Museum of Fine Arts, Boston (2)

Another view of the Museum of Fine Arts, taken around 1909-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The view in 2015:

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It’s hard to tell, but the Museum of Fine Arts is still there; it is just mostly hidden by the trees in the median of Huntington Avenue. As mentioned in the previous post, this was the second home of the museum, after it outgrew its first permanent building at Copley Square.  Since it opened in 1909, this building has steadily been expanded, with the most recent addition opening in 2010.  From this angle, though, not much has changed.  Even the trolley tracks in the foreground are still there; most of Boston’s trolley lines were replaced with buses in the mid 1900s, but Huntington Avenue’s line is now the E Branch of the MBTA Green Line

Museum of Fine Arts, Boston (1)

The Museum of Fine Arts on Huntington Street in Boston, around 1910-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The museum in 2015:

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This view of the Museum of Fine Arts really hasn’t changed much in the past century, although it is hard to tell with all of the trees blocking the view in the second photo.  The Museum of Fine Arts had been established in 1870, and its first permanent home was opened at Copley Square in 1876.  The original building soon became too small for the museum’s growing collections, though, and in 1899 they purchased this plot of land on Huntington Avenue, a little over a mile west of Copley Square.

The new museum was designed by architect Guy Lowell, who deliberately designed it so that it could easily be expanded as the museum grew and as money became available.  Since then, it has grown substantially beyond its original 1909 footprint, and is now over 600,000 square feet in area.  One major addition was the West Wing, now the Linde Family Wing for Contemporary Art, which was designed by noted architect I.M. Pei in 1981, and the most recent was in 2010, when the new Art of the Americas wing was completed.  It is now one of the largest art museums in the United States, with an internationally-significant collection of nearly half a million works from around the world.  Much of their collection has also been digitized, and it can be viewed online through their website.  At least one of their works, an early photograph by J.J. Hawes, is featured in this blog post about Arlington Street Church.

Horticultural Hall, Boston

Horticultural Hall, at the corner of Huntington Avenue and Massachusetts Avenue in Boston, around 1901-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The building in 2015:

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Horticultural Hall was built in 1901, around the same time as its neighbors, Symphony Hall to the left across Massachusetts Avenue, and Chickering Hall, visible to the right in the first photo.  Chickering Hall has long since been demolished as part of the development of the Christian Science Center in the 1960s, but both Horticultural Hall and Symphony Hall still stand here at the corner of Massachusetts and Huntington Avenues.

The Massachusetts Horticultural Society was founded in 1829 to promote modern practices in horticulture, and this building was the organization’s third facility.  It included a large exhibition hall for plant shows, with would have included the flower show that was advertised on the sign at the corner of the building in the first photo.  The building also had a smaller exhibition hall, a 300-seat lecture hall, a library, and offices.

In more than a century since the first photo was taken, most of the scene has changed.  The buildings in the background have all been demolished, the streetcar line on Huntington Avenue is now underground as the “E” Branch of the Green Line, and Massachusetts Avenue now passes over Huntington Avenue on a bridge in the foreground.  As for the building itself, the Horticultural Society sold the building to the neighboring Christian Science Church in 1992, but its exterior has seen very few changes, and along with the neighboring Symphony Hall it is listed on the National Register of Historic Places.

Symphony Hall, Boston

Symphony Hall, at the corner of Huntington Avenue and Massachusetts Avenue in Boston, around 1904. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The building in 2015:

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Boston’s Symphony Hall is one of many prominent concert halls in this section of Boston, and it has been the home of the Boston Symphony Orchestra and the Boston Pops ever since it opened in 1900.  It was designed by McKim, Mead and White, the same architectural firm that built the Boston Public Library at Copley Square a few years earlier.  Like the library, it is an excellent example of Renaissance Revival architecture, but Symphony Hall is perhaps best known not for its visual appeal, but rather its acoustic properties.  Harvard professor and physicist Wallace Clement Sabine used his knowledge of acoustics to design the auditorium, making it the world’s first concert hall to be scientifically designed in such a way.  Because of this, it is still regarded as one of the best concert halls in the world.

Over the years, this section of the Back Bay has seen some dramatic changes, but Symphony Hall is essentially the same, both on the exterior and interior.  The Boston Symphony Orchestra and the Pops continue to perform here, along with the Handel and Hadyn Society.  With a seating capacity of over 2,000, it has also been used for a number of other civil purposes, ranging from political rallies and inaugurations to business conventions and fashion shows.  In addition, many renowned authors have given lectures here; the building’s National Register of Historic Places registration form identifies many visiting writers from the early 20th century, including Edward Everett Hale, Julia Ward Howe, Booker T. Washington, G.K. Chesterton, Robert Frost, and Sir Arthur Conan Doyle.

