Main Street Springfield

Agawam National Bank, Springfield, Mass

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The Agawam National Bank building, at the corner of Main and Lyman Streets in Springfield, around 1892. Image from Picturesque Hampden (1892).

The scene in 2018:

This building was completed in 1870 to house the Agawam National Bank, which had been established in 1846 and had previously occupied an older building here on this spot. The new building was designed by Henry H. Richardson, a young architect who would go on to become one of the leading American architects of the late 19th century. Although best-known today for Romanesque-style churches, railroad stations, and government buildings, Richardson’s early works included a mix of relatively modest houses and commercial building, many of which bore little resemblance to his later masterpieces.

Richardson’s first commission had been the Church of the Unity here in Springfield, which he had earned in part because of a college classmate, James A. Rumrill, whose father-in-law, Chester W. Chapin, was one of the leading figures within the church. Chapin was also the president of the Western Railroad, and when the railroad needed a new office building, Richardson received the commission without even having to enter a design competition. This building, which stood just a hundred yards to the north of here, was completed in 1867, and two years later he was hired to design a new building for the Agawam National Bank. In what was likely not a coincidence, Chapin had been the founder of this bank, and by the late 1860s, Richardson’s friend James A. Rumrill was sitting on its board of directors.

The design of the Agawam National Bank bears some resemblance to the railroad office buildings. Both were constructed of granite, and they both had raised basements, four stories, and mansard roofs. However, while the railroad building was purely Second Empire in its design, the bank featured a blend of Second Empire and Victorian Gothic elements. Perhaps most interesting were the rounded arches on the ground floor. Although this building could hardly be characterized as Romanesque in its design, these arches bear some resemblance to the ones that he would later incorporate into his more famous works of Romanesque Revival architecture.

Architectural historian and Richardson biographer Henry-Russell Hitchcock did not particularly care for the design of the bank building, criticizing its “square proportions, crude monotonous scale and hybrid detail,” and describing it as a “hodge-podge” that was “pretentious and assertive.” However, he did concede that the building’s virtues “are more conspicuous if one does not look at it so carefully and so hard. To a casual glance, it must have had certain granite qualities of solid mass and strong regular proportions which tend to disappear when it is studied in detail.”

These “qualities of solid mass” likely served the bank well, since 19th century financial institutions often constructed imposing-looking buildings in order to convey a sense of strength and stability. As shown in the first photo, the Agawam National Bank was located on the right side of the first floor, but the building also housed other tenants, including the Hampden Savings Bank, which occupied the basement. These two banks had shared the same building since Hampden Savings was established in 1852, and they would remain here together until 1899, when Hampden Savings moved to the nearby Fort Block.

Agawam National Bank remained here in this building until the bank closed around 1905. By this point, its architecture was outdated, with trends shifting away from thick, heavy exterior masonry walls. The advent of steel frames in the late 19th century had enabled commercial buildings to be taller while simultaneously having thinner walls, and this allowed for large windows with plenty of natural light. The bank building was ultimately demolished around 1923, and it was replaced by a new five-story building that exemplified this next generation of commercial architecture.

Known as the Terminal Building, it was the work of the Springfield-based architectural firm of E. C. and G. C. Gardner, and it was completed around 1924. It was built with four storefronts on the ground floor and offices on the upper floors, and it was designed to support up to seven stories, although these two additional stories were never constructed. Today, the building still stands here, with few exterior changes. It is a good example of early 20th century commercial architecture here in Springfield, and in 1983 it became a contributing property in the Downtown Springfield Railroad District on the National Register of Historic Places.

Day & Jobson Block, Springfield, Mass

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The building at the northwest corner of Main and Cypress Streets in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The scene in 2018:

This three-story Italianate-style commercial block was built sometime around the 1850s, and it featured a distinctive faux-stone exterior that was actually made of wood. It was owned by Day & Jobson, a local lumber company that had a planing mill and lumber yard was located a few blocks away, at the corner of Liberty Street (present-day Frank B. Murray Street) and Chestnut Street. The building consisted of a mix of apartments on the upper floors, with retail space on the ground floor, and most of the early commercial tenants sold groceries.

