Rose Cottage, Springfield, Mass (2)

Another view of the Rose Cottage, this time taken at its new location on Mulberry Street, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

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The house in 2016:

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This house, once known as Rose Cottage, is the same as the one in the previous post, but in a different location. As mentioned in the other post, it was originally built in 1824 on Chestnut Street as the home of Elisha and Eunice Edwards. After Eunice’s death in 1875, Edwards Street was developed through the property, but the house was preserved. It was moved to 57 Mulberry Street, and her daughter, Charlotte Edwards Warner, lived here until her death in 1916.

Warner was an author who wrote A Chronicle of Ancient Chestnut Street, a short book that gives historical accounts of the old houses on Chestnut Street, including Rose Cottage. She also wrote a poem, “The Old House,” which was published in 1907 in The Poets and Poetry of Springfield in Massachusetts. Although the house is not specifically identified, it seems unmistakable that Warner was referring to the home where she and her nine siblings were born and raised:

“The Old House”

          Still the sun shines
Shines luminously bright
          On the white wall.
Deserted is the home:
Strangers will hither come,
Still will the sun give light
          Alike to all.

          Many thoughts rise
As my memory glides
          Over the past;
Bringing the dead to life,
Now freed from mortal strife;
Passed o’er the surging tides
          Peaceful at last.

          Children I see,
Lovely they were to me
          As the May morn;
But soon the angel Death
Received their parting breath;
They to Eternity
          Onward were borne

          Matron and maid
Passed through the valley’s shade
          In the deep sea:
Strong was the maiden’s heart
Loving the better part;
In God her hope was staid
          So trustingly.

          Still the sun shines
Through the wide open blinds
          On the white wall:
No shadow passes near,
No friendly voice I hear,
No one the beggar finds
          Answers his call.

          On each fair morn
I raise my eyes to see
          The vision bright
And, as the glad sunshine
Enters this heart of mine,
Spirits there seem to me
          Bathed in its light.

By the time the first photo was taken, the house was no longer in the Edwards family. However, just as the home had likely inspired Warner’s poem, Mulberry Street also found itself memorialized in literature. In 1937, a year or two before the first photo was taken, Springfield native Theodor Geisel published his first children’s book, And to Think That I Saw It on Mulberry Street, written under his pen name of Dr. Seuss.

Today, the old Rose Cottage home is still standing on Mulberry Street. With simple Greek Revival architecture, it is very different from the more elaborate homes on the street, which date to the late 19th and early 20th centuries. Its significance, though, seems to have gone mostly unnoticed. Aside from a single article in the Springfield Republican a century ago, I have found little about this house. Having been built in 1824, it is among the oldest buildings in the downtown area, and it is the last of the original Chestnut Street homes still standing in the city, yet information about the house is fairly scarce. However, its exterior nonetheless remains well preserved. Aside from the loss of the porch, very little has changed from the 1930s view, and as the photo in the previous post shows, it looks essentially the same as it did when it stood on Chestnut Street.

Rose Cottage, Springfield, Mass (1)

Rose Cottage, on Chestnut Street at the present-day corner of Edwards Street, sometime in the 1800s. Image from A Chronicle of Ancient Chestnut Street (1897).

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The scene in 2016:

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This house on Chestnut Street was built in 1824, at the time when the street was first being developed. Unlike some of its more elaborate neighbors, this house was a fairly simple, modest Greek Revival-style home. Its original owner was Elisha Edwards and his wife Eunice, who had been married in 1821 and moved in here three years later. They had a total of ten children before Elisha’s death in 1840, including Oliver Edwards, who was born here in 1835. He joined the Civil War as a lieutenant in 1861, but soon moved up the ranks, eventually commanding the 37th Massachusetts at the Battle of Gettysburg and later retiring as a brevet major general. One of Elisha and Eunice’s grandsons, Clarence R. Edwards, was also a prominent general, achieving fame in World War I.

Soon after Eunice’s death in 1875, the house became one of the first to disappear from Chestnut Street. Chester Harding’s nearby estate had been demolished a few years earlier to build Mattoon Street, and the Edwards house, which had been known as Rose Cottage for the many roses that grew up the side of the house, soon fell victim to progress. Edwards Street was laid out through the property, and the old house was directly in its path. Thankfully, though, it was not completely lost to history. Sometime before 1882, the house was moved about a half mile away to 57 Mulberry Street, where it still stands today.

In the meantime, the area that had once been the Edwards’ backyard is now part of the Quadrangle, which houses the city’s museums, including the Museum of Springfield History on the left. Only a handful of homes are still standing on Chestnut Street today, none of which date back to the 19th century. Several were built in the first decade of the 20th century, though, including the house at 73 Chestnut Street, on the right side of the 2016 photo. Built in 1901 as a private home, it is now used for professional offices.

