1900s

Trinity Church on the Green, New Haven, Connecticut (2)

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The Trinity Church on the Green, at the corner of Chapel and Temple Streets in New Haven, around 1900-1915. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The church in 2018:

As discussed in an earlier post, Trinity Church was one of three churches that were built on the New Haven Green in the mid-1810s. However, unlike the other two, which were Congregationalist churches designed in the typical Federal-style architecture of the period, the Episcopalian Trinity Church featured a very early Gothic Revival design. Completed in 1816, it was the work of prominent Connecticut architect Ithiel Town, and it is perhaps the first Gothic church to be built in the country. Unlike the neighboring Congregationalist churches, which were built of brick, the exterior of Trinity Church was made of trap rock, quarried from the nearby East Rock. The top of the tower, however, was originally built of wood, and the Town’s design also featured wooden balustrades along the roofline.

The most significant exterior change to the church came in 1871, several decades before the first photo was taken, when the wooden tower was rebuilt of stone. During this renovation, the rotting wooden balustrade was also removed, and was not replaced. Other changes that were done before the first photo was taken included the installation of stained glass windows, and the addition of the pyramidal spire on the top of the tower. Aside from this, the exterior remained largely unaltered from its early 19th century appearance, although the interior has seen some significant changes, including a major renovation by architect Henry Austin in the late 1840s.

Today, very little has changed since the first photo was taken more than a century ago. The pyramidal spire has been removed, although it was not original to the church anyway, and the rest of the exterior has been well-preserved. Along with the other two neighboring churches, it is now part of the New Haven Green Historic District, which was designated as a National Historic Landmark in 1970. Much of the area around the church has also remained largely unchanged, including the Green, which still serves as a park in the center of the city. Both photos also show part of the Old Campus of Yale University, particularly Phelps Hall, which stands in the distance to the right of the church in both photos.

Center Church and United Church, New Haven, Connecticut

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Center Church and United Church, as seen looking west on the New Haven Green, around 1900-1915. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

This view shows two of the three historic churches that were built on the New Haven Green in the 1810s. The oldest of these, on the left side of the scene, is Center Church, which was completed in 1814. It was built of brick, and featured a Federal-style that was designed by Asher Benjamin and Ithiel Town, two Connecticut-born architects who were among the leading American architects of the early 19th century. Like many New England churches of this period, it featured a columned portico, along with a tall, multi-stage steeple that rose above it.

Although not readily apparent in this view, one of the more unusual features of Center Church is its basement. Throughout the colonial era, this section of the Green served as New Haven’s burial ground, and an estimated 4,000 to 5,000 bodies were interred here. Center Church was built in the midst of this cemetery, but rather than removing the remains or the headstones, the church was simply built above them. The ground became the floor of the basement, but otherwise the graves were not disturbed, and the headstones are still well-preserved today. However, this was only a small portion of the entire cemetery. The rest of the headstones, which are once located around the outside of the church, were moved to Grove Street Cemetery in 1821. The remains themselves were not disinterred, though, and they are still buried here under the Green.

In the meantime, Center Church was joined by two other churches in the mid-1810s. To the right of it, at the corner of Temple and Elm Streets, is the United Church, which was completed in 1815. It was, along with the neighboring Center Church, a Congregationalist church, and it likewise had very similar architecture. There is some disagreement among historic sources over who the architect was, but it appears to have been Ebenezer Johnson, Jr. His design was likely influenced by Center Church, but the United Church does have some differences, such as a lack of a portico, and it featured a shorter steeple with a rounded top, instead of a tall pointed spire.

The third church to be built here on the Green was Trinity Church, completes a year after United Church in 1816. Although not visible in these photos, it featured Gothic-style architecture that sharply contrasted with its Federal-style neighbors, and was one of the first Gothic churches to be built in the country. Today, all three of these church buildings are still here, and they are all contributing properties in the New Haven Green Historic District, which was designated as a National Historic Landmark in 1970. Overall, very little has changed in this scene, and even many of the buildings in the distance have remained. These include another historic church, the First and Summerfield United Methodist Church, which can be seen in the background just beyond and to the left of the United Church. It was built in 1849, with a design similar to these other two churches, and it still stands at the corner of Elm and College Streets.

Old Campus, New Haven, Connecticut

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The Old Campus of Yale University, seen looking west from the New Haven Green, around 1900-1915. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

This scene has hardly changed in more than a century since the first photo was taken, yet it would have looked very different just a couple decades earlier, when the Old Brick Row still stood here. Constructed between 1752 and 1824, this group of seven building comprised the bulk of the Yale campus until the late 19th century, when they were steadily replaced by more modern Gothic-style buildings, as seen in the first photo. This transition also marked a dramatic shift in the layout of the campus. Unlike the Old Brick Row, which had been built in a single line that was set back from the street, these new buildings were constructed right up against the street, along the entire perimeter of the block, with a large quadrangle in the center.

