1900s

Old North Bridge, Concord, Mass (4)

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The view looking east across the Old North Bridge in Concord, around 1890-1901. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

The Old North Bridge was discussed in more detail in an earlier post, which shows the view looking west across the bridge. However, this view shows the opposite side of the bridge, facing east from directly in front of the famous statue The Minute Man. The bridge was the site of the Battle of Concord, which occurred on April 19, 1775, only a few hours after the first shots of the American Revolution were fired in a skirmish in nearby Lexington.

Although the Battle of Lexington came first, it was almost entirely one-sided, and the British continued their march to Concord with only a single wounded soldier, compared to eight dead and ten wounded militiamen. As a result, it was here in Concord that the British first encountered significant resistance from the colonists. Prior to the battle, the British had secured the bridge during their search for hidden military supplies. However, as the colonial militiamen began assembling on the west side of the river, the outnumbered redcoats withdrew to the east bank, where the monument stands in the distance of this scene.

When the battle began, the militiamen were approaching the bridge from approximately where these photos were taken. At this point, some of the British soldiers began opening fire, evidently under the mistaken impression that their commanding officer had given the order. Two militiamen at the head of the line, Private Abner Hosmer and Captain Isaac Davis, were killed, but the colonists did not break ranks. Instead, they returned fire with a devastating volley that killed three redcoats and wounded nine more. This came to be known as “The shot heard round the world,” and it was the first time that American colonists killed British soldiers in battle. It also forced the British to retreat, marking the first American victory of the war.

The original bridge here across the Concord River was removed several years after the end of the war, and the roads were rerouted to a new bridge nearby. As a result, for many years there was little evidence of the brief but momentous battle that was fought here. The first memorial here on the battlefield was the obelisk in the distance of this scene, which was installed in 1836 and dedicated a year later. At the time, there was still no bridge here, so the monument was placed on the east bank, where it was more reality accessible from the center of town. A new bridge would not be constructed until 1874, in advance of the battle’s centennial celebration. As part of the centennial, the statue The Minute Man was dedicated here on the west side, marking the colonial position during the battle.

By the time the first photo was taken around the turn of the 20th century, the bridge had been replaced again after the 1874 one was destroyed in a flood. This one was, in turn, destroyed in a 1909 flood, and its replacement was a concrete bridge that was designed to resemble the original one. However, it sustained heavy damage in a flood in 1955, and it was subsequently replaced by the current one, which is a wooden replica of the original. Aside from the bridge, though, this scene has remained well-preserved, with few changes since the first photo was taken, and the battlefield is now part of the Minute Man National Historical Park, which was established in 1959.

Elisha Jones House, Concord, Mass

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The house at 242 Monument Road in Concord, around 1908. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2018:

The age of this house is somewhat of a mystery, with some sources claiming that it dates as far back as the mid-17th century. However, it was probably built sometime around 1740 as the home of Thomas Jones, a blacksmith who lived here until his death in 1774. His son Elisha then inherited the property, and he went on to become perhaps the most notable occupant of this house.

Elisha Jones was about 30 years old when inherited the house. Like his father and grandfather, he was also a blacksmith, and he was evidently a wealthy man, with an estate that was valued at 1,121 pounds 8 shillings in 1777. In addition, he served in the local militia, where he held the rank of lieutenant during the American Revolution, and prior to the war his house was reportedly one of the places in town where colonial military supplies were hidden from the British.

However, Elisha Jones and his house are best known for an incident that may or may not have occurred here on April 19, 1775, during the Battle of Concord. The house is located across the street from the Old North Bridge, where the famous “Shot heard round the world” was fired by the colonial minutemen, and according to legend Jones was standing at the door of his shed after the battle, watching the retreating soldiers. One of them is said to have fired at him, although the ball missed Jones by about three feet, and instead passed harmlessly through the wall.

