1900s

S. F. Cushman & Sons Woolen Mill, Monson, Mass

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The S. F. Cushman & Sons Woolen Mill on Cushman Street in Monson, probably around 1912. Image courtesy of the Monson Free Library.

The scene in 2018:

During the 19th and early 20th centuries, the town of Monson had a small but thriving woolen industry, with several factories that were located along the Chicopee Brook. The earliest of these was established around 1800 by Asa Gates, who constructed a mill here on this site. In 1816, this mill was acquired by the Monson Woolen Manufacturing Company, and this firm continued to produce textiles here throughout much of the 19th century. Throughout this time, there were several different buildings here. One was constructed around 1854, but it burned only a few years later, and it was subsequently replaced by another mill in 1858.

In 1877, the Monson Woolen Manufacturing Company was acquired by Solomon F. Cushman, who had been working for the firm since 1856, when he took a job as a bookkeeper after moving here from Monson, Maine. He renamed the company S. F. Cushman & Sons, and in 1883 he expanded it by purchasing another mill on Elm Street, which became known as the Branch Mill. In the meantime, the 1858 mill here on Cushman Street continued to be used to manufacture textiles until 1886, when it too burned. Both this building and its predecessor had been made of wood, but its replacement – shown here in these two photos – was built of brick. This four-story mill was completed later in 1886, and it featured an ornate exterior that was highlighted by a stair tower on the west side of the Cushman Street facade.

Solomon Cushman died in 1900, and his sons took over the business, although just a year later they sold the Branch Mill, which subsequently became the Somerset Woolen Mill. However, they continued to operate the Cushman Street mill for more than a decade, and the 1902 book Our County and Its People: A History of Hampden County provides the following description of this facility:

It contains 5 sets of modern machinery. The mill has made in years past broadcloth, satinets, cassimeres, and doeskins. At present the mill employs about 85 operatives (about evenly divided between men and women) with an annual pay roll of $40,000. The present manufactures are kersey and cloakings.

In 1912, the Cushman brothers sold the property to Heimann & Lichten, a hat manufacturing company whose previous factory, located on Main Street on the present-day site of the town hall, had burned earlier that year. The new owners converted the Cushman Street mill into a hat factory, and the building was evidently expanded around the same time, with the addition of five window bays on the right side. Although it features the same design as the original section of the building, it was constructed with lighter-colored bricks, as shown in these two photos. The first photo was probably taken shortly after this addition was completed, and it also shows the mill pond that was once located on the opposite side of Cushman Street.

Julius Heimann and Morris C. Lichten had been partners in the hat industry since 1884, and in 1890 they began manufacturing in Monson. Following the fire in their original building, they carried on operations here in this mill for several more years. However, both men died only a few months apart. In October 1918, Heimann was killed in a car accident after visiting Lichten in a New York City hospital. Lichten, who had been ill at the time, died the following January, leaving control of the firm to its vice president, Daniel E. Nolan. He would continue to run the company for another nine years, before it closed in 1927.

In 1934, A. D. Ellis Mills, Inc. purchased this property. A. D. Ellis was another major textile manufacturer in Monson, and at the time it operated two other factories, with one on Bliss Street and another on Main Street. This factory was used for storage, and it was owned by by A. D. Ellis until the company dissolved in 1962. The building subsequently changed ownership several more times over the next few years, and in 1966 it was purchased by M & M Chemical Sales Corporation, who occupied it for the next 20 years.

M & M Chemical went bankrupt in 1986, and this property was subsequently sold at auction. However, the building has been vacant ever since, and it has steadily deteriorated after more than 30 years of neglect. In 2010, one of the dormer windows collapsed, sending bricks and other debris onto the street below. This caused a temporary closure of Cushman Street, until the other dormer windows could be safely removed. Otherwise, though, the rest of the building is still standing, with few exterior changes from this angle since the first photo was taken. Today, it is Monson’s oldest surviving factory building, and it is one of the few existing remnants of the town’s industrial heritage.

