred around the same time that the national government returned to Philadelphia, after a seven-year absence. The city would remain the capital for the next ten years, before the government moved to Washington. At the time, there was no Library of Congress, so the Library Company of Philadelphia served as the de facto national library for members of Congress during these formative years in the country’s history.

Also during this time, the library continued to expand its collections. In 1792 it absorbed the nearby Loganian Library, with its nearly 4,000 volumes. Although just completed, the new building here on Fifth Street was already too small, requiring a new wing to the rear that opened in 1794. This growth would continue into the 19th century, through a variety of bequests and purchases from private collections. By 1851, the library had around 60,000 volumes, making it the second-largest in the United States, behind only Harvard’s library.

As a result, the library was again in need of more space. A solution to this problem came in 1869, when Dr. James Rush left the library nearly $1 million in his will, for the purpose of constructing a new building. However, it came with stipulations, most significantly that it had to be located at the corner of Broad and Christian Streets in South Philadelphia. This was far removed from the city center, and from the homes of most of the library’s patrons, so the gift caused considerable controversy. By a very narrow margin, library members ultimately voted to accept it, and the building—known as the Ridgway Library—was completed there in 1878. Because of its remoteness, though, the building was used primarily for storage and for housing rare books.

Around the same time that the Ridgway Library was completed, the Library Company began constructing a new downtown building. With a more convenient, central location, this would serve primarily as a lending library, and its collection focused on modern works. It opened in 1880 at the corner of Juniper and Locust Streets, replacing this Fifth Street building as the Library Company’s downtown facility. The old building was then sold, and it was demolished in the late 1880s to make way for an addition to the adjacent Drexel Building.

The Drexel Building was demolished in the 1950s as part of the development of the Independence National Historical Park. This project involved demolishing entire blocks in the area adjacent to Independence Hall, leaving only the most historically-significant buildings as part of the park. Most of this cleared land then became open space, but here on Fifth Street the Drexel Building was replaced by a replica of the old Library Hall. This building was completed in 1959 as the home of the American Philosophical Society.

Today, there is little evidence of the changes that have occurred here since the first photo was taken in 1859. Despite being barely 60 years old, the new building has the appearance of being from the 18th century, and it fits in well with the nearby historic buildings. There are hardly any differences between its exterior and that of its predecessor, and it even has a replica of the Franklin statue in the niche above the door. In the meantime, the original statue is probably the only surviving object from the first photo. The marble is now badly weathered, but it is on display inside the current home of the Library Company of Philadelphia, at 1314 Locust Street.

Mount Pleasant, Philadelphia, Pennsylvania

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The Mount Pleasant mansion in Fairmount Park, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2019:

Fairmount Park is located along the banks of the Schuylkill River, several miles to the northwest of downtown Philadelphia. During the colonial era, this area of the city was still sparsely-settled, and the bluffs overlooking the river were desirable locations for the country estates of some of Philadelphia’s affluent families. These mansions were generally used as summer homes, allowing these families to escape the heat and diseases of the densely-populated city center. Most of the homes were built in the 18th or early 19th centuries, and 16 are still standing today as part of Fairmount Park, the largest park in Philadelphia. Of these, perhaps the finest mansion is Mount Pleasant, which was built here in the early 1760s on the east bank of the Schuylkill River.

Mount Pleasant was designed by Thomas Nevell, and it is an excellent example of colonial Georgian-style architecture. As was typical for Georgian houses of the period, its design is symmetrical, and it makes use of decorative elements such as quoins on the corners, a pedimented doorway, a Palladian window, and a hip roof with dormers. The main house is flanked by two smaller buildings with matching exteriors. The one on the north side—which is just out of view on the right side of this scene—was the office, and the one on the south side, in the foreground of these photos, was the summer kitchen.

The original owner of this house was John MacPherson, a sea captain who became wealthy as a privateer during the French and Indian War. In command of the 20-gun ship Britannia, MacPherson captured several dozen French vessels throughout the war, in the process hurting the French war effort while simultaneously enriching himself. His exploits cost him his right arm, which he lost to a French cannonball in the midst of a battle, but upon returning to Philadelphia he used his new wealth to build his country estate here in Philadelphia. He originally named it Clunie, after his family’s ancestral home in Scotland, but subsequently changed it to Mount Pleasant. The size of the property also changed during MacPherson’s ownership; he started with about 31 acres, but the estate eventually grew to 120 acres.