These two photos show the east side of the Old Campus, which consists of a group of five buildings along College Street. The oldest of these is Farnam Hall, which stands second from the right. It is somewhat difficult to distinguish from the other buildings, but it is identifiable by its somewhat lower roof line. It was completed in 1870, and was the first of the dormitories to be built under the new campus plan. Immediately to the right of it, on the far right side of the scene, is the Battell Chapel, which was completed in 1876, and to the left of Farnam Hall is Lawrance Hall, a dormitory that was completed in 1886. All three of these buildings, along with nearby Durfee Hall, were designed by noted architect Russell Sturgis, and they all feature the High Victorian Gothic style of architecture that was popular during this period.

The two buildings on the left side of the scene were built a few years later. They were architecturally similar, although their style could perhaps best be described as English Gothic. As explained in a previous post, these were also designed by prominent architects. To the left is Welch Hall, a dormitory that was completed in 1891 and was designed by Bruce Price. The final link in this row of buildings, Phelps Hall, was built five years later. It was designed by Charles C. Haight, who gave it the appearance of a medieval gatehouse. On the ground floor is the Phelps Gate, which serves as the main entrance to the Old Campus from the east, and the upper floors were built with recitation rooms.

Several more buildings would be added to the Old Campus after the first photo was taken, but otherwise the quadrangle was largely complete by the time Phelps Hall was constructed. This particular view has hardly changed at all. The buildings have seen only minor exterior alterations, and the only new building visible in the present-day scene is the Harkness Tower, which was completed a block away from here in 1922, and can be seen in the distance just to the left of Phelps Hall. Another building of interest, which appears in both photos, is Connecticut Hall. Visible in the distance on the far left side of the scene, it is the only surviving building from the Old Brick Row. It was built in 1752, and although threatened with demolition at the turn of the century, it was ultimately restored, and it now stands as the oldest building on the Yale campus.

Welch Hall and Phelps Hall, New Haven, Connecticut

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Welch Hall (left) and Phelps Hall (right), on the campus of Yale University, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

Although at first glance they appear to be part of the same building, these are actually two different buildings, and they form part of the perimeter of the Old Campus at Yale. The older of the two is Welch Hall, the four-story building on the left side. It was completed in 1891 as a dormitory, and was donated by the family the late Harmanus M. Welch, a businessman who had also served as mayor of New Haven from 1861 to 1863. The exterior was constructed of Longmeadow brownstone, a popular building material of the period, and its Gothic-style design was the work of the prominent architect Bruce Price, who had also designed the adjacent Osborn Hall several years earlier.

Just to the right of Welch Hall is Phelps Hall, which was completed in 1896. Its architect was Charles C. Haight, who also designed a number of other buildings on the Yale campus, including several buildings for the Sheffield Scientific School. His design for Phelps Hall filled the narrow gap between Welch and Lawrance Halls, and it was made to resemble a medieval gatehouse, complete with turrets on each corner and crenelations in between them. On the ground floor is the Phelps Gate, the main entrance to the Old Campus from the east. The upper floors were built with recitation rooms, and the building originally housed offices for the campus police as well. Its namesake was the late William Walter Phelps, an 1860 Yale graduate who served as a Congressman and as ambassador to Germany and Austria-Hungary, and it was donated by his family in his honor, following his death in 1894.

Today, nearly 120 years after the first photo was taken, almost nothing has changed about this scene. Both Welch Hall and Phelps Hall are still standing with few noticeable alterations, and even the fence along the New Haven Green is still there. Welch Hall continues to be used as a dormitory, housing the freshmen of Davenport College. From this angle, the only noticeable exterior differences are the addition of skylights on the roof, and the closing of what used to be the front entrance of the building. Next to Welch Hall, the Phelps Gate is still a main entryway into the Old Campus, and the floors above it in Phelps Hall are now the home of the Department of Classics and the Classics Library.

College Street from Chapel Street, New Haven, Connecticut

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Looking north on College Street from the corner of Chapel Street in New Haven, around 1900-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

These photos were taken from about the same spot as the ones in the previous post, just angled a little to the right to show the view up College Street. As mentioned in that post, this site has long been important in Yale’s history, starting with the construction of its first building in New Haven in 1718. Over a century later, a rail fence was built here along the perimeter of the campus, and for many years it was a popular hangout spot for Yale students, who would sit and socialize on the fence. However, by the time the first photo was taken at the turn of the 20th century, the old fence was gone, having been replaced by a group of new buildings.

The most visible of these buildings is Osborn Hall, which was used for recitation rooms. It was completed in 1890, with a Romanesque-style exterior that was designed by noted architect Bruce Price. Just beyond it is Welch Hall, a dormitory that was completed a year later and was also designed by Price. Further in the distance, and mostly obscured by trees in the first photo, is Phelps Hall. This building, with its tower-like design and distinctive gate leading into the Old Campus, was completed in 1896, and it is the newest building in the first photo.

Today, this scene looks significantly different from the first photo, thanks to the loss of the trees and the demolition of Osborn Hall. The trees, which once lined both sides of College Street, appear to have been some of New Haven’s ubiquitous elm tees. However, the trees in Elm City, along with those across the rest of the country, were decimated by Dutch Elm Disease in the mid-20th century. Osborn Hall is also gone, having been demolished in 1926 to construct Bingham Hall, a dormitory that now stands on the site. Further in the distance, though, there are some surviving features from the first photo, including both Welch Hall and Phelps Hall, which still comprise part of the Old Campus at Yale.