Boston Public Library Entrance, Boston

The main entrance to the Boston Public Library on Dartmouth Street, around 1907. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The library in 2015:

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These photos show the detail of the entrance to the Boston Public Library’s main branch at Copley Square.  The history of the library building is explained in more detail in this post, but it was completed in 1895 and served as a precursor to many similar libraries across the country in the early 20th century.  The main entrance reflects the building’s Renaissance Revival architecture, which includes a symmetrical design with arched doorways, as seen here.  Above the central arch is the head of Athena, which was carved by famed sculptors Domingo Mora and Augustus Saint-Gaudens, and further up are three relief sculptures that were also carved by Saint-Gaudens.  The central one features the seal of the Boston Public Library, with a banner above it reading “Lux Omnium Civium,” or “The Light of the People.”  To the left is the seal of Massachusetts, and to the right is the seal of the city of Boston.

The building was designed by Charles McKim of the firm McKim, Mead & White, and it is named the McKim Building in honor of him.  Over 120 years after its completion, it has seen few changes, as the two photos show here.  It was expanded in 1972 to accommodate the library’s growing collections, but there were no major alterations to the original section, and it still Boston’s central library as well as a major architectural landmark in the city.

 

Union Station, Palmer, Massachusetts

Union Station in Palmer, around 1900-1906. Image from the postcard collection of H. Gray, Springfield, Massachusetts.

The scene in 2020:

Palmer is sometimes referred to as the “Town of Seven Railroads,” and although two of these railroads were never actually operated, the town was and still is a major regional railroad center.  The two most prominent of the seven railroads were the Boston & Albany, which ran east-west between those two cities, and the Central Vermont which ran north-south from the Canadian border in Vermont to New London, Connecticut.

These two railroads shared Union Station, with the Central Vermont platform on the left and the Boston & Albany one on the right from this perspective.  It was built in 1883, and although Palmer is a relatively small town, its station was designed by Henry Hobson Richardson. One of the most prominent and influential architects in American history, Richardson’s other works in Massachusetts included Trinity Church in Boston, First Baptist Church in Boston, the Hampden County Courthouse in Springfield, and the Church of the Unity in Springfield.  However, he was also commissioned by the Boston & Albany Railroad to design their railroad stations.  He ended up designing nine stations, including this one, before his death in 1886.  After his death, his successors at Shepley, Rutan and Coolidge designed about 20 more stations based on his style, including the old Union Station in Springfield.

Because of its location as a transfer point between north-south and east-west trains, Palmer was an important stop on the Boston & Albany Railroad; an 1885 timetable shows it as one of just seven express stops along the 200 miles between Boston and Albany.  It was also the primary rail line connecting Boston to the Midwest, and the 1885 timetable shows connecting trains from Palmer to destinations like Buffalo, Cleveland, Detroit, Chicago, Cincinnati, and St. Louis.  By comparison, the Central Vermont Railway was a much less prominent, but it was still one of the major north-south railroads in central and western New England, and Palmer became its primary rail hub south of Brattleboro, Vermont.

Passenger rail entered a steady decline in ridership after World War II, with automobiles replacing trains for short trips and airplanes becoming a legitimate alternative for long-distance travel.  Many small-town stations closed by the 1950s, including nearby stations in Monson and Wilbraham.  However, Palmer remained a stop on the Penn Central Railroad until 1971, when Amtrak absorbed all U.S. passenger rail service and closed Palmer’s station.

Almost 45 years after the last train picked up passengers in Palmer, the historic Union Station is still standing today.  Palmer is still a major railroad hub, although now it is exclusively freight trains that stop here.  The old Boston & Albany line is now operated by CSX, one of the largest railroads in the country, and the Central Vermont is now operated by the New England Central Railroad, whose southern division offices are still here in Palmer, just a little left of where the photo was taken.  A third railroad, the Massachusetts Central Railroad, also operates out of Palmer, and the station is at the southern end of their line.

Despite several decades of deterioration and neglect, the station is still standing.  It has since been restored, and the only major difference to the exterior has been the removal of the covered platform on the Boston & Albany side of the building.  Otherwise, the rest of the station still reflects its 19th century appearance, and it is now the home of the Steaming Tender restaurant.  Because of the busy rail traffic, it is also a popular place for railroad enthusiasts to watch and photograph the passing trains, and the railroad-themed restaurant serves many of these visitors.  The restaurant also has a historic locomotive on display, as seen in the foreground of the 2020 photo, and a 1909 passenger car to the left, which is rented for private events.