John P. Hale Statue, Concord, New Hampshire

The John P. Hale statue on the grounds of the New Hampshire State House in Concord, around 1900-1909. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The statue in 2019:

This statue of Senator John P. Hale is one of several on the grounds of the New Hampshire State House that honor famous New Hampshire residents. Although not as nationally-prominent as some of the others, such as Franklin Pierce and Daniel Webster, Hale was an important politician in the years immediately before and after the Civil War. He served for 16 years in the Senate, where he was a staunch opponent of slavery, and he later served as the U. S. Minister to Spain from 1865 to 1869.

Ironically, despite being a political ally of Abraham Lincoln, Hale inadvertently almost became the father-in-law of John Wilkes Booth. His daughter, Lucy Lambert Hale, was a leading socialite in Washington D.C., and she had many suitors, including Robert Todd Lincoln, whom Senator Hale hoped she would marry. Instead, though, she became secretly engaged to Booth, who was a successful actor at the time. They never married, and Booth was killed less than two weeks after he assassinated Lincoln, but Lucy’s photo was found on his body after he was killed.

Lucy Lambert Hale ultimately married William E. Chandler, a New Hampshire attorney and newspaper publisher who subsequently represented the state in the Senate from 1887 to 1901. During this time, he lobbied for a statue here on the State House grounds to honor his father-in-law, who had died in 1873. Chandler paid for the statue, and the state agreed to accept it and place it here in front of the northeast corner of the State House. The statue was designed by German sculptor Ferdinand von Miller, and it was cast in his foundry in Munich, the same place where the nearby Daniel Webster statue was cast several years earlier.

Hale’s statue was unveiled on August 3, 1892, in a ceremony that included addresses by William Chandler and Governor Hiram A. Tuttle. Other dignitaries included four former governors, along with members of the Hale and Chandler families, including John Hale’s widow and his daughter Lucy. The keynote speaker was Colonel Daniel Hall, a Civil War veteran from Hale’s hometown of Dover. His speech included an outline of the history of slavery in America and Hale’s opposition to it, noting that Hale had, early in his political career, “found his conscience and his whole better nature insurgent against the slave system.” These abolitionist sentiments are also expressed on the plaque at the base of the monument, which includes the claim that he was the “first anti-slavery U. S. Senator.”

The first photo was taken about a decade or so after the statue’s installation, and it has remained here ever since. Not much else has changed in this scene, with the exception of some alterations to the State House in the background. The building was renovated in 1909-1910 with a large addition to the rear, along with a third floor in place of the 1860s mansard roof. Otherwise, though, the State House looks much the same as it did when the first photo was taken more than a century ago, and it remains in use as one of the oldest state capitol buildings in the United States.

Daniel Webster Statue, Concord, New Hampshire

The Daniel Webster statue in front of the New Hampshire State House in Concord, around 1900-1909. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The statue in 2019:

The grounds of the New Hampshire State House feature statues of some of the state’s most famous residents, including Daniel Webster, whose statue occupies a prominent location directly in front of the eastern entrance to the building. Webster is best known for being part of the Great Triumvirate, which also included John C. Calhoun of South Carolina and Henry Clay of Kentucky. These three senators were among the most influential American politicians of the first half of the 19th century, serving as the primary advocates for their respective regions of the country from the 1820s until their deaths in the early 1850s.

Although Webster spent most of his political career in Massachusetts, he was born in New Hampshire and represented the state in the U. S. House of Representatives from 1813 to 1817. He subsequently moved to Boston, but he was not forgotten here in his native state, and in 1886 this statue was dedicated here in front of the State House. The commission for designing the statue had originally gone to Martin Milmore, but he died in 1883 and the statue was completed by noted sculptor Thomas Ball, whose previous works had included a large statue of Webster in Central Park.

The first photo was taken several decades after the statue was installed here, and shortly before the State House underwent a major renovation in 1909-1910. From this angle, the result of this renovation can be seen with the third floor, which replaced the 1860s mansard roof from the first photo. Otherwise, though, not much has changed here in this scene, and the statue of Daniel Webster still stands here overlooking downtown Concord.