Forest Park Fountain, Springfield, Mass

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A fountain in Forest Park, around 1905. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

Forest Park was established in 1884, when Orrick H. Greenleaf donated around 65 acres of land on the south side of Sumner Avenue. Other benefactors soon gave adjoining parcels to the city, but the single largest gift came in 1890, when ice skate manufacturer Everett H. Barney gave nearly 175 acres of what is now the western end of Forest Park. This gift included his home, Pecousic Villa, and its well-landscaped grounds, which featured aquatic gardens, ponds, and the meandering Pecousic Brook. Barney’s only stipulation was that he and his wife would be allowed to live in the house for the rest of their lives, with the city taking possession of it after their deaths.

The first photo shows a view of this section of the park, facing west from the top of a dam on the Pecousic Brook. At the foot of the dam is a small pool lined with stones, with a fountain in the center. Beyond the pool, the brook flows under a simple plank bridge, before rounding a curve to skirt past the aquatic gardens, which are visible in the upper left center of the photo. To the right is a steep hill leading up to a broad plateau, and there is a similar one just out of view on the left, forming a narrow valley for the brook to flow through.

Today, nearly 115 years since the first photo was taken, Forest Park has seen some major changes, but it remains the largest park in the city, and one of its most popular recreation areas. Further upstream of here, there are several more dams and ponds that have been constructed since the early 20th century, but the course of the brook remains largely the same in this scene. The dam is still here, as is the pool, although the perimeter now consists of large rocks, as opposed to the small, round stones of the first photo. However, perhaps the most noticeable change to this scene is the covered pedestrian bridge in the center of the 2018 photo, on the same spot where the plank bridge had once crossed the brook.

Chateau-sur-Mer, Newport, Rhode Island

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Chateau-sur-Mer on Bellevue Avenue in Newport, around 1903. Image from Seventy-five Photographic Views of Newport, Rhode Island (1903).

The scene in 2018:

Beginning in the mid-19th century, Newport underwent a dramatic transformation from a sleepy colonial-era seaport into one of the most desirable summer resort communities in the country. Bellevue Avenue, and the surrounding area here at the southern end of the island, would eventually become famous for its many Gilded Age mansions, which served as summer residences for prominent families such as the Astors, Vanderbilts, and Belmonts.

Among the first of these grand mansions was Chateau-sur-Mer, which was located on the east side of Bellevue Avenue, near the corner of what is now Shepard Avenue. Its Italianate-style design was the work of local architect Seth Bradford, who designed several other mid-century summer homes in Newport, and the exterior was constructed of granite from nearby Fall River, Massachusetts. The original owner of the house was William S. Wetmore, a prosperous merchant who had made his fortune in the Old China Trade. Wetmore had retired from active business in 1847 when he was just 46 years old, and by this point he had accumulated a net worth of around a million dollars, or about $27 million today.

Wetmore lived here at Chateau-sur-Mer until his death in 1862. He and his wife Anstiss had three children, although their oldest, William, Jr., had died in 1858. Of their two surviving children, their son George inherited this house, while their daughter Annie received a parcel of land on the southern side of the estate, where she and her husband William Watts Sherman would later build a house of their own.

George Peabody Wetmore married his wife Edith in 1869, and beginning the following year the house was renovated and expanded by prominent architect Richard Morris Hunt. His work was inspired by the French Second Empire style, which was popular in America during this time, and it reflected his training in France at the École des Beaux-Arts. By this point, Hunt was already a well-established architect in Newport, but he would subsequently go on to design some of its largest, most opulent mansions, including The Breakers, Marble House, Ochre Court, and Belcourt.

Wetmore went on to have a successful career as a politician. Unlike most of the other wealthy Newport residents, who only lived here during the summer months, he was a year-round resident, and was a prominent figure in Rhode Island politics. He served as governor from 1885 to 1887, and represented the state in the U. S. Senate from 1895 to 1907, and 1908 to 1913. In addition, he was involved in a variety of civic organizations, including serving as a trustee of the Peabody Museum of Natural History at Yale and the Redwood Library and Athenaeum here in Newport, and as president of the Newport Casino.

