Gothic Revival

68-76 Elliot Street, Springfield, Mass

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The houses at 68 and 76 Elliot Street in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The scene in 2018:

These two houses were both constructed in 1871, and although they were originally separate buildings, they have since been joined by a one-story walkway that is partially visible in both photos. The house on the left, at 68 Elliot Street, was the work of local architect James M. Currier, and it is perhaps the finest surviving Gothic-style house in the city. It was originally the home of Warner F. Sturtevant, a merchant who was a partner in the wholesale grocery firm of Downing & Sturtevant. The 1880 census shows him living here with his wife Julia and their three children, along with two servants.

In the meantime, the house on the right, at 76 Elliot Street, was built around the same time, but with a somewhat different architectural style. Designed by the firm of Perkins and Gardner, it had some Gothic-style details, such as the steeply-pointed dormer windows, but it also featured a Second Empire-style mansard roof. The original owner of the house was William L. Wilcox, a stove manufacturer and dealer. The 1875 city directory includes an advertisement for his business, W. L. Wilcox & Co., which was located at 140 State Street and was described as “Manufacturers and Dealers in Stoves, Ranges and Furnaces, Iron Sinks, Farmers’ Boilers, Refrigerators, and Housekeeping Goods generally. Dealers in the celebrated Richmond Range and Vindicator Cook Stove, Hydraulic Cement Drain and Sewer Tubing, all sizes.” During the 1880 census, he was living here with his wife Emma, their daughter, and a servant.

Both families continued to live in these houses for many years. William L. Wilcox died in 1890, but the other members of both families were still here during the 1900 census. By this point, Warner F. Sturtevant was still a wholesale grocer, this time with the firm of Sturtevant, Merrick & Co., and he was living here with Julia, two daughters, a granddaughter, and two servants. On the right, the widowed Emma was 67 years old, and she lived here with her daughter, E. Lillian Kirkham, and Lillian’s husband J. Stuart Kirkham. Stuart had evidently taken over his father-in-law’s business, because he was a stove merchant of the firm of Whitcomb, Kirkham & Gray, which was located at the same address at 140 State Street.

Emma Wilcox died later in 1900, and both families appear to have moved out of these houses by 1902. The Sturtevants subsequently moved into a house in the McKnight neighborhood, at 1064 Worthington Street, and the Kirkhams moved to Forest Park, to a new house at 107 Maplewood Terrace. Around the same time, these two houses were acquired by the Diocese of Springfield. They were adjacent to the church property, which by this point had grown to include St. Joseph’s Normal School, St. Michael’s School, a high school, a rectory, St. Luke’s Sanitarium, and St. Michael’s Cathedral, all on the south side of Elliot Street between here and State Street. The former Wilcox house on the right was converted into the diocesan chancery, while the Sturtevant house became the residence of the bishop.

The first to occupy the house was Thomas D. Beaven, who served as bishop from 1892 until 1920. At some point during his time here, he added the walkway between the two houses. Otherwise, though, the exteriors appear to have undergone few changes in the early 20th century. By the time the first photo was taken in the late 1930s, 68 Elliot Street was the home of Beaven’s successor, Thomas M. O’Leary, who served from 1921 until 1949. The house still had its Gothic-style ornamentation at the time, although some of this would be lost later in the 20th century.

Today, these two buildings remain in use as the bishop’s residence and the chancery office. Aside from losing some of the exterior details, there have been some minor changes to 68 Elliot Street, including the enclosed porch on the left side. Overall, though, the building have remained well-preserved, and they are contributing properties in the Quadrangle-Mattoon Street Historic District, which was added to the National Register of Historic Places in 1974.

Farnam Hall, New Haven, Connecticut

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Farnam Hall on the Old Campus of Yale University, around 1894. Image from Yale University Views (1894).

Farnam Hall in 2018:

For much of the 18th and early 19th centuries, the Yale campus was dominated by the Old Brick Row, a group of buildings than ran parallel to College Street between Chapel and Elm Streets. However, in 1870 the school began converting the campus into a quadrangle, surrounded by new buildings along the perimeter. The first of these new buildings was Farnam Hall, a dormitory that was completed in 1870 near the northeastern corner of the campus. Like the older buildings, its exterior was constructed of brick, but it featured a Gothic-style design that was very different from the comparatively plan buildings of the Old Brick Row. It was the work of Russell Sturgis, a prominent architect who would go on to design the other nearby buildings, including the Battell Chapel, Durfee Hall, and Lawrance Hall.

The first photo was taken less than 25 years after its completion, but very little has changed since then. Farnam Hall is now the oldest dormitory in use at Yale, and it currently houses freshmen students of Jonathan Edwards College. The only noticeable difference between the two photos is the loss of the two cupolas on the roof, but otherwise the building has remained well-preserved. The adjacent buildings – Battell Chapel on the left and Lawrance Hall on the right – are also still standing, and together these they form the northeast corner of the quadrangle, which is now known as the Old Campus.

Durfee Hall, New Haven, Connecticut

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Durfee Hall, on the Old Campus of Yale University, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

Durfee Hall in 2018:

As discussed in previous posts, the Yale campus underwent dramatic changes during the last three decades of the 19th century. The Old Brick Row, which had been the defining feature of the school since the late 18th century, was steadily replaced by new buildings that surrounded a central quadrangle. One of the first of the new buildings was Durfee Hall, a dormitory that was completed in 1871. Its design was the work of noted architect Russell Sturgis, who also designed several other buildings at Yale, including the adjacent Battell Chapel and the nearby Farnam and Lawrance Halls.

The four-story Dufree Hall was built with 20 bedrooms and 10 common rooms on each floor, with all of the common rooms on this side of the building, facing the campus, and all of the bedrooms on the north side, facing Elm Street. This arrangement was similar to the older dormitories at Yale, but otherwise its design was a significant departure from tradition, with ornate Gothic-style architecture and a brownstone exterior that contrasted with the older, comparatively Old Brick Row.

