The Elms, Newport, Rhode Island (1)

The gardens on the south side of The Elms in Newport, in 1914. Image taken by Frances Benjamin Johnston, courtesy of the Library of Congress, Johnston Collection.

The scene in 2018:

The first photo is from a lantern slide that was taken by Frances Benjamin Johnston, who was among the first prominent American women photographers. One of her specialties was garden photography, and in 1914 she took some photos of the gardens at The Elms, the summer estate of the Berwind family in Newport. These photos were taken in black and white, as color photography was still in its infancy at the time, but the resulting glass lantern slides were then hand colored, and Johnston used them in various lectures that she gave to garden clubs, museums, and other organizations.

This scene shows the gardens at the southwest corner of The Elms. The house had been constructed between 1899 and 1901, and it was used as the summer residence for Edward Julius Berwind, a Philadelphia native who had founded the Berwind-White Coal Mining Company. After making his fortune in the coal industry, Berwind joined the many other Gilded Age aristocrats who were building palatial homes here in Newport. He hired noted architect Horace Trumbauer to design the house, which was modeled after the Château d’Asnières, and the grounds were laid out by Ernest W. Bowditch, a landscape architect whose other Newport commissions included the grounds of The Breakers. Overall, the house cost about $1.4 million to build, equivalent to over $40 million today.

The house remained in the Berwind family for over 60 years. Edward and his wife Sarah had no children, but after her death in 1922 and his death in 1936, the property was inherited by his sister Julia. By this point, in the midst of the Great Depression, the heyday of the grand Newport mansions had passed. Such homes were increasingly seen as white elephants from a previous era, and many were either demolished or converted into different uses. However, life here at The Elms remained largely unchanged through all of this, with Julia continuing to spend her summers here, accompanied by 40 servants who ran the house.

The Elms was ultimately one of the last of the large Newport mansions to be staffed by such a retinue servants, and it was also one of the last that was still owned by its original family. This continued until 1961, when Julia Berwind died at the age of 96. Her nephew, Charles E. Dunlap, who was himself in his 70s at the time, then inherited the house. He had no interest in taking on the expense of maintaining the house, though, so he subsequently sold the property to a developer who intended to demolish the house and replace it with a shopping center.

This demolition nearly occurred in 1962, but at the last minute the property was sold to the Preservation Society of Newport County, becoming one of the organization’s many historic house museums here in Newport. Today, The Elms remains open to the public as one of the largest of the Gilded Age Newport mansions. Along with the house itself, the grounds have also been well-preserved during this time, including the sculptures visible here. Overall, very little has changed in this scene, with the gardens still looking much the same as they did when Frances Benjamin Johnston photographed them more than a century ago.

Old Newgate Prison Gates, East Granby, Connecticut

The front gates of the Old Newgate Prison in East Granby, around 1895. Image from The Connecticut Quarterly (1895).

The scene in 2018:

The Old Newgate Prison opened in 1773, in an abandoned copper mine in Granby – now present-day East Granby – Connecticut. The prisoners were housed underground in the old mine tunnels, with the idea that this would be a virtually escape-proof facility. However, the prison proved far less secure than its proponents had anticipated, and it was practically a revolving door in its early years, with some prisoners escaping almost as soon as they arrived.

During its first nine years in operation, more than half of the inmates who were confined here had reportedly escaped, and the above-ground buildings were burned on three separate occasions as part of escape attempts. Nonetheless, the facility remained in use, and in 1790 it became a state prison. A number of new buildings were constructed in the following years, and a new wooden fence was constructed around the perimeter of the prison yard in 1790. However, this was replaced by a more substantial stone wall in 1802, as shown here in these two photos.

The prison ultimately closed in 1827, and all of the inmates were transferred to the newly-built state prison in Wethersfield. This site was subsequently used again for copper mining, in the 1830s and 1850s, but neither attempt was particularly successful. In the meantime, most of the old prison buildings fell into ruin. By the time the first photo was taken in the 1890s, only two of the buildings were substantially intact, and one of these ultimately burned down in 1904.

Newgate had already become recognized as an important local landmark by the turn of the 20th century, and it was a popular destination for curious visitors. The site was eventually acquired by the state of Connecticut in 1968, and it was converted into a museum. Since then, the ruins have been stabilized, and Newgate has been preserved as a National Historic Landmark. As shown in these two photos, the 1802 stone wall has remained particularly well-preserved, and this view of the front gate still looks much the same as it would have to the prisoners who arrived here more than two centuries ago.

Old Newgate Prison Cell Block, East Granby, Connecticut

The cell block building of the Old Newgate Prison in East Granby, around 1895. Image from The Connecticut Quarterly (1895).