In the meantime, Chateau-sur-Mer would continue to see renovations to both the interior and exterior, including work by noted architects Ogden Codman and John Russell Pope in the early 20th century. George Wetmore lived here until his death in 1921, and his wife Edith died in 1927. Their two daughters, Edith and Maude, also went on to live here for the rest of their lives. Like her father, Maude was also involved in politics, and although she never held elected office, she was very active within the Republican Party, including serving as president of the Women’s National Republican Club and as a delegate to several National Conventions. She and her sister Edith were also advocates for historic preservation here in Newport, and worked to help preserve several important historic buildings.

Chateau-sur-Mer was one of the first of the grand mansions, and it was also one of the last to still be owned by its original family. Maude Wetmore died in 1951, leaving the house to Edith, who died in 1966. Neither of the sisters had married, so there were no other Wetmore heirs to inherit the property. Even if there had been, these types of summer homes had long since fallen out of fashion, and were generally regarded as expensive white elephants from a bygone era.

Many of the grand Newport mansions were demolished during the mid-20th century, while others were converted into institutional use, such as the nearby estates that now form the campus of Salve Regina University. However, Chateau-sur-Mer was ultimately preserved in its historic appearance, both on the interior and exterior, and in 1969 it was acquired by the Preservation Society of Newport County. It is now one of nine historic properties that are owned by the organization and open to the public for tours, and, as these two photos show, very little has changed in this view since the first photo was taken nearly 120 years ago. Because of its historic and architectural significance, the house was designated as a National Historic Landmark in 2006, becoming one of 18 individual buildings in Newport to be recognized as such.

Audrain Building, Newport, Rhode Island

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The building at the northeast corner of Bellevue Avenue and Casino Terrace in Newport, around 1903. Image courtesy of the Providence Public Library.

The building in 2018:

This block of Bellevue Avenue, from Casino Terrace north to Memorial Boulevard, consists of a row of buildings that were designed by some of the most prominent American architects of the late 19th and early 20th centuries. On the northern half of the block is the Travers Block, designed by Richard Morris Hunt, and the Newport Casino, which was one of the first major works of McKim, Mead & White. These were completed in 1872 and 1880, respectively, and they were joined several decades later by the Audrain Building, which is located at the southern end of the block. It was completed in 1903, and it was designed by Bruce Price, a New York architect who was perhaps best known for designing the Château Frontenac in Quebec City.

The Audrain Building was one of Price’s last commissions before his death in 1903, and its design reflected the popularity of Beaux-Arts architecture at the turn of the 20th century. Its most distinguishing exterior feature is the extensive use of multi-colored terra-cotta around the windows and on the cornice and balustrade. The building also has large plate glass windows, in contrast to the much smaller windows of the older commercial buildings on this block.

Upon completion, the Audrain Building had six storefronts on the ground floor, along with space for 11 offices on the second floor. At the time, Newport was one of the most desirable resort communities in the country, and the ground floor housed shops that would have catered to the city’s affluent summer residents. The first photo was evidently taken soon after it was finished, as most of the storefronts appear to still be vacant. However, at least one business seems to have moved in at this point, as the corner of the second floor features advertisements for Morten & Co., wine and cigar merchants. Other early 20th century tenants included Brooks Brothers, which opened a location here in 1909.

Newport’s status as a resort destination began to fade by the early 20th century, particularly after the Great Depression, and the Audrain Building likewise saw a decline. Perhaps most visible was the loss of the balustrade, with its distinctive terra-cotta lion statues, which was damaged in the 1938 hurricane and subsequently removed. The ground floor continued to be used for retail space, with a 1970 photo showing tenants such as a ladies’ apparel shop and a bridal shop, but these storefronts were eventually converted into medical offices.

In 1972, the Audrain Building became part of the Bellevue Avenue/Casino Historic District, which was designated as a National Historic Landmark. However, the exterior remained in its altered appearance throughout the 20th century. Finally, in 2013, the building was sold for $5.5 million, and it then underwent a $20 million renovation and restoration, including creating replicas of the original balustrade and statues. Following this project, the second floor continues to be used for office space, but the ground floor has been converted into the Audrain Automobile Museum, which has a variety of rare cars on display inside the building.