Whistler House, Springfield, Mass

The former home of George Washington Whistler on Chestnut Street near the corner of Edwards Street, sometime in the 1800s. Image from A Chronicle of Ancient Chestnut Street (1897).

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The scene in 2016:

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Perhaps no house in Springfield has been home to as many historical figures as this one was, so it seems only appropriate that the Museum of Springfield History is now located on the site. The house was built in the 1820s by Simon Sanborn, who built a number of buildings in Springfield during the early 19th century, including the architecturally-similar Alexander House. When this spacious, 20-room house was completed, Chestnut Street was Springfield’s most prestigious residential street, and the home enjoyed unobstructed views of downtown and the Connecticut River in the distance.

Its original owner was James Sanford Dwight, a merchant and member of the prominent Dwight family who died while vacationing in Italy in 1831. Several years after his death, the house was briefly the home of Chester Harding, a notable portrait artist. He was born in Conway, Massachusetts, but he worked as an itinerant painter in the western states, living for a time in Pittsburgh, Kentucky, and St. Louis. After this, he spent time in England, then returned to the US, living in Boston for a few years. By the early 1830s, he was living in Springfield, first renting the Alexander House and then moving into this house. He only remained here for a short time, though, before building a new house just to the left of here, on the site of present-day Mattoon Street.

Despite Harding’s prominence, he would turn out to be only the second most famous artist to reside in the house in the first photo. After he moved out, it was the home of George Washington Whistler and his family from 1839 to 1842. Whistler had been hired as chief engineer for the Western Railroad, which was under construction from Worcester to the New York state line at the time. He achieved fame in his own right as a railroad builder, and left Springfield in 1842 when Czar Nicholas I of Russia hired him to build a railroad from St. Petersburg to Moscow. However, his son James Abbott McNeill Whister, who was just eight when they moved from Springfield, would go on to become one of the most prominent American artists of the 19th century. Although he only spent three years here, it is interesting to consider what influence, if any, their next-door neighbor Chester Harding may have had on the young future artist.

After the Whistlers left, its next resident was Major James Ripley, the commandant of the Springfield Armory from 1842 to 1854. He was third consecutive nationally-prominent figure to live in the house, and earned recognition for his efforts to modernize the Armory. Under his leadership, many new buildings were constructed, including the distinctive Main Arsenal, as well as the nearby Commandant’s House. The latter was completed in 1846, at which point Ripley moved out of his house here on Chestnut Street. Although he left Springfield in 1854, his reforms came just in time. When the Civil War started less than a decade later, the Armory was in an ideal position to meet the wartime demands of the Union army.

The house was later owned by Ethan Chapin. He and his brother Marvin were the co-owners of the Massasoit House, the city’s premier hotel during the 19th century. After his death in 1889, his Chestnut Street home went through several other owners, including Dr. Frederick Sweet and his wife Adeline. However, by the turn of the century, its location was no longer as fashionable as it had been some 75 years earlier, and the house fell into disrepair. It was demolished in the mid-1920s, and although the historical significance of its former residents was recognized at the time, there does not seem to have been any call to preserve it at the time. The site was later redeveloped, though, and it is now the home of the Lyman and Merrie Wood Museum of Springfield History, which is seen in the 2016 photo.

Chester W. Chapin House, Springfield, Mass

The Chester W. Chapin House at 149 Chestnut Street, just south of Bridge Street, around 1893. Image from Sketches of the old inhabitants and other citizens of old Springfield (1893).

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The scene in 2016:

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One of Springfield’s most prominent residents of the 19th century was Chester W. Chapin, a businessman and politician who lived here in this home on Chestnut Street for nearly 40 years. Chapin was born in Ludlow, Massachusetts in 1798, and was the youngest of seven children. The family soon relocated to Chicopee, at the time still part of Springfield, where his father died in 1806, just 10 days before Chester’s eighth birthday. As a young adult, he worked for $1.50 a day, building foundations for the cotton mills in Chicopee, and he later took a job as a clerk for his brother Erastus, who owned the old Parsons Tavern in Springfield.

Chapin soon went into business for himself, and in the early 1820s he opened a store in Chicopee. From here, he went on to make a series of  business investments, starting around 1826 when he purchased an interest in the Hartford to Brattleboro stagecoach line. His portfolio expanded in 1831 when he purchased a steamboat line from Springfield to Hartford, and along with this he also owned large interests in several other steamboat companies.