Osborn Hall, New Haven, Connecticut

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Osborn Hall, at the northwest corner of College and Chapel Streets on the campus of Yale University in New Haven, around 1901. Image taken by William Henry Jackson, courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

This site, at the corner of College and Chapel Streets, was the location of the first building on Yale’s New Haven campus. Established in 1701 as the Collegiate School, it was originally in modern-day Clinton, Connecticut, and it moved several times before eventually coming to New Haven in 1716, where it was subsequently renamed Yale College. The first building, known as the College House, was completed here in 1718. It was the only building on campus during its early years, and it stood here until its demolition in the late 18th century.

By the 1830s, the perimeter of the Yale campus was marked by a rail fence that ran along the streets. Aside from serving as both a literal and symbolic boundary between Yale and the rest of New Haven, the fence also became a popular spot for socializing, where up to several hundred students could be found seated on the rails at any given time. At the time, the fence encircled the Old Brick Row, a collection of late 18th and early 19th century buildings that were set back from the streets. By the late 19th century, though, the school had adopted a new campus plan, consisting of new buildings on the edges of the streets, with a quadrangle where the Old Brick Row had once stood.

As a result, the old fence was steadily replaced by these new buildings, which were constructed over a period of several decades. The last surviving section of the fence was here on this corner, and it remained a popular gathering place into the 1880s. However, this busy intersection was too prominent a space to have occupied by just a rustic rail fence, especially when the school was in the midst of dramatically transforming its appearance. The fence was ultimately removed in 1888, in order to make room for Osborn Hall, which was built on the site.

Osborn Hall was a gift of Miriam Osborn, who gave $150,000 to construct a recitation hall in memory of her husband, Charles J. Osborn. The building was designed by prominent architect Bruce Price, whose subsequent works include the adjacent Welch Hall, and its exterior was an excellent example of Romanesque-style architecture. Even Yale’s rival school praised the design, with the Harvard Crimson declaring, shortly before its completion, that “when finished will be one of the finest buildings belonging to the college, as well as the best equipped building of the kind in the country,” and that “In every way the building is to be as near perfection as it can possible be made.”

The building was largely completed by the end of 1889, and was formally dedicated on January 7, 1890, with college president Timothy Dwight V delivering the keynote address. However, despite its architectural grandeur, the construction of Osborn Hall was highly controversial, especially since it replaced the humble yet much-beloved rail fence. Among the many critics was Isham Henderson, who wrote about it less than a decade later in the February 1899 issue of the Yale Literary Magazine. He viewed the loss of the fence as a sign of the times, epitomizing the Gilded Age emphasis on money, progress, and ostentation. Henderson believed that tradition, such as fence sitting, was more important than a grand new building, writing:

It is by these class customs that college spirit is fostered, and it is in them that a large part of the college training, by many considered larger and more valuable than all the curriculum of the recitation room is acquired. . . . Osborn Hall set a precedent for displacing the old Yale for the new. . . . It lies with the next president to decide whether internal arrangement is to be sacrificed to external show, whether traditions and customs and ‘spirit’ are to go down before the demand for luxuries – or whether the old Yale is to be made into the new by rearranging the interior instead of decorating the exterior, and the old spirit preserved in defiance of wealth and aristocracy.

Regardless of nostalgia for tradition, though, Osborn Hall proved to be further from perfection than the Crimson had predicted. Its location at a busy intersection made it a prominent landmark on the Yale campus, yet this same intersection also made it difficult to hold classes here, because of the unceasing traffic noise just outside the windows. As the first photo shows, this included pedestrians, horse-drawn carriages, and trolleys, and within a few years automobiles would also be added into this mix. This problem was mentioned in the 1915 Reports of the President and Secretary of Yale University, which noted:

There are numerous requests from members of the Faculty for better recitation rooms. Osborn Hall grows more and more unpopular and this building is used under protest. During the year the route of the Winchester Avenue cars has been changed, and this heavy traffic now passes along College Street directly beneath the windows of Osborn, rendering it almost useless for lecture purposes. In order to meet the very reasonable requests of the instructors assigned to these noisy recitation rooms, a large hall on the second floor of the University building on High Street is being fitted up for lecture purposes and will be used for certain classes now held in Osborn Hall.

Osborn Hall was ultimately demolished in 1926, just 36 years after its completion. Its much larger replacement was Bingham Hall, an eight-story dormitory that was named in honor of Cleveland businessman, philanthropist, and Yale graduate Charles W. Bingham, whose children provided funds to construct it. The new building was completed in 1928, with a Gothic-style exterior that blended in with the rest of the campus much better than the Romanesque-style Osborn Hall had managed to do. Bingham Hall is still standing today, as are the neighboring Vanderbilt and Welch Halls, which are barely visible on the far left and far right sides of the first photo.