This large shed, which was later attached directly to the main house on the left side of this scene, still has a hole in the wall, which is supposedly where the British musket ball struck the building. However, it is difficult to prove exactly what caused this hole, and there are no contemporary accounts of this incident. The earliest published description came many years later, and it was written by John Shepard Keyes, the late 19th century owner of this house. He heard the story from Elisha Jones’s oldest daughter Mary, who was four years old at the time of the battle, and he wrote the following description in his book, Story of an Old House:

Mr. Jones had prudently taken his wife and babies down cellar, where they cowered in fear and trembling in the dark corners, while he stood guard over the barrels of beef. Soon the clatter and noise of the Britishers ceased, and all was still. Then the silence was broken by the volleys of musketry at the bridge. He could stand it no longer, but rushing up from the cellar followed by his wife and crying children, they saw the regulars retreating in confusion back to the village, bearing their wounded, some with ghastly faces, supported by their comrades, others with bloody limbs hastily bandaged to stanch the flow. . . .

To her father it lent new excitement and patriotic rage; he pointed his gun out of the bedroom window on the north-west corner of the house, determined to have one raking shot at the foe. His wife clung to his arm, begging him not to risk their burning the house if he fired from it, and succeeded in preventing his purpose and getting the gun away. Then he went to the door of the shed, and stood there looking at the retreating soldiers in scorn and triumph. One of the rear guard who may have seen his attempt to shoot, or “misliked his look,” drew up as they passed the house, and fired a “British musket ball” at Elisha. It was a well pointed shot considering that the red coats fired from the hip, and not from the shoulder with a sight along the gun barrel, as the Yankees did. The ball struck at the height of Jones’ head about three feet to the right, and passing through the boarding, glanced from an oak joist, and out through the back side into the ground behind.

It is impossible to conclusively prove or disprove this story, but in either case it has become a part of local legend, and it has contributed to the fame of the house, which is sometimes referred to as “The Bullet Hole House.” In the meantime, though, the property remained in the Jones family for many years, with Elisha’s son James Jones inheriting it after his death in 1810. James, like the previous three generations of his family, was also a blacksmith, and he owned this house until 1836, when he sold it to Nathan Barrett for $800.

Barrett evidently never lived here, instead using the house as a rental property, and over the years it fell into disrepair. He ultimately sold the house in 1863 to John Shepard Keyes, who soon set about restoring the house and documenting its history. Keyes was a Concord native who was about 42 years old at the time. He was a lawyer, and he had previously served as sheriff of Middlesex County from 1853 to 1859. In 1860, he was a delegate to the Republican National Convention, which nominated Abraham Lincoln to the presidency, and a year later he became a U. S. Marshal. He also served as a bodyguard for Lincoln, and he accompanied him during his inauguration and during the Gettysburg Address. Keyes went on to serve as a marshal until 1867, and in 1874 he became a judge on the Middlesex District Court.

After purchasing this property, Keyes soon oversaw dramatic alterations to the house. On the exterior, this included replacing the windows, installing a second-floor dormer window on the north side, and adding a portico to the front door. Keyes also moved the shed and attached it to the north side of the house, turning it into a large two-story wing. Overall, most of the house’s present-day appearance dates back to this mid-1860s renovation.

John Keyes lived here in this house with his wife Martha until her death in 1895, and he remarried three years later. He was still residing here when the first photo was taken around 1908, more than 40 years after he first moved in, and he remained here until his death in 1910 at the age of 88. His daughters, Alicia Keyes and Annie Emerson, then inherited it, although only Alicia appears to have actually lived here after her father’s death. Annie gained full ownership of the property after Alicia’s death in 1924, and a year later she sold it to Henry H. Fay.

Fay was the last private owner of the house, and he lived here until 1963, when he sold it to the National Park Service. It then became a part of the Minute Man National Historical Park, which had been established in 1959 to preserve the historic sites associated with the battles of Lexington and Concord. Since then, the house has been well-preserved in its post-1860s appearance, with hardly any changes from this view since the first photo was taken more than a century ago. However, because of these renovations it bears little resemblance to its appearance during the American Revolution, and it is not open to the public for tours, with the National Park Service instead using it as a rental property.