The scene in 2018:

As discussed in more detail in the previous post, this site was originally used as a copper mine during the first half of the 18th century. In 1773, the abandoned tunnels were converted into a prison, and for more than 50 years they were used to house convicts from across Connecticut. However, the old mine proved less secure than government officials had anticipated, and from the beginning the prison was plagued with numerous escapes and riots.

By the early 19th century, the prison had expanded to include a number of above-ground buildings, in addition to the old mine tunnels. The present-day stone wall around the complex was added in 1802, providing an additional level of security, but escapes continued to be a problem. Finally, in 1824, the prisoners were moved out of the tunnels and into a newly-completed cell block building, shown here on the left side of the first photo. This four-story building included cells for 50 prisoners, plus living quarters for the guards, prison offices, and a treadmill, where inmates would grind grain by walking on a human-powered wheel.

Despite these improvements, though, Newgate became a target for prison reform advocates, who saw the conditions here as being inhumane. As a result, a new state prison was constructed in Wethersfield, and the Newgate prisoners were transferred there in 1827. Fittingly enough, though, there was one last escape attempt, which occurred here on the night before Newgate closed. An inmate has requested to spend the night in the tunnels, and he used this opportunity to attempt an escape by climbing a rope in the well shaft. However, the rope broke, and he was killed when he fell back down into the mine.

After the prison closed, there were several attempts to continue mining copper here, but with limited success. Instead, Newgate went on to become a local landmark, and its tales were published in several local history books during the 19th century. By the time the first photo was taken in the 1890s, the prison had been abandoned for around 70 years, and many of the buildings had fallen into ruin. However, the 1824 cell block was still largely intact at this point, as shown on the left side of the first photo, and there was even an observation deck that had been added to the roof.

Unfortunately, this cell block building was reduced to rubble only a decade later, after a fire in 1904. This left the old guardhouse as the only intact building in the former prison complex, but the site remained a popular destination for visitors throughout the 20th century. Then, in 1968, the state of Connecticut purchased the property, stabilized the ruins, and opened it as a museum. The work also included digging a new entrance to the mine tunnels, which allowed visitors to descend via a staircase, instead of a vertical mine shaft.

The museum closed in 2009, due to the deteriorating conditions of the ruins. Over the next nine nears, the site underwent major repairs, and it reopened in 2018, around the same time that the second photo was taken. As this photo shows, there is little left of the old cell block, aside from some of the lower walls. The other buildings here, except for the guardhouse, are in a similar condition, but Newgate still holds a great deal of historical significance. It was one of the first copper mines in the American colonies, and one of the first state prisons in the country, and in 1972 it was designated as a National Historic Landmark, which is the highest level of federal recognition for a historic site.

Old Newgate Prison, East Granby, Connecticut

The Old Newgate Prison on Newgate Road in East Granby, around 1895. Image from The Connecticut Quarterly (1895).

The scene in 2018:

By the time the first photo was taken in the mid-1890s, the Old Newgate Prison was already recognized as an important historic landmark. Its history dates back to 1705, when copper was discovered here on the western slope of the Metacomet Ridge. A copper mine was opened here two years later, and it is generally considered to be the first copper mine in the American colonies. It was active throughout the first half of the 18th century, creating a network of tunnels that branched out from a vertical shaft.

The mine was largely abandoned for the next few decades, but in 1773 the underground tunnels were repurposed as a prison. The first warden was John Viets, who kept a tavern across the street from the mine. He provided food and other supplies for the prisoners, while also continuing to operate his tavern, which was known to occasionally cater to the needs of the wealthier prisoners. In 1774, the prison’s first full year of operation, Viets was paid 29 pounds, 5 shillings, and 10 pence for his services, and the following year he received nearly 150 pounds, although these amounts evidently include both his salary and his reimbursement for expenses.

The job of prison warden certainly came with its risks, and the 1892 book Newgate of Connecticut: Its Origin and Early History, by Richard H. Phelps, relates one such incident involving Viets:

At that time no guard was kept through the day, but two or three sentinels kept watch during the night. There was an anteroom or passage, through which to pass before reaching their cell, and the usual practice of Capt. Viets, when he carried their food, was, to look through the gates into this passage, to observe whether they were near the door, and if not, to enter, lock the door after him, and pass on to the next. The inmates soon learned his custom, and accordingly prepared themselves for an escape. When the captain came next time, some of them had contrived to unbar their cell door, and huddled themselves in a corner behind the door in the passage, where they could not easily be seen, and upon his opening it, they sprang upon him, knocked him down, pulled him in, and made good their escape.