New Hampshire State House, Concord, New Hampshire

The New Hampshire State House in Concord, around 1900-1909. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The State House in 2019:

Completed in 1819, the New Hampshire State House is among the oldest state capitol buildings in the country, and it is the oldest one with both of its original legislative chambers still in use. Despite this, though, the building has undergone substantial changes over the past two centuries, on both the interior and exterior. The original design was the work of architect Stuart James Park, and it was two stories in height, with a cupola at the top and an exterior of locally-quarried granite.

By the mid-19th century building had become too small, and the city of Manchester offered to build a new capitol building if the state government relocated to the much larger industrial city to the south. However, the state ultimately chose to remain in Concord, and hired noted architect Gridley J. F. Bryant to renovate the building. His expansion, which is shown in the first photo, was completed in 1866. It included a mansard roof, which allowed for more interior space, along with the addition of a columned portico here on the east facade. Bryant also replaced the old cupola with a much larger dome, although he retained the wooden eagle that had originally sat atop the cupola.

By the time the first photo was taken in the early 20th century, the building was again too small, which reignited the debate about moving the capital to Manchester. Once again, though, the building was expanded instead of being abandoned, and this time the renovations were designed by the Boston architectural firm of Peabody and Stearns. Most significantly, this project included a large addition to the rear of the building for the governor’s office, Executive Council chambers, and other government offices.

The other major change, which is much more visible from this angle, involved removing the 1860s mansard roof and adding a full third floor, topped with a flat roof and a granite balustrade along the roofline. Like the rest of the building, the third floor was constructed of granite, but the blocks were sourced from a different quarry. As a result, the present-day photo shows a noticeable difference in the shade of the granite between the second and third floors.

This project was completed in 1910, and the building has remained in use ever since. Today, aside from the age of its legislative chambers, the building is also significant for housing by far the largest state legislature in the country. With 400 representatives and 24 senators, the New Hampshire General Court is nearly twice the size of the next two largest state legislatures, and its House of Representatives is almost the same size of the United States House of Representatives.

Well over a century after the first photo was taken, the removal of the mansard roof is still the only significant change to this scene. Otherwise, this scene has remained essentially the same as it looked at the turn of the 20th century, and even the two statues are still standing in front of the State House, honoring two famous native New Hampshirites. On the left is General John Stark, and further in the distance on the right is Daniel Webster. The gold dome is also still topped with an eagle, although the current one is a copper replica of the original wooden one, which was removed in 1957 and put on display inside the State House.

Chestnut Street near Ninth Street, Philadelphia, Pennsylvania

The view along the north side of Chestnut Street, taken looking west from near the corner of Ninth Street, around 1859. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

The first photo shows a row of houses that were built around the late 18th or early 19th centuries for some of Philadelphia’s wealthiest residents. The houses were located on the north side of Chestnut Street, about halfway between 9th and 10th Streets, and they range from 919 Chestnut Street on the far right, to 925 Chestnut on the far left. At the time of their construction, this section of the city was predominantly residential, but this had begun to change by the time the first photo was taken a half century later. Some of these houses, particularly the one on the far right, had already been converted to commercial use, and over the next few decades more would see similar conversions, or would be demolished to make way for new, larger buildings.

As shown in the first photo, the house on the right was the Markoe House, a boarding house that had, at one point, been the residence of John Markoe. It had been built around 1810,and was designed by Benjamin Henry Latrobe, a prominent architect whose other works included the United States Capitol. The Markoe family lived here until around 1840, when they evidently fell on hard times and sold the property.

The house was converted into a boarding house, which was named for its original owners. In its early years the Markoe House had several prominent guests, as noted in contemporary newspapers. Senator Alexander Porter of Louisiana stayed here during a visit to Philadelphia in 1843, and in 1844 and 1845 Mirabeau Lamar, the former president of Texas, stayed here on at least two separate occasions. At the time, Texas was still an independent nation, and on the second visit, he was accompanied by Edwin Ward Moore, the commander-in-chief of the Texas Navy. The Markoe House would remain a boarding house here for more than 20 years after the first photo was taken, and it even underwent a significant renovation in 1869. However, it was ultimately demolished in 1881 to build a new office building for the Philadelphia Record.