Captain John Parker Statue, Lexington, Mass

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The statue of Captain John Parker, on the Lexington Common at the intersection of Bedford Street and Massachusetts Avenuen, around 1900-1901. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

As discussed in more detail in the previous post, the Lexington Common is famous for being the site of the first battle of the American Revolution, which occurred here on April 19, 1775. Early on that morning, a group of some 80 Lexington militiamen gathered here on the Common, in preparation for the arrival of a large British force headed for Concord. In the short skirmish that followed, the militiamen, under the command of Captain John Parker, exchanged fire with the British. The result was eight dead militiamen and another ten wounded, compared to only one wounded redcoat. The British continued on to Concord, but the confrontation here in Lexington marked the opening shots of the conflict that ultimately led to American independence.

Captain Parker survived the battle, although his cousin Jonas Parker was among the eight who were killed. However, the 45-year-old Parker was dying from tuberculosis at the time, and the disease ultimately took his life less than five months later. Despite his short service in the war, though, he is regarded as one of the heroes of the battles of Lexington and Concord, in part because of his famous—but possibly apocryphal—command to his men prior to the battle, instructing them to “Stand your ground. Don’t fire unless fired upon, but if they mean to have a war, let it begin here.”

In 1884, these words were inscribed on a boulder on the Lexington Common, which marks the spot where his militia company stood during the battle. Then, in 1900 Captain Parker became the subject of another memorial here on the Common, which is shown in this scene. Officially known as the Hayes Memorial Fountain, it originally featured a water fountain and a watering trough for horses, and it was topped by a bronze statue of Captain Parker. The statue was the work of noted sculptor Henry Hudson Kitson, although Parker’s appearance was largely conjecture, as there are no surviving portraits of him.

The monument was dedicated on April 19, 1900, on the 125th anniversary of the battle. The ceremony included an address by town selectman George W. Sampson, who praised the egalitarian nature of its design, noting:

The drinking fountain itself, built of rough breastwork stone, is emblematical of the spirit of equality and democracy. Best of all, the figure itself carries us back to the historic past and teaches the lesson of April 19. The statue is true to life. No aristocratic figure surmounts yonder heap of rocks, and none were in the battle.

The first photo was taken sometime within a year or two after the dedication. It shows the fountain in the center of the scene, along with several other monuments on the Common. In the distance to the left is the stone pulpit, which marks the site of the town’s first three meeting houses. Just behind this pulpit is an elm tree that had been planted by President Ulysses S. Grant some 25 years earlier, as part of the battle’s centennial celebration. However, probably the most notable feature in the first photo, other than the statue, is the large 45-star flag that is flying above the Common.

Today, around 120 years after the first photo was taken, the statue remains a prominent landmark in downtown Lexington. The fountain itself is no longer in use, perhaps because there is now far less demand for horse watering troughs, and the basin is now used as a flower planter. There are also now a number of shrubs planted around it, but otherwise the monument itself has not seen any changes. Further in the distance, the stone pulpit is also still there, although President Grant’s elm tree is long gone, having probably fallen victim to Dutch Elm Disease at some point in the mid-20th century.

Lexington Common, Lexington, Mass

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Looking north on the Lexington Common from near the corner of Bedford Street and Harrington Road, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene around 1910-1915. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

These photos show a portion of the Lexington Common, which is also known as the Lexington Battle Green. Nearly every New England town has some sort of a common in the center of town, yet this one in Lexington is one of the most famous. It was here, just after dawn on April 19, 1775, that the first shots of the American Revolution were fired, and where eight Lexington militiamen were killed after a brief skirmish with British redcoats who were bound for Concord.

The British soldiers had departed Boston late in the previous evening, with the goal of seizing colonial military supplies that were being stored in Concord. This prompted Paul Revere and other messengers to make their famous midnight ride, alerting the militia companies in the outlying towns. Here in Lexington, a force of about 80 militiamen assembled on the Common. They were led by Captain John Parker, who is said to have instructed his men to “Stand your ground. Don’t fire unless fired upon, but if they mean to have a war, let it begin here.”