Most of these prisoners were eventually recaptured, but this was just one of many such escapes from the old copper mine, which proved less secure than the colonial government had anticipated. In fact, the first recorded prisoner here, convicted burglar John Hinson, escaped after just 18 days, supposedly after a female acquaintance pulled him up via the mine shaft. This was followed by at least four escapes in April 1774, including one convict who escaped just four days into his sentence.

Prisoners here often took drastic measures in their attempts to escape. In 1776, a group of prisoners in the tunnel attempted to set fire to the blockhouse, which was situated at the top of the mine shaft. They succeeded in lighting a fire, but it filled the tunnels with smoke, killing one of the men and nearly suffocating the rest of them. The blockhouse was subsequently rebuilt, but it was soon burned again by the prisoners.

Probably the most dramatic escape from Newgate came in the closing years of the American Revolution, when the facility held a number of Loyalist prisoners. By this point, the prison had significantly increased security, including the addition of a fence and an increase in the number of guards. However, this did not stop a group of about 30 prisoners, mostly Loyalists, from taking control of the prison and escaping, as described by Phelps in Newgate of Connecticut:

On the night of the 18th of May, 1781, the dreadful tragedy occurred which resulted in the escape of all the prisoners. A prisoner was confined, by the name of Young, and his wife wishing to be admitted into the cavern with him, she was searched, and while two officers were in the act of raising the hatch to let her down, the prisoners rushed out, knocked down the two officers, and seizing the muskets of nearly all the rest who were asleep, immediately took possession of the works, and thrust most of the guards into the dungeon, after a violent contest. One of them, Mr. Gad Sheldon, was mortally wounded, fighting at his post, and six more wounded severely.

Some of the prisoners were wounded, but most were able to escape, although many were subsequently recaptured. Newgate continued to be used to imprison Loyalists after this incident, but in 1782 the prison was burned again, enabling the inmates to escape. This was, as Phelps noted, “the third time the prison buildings had been burned in nine years, since its first inauguration, and more than one-half of the whole number of convicts had escaped by various means.”

Newgate became a state prison in 1790, and officials soon set out to improve the facility. That same year, a wooden fence was constructed, creating a prison yard of about a half acre, and a number of new buildings were constructed. Prisoners generally slept in the tunnels, but they came to the surface during the daytime to perform work. The original intention had been to make the prisoners mine for copper, but officials quickly realized that their mining tools could also be used to aid in escaping, so this plan was scrapped. Instead, many prisoners made nails, while others were assigned to walk on the treadmill, a human-powered wheel that ground grain.

In Newgate of Connecticut, Phelps provides the following description of daily life here in the prison:

The hatches were opened and the prisoners called out of their dungeon each morning at daylight, and three were ordered to “heave up” at a time; a guard followed the three to their shops, placing them at their work, and chaining those to the block whose tempers were thought to require it. All were brought out likewise in squads of three, and each followed by a guard. . . .

After a while their rations for the day were carried to them in their several shops. They consisted for each day of one pound of beef or three-fourths of a pound of pork, one pound of bread, one bushel of potatoes for each fifty rations, and one pint of cider to every man. Each one divided his own rations to suit himself – some cooked over their own mess in a small kettle at their leisure, while others disregarding ceremonies, seized their allowance and ate it on an anvil or block. They were allowed to swap rations, exchange commodities, barter, buy, and sell, at their pleasure. Some would swap their rations for cider, and often would get so tipsy that they could not work, and would “reel too and fro like a drunken man.” . . .

All were allowed to work for themselves or others after their daily tasks were finished, and in that way some of them actually laid up considerable sums of money. A little cash, or some choice bits of food from people in the neighborhood, procured many a nice article of cabinet ware, a good basket, a gun repaired by the males, or a knit pair of stockings by the female convicts. . . .

The punishments inflicted for offenses and neglect of duty were severe flogging, confinement in the stocks in the dungeon, being fed on bread and water during the time, double or treble sets of irons, hanging by the heels, &c., all tending to inflame their revenge and hatred, and seldom were appeals made to their reason or better feelings. Most of them were placed together in the night; solitary lodging, as practiced at this day, being regarded as a punishment, rather than a blessing to them.

By the early 19th century, there were a number of new above-ground structures here at Newgate. The current stone fence was built in 1802, replacing the earlier wooden one, and during this period a new brick guardhouse was constructed atop the mine shaft. The nail shop was located on the north side of the yard, and the south side eventually had three buildings along the inside of the wall. In the southeast corner, closest to the foreground in this scene, was the chapel, which was built around 1815. Just to the west of it was a two-story building that housed a cooper shop, hospital, kitchen, and shoemaker’s shop. Furthest to the west, on the far left side of the scene, was a large four-story building that was constructed in 1824. It had several different purposes, with space for the treadmill, rooms for guards, and cells for 50 prisoners.