Today, more than a century after the first photo was taken, very little has changed in this scene. Durfee Hall is still standing, without any noticeable exterior alterations, and so is the Battell Chapel on the right side. Along with the other dormitories on the Old Campus, Durfee Hall is now used as freshman housing, with students living here for a year before moving into one of the residential colleges for the rest of their time at Yale. Over the years, its residents have included Anderson Cooper, who lived here during his freshman year, and it was even the home of the fictional Rory Gilmore in the television show Gilmore Girls.

City Hall, New Haven, Connecticut

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City Hall, on Church Street in New Haven, around 1863-1869. Image courtesy of the New York Public Library.

The scene in 2018:

New Haven’s city hall was completed in 1862, on Church Street along the eastern side of the New Haven Green. It was designed by noted New Haven architect Henry Austin, and it was an early example of High Victorian Gothic architecture, which would become a popular style for public buildings in the United States during the 1860s and 1870s. The building’s exterior was constructed of brownstone from nearby Portland, Connecticut and from Nova Scotia, and it was laid in alternating bands of dark and light stone. Its asymmetrical design included a tower on the northwest corner, which was topped with a clock, bell, and observatory.

The first photo was taken shortly after its construction, showing the view of the building from the Green. A few years later, City Hall was joined by the architecturally-similar New Haven County Courthouse, which was completed in 1873 on the left side of the building. This courthouse would remain in use until 1914, when the current courthouse opened nearby, and the older building subsequently became an annex for City Hall.

Both City Hall and the old courthouse were added to the National Register of Historic Places in 1975, but by this point they were both slated for demolition. The courthouse was demolished a year later, along with most of City Hall, but the New Haven Preservation Trust successfully lobbied to save the building’s facade. This was later incorporated into a new municipal building that was completed in the 1980s, and today Henry Austin’s original exterior design still faces the New Haven Green, even though the rest of the building is new.

St. Mary’s Church, New Haven, Connecticut

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St. Mary’s Church, on Hillhouse Avenue in New Haven, around 1918. Image from A Modern History of New Haven and Eastern New Haven County (1918).

The church in 2018:

St. Mary’s Church is the oldest Catholic parish in New Haven, having been established in 1832. Its first permanent location was on York Street, but later moved to Church Street. However, in the early 1870s the growing parish began constructing a new building here on Hillhouse Avenue, in the midst of an upscale, largely Protestant neighborhood. The stone, Gothic-style church was dedicated in 1874, and it was the work Irish-born architect James Murphy, who specialized in designing Catholic churches across New England. Murphy’s other churches included the Cathedral of St. Patrick in Norwich, which was constructed around the same time and features a design that is very similar to St. Mary’s here in New Haven.

Perhaps the most notable event here at this church came in 1882, when curate Michael McGivney established the Knights of Columbus. This organization, which served as a Catholic alternative to fraternal societies such as Freemasonry, was intended to provide support for the working-class immigrants of the parish, particularly for widows and orphans. It began here in the basement of the church, but it soon spread around the country, and today has a membership of nearly 2 million. However, the Knights of Columbus are still headquartered in New Haven, albeit in a much larger building, and Father McGivney’s remains are interred here in the church.

A century after the first photo was taken, St. Mary’s Church is still standing, and it is still an active Roman Catholic parish. Over the years, its surroundings have changed as Yale University steadily expanded its campus northward along Hillhouse Avenue, but the exterior of the church still looks much the same as it did when it was completed. The only significant difference is the spire at the top of the tower. Although designed with a spire, the church did not have one until 1986, when the Knights of Columbus donated one that matched Murphy’s original plans.

Yale Old Campus, New Haven, Connecticut

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The Old Campus at Yale University, as seen looking north from the southeast corner of the quadrangle, around 1918. Image from A Modern History of New Haven and Eastern New Haven County (1918).

The scene in 2018:

This view shows the north side of the Old Campus at Yale, taken from from near Connecticut Hall at the southeast corner of the quadrangle. The scene in the foreground was originally the site of the Old Brick Row, a row of seven late 18th and early 19th century buildings that ran perpendicular to the buildings in the distance. However, by the late 19th century, Yale began converting this block, bounded by College, Chapel, Elm, and High Streets, into a quadrangle, with Gothic-style buildings along the perimeter of the block. As a result, the Old Brick Row was eventually surrounded by new construction, and all of the old buildings were demolished by the turn of the 20th century except for Connecticut Hall, which still stands.

Two of the first buildings that were completed under this new plan were Durfee Hall, located in the right center of the photo, and the Battell Chapel, located on the far right. These were completed in 1871 and 1876, respectively, and both were designed by Russell Sturgis, a noted architect whose other works included the nearby Farnam and Lawrance Halls. By the time the first photo was taken around 1918, this scene also included Dwight Hall (1886) on the far left, and Wright Hall (1912) in the left center, which had replaced the earlier Alumni Hall on that site.

Although the Old Campus underwent dramatic changes in the 50 years before the first photo was taken, very little has changed in the century since then. The Battell Chapel is still standing, as are Durfee and Wright (now Lanman-Wright) Halls. Both of these – along with the other dormitories on the Old Campus – are now used to house freshman, who live here until moving into one of the school’s residential colleges at the start of their sophomore year. The only significant difference between these two photos is the loss of Dwight Hall, which was demolished in 1926 in order to provide greater visibility of the Harkness Tower from the Old Campus. However, the name lives on with the old library building, which was subsequently renamed Dwight Hall, and it is both the home and namesake of Dwight Hall at Yale, an organization that comprises a number of service-based groups on campus.