Upon arrival, the British ordered the militiamen to leave, with Major John Pitcairn supposedly shouting “Disperse, ye villains! Ye rebels, disperse!” Along with Parker’s earlier command, this would become one of the most famous quotes of the war, although it is hard to say exactly how accurate either of these lines really are. This uncertainty may be due, in part, to the fact that both men died within less than five months after the battle, leaving future historians with little opportunity to verify their battlefield statements.

In any case, Captain Parker recognized that his men were vastly outnumbered, and he ordered them to disperse. However, few evidently heard him. Then, in the midst of this standoff, a shot was fired. The identity of the shooter remains unknown, with both sides generally placing blame on the other, but both the redcoats and the militiamen then began exchanging fire.

The British proved to be far more effective in their fire. By the time the brief battle was over and the redcoats had resumed their march to Concord, they left behind eight dead militiamen and ten wounded, compared to just one wounded British soldier. Among the dead was Jonathan Harrington, who lived in the house that is visible in the distant center of all three photos. According to tradition, he was mortally wounded after the battle, but he managed to crawl back to his doorstep, where he died in his wife’s arms.

Despite how short and one-sided the battle was, it marked the first armed resistance to British aggression, and the Lexington Common has become an important symbol of American independence. The common is now marked by several monuments, including the one here in the foreground of this scene. Dedicated in 1884, this boulder marks the line where the militiamen stood, and it is inscribed with Captain Parker’s famous—if possibly apocryphal—command to his men to stand their ground.

The first photo was taken around the turn of the 20th century, and it shows the Harrington house as it appeared prior to a major renovation in 1910. This project, which was completed by the time the second photo was taken, involved the removal of a wing on the right side of the house, along with the replacement of the large central chimney with two smaller ones. It was intended as a restoration, although the work appears to have been based more on early 20th century ideas about how a colonial house should look, rather than how the Harrington house actually looked during the colonial era.

Today, more than a century after the second photo was taken, very little has changed in this scene. The boulder is still here marking the line of militiamen during the battle, and the Harrington house remains standing in the distance, with few major exterior changes since the 1910 alterations. The other house in this scene, visible further in the distance, also survives today, although it is somewhat younger than the Harrington house, dating back to 1820. The Common itself has also been preserved, serving as both a public park and a historic site, and in 1961 it was designated as a National Historic Landmark.

Orchard House, Concord, Mass

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Orchard House, at 399 Lexington Road in Concord, around 1900-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

The earliest portion of this house dates back to sometime around the early 18th century, but its present-day appearance was the result of an extensive expansion and renovation that occurred in 1857. In that year, the property was purchased by Amos Bronson Alcott, a teacher, writer, and philosopher who is best remembered today as the father of author Louisa May Alcott. He was a part of Concord’s Transcendentalist movement, and during the early 1840s he was one of the founders of Fruitlands, a short-lived utopian commune in Harvard, Massachusetts. However, this experiment failed in just seven months, and in 1845 the Alcott family moved to Concord, where they lived in a house on Lexington Road that they named Hillside.

At the time, the family consisted of Bronson Alcott, his wife Abigail, and their four daughters: Anna, Louisa, Elizabeth, and Abigail. They lived at Hillside for several years before moving to Boston in 1848, but they ultimately returned to Concord in 1857 and purchased this house. It was located immediately to the west of their old house, which had been acquired by Nathaniel Hawthorne five years earlier and renamed The Wayside. Bronson Alcott soon began renovating his house, which he named Orchard House after the large apple orchard that was located on the property. The work was completed the following year, and the Alcotts moved in during the spring of 1858, only a few weeks after the death of their 22-year-old daughter Elizabeth.

Louisa May Alcott was 25 years old when she moved into this house with her parents and sisters, and she went on to reside here for much of her early literary career. She was already a published author at the time, following the 1854 publication of her first work, Flower Fables, but she had not yet become widely known. Over the next few years, she wrote several novels and short stories, including Hospital Sketches, which was published in 1863. It was based on her own experiences as a Civil War nurse in Georgetown, where she served for six weeks during the war before falling ill with typhoid fever.