With the completion of this new building, the prisoners were able to be moved above ground, and the mine tunnels were no longer used on a regular basis. However, Newgate still faced issues of overcrowding and poor conditions for its inmates, and it became a target for prison reformers, who advocated the opening of a new, more humane prison in Connecticut. Throughout the early 19th century, Newgate also continued to have problems with escape attempts and riots, despite the many improvements here since the colonial period.

As a result, a new state prison was constructed in Wethersfield, and the old prison here in Granby – now located within the town of East Granby – was closed for good in 1827. However, in a fitting conclusion to its time as a prison, this facility saw one last escape attempt, which occurred on the last night before the prisoners were transferred to Wethersfield. On that night, a convicted counterfeiter named Abel N. Starkey asked to sleep in the old tunnels. The guards permitted this, and during the night Starkey attempted to escape by climbing up the rope of the well shaft. As he was ascending the shaft, though, the rope broke, and he was killed when he fell back down to the bottom.

After the prison closed, there were several efforts to revive the site as a copper mine, but with little success. For a time, the guardhouse was used as a private residence, with the owner often giving tours to curious visitors. By the late 19th century, much of the prison was in ruins, as shown by the crumbling walls in the first photo, but it had already become a local landmark and a popular tourist destination.

The prison would deteriorate even further in 1904, when a fire destroyed the 1824 cell block building on the left side of the scene. However, the rest of the property continued to be used for a variety of purposes during the first half of the 20th century. The guardhouse served as a dance hall during the 1920s and 1930s, and the grounds were occasionally used for public events and exhibitions.

The state of Connecticut acquired the property in 1968 and converted it into a museum. This included stabilizing the ruins, and digging a new entrance tunnel with stairs, which made it easier and safer for visitors to descend into the old mine. In 1972, the site was designated as a National Historic Landmark, in recognition of its historical significance as one of the first copper mines and one of the first state prisons in the country.

Because of structural problems, Old Newgate Prison was closed to the public in 2009, beginning a nearly decade-long project to stabilize the ruins. However, it reopened in 2018, and visitors can once again tour the remains of the above-ground buildings, and descend into the old tunnels. Following the 1904 fire that destroyed the cell block building, the old guardhouse is the only building here that survives intact, and its roof and chimney are visible beyond the walls in the 2018 photo. Otherwise, though, there have not been many changes in this scene, and the exterior of the prison still looks much the same as it did during the late 19th century.

Chateau-sur-Mer, Newport, Rhode Island

Chateau-sur-Mer on Bellevue Avenue in Newport, around 1903. Image from Seventy-five Photographic Views of Newport, Rhode Island (1903).

The scene in 2018:

Beginning in the mid-19th century, Newport underwent a dramatic transformation from a sleepy colonial-era seaport into one of the most desirable summer resort communities in the country. Bellevue Avenue, and the surrounding area here at the southern end of the island, would eventually become famous for its many Gilded Age mansions, which served as summer residences for prominent families such as the Astors, Vanderbilts, and Belmonts.

Among the first of these grand mansions was Chateau-sur-Mer, which was located on the east side of Bellevue Avenue, near the corner of what is now Shepard Avenue. Its Italianate-style design was the work of local architect Seth Bradford, who designed several other mid-century summer homes in Newport, and the exterior was constructed of granite from nearby Fall River, Massachusetts. The original owner of the house was William S. Wetmore, a prosperous merchant who had made his fortune in the Old China Trade. Wetmore had retired from active business in 1847 when he was just 46 years old, and by this point he had accumulated a net worth of around a million dollars, or about $27 million today.

Wetmore lived here at Chateau-sur-Mer until his death in 1862. He and his wife Anstiss had three children, although their oldest, William, Jr., had died in 1858. Of their two surviving children, their son George inherited this house, while their daughter Annie received a parcel of land on the southern side of the estate, where she and her husband William Watts Sherman would later build a house of their own.

George Peabody Wetmore married his wife Edith in 1869, and beginning the following year the house was renovated and expanded by prominent architect Richard Morris Hunt. His work was inspired by the French Second Empire style, which was popular in America during this time, and it reflected his training in France at the École des Beaux-Arts. By this point, Hunt was already a well-established architect in Newport, but he would subsequently go on to design some of its largest, most opulent mansions, including The Breakers, Marble House, Ochre Court, and Belcourt.