Aside from the Markoe House, many of the other houses along this section of Chestnut Street were undergoing changes by the time the first photo was taken. In 1860, about a year after the photo was taken, the building immediately to the left of the Markoe House, at 921 Chestnut, was converted into offices for the Penn Mutual Insurance Company. This left, according to an 1860 newspaper article, only two or three buildings on Chestnut Street east of Tenth Street that were exclusively residential.

One of these exceptions was the house at 925 Chestnut Street, which is partially visible on the far left side of the photo. This was the home of General George Cadwalader, who served in the U.S. Army during the Mexican-American War. Shortly after the first photo was taken, Cadwalader returned to the Army upon the outbreak of the Civil War, and served in the Union army throughout the duration of the war. He lived here until at least the early 1870s, making him perhaps one of the last owners of a single-family residence on this part of Chestnut Street. During the 1870 census he lived here with his wife Frances and four servants, and he was very wealthy, with an estate valued at $600,000 at the time, or about $12.5 million today.

Today, more than 160 years after the first photo was taken, there are no surviving buildings from that photo here in this scene. All of them were likely demolished in the late 19th or early 20th centuries, and they were definitely gone by the 1930s, when this block of Chestnut Street became the site of two Depression-era federal buildings. On the left is the former Federal Reserve Bank Building, which was completed in 1935, and on the right is the Nix Federal Building, completed six years later. Both of these buildings are still standing here, as shown in the 2019 photo, although the former Federal Reserve Bank Building is now occupied by Thomas Jefferson University Hospital.

Keene Mansion, Philadelphia, Pennsylvania

The Keene Mansion at the northwest corner of Tenth and Chestnut Streets in Philadelphia, on March 5, 1860. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

The three-story brick house in the first photo was completed around 1815 as the home of Major David Lenox, a Revolutionary War officer who became a prosperous merchant after the war. Lenox had also held several government positions during the late 18th century, including as U.S. Marshal for the District of Pennsylvania and as a diplomat to the United Kingdom. He lived here for a little over a decade, until his death in 1828, and after his wife Tacy’s death in 1834 the property went to her niece, Sallie Lukens Keene.

Keene was still living here when the first photo was taken in 1860, having carefully maintained the original appearance of the house, including its exterior architectural details and its interior furniture. However, by this point the city had begun to grow up around the elegant mansion, which was joined here by less fashionable buildings, including a billiards hall across the street on the far left side of the photo.

Sally Keene died in 1866, and her heirs subsequently sold the property, which had become valuable commercial real estate. The old house was demolished in 1872, and the site was redeveloped as the offices of the New York Mutual Life Insurance Company. This building was completed in 1873 and subsequently expanded in the early 1890s with the addition of the top three floors. It is still standing here today, and although it is much different than the Federal-style mansion that it replaced, the building has become an important landmark in its own right, having been added to the National Register of Historic Places in 1980.

Benjamin Franklin Grave, Philadelphia, Pennsylvania

The grave of Benjamin Franklin in Christ Church Burial Ground, seen through the iron fence along Arch Street, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

As discussed more detail in the previous post, Christ Church Burying Ground is the final resting place of Benjamin Franklin, who is interred here alongside his wife Deborah under the stone slab on the other side of the fence. Although located just a few feet from the sidewalk, his gravestone was originally hidden from the street by the brick wall that encircles the graveyard. Over time, the gravesite languished in this corner of the graveyard, and was largely forgotten. However, in an effort to boost civic pride in the city’s famous statesman, this section of the wall was replaced by an iron fence in 1858, allowing passers-by to easily view the gravesite.

By the time the first photo was taken at the turn of the 20th century, Franklin’s grave was an important tourist attraction in the city. As shown in the photo, though, the 125-year-old brick wall had fallen into disrepair. It would continue to crumble over the next few decades until it was finally rebuilt in 1927, using many of the original materials in the process. The rest of the graveyard continued to deteriorate, though, and it was closed to the public from 1977 until 2003, when it finally reopened following an extensive conservation project.

Restoration work has continued since then, including repairs to Franklin’s gravestone that were completed in 2017 and largely funded by Jon Bon Jovi. Today, the scene looks very similar to the first photo, aside from the lost buildings in the background along Fifth Street. The graveyard is open to the public for a small fee, and it features both self-guided and group tours that highlight the many famous people buried here, including Franklin and a number of other prominent 18th and early 19th century Americans.