1890s

Kent Chemical Laboratory, New Haven, Connecticut

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The Kent Chemical Laboratory, at the southwest corner of High Street and Library Walk on the campus of Yale University in New Haven, around 1894. Image from Yale University Views (1894).

The scene in 2018:

The Kent Chemical Laboratory was completed in 1888, and was a gift from Albert E. Kent, a Yale graduate from the class of 1853. Kent valued the importance of studying chemistry, and he provided a gift of $75,000 in order to construct this building. The first photo was taken only a few years later, around 1894, and it shows the building in its original appearance. However, the Kent family would subsequently make further donations to the school, and the facility was expanded several times. The first came in 1902, with another donation from Albert, and the second came in 1906, when his son William provided the funds to add a third story to the building.

The initial construction of the laboratory was overseen by Frank A. Gooch, a prominent chemist who had been hired as a professor in 1886. He would continue to serve as the director of the Kent Laboratory for most of its existence, until his retirement in 1918, and during this time he authored over eighty research papers, with many focusing on analytical chemistry. The Kent Laboratory operated for just a few years after his retirement, until the completion of the Sterling Chemical Laboratory in 1922. This building was then converted into a psychological laboratory.

The former Kent Laboratory was ultimately demolished in the early 1930s in order to construct Jonathan Edwards College, a residential college that consists of a series of Gothic-style buildings around central quadrangle. The college spans the width of the block between High and York Streets, and today there are no surviving traces landmarks from the first photo. However, the name of the Kent Laboratory lives on with Kent Hall, the building that now stands on this site at the corner of High Street and Library Way.

Old Town Hall, Enfield, Connecticut

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The old town hall on Enfield Street in Enfield, around 1896. Image from The Connecticut Quarterly (1896).

The scene in 2018:

This building was completed in 1775 as the third meeting house of the Enfield Congregational Church. It was originally located on the opposite side of the street from here, and was built with a steeple, but without the Greek Revival-style portico that was later added to the front of the building. It was used by the church for more than 70 years, but by 1848 it had become too small. A new church building, which still stands across the street, was completed the following year, and the old church was preserved and moved to its current location, thanks to funding provided by local carpet manufacturer Orrin Thompson.

Following the move, the building became Enfield’s town hall. Reflecting architectural tastes of the mid-19th century, the building was renovated to include a portico at the front entrance, and the original steeple was presumably removed during the same time. The interior was also renovated, including converting the balcony into a second floor. The building was used as a town hall for much of the 19th century, until a new town hall opened in 1892.

The first photo was taken a few years later, around 1896. Following its use as the town hall, the building deteriorated for many years, but was restored in the 1920s and used as a community center for many years. However, by the 1960s it had again fallen into disrepair, and was in serious danger of demolition. It was ultimately restored again in the 1970s, by the Enfield Historical Society, and in 1981 it was opened as the Old Town Hall Museum. Today, the building still serves as a museum, along with being the headquarters of the Historical Society. It is one of the oldest surviving public buildings in the area, and it is listed on the National Register of Historic Places.

The Breakers, Newport, Rhode Island (3)

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The view of The Breakers in Newport, seen from the south side of the property, around 1895. Image courtesy of the Library of Congress.

The scene in 2017:

The first photo was apparently taken around the same time as the one in the previous post, and shows the southeastern and southwestern sides of The Breakers, around the time that it was completed in 1895. The Classical Revival-style mansion was the work of noted architect Richard Morris Hunt, and the grounds of the 14-acre property were designed by landscape architect Ernest W. Bowditch. Some of this landscaping is visible in this scene, including the south parterre, which was planted with a variety of flowers in its formal garden.