Wetmore went on to have a successful career as a politician. Unlike most of the other wealthy Newport residents, who only lived here during the summer months, he was a year-round resident, and was a prominent figure in Rhode Island politics. He served as governor from 1885 to 1887, and represented the state in the U. S. Senate from 1895 to 1907, and 1908 to 1913. In addition, he was involved in a variety of civic organizations, including serving as a trustee of the Peabody Museum of Natural History at Yale and the Redwood Library and Athenaeum here in Newport, and as president of the Newport Casino.

In the meantime, Chateau-sur-Mer would continue to see renovations to both the interior and exterior, including work by noted architects Ogden Codman and John Russell Pope in the early 20th century. George Wetmore lived here until his death in 1921, and his wife Edith died in 1927. Their two daughters, Edith and Maude, also went on to live here for the rest of their lives. Like her father, Maude was also involved in politics, and although she never held elected office, she was very active within the Republican Party, including serving as president of the Women’s National Republican Club and as a delegate to several National Conventions. She and her sister Edith were also advocates for historic preservation here in Newport, and worked to help preserve several important historic buildings.

Chateau-sur-Mer was one of the first of the grand mansions, and it was also one of the last to still be owned by its original family. Maude Wetmore died in 1951, leaving the house to Edith, who died in 1966. Neither of the sisters had married, so there were no other Wetmore heirs to inherit the property. Even if there had been, these types of summer homes had long since fallen out of fashion, and were generally regarded as expensive white elephants from a bygone era.

Many of the grand Newport mansions were demolished during the mid-20th century, while others were converted into institutional use, such as the nearby estates that now form the campus of Salve Regina University. However, Chateau-sur-Mer was ultimately preserved in its historic appearance, both on the interior and exterior, and in 1969 it was acquired by the Preservation Society of Newport County. It is now one of nine historic properties that are owned by the organization and open to the public for tours, and, as these two photos show, very little has changed in this view since the first photo was taken nearly 120 years ago. Because of its historic and architectural significance, the house was designated as a National Historic Landmark in 2006, becoming one of 18 individual buildings in Newport to be recognized as such.

Audrain Building, Newport, Rhode Island

The building at the northeast corner of Bellevue Avenue and Casino Terrace in Newport, around 1903. Image courtesy of the Providence Public Library.

The building in 2018:

This block of Bellevue Avenue, from Casino Terrace north to Memorial Boulevard, consists of a row of buildings that were designed by some of the most prominent American architects of the late 19th and early 20th centuries. On the northern half of the block is the Travers Block, designed by Richard Morris Hunt, and the Newport Casino, which was one of the first major works of McKim, Mead & White. These were completed in 1872 and 1880, respectively, and they were joined several decades later by the Audrain Building, which is located at the southern end of the block. It was completed in 1903, and it was designed by Bruce Price, a New York architect who was perhaps best known for designing the Château Frontenac in Quebec City.

The Audrain Building was one of Price’s last commissions before his death in 1903, and its design reflected the popularity of Beaux-Arts architecture at the turn of the 20th century. Its most distinguishing exterior feature is the extensive use of multi-colored terra-cotta around the windows and on the cornice and balustrade. The building also has large plate glass windows, in contrast to the much smaller windows of the older commercial buildings on this block.

Upon completion, the Audrain Building had six storefronts on the ground floor, along with space for 11 offices on the second floor. At the time, Newport was one of the most desirable resort communities in the country, and the ground floor housed shops that would have catered to the city’s affluent summer residents. The first photo was evidently taken soon after it was finished, as most of the storefronts appear to still be vacant. However, at least one business seems to have moved in at this point, as the corner of the second floor features advertisements for Morten & Co., wine and cigar merchants. Other early 20th century tenants included Brooks Brothers, which opened a location here in 1909.

Newport’s status as a resort destination began to fade by the early 20th century, particularly after the Great Depression, and the Audrain Building likewise saw a decline. Perhaps most visible was the loss of the balustrade, with its distinctive terra-cotta lion statues, which was damaged in the 1938 hurricane and subsequently removed. The ground floor continued to be used for retail space, with a 1970 photo showing tenants such as a ladies’ apparel shop and a bridal shop, but these storefronts were eventually converted into medical offices.

In 1972, the Audrain Building became part of the Bellevue Avenue/Casino Historic District, which was designated as a National Historic Landmark. However, the exterior remained in its altered appearance throughout the 20th century. Finally, in 2013, the building was sold for $5.5 million, and it then underwent a $20 million renovation and restoration, including creating replicas of the original balustrade and statues. Following this project, the second floor continues to be used for office space, but the ground floor has been converted into the Audrain Automobile Museum, which has a variety of rare cars on display inside the building.