MacPherson was a patriot during the American Revolution, and he even made an ultimately unsuccessful bid to become commander of the newly-established Continental Navy. His two sons, William and John, served in the Continental Army during the war. William resigned his commission as a British lieutenant in order to join the Continental Army, and he eventually became a brevet major and served on the staff of the Marquis de Lafayette. His brother John was also a staff officer during the war, serving as aide-de-camp to General Richard Montgomery, but both he and Montgomery were killed in the Battle of Quebec on December 31, 1775.

In the meantime, the elder John MacPherson interacted with high-ranking members of the Continental Congress, which met in Philadelphia’s Independence Hall throughout the war. On at least one occasion, on September 25, 1775, Massachusetts delegate John Adams visited him here at Mount Pleasant for dinner. The future president subsequently wrote about it in his diary, commenting on the house, his family, and MacPherson’s naval ambitions:

Rode out of town, and dined with Mr. McPherson. He has the most elegant seat in Pennsylvania, a clever Scotch wife, and two pretty daughters. His seat is on the banks of the Schuylkill. He has been nine times wounded in battle; an old sea commander; made a fortune by privateering; an arm twice shot off, shot through the leg, &c. He renews his proposals of taking or burning ships.

Despite living in “the most elegant seat in Pennsylvania,” MacPherson eventually decided to move out of the house and offer it for sale. He had no immediate buyers, but in the meantime he leased the house to Juan de Miralles, Spain’s unofficial envoy to the United States. Although Spain was officially neutral at this point in the war, Miralles established connections with many American leaders in Philadelphia, including by hosting lavish balls here at Mount Pleasant.

Then, in 1779 General Benedict Arnold purchased Mount Pleasant from John MacPherson. At the time, Arnold was still an ostensibly loyal officer in the Continental Army. He had been a hero at the Battle of Saratoga, but in the process he suffered a leg injury. During his recovery he was unable to fight on the front lines, so Washington appointed him military governor of Philadelphia in 1778. However, Arnold’s volatile personality made him ill-suited for a position that required tact and subtlety in dealing with local leaders, and he also faced accusations that he was using his position to enrich himself. It was also during his time in Philadelphia that Arnold met and fell in love with 18-year-old Peggy Shippen, whose wealthy family had Loyalist sympathies. Despite being twice her age and from a very different social background, Arnold began courting her later in 1778, and they were married on April 8, 1779.

At the time, Arnold’s financial situation was somewhat strained, and he was under suspicion for misusing his authority for personal gain. However, he purchased Mount Pleasant as a wedding gift for Peggy, giving the impression that he was wealthier than he really was. In reality, he was hampered by debt, which would only worsen after he and Peggy moved in here and began living a lavish lifestyle. This, combined with Arnold’s belief that patriot leaders were not grateful for his actions and sacrifices that he made on the battlefield, ultimately helped lead him to famously betray the Continental Army in 1780. Peggy likely played a role in this decision as well, as she had Loyalist connections and may have helped initiate contact between Arnold and his British handler, Major John André.

As it turned out, the Arnolds’ stay here at Mount Pleasant was short. His treason was discovered after André was captured on September 23, 1780, and Arnold himself only narrowly escaped capture. Mount Pleasant was subsequently confiscated, and it changed hands several times before being purchased by Peggy’s father, Edward Shippen, in 1784. Despite his Loyalist connections during the war, and the infamy of his son-in-law, Shippen remained a respected member of Philadelphia society, eventually becoming chief justice of the Supreme Court of Pennsylvania. He owned Mount Pleasant until 1792, when he sold it to Jonathan Williams.

Originally from Boston, Williams spent much of the Revolutionary period in France, first as a secretary to his great uncle, Benjamin Franklin, and then as a commercial agent of the United States. He later became an Army officer upon returning to the United States, and he held the position of Chief of Engineers for the Army Corps of Engineers from 1802 to 1803, and 1805 to 1812. During this time, he also became the first superintendent of West Point, serving from 1801 to 1803, and 1805 to 1812. In 1814 Williams was elected to the House of Representatives, but he died just two months into his term in 1815, without ever having attended a session of Congress.

After his death, his son Henry J. Williams inherited Mount Pleasant, and the house remained in the Williams family until 1853. By this point, the banks of the Schuylkill River were no longer as desirable a location for country estates as they had been a century earlier, in part because the city’s growth was encroaching on the area. Starting in the mid-19th century, the city of Philadelphia began purchasing estates along the river, in order to better protect the public water supply. These acquisitions became Fairmount Park, and in 1868 the city purchased Mount Pleasant and added it to the parkland.