The Breakers was the largest of the many opulent mansions that were built in Newport during the late 19th and early 20th centuries, and it was originally the summer home of Cornelius Vanderbilt II and his wife Alice. Cornelius had inherited a substantial fortune from his father, William Henry Vanderbilt, and his grandfather, Cornelius Vanderbilt, and upon his death in 1899 he had a net worth of about $73 million – equivalent to about $2.2 billion today. The house would remain in the family for several more generations, with their daughter Gladys Széchenyi inheriting the property after Alice’s death in 1934, and Gladys’s daughter Sylvia inheriting it in 1968.

During this time, the house itself remained well-preserved, but the grounds underwent some changes. The 1938 hurricane caused only minimal damage to the house, but it significantly altered Bowditch’s landscaping. Over the years, the landscaping also suffered from neglect, and by the late 1950s the garden here on the south parterre were replaced with turf. Beginning in 1948, The Breakers was leased to the Preservation Society of Newport County for the nominal sum of $1 per year, and it was opened to the public for tours. The family continued to occupy the third floor of the house, but in 1972 Sylvia sold the property to the Preservation Society for $365,000, with the stipulation that she be allowed to use the third floor apartment for the rest of her life.

Today, the grounds look very different compared to their appearance over 120 years ago. However, the garden on the south parterre was replanted at some point after the Preservation Society acquired the property, and it now features a symmetrical design similar to what Bowditch had envisioned. In the meantime, the house itself has remained well-preserved on both the exterior and interior, and in 1994 it was designated as a National Historic Landmark. It is also the most popular tourist site in Rhode Island, drawing around 400,000 visitors each year.

The Breakers, Newport, Rhode Island (2)

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The Breakers in Newport, viewed from the southwest corner of the property, around 1895. Image courtesy of the Library of Congress.

The scene in 2017:

As discussed in an earlier post, The Breakers is the grandest of all the Gilded Age mansions that were built in Newport in the late 19th and early 20th centuries. The 70-room, 125,000-square-foot “cottage” was built between 1893 and 1895, and was the home of Cornelius Vanderbilt II and his wife Alice. The Vanderbilts had purchased the property in 1885, which at the time included a smaller house that was also named The Breakers. This house burned down in 1892, and the Vanderbilts quickly commissioned noted architect Richard Morris Hunt to design its replacement.

The first photo shows The Breakers around the time of its completion. This is actually the side of the house, and it features a portico outside of the first floor music room. Directly above it is the rounded exterior wall of Alice Vanderbilt’s bedroom. At the time, mansions such as The Breakers were typically built with separate bedrooms for the husband and wife, and Cornelius’s was located directly to the left of hers, on the western corner of the house. On the left side of the house is the porte-cochère at the main entrance, and around the corner to the right is the terrace on the southeastern side of the house, which faces the ocean.

Cornelius Vanderbilt died in 1899, only a few years after The Breakers was completed, but Alice continued to own the property until her death in 1934 at the age of 89. She had not only outlived her husband and four of her seven children; she had also outlived the Gilded Age and the philosophy of conspicuous consumption that had led to the construction of The Breakers. The house, like many of the other mansion in Newport, had become an expensive white elephant, with astronomical operating costs from the property taxes, utilities, and the nearly 60 servants who were required to run the house.

Of Alice’s three surviving children, only her daughter Gladys had any interest in the property. She was the wife of Hungarian count László Széchenyi, and she inherited The Breakers after her mother’s death. She continued to own the house until her death in 1965, but starting in 1948 she leased it to the Preservation Society of Newport County, which opened it to the public for tours. Her daughter Sylvia would subsequently sell The Breakers to the organization in 1972, for $365,000, although she was allowed to retain a third-floor apartment for the rest of her life.

Sylvia died in 1998, but her children – the fourth generation to spend summers here in the house – were allowed to continue to use the third floor until early 2018, shortly after the second photo was taken. In the meantime, the first two floors have been open to the public for many years, drawing over 400,000 visitors annually. It is one of nine historic houses owned by the Preservation Society of Newport County, and in 1994 it was designated as a National Historic Landmark because of its historical and architectural significance.