Lafayette Statue, Washington, DC

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The Major General Marquis Gilbert de Lafayette statue in Lafayette Square, opposite the White House in Washington, D.C., around 1900-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The statue in 2018:

Lafayette Square has been parkland since Washington, D.C. was laid out in the 1790s, but it did not receive its current name until 1824, when it was dedicated in honor of the Marquis de Lafayette. It is located directly to the north of the White House, on the other side of Pennsylvania Avenue, and during the 19th century the other streets around the square became one of Washington’s most desirable residential areas.

The first statue in the square was, ironically, not of Lafayette. Instead, it was an equestrian statue of Andrew Jackson, which was dedicated in 1853 in the center of the park. This statue of Lafayette, located in the southeast corner of the square, was not added until 1891. Officially titled Major General Marquis Gilbert de Lafayette, the 36-foot statue was the work of French sculptor Alexandre Falguière. Lafayette stands atop the pedestal, but the monument also includes figures of four other French military leaders of the American Revolution: Comte d’Estaing and Comte de Grasse on the right, and Comte de Rochambeau and the Chevalier Duportail on the left side. In the center, looking up at Lafayette, is a female figure representing America.

The first photo was taken within about 10 to 15 years after the Lafayette statue was dedicated. Around this time, it was joined by three more statues, with one on each of the other three corners of the square. Like the Lafayette statue, these all honored prominent foreign leaders of the American Revolution, starting with Rochambeau in 1902 and followed by statues of Thaddeus Kosciuszko and Friedrich Wilhelm von Steuben in 1910.

In more than a century since the first photo was taken, the area surrounding Lafayette Square has undergone significant changes. Many early 19th century townhouses are still standing, but they are no longer used as private residences, and they are now joined by more recent government buildings. However, the square itself is not much different from its early 20th century appearance, and all five statues still stand here, including the Lafayette one that is shown here. These statues are now part of the Lafayette Square Historic District, which was designated as a National Historic Landmark in 1970.

Independence Hall, Philadelphia, Pennsylvania (2)

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The south side of Independence Hall, seen from Independence Square around 1900-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

Independence Hall in 2018:

As discussed in greater detail in a previous post, Independence Hall was built over the course of a 21-year period between 1732 and 1753. It was designed and built by Edmund Woolley, and it featured a brick Georgian style of architecture that was common for public buildings of this period. Upon its completion, it became the first capitol building for the colony, and it remained the seat of Pennsylvania’s government throughout the rest of the 18th century.

However, Independence Hall is best remembered today for its role in the early history of the United States. From 1775 to 1783, the Continental Congress met here, and it was during this time that, in 1776, the delegates debated, approved, and signed the Declaration of Independence. This occurred in the Assembly Room, which is located on the first floor on the right side of the building. Eleven years later, state delegates gathered in the same room for the Constitutional Convention, and the current United States Constitution was signed here on September 17, 1787.

Over the years, the exterior of Independence Hall has undergone some significant changes. The original wooden steeple had, by the time of the American Revolution, become badly deteriorated, and it was ultimately removed in 1782. The brick tower was capped with a simple roof for the next few decades, but in 1828 a new steeple was added. It was designed by architect William Strickland, and it was similar to – although not identical to – the original one. Another change came in 1812, when the original wings of the building were demolished. However, replicas of these wings were constructed in 1898, and they are connected to the main building by the brick arcades that are visible on the right and left sides of both photos.

Today, despite these many changes, Independence Hall stands as one of the most historic landmarks in the country. The exterior has remained largely the same since the first photo was taken more than a century ago, and it has long been recognized as a major symbol of American liberty and freedom. In 1948, it became a part of the Independence National Historical Park, and in 1966 it was designated as a National Historic Landmark, which is the highest level of federal recognition for a historic site. However, it has also received international recognition for its significance, and in 1979 it was named as a UNESCO World Heritage Site. Because of its historical importance, it is one of the most popular tourist attractions in the northeast, with the park drawing an average of over 4 million visitors each year.