The first photo was taken at the turn of the 20th century, and it shows the exterior in a somewhat deteriorated condition, with plenty of peeling paint on both the main house and the kitchen building. However, in 1927 Mount Pleasant was restored by the Philadelphia Museum of Art, which has administered the house ever since. It underwent another major restoration in the early 2000s, and today its exterior looks far better than it did when the first photo was taken 120 years ago. Adams’s description of it as being “the most elegant seat in Pennsylvania” is as true now as it was in 1775, and in 1974 it was designated as a National Historic Landmark because of its historic and architectural significance.

Nassau Hall, Princeton, New Jersey

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Nassau Hall at Princeton University, around 1903. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The building in 2019:

Nassau Hall, which opened in 1756, is the oldest building on the Princeton campus, and among the oldest college buildings in the United States. The College of New Jersey, as it was known at the time, was established in 1746, and it was originally located in Elizabeth before moving to Newark in 1747. Then, in 1753 Nathaniel FitzRandolph donated a plot of land here in Princeton to the school, and a year later the cornerstone was laid for this building. The building was nearly named for Governor Jonathan Belcher, but he demurred out of modesty, instead suggesting it be named Nassau Hall in honor of William III, who was from the House of Nassau.

Upon completion, Nassau Hall was one of the largest buildings in the English colonies, and the largest in New Jersey. It was the only building on campus at the time, so it was home to all of the school’s amenities, including a meeting hall, a dining room, offices, classrooms, and dormitory rooms. There were 70 students enrolled when the school moved here to Princeton, and its faculty consisted of the president, at the time Aaron Burr Sr., and two tutors. It was designed by Philadelphia architect Robert Smith, and one of the earliest descriptions of the building appeared in 1760 in the New American Magazine, which emphasized its rather spartan design:

There are three flat-arched doors on the north side giving access by a flight of steps to the three separate entries. At the center is a projecting section of five bays surmounted by a pediment with circular windows, and other decorations. The only ornamental feature above the cornice, is the cupola, standing somewhat higher than the twelve fireplace chimneys. Beyond these there are no features of distinction.

The simple interior design is shown in the plan, where a central corridor provided communication with the students’ chambers and recitation rooms, the entrances, and the common prayer hall; and on the second floor, with the library over the central north entrance. The prayer hall was two stories high, measured 32 by 40 feet, and had a balcony at the north end which could be reached from the second-story entry. Partially below ground level, though dimly lighted by windows, was the cellar, which served as kitchen, dining area (beneath the prayer hall), and storeroom. In all there were probably forty rooms for the students, not including those added later in the cellar when a moat was dug to allow additional light and air into that dungeon.

As was the case with most of the colonial-era colleges in the United States, the primary objective at the College of New Jersey was to prepare men to enter the ministry. However, while most were affiliated with either Puritanism or Anglicanism, this school was Presbyterian in its theology. Up until Woodrow Wilson in the early 20th century, all of its college presidents were ministers, and during the colonial era this included Great Awakening leader Jonathan Edwards and Declaration of Independence signer John Witherspoon.

Edwards arrived here in 1758, only two years after Nassau Hall was completed, but he died just a month later, after receiving a smallpox inoculation. The next two presidents also died relatively young, but John Witherspoon became president in 1768, and remained here until his death in 1794. During this time, he was also involved in politics, including serving on the Continental Congress, and he was the only clergyman among those who signed the Declaration of Independence.

Aside from these two presidents, the school also had a number of prominent students throughout the 18th century. Future president James Madison graduated from here in 1771, and one of his classmates was future vice president Aaron Burr, grandson of Jonathan Edwards, who graduated a year later. Others included Joseph Hewes, Benjamin Rush, and Richard Stockton, all of whom signed the Declaration of Independence along with Witherspoon.

After the end of the Revolution, ten Princetonians participated in the Constitutional Convention in Philadelphia, and five of them signed the Constitution: Gunning Bedford, David Brearley, Jonathan Dayton, James Madison, and William Paterson. Many other former Princeton students held other positions at the state and national level in the years during and immediately after the American Revolution. These included General Henry “Lighthorse Harry” Lee, who served as a cavalry officer in the Revolution and later as governor of Virginia, and Oliver Ellsworth, who served as the second Chief Justice of the United States.

However, it was not only Princeton’s students who played a role in the American Revolution; the school itself became a battleground during the Battle of Princeton on January 3, 1777. Prior to the battle, about 1,400 British soldiers were stationed in Princeton, and Nassau Hall was converted into barracks. During this time, the interior of the building was vandalized by the occupying army, and it was damaged even further during the battle itself. When Washington’s army advanced on Princeton, about 200 British soldiers took a defensive position inside of Nassau Hall, protected by the stone walls. However, the Continental Army opened fire on the building with cannons, and at least two cannonballs hit it before the British surrendered, effectively ending the battle.