Second Congregational Church, Holyoke, Mass

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The Second Congregational Church, seen from Maple Street near the corner of Appleton Street in Holyoke, around 1891. Image from Holyoke Illustrated (1891).

The church in 2017:

The Second Congregational Church was established in 1849, at a time when Holyoke was just beginning its transformation into a major industrial center. Prior to this time, the area’s population was centered further up the hill from here, along Northampton Street. The First Congregational Church was located there, but this site proved inconvenient for those who were moving into the newly-developed area along the river. This led to the formation of the Second Congregational Church, which built its first meeting house at the corner of High and Dwight Streets in 1853.

At the time, the church had just 36 members, in a building that could seat 800. However, as Holyoke grew so did the congregation, and by the 1880s it had outgrown the old building. Its location, right at the intersection of two major streets, had also become undesirable because of the levels of noise outside, so in 1885 the church moved into this new building a few blocks away, at the corner of Maple and Appleton Streets. Like many churches of the era, it was built of brownstone and featured Romanesque-style architecture, including an asymmetrical main facade with a tall tower at one corner and a shorter one at the other. The book Story of the Holyoke Churches, published a few years later in 1890, provides the following description:

The church edifice is a most imposing structure. It is built of East Longmeadow stone, with a tower at the northwest corner, 112 feet high. The chapel is at the rear of the church auditorium, with an entrance from Appleton street, its rear elevation being upon High street. Its style is Romanesque. It is undoubtedly as fine a church edifice as there is in the State outside the city of Boston. It will comfortably seat 1,100 persons. All its internal appointments are exceedingly attractive and convenient. It is the pride, not only of the congregation worshiping regularly within its walls, but also of our citizens generally.

In 1912, the Skinner Memorial Chapel was added next to the church, as seen on the far right of the 2017 photo. It was named for the late silk manufacturer William Skinner and his wife Sarah, and was built with funds provided by their children. However, just seven years later, in 1919, the church was almost completely destroyed in a fire. The chapel survived, as did the large tower on the left side, but otherwise only a few fragments from the original building survived. The Boston architectural firm of Allen & Collens, which had designed the chapel, was hired to provide plans for the reconstruction of the rest of the church. The result was a Gothic-style design that matched the chapel, while also incorporating the original Romanesque-style tower.

In 1995, Second Congregational Church merged with Grace United Church, which had itself been formed by a merger of several churches, including First Congregational. Following this merger, it was renamed the United Congregational Church of Holyoke, and its members continue to worship here today. The building itself stands as one of the many historic church buildings in Holyoke, although these two photos illustrate the difference between the original 1885 design and the 1921 reconstruction.

High Street from Appleton Street, Holyoke, Mass

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Looking north on High Street from the corner of Appleton Street in Holyoke, around 1891. Image from Holyoke Illustrated (1891).

The scene in 2017:

These photos were taken just a block south of the ones in the previous post, and show many of the same buildings in the distance. Closer to the foreground, the first photo shows a row of four-story commercial buildings extending north along High Street, from the corner of Appleton Street. These housed a variety of businesses in the first floor storefronts, with the awnings advertising for goods such as groceries, boots and shoes, and mantles and tiles.

Today, three of the buildings on the right side of the scene are still standing. Furthest to the right, at the corner of Appleton Street, is the P. Curran Block, which was built in 1886. It still retains many of its original details, although the ground floor storefront has been altered, along with the second floor windows on the High Street side of the building. Most significantly, though, it was badly damaged by a fire in 2016, and the two upper floors were still boarded up a year later when the first photo was taken.

Just beyond the P. Curran Block are two other brick buildings that also date back to the 1880s. The older of the two is the one in the middle, at 366-368 High Street. Its ornate brick facade features contrasting limestone trim, and is topped by a metal cornice, both of which are relatively unusual among Holyoke’s 19th century business blocks. The next building, at 358-364 High Street, was built in 1886. It is wider than its neighbors to the right, but has similar architecture, and like the other buildings it remains fairly well-preserved, especially on the exterior of the upper floors.