However, Alcott’s literary breakthrough came in 1868 with the publication of Little Women, which she wrote here in this house. This novel was largely autobiographical, with the March sisters in the book representing the four Alcott girls, and much of the plot was inspired by her own experiences. The book is set at a fictional version of Orchard House, although most of the real-life events in the book had actually occurred at Hillside, where Alcott lived during her teenage years.

Aside from the improvements to the main house, the Alcotts also built the structure on the left side of the scene. Originally known as the Hillside Chapel, it was later renamed the Concord School of Philosophy. Here, Bronson Alcott ran a school that was modeled on Plato’s Academy, with a series of lectures and readings that were based on Transcendentalism and other contemporary philosophies. Bronson was nearly 80 years old when he started the school, but he continued to oversee it for the next nine years, giving lectures here while also inviting guest speakers

In the meantime, Louisa May Alcott continued to live here until 1869, when she moved to Boston, but she continued to visit her family here in Concord. Then, in 1877 she purchased Henry David Thoreau’s former house on Main Street, and both she and her father subsequently lived there. Bronson sold Orchard House in the early 1880s, and he eventually moved to a house on Louisburg Square in Boston’s Beacon Hill neighborhood, where he died on March 4, 1888 at the age of 88. Only two days later, Louisa suffered a stroke—possibly a long-term effect of mercury medication that she had taken to treat her typhoid fever some 25 years earlier—and she died at the age of 55.

The first photo shows the front of the house at some point around the turn of the 20th century. It was already recognized as an important landmark, as this photo was taken by a major postcard company, but at the time it was still a private residence. However, in 1911 the Concord Woman’s Club formed the Louisa May Alcott Memorial Association, which purchased the property and, starting in 1912, opened it to the public as a museum.

The house has remained as a museum ever since, and it continues to be open for guided tours, with hardly any exterior changes since the first photo was taken more than a century ago. It is one of the many important literary sites in Concord, and in 1962 it was designated as a National Historic Landmark. More recently, the house gained attention with the release of the 2019 film adaptation of Little Women, much of which was filmed in Concord. However, this house itself was not included in the movie; instead, the producers constructed a replica home elsewhere in Concord, which was used for filming and subsequently dismantled.

The Minute Man, Concord, Mass

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The Minute Man, a statue on the west side of the Concord River at the Old North Bridge in Concord, around 1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The statue in 2018:

This statue, which was dedicated in 1875, marks the site of the Battle of Concord, which was one of the opening events of the American Revolution. It stands on the west side of the Old North Bridge, on the spot where the colonial militiamen assembled on April 19, 1775 and fired the famous “shot heard round the world” at the British redcoats on the east side of the river. This short skirmish lasted less than three minutes, but it forced the British to abandon their search for colonial military supplies and retreat to Boston. This was the first military victory of the war for the colonists, and it was also the first time that British soldiers were killed in combat during the war.

The first monument at the battlefield was a granite obelisk, which was installed in 1836 on the east bank of the river. It was dedicated a year later, and the ceremony included the singing of a poem, “Concord Hymn,” which Ralph Waldo Emerson wrote for the occasion. The poem is best known for its opening stanza, which reads:

By the rude bridge that arched the flood,
Their flag to April’s breeze unfurled,
Here once the embattled farmers stood,
And fired the shot heard round the world.

The obelisk was placed on the east side of the river because, at the time, there was no longer a bridge across the river here, and the east side was more accessible from the center of Concord. However, this meant that the monument was actually on the spot where the British fought. This motivated one local resident, Ebenezer Hubbard, to bequeath money to the town for the construction of a new bridge and the creation of a new monument on the west side, where the militiamen had fired their famous volley.