Overall, the Battle of Princeton was a relatively small battle, but it helped to provide a much-needed morale boost for the Continental Army. Throughout the summer and fall of 1776, Washington had suffered a series of defeats as his army steadily retreated from New York City and across New Jersey. Thomas Paine famously described the situation as “the times that try men’s souls,” since many soldiers were deserting or not planning on re-enlisting after their enlistments expired on January 1, 1777. However, Washington’s surprise victory at Trenton on December 26, followed by Princeton a week later, helped to motivate soldiers to re-enlist and even inspired new recruits to join the army. Two years later, the Battle of Princeton was memorialized in Charles Willson Peale’s famous Washington at Princeton painting, depicting the commander in chief leaning against a cannon on the battlefield, with Nassau Hall visible in the distance on the left side of the painting.

Following the battle, Nassau Hall was occupied by the Continental Army throughout much of 1777, first as barracks and then as a hospital. This caused further damage to the interior, but at the end of the war the building took on a very different role when it temporarily became the capitol of the United States. Since 1775, Independence Hall in Philadelphia had been the meeting place of the Continental Congress. However, in 1783 a group of about 400 soldiers from the Continental Army marched on Independence Hall, demanding payment for their wartime service. Despite Congress’s requests, the Pennsylvania state government declined to use the militia to protect the building, so the Continental Congress left Philadelphia on June 21, and reconvened nine days later here at Princeton, in the second floor library of Nassau Hall.

Nassau Hall served as the capitol building for the next four months. During this time, on October 31, 1783, Congress was notified that British and American diplomats had signed the Treaty of Paris, ending the American Revolution. That same day, Congress also held a ceremony for diplomat Peter John van Berckel, who presented his credentials to Congress as the first Dutch ambassador to the United States. Van Berckel was apparently offended that his formal reception occurred in a small New Jersey town, rather than in Philadelphia as he had expected. However, he subsequently served as ambassador until 1788, and following the end of his term he continued to live in the United States for the rest of his life.

In any case, Congress did not remain in Princeton for much longer. It met here for the last time on November 4, 1783, and subsequently departed for Annapolis, where the Maryland State House functioned as the temporary national capitol. Congress would later return to the Princeton area, meeting in nearby Trenton for a little less than two months in late 1784 before moving to New York City in 1785. The capital city would then shift back to Philadelphia in 1790, before permanently moving to the newly-established city of Washington D.C. in 1800.

In the meantime, Nassau Hall continued to function as the home of the College of New Jersey throughout this time. However, on March 6, 1802 the building was completely gutted by a fire, leaving only the stone exterior walls still standing. The school soon began raising funds for its reconstruction, and among the donors were the citizens of Princeton, who feared that the school would use the opportunity to move out of the small town. For the work of rebuilding Nassau Hall, the school hired architect Benjamin Henry Latrobe, who is best known for having designed the United States Capitol in Washington. His plans for Nassau Hall were largely faithful to Robert Smith’s original design, and consisted of mostly minor stylistic changes. Perhaps the greatest difference was the roof, which was raised two feet higher than the original.

Thus restored, Nassau Hall would continue to be occupied by the school for the next half century, until another disastrous fire gutted it on March 10, 1855. This time, architect John Notman was responsible for the renovations, in the process making more drastic changes than Latrobe had. Inspired by Italianate-style architecture, which was popular at the time, Notman’s plans gave Nassau Hall more of a Renaissance appearance. Here on this side of the building, his design included a new arched doorway at the main entrance, and an arched window and balcony above it. Notman’s most significant alteration, though, was the addition of two Italianate towers, with one at each end of the building. The tower on the east side of the building is hidden behind the trees in the first photo, but the western tower is partially visible on the far right side of the scene.

The first photo was taken around 1903, and just two years later the tops of these towers were removed. Otherwise, though, the exterior of the building has not changed much since the 1855 reconstruction. However, the school’s use of Nassau Hall has evolved during this time. As Princeton added new buildings to its campus, Nassau Hall no longer needed to serve as an all-in-one building for dormitory rooms, classrooms, and offices. By 1924, the building was being used exclusively for administrative offices, including the offices of the university president, and it has been used for this purpose ever since.

Today, after surviving a Revolutionary War battle and two major fires, Nassau Hall still stands as an important part of the Princeton campus. It has been heavily altered, especially after the two fires, and the only original materials left in the building are the stone walls. Regardless, though, it remains one of the oldest college buildings in the country, and it is also important for its role in the Battle of Princeton and as the temporary capitol of the United States. Because of this, Nassau Hall was designated as a National Historic Landmark in 1960.