Stagecoaches and steamboats were soon to become largely obsolete, though, and in 1844 Chapin wisely sold his investments and purchased the Hartford & New Haven Railroad. In 1850, he became president of the Connectict River Railroad, which had just been completed from Springfield north to the Vermont border. With these two railroads, he controlled largely the same transportation corridor that had once been served by his stagecoaches and steamboats, but his most significant role as a railroad executive came in 1854, when he became president of the Western Railroad. Extending from Worcester to Albany, this line was later merged with the Boston and Worcester  Railroad in 1867 to form the Boston and Albany Railroad, and Chapin became the new company’s first president.

Aside from his railroad interests, Chapin founded the Agawam Bank in 1846, serving as its first president and later as a director. He was also a director of the New York Central Railroad, the Springfield Fire and Marine Insurance Company, Springfield Gas Light Company, Chapin Bank, Parsons Paper Company, and a number of other companies. By the 1860s, he was among the wealthiest men in the city, as seen in his 1865 income of $78,886, equivalent to over $1.2 million today. Only two other residents of the city, pistol manufacturers Horace Smith and Daniel Wesson, had a greater income that year.

Chapin built this house on Chestnut Street in 1844, the same year that he started investing in railroads. Like most of the other mansions on the street in this era, its design was heavily influenced by the Greek Revival style, but it also shows elements of Italianate architecture, such as the overhanging eaves and the cupola, which would become more popular by the middle of the century. Because this area of Springfield was still sparsely developed, the house was on a large lot that extended behind it, almost all the way to Spring Street.

During the time that he lived in this house, Chapin also served one term in the US House of Representatives, from 1875 to 1877, before being defeated in his re-election bid. He was one of only two Democrats to represent Springfield in the House prior to the mid-20th century. For years, Western Massachusetts was a Republican stronghold, and no other Democrats would be elected to Congress from Springfield’s district until Foster Furcolo in 1949.

Chapin died in 1883 at the age of 84, and the house was owned by his family for the next 30 years. By the early 1900s, though, the property, with its large backyard, was valuable commercial real estate. It was demolished in 1913, and Winter Street was developed through the lot. Here along Chestnut Street, the Willys-Overland Block was built on the left side, and another brick commercial block was built on the right side, where a parking lot is located today.

Main and Foster Streets, Worcester, Mass

The southeast corner of Main and Foster Streets, around 1895. Image from Picturesque Worcester (1895).

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The scene in 2016:

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The building on the left side of the photo, at the corner of Main and Foster Streets, was built in the early 1840s as the first meeting house for the Universalist church. The congregation had been established in 1841, and after nearly 30 years in this building they moved into a new, larger one on Pleasant Street in 1871. After they left, the building became Continental Hall, and stood here until 1906, when it was demolished to build the present Worcester County Institution for Savings building.

Just to the right of the old church site is the oldest surviving structure in the 2016 scene, although it is hard to tell from its current appearance. Built around 1855 as home to the People’s Mutual Fire Insurance Company, it has undergone some significant changes over the years. Its original tenant went out of business after sustaining heavy losses from fires in Boston and Chicago in the early 1870s, and in 1873 the Worcester Mutual Fire Insurance Company purchased and renovating it, adding a mansard roof in keeping with Second Empire style architecture of the time. It was again altered around 1935 with a new facade, and today there is little visible evidence left of the original structure.

Next to the People’s Block is another historic building, which has survived far more intact from its late 19th century appearance. Known as Grout’s Block, the five-story Second Empire structure was built in 1871 by local businessman Jonathan Grout. Nearly 150 years later, it is still standing. Despite some changes to the exterior of the first two floors, it otherwise remains well-preserved and is easily recognizable from the first photo.

Calvinist Church, Worcester, Mass

Looking south along Main Street from near School Street in Worcester, with a view of the Calvinist Church building, sometime between 1865 and 1885. Image courtesy of the New York Public Library.

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The scene in 2016:

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Organized in 1820 after a split with the First Church, the members of the Calvinist Church met in different locations in Worcester until 1825, when this building was completed on Main Street, just North of George Street. It was built on the property of Daniel Waldo, a prominent local merchant who provided the land and paid the $14,000 construction costs. Architecturally, it fit in with the popular Greek Revival design of New England churches at the time, which most prominently included a portico with a triangular pediment, supported by large pillars.

Although located in the northern part of downtown Worcester, as the city grew this area became more commercially developed, as the first photo shows. Because of this, in 1885 the church moved into a new building a few blocks north of here, and the old 1825 building was subsequently demolished.

Today, the only building left from the first photo is the Elwood Adams Block, just to the right of the church. It was built in 1831 as a two and a half story commercial building, similar to the one next to it in the first photo, but in 1865 it was extensively renovated, adding two floors and an Italianate-style facade. At some point after the photo was taken, several other historic buildings were added to this scene. On the far right is the 1885 Armsby Block, and further down Main Street on the left side of the photo is the 1905 Thule Building. Along with the much older Elwood Adams Block, these buildings are all listed on the National Register of Historic Places.