This gift came only a few years before the 100th anniversary of the battle, so over the next few years the town prepared for a large celebration. Boston architect William R. Emerson designed a new bridge, and the town commissioned noted sculptor Daniel Chester French to create the statue. Both the bridge and the statue were completed in 1874, and the town also built two large tents in preparation for the event, which were located to the west of the statue, on the hillside in the distance of both photos. One tent was for orations, and it could fit about 6,000 people, while the other was a dinner tent that could seat 4,500 people.

The statue was formally unveiled at the centennial celebration, which was held on April 19, 1875. The festivities ultimately drew crowd of some 50,000 people to Concord, far exceeding the capacities of either tent. There were a number of dignitaries here at the event, including President Ulysses S. Grant, Vice President Henry Wilson, and four members of Grant’s cabinet: Secretary of State Hamilton Fish, Secretary of War William W. Belknap, Postmaster General Marshall Jewell, and Secretary of the Interior Columbus Delano. Grant’s former Attorney General, Concord native Ebenezer Hoar, presided over the event, which also included brief remarks by Ralph Waldo Emerson and the recitation of a poem by James Russell Lowell. The main orator for the day was George William Curtis, who spoke about the history of the battle and how its lessons can be applied to the present day.

The Minute Man was well-received by the public. An article, published in the Boston Globe on the day of the ceremony, provided the following description of the statue:

[I]t is of heroic measure, more than seven feet in height, generously proportioned, and represents a young man turning at the hurrying call of the messenger from his labors in the field, and instantly ready for duty. His left hand rests a moment on a handle of his abandoned plough, across whose upper brace his coat is flung, his right hand grasps the old flint-lock musket; he rests on his left foot, while his right is just leaving the ground behind—the whole attitude indicating a moment’s pause, as if to listen. The figure is attired in the traditional continental costume, and will preserve its details for future ages. . . .

The features are strongly marked and bear the energy, the self-command, the ready shrewdness, immediate decision, and, above all, the air of freedom that belong to the New England face. The frame is stalwart, the shoulders squarely held, the muscles of the bared forearm—the one that leans strongly on the plow, the one that strongly grasps the musket—are tense and unencumbered by flabby flesh; the great veins stand knotted on the strenuous hands. The man is alive from head to foot, and indeed we know not where there is better represented the momentary pause of vigorous action than in this noble statue.

The statue stands atop a 7 1/2-foot granite pedestal, which was cut from the same boulder as the older monument on the other side of the river. The east side of the pedestal, shown here in this view, has the first stanza of Emerson’s poem inscribed on it, and on the other side is the date of the battle and the date of its dedication. The site of the statue is 110 feet west of the bridge, in line with it and the other monument. This spot is said to be where Captain Isaac Davis fell during the battle, becoming one of the first colonists—and the first officer—to be killed in the American Revolution.

Today, nearly 150 years after it was unveiled here, and more than a century after the first photo was taken, the statue still stands guard over the Old North Bridge. The statue itself looks essentially the same as it did in the first photo, although the surrounding area has seen a few changes. At the time, the statue was surrounded by a hedge, which had originally been planted for erosion control. Another hedge of Japanese barberry was later planted here, although it was ultimately removed in the late 20th century. Other changes include the base of the statue. Concrete curbing was installed here in 1909, probably soon after the first photo was taken, and in the late 1950s it was replaced by new granite curbing, along with granite slabs at the front and back of the statue.

Over the years, The Minute Man has remained an iconic symbol of the American Revolution, as well as one of the most important works of 19th century American sculpture. French made a number of smaller copies of the statue, including one that is now held by the Smithsonian, and images of the statue have also appeared in a variety of other mediums. For the 150th anniversary of the battle in 1925, the statue was featured on the five cent commemorative stamp, as well as the Lexington and Concord commemorative half dollar, which was issued the same year. More recently, in 2000 it appeared on the Massachusetts state quarter, superimposed over an outline of the state. However, perhaps its most famous use is as the logo of the U. S. National Guard, where it represents the historic tradition of citizen-soldiers that was exemplified by the colonial minutemen of 1775.