During the late 1860s, there were at least four different stores on the ground floor. Starting on the left side of the building, at the corner of Cypress Street, was A.F. & H.L. Niles, which sold “Teas, Coffee, Butter, Lard, Fish” and other groceries. Right next door was Alonzo Camp, who described himself in the 1869 city directory as “Dealer in Choice Family Groceries and Provisions, Foreign and Domestic Fruits, &c.” Further to the right was John Fox, who specialized in butter and eggs, and to the right of him was butcher John L. Rice & Co., who is listed in the 1869 directory as “Dealer in Fresh and Salt Beef, Pork, Hams, Sausages, Tripe, Poultry, &c. Butter, Cheese, Eggs, Lard, West India Goods, and Family Groceries, and Vegetables of all kinds in their season.”

By about 1876, the corner store – which was numbered 196 Main Street at the time – had become a drugstore, operated by Daniel E. Keefe. He was later listed as a physician in city directories of the 1880s, but his office was still located here, and he also lived here in this building. However, by the early 1890s Dr. Keefe had moved his practice elsewhere, and this storefront was again used as a pharmacy, this time by T. Edward Masters. Over the next few years, several more druggists would occupy this space, including John J. Carmody and Hiram P. Comstock.

In 1912, this corner drugstore was acquired by Charles V. Ryan. A Springfield native, Ryan was born in 1872 as the son of Irish immigrants, and he went on to attend Cathedral High School and the Massachusetts School of Pharmacy. In 1895, when he was just 22 years old, he opened up his own drug store here in the North End, only a block north of this site. He remained there for the next 17 years before relocating to this building, where he would carry on the business for several more decades.

Ryan was still running the drugstore here when the first photo was taken in the late 1930s. The photo also shows several other stores that were located in the building, including Paushter & Co. furriers and tailors, Becker’s Shoes, and the Lucille Dress Shop. Ryan died only a year or two later in 1940, at the age of 68, but his family carried on the business for many more years, starting with his son, Charles V. Ryan, Jr., and then his grandsons, Donald and Robert Ryan. Another grandson, also named Charles V. Ryan, was not directly involved in the drugstore business, but he had a successful political career, serving as mayor of Springfield from 1962 to 1967, and 2004 to 2008.

It was during Ryan’s first stint as mayor that the city’s North End underwent a major urban renewal project. Nearly every building along the Main Street corridor, between the railroad arch and Memorial Square, was demolished during the 1960s, and many of the streets themselves were altered or eliminated. This building was razed sometime around 1967, and the drugstore relocated across the street to the Northgate Center, where it remained until it was acquired by CVS in 1994.

In the meantime, the site of the old building was redeveloped as the new headquarters of the Springfield Union and Springfield Daily News, which opened around 1969. These newspapers subsequently merged to become the Union-News, and in the early 2000s it was renamed the Springfield Republican, reflecting the historical name of the newspaper. The Republican offices are still located here today, although the newspaper recently announced that it is looking to sell the property or lease some of the space to other businesses, since the building contains more office space than the newspaper needs at this point.

Memorial Church, Springfield, Mass

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The Memorial Church, at the corner of Main and Plainfield Streets in Springfield, around 1905. Image from Springfield Present and Prospective (1905).

The church in 2018:

Springfield’s Memorial Church was established in 1865 as a nondenominational Christian church. It was named in honor of “the memory of the deceased ministers of New England,” and, according to one of its early resolutions, it welcomed “to its membership and communion all who love the Lord Jesus Christ in sincerity and truth, and who agree with it concerning the essential doctrines of the Christian religion, by whatever name they may be called.” Many of its founding members had come from North Congregational Church, but the first pastor was Mark Trafton, a noted Methodist clergyman who had previously served a term in Congress.

The two leaders in establishing the Memorial Church were George M. Atwater and Josiah G. Holland. Both men were prominent Springfield residents; Atwater was a businessman who, a few years later, would establish the city’s streetcar system, and Holland was a nationally-renowned author, poet, and editor. Holland also served as the leader of the choir and the superintendent of the Sunday school, but he left Springfield in 1868 and eventually moved to New York, where he became one of the founders of Scribner’s Monthly.

During its first few years, the church met in a school building, but in 1869 this new building was completed at the corner of Main and Plainfield Streets, in the city’s North End. It was constructed with granite from nearby Monson, with contrasting brownstone trim, and its Gothic Revival design was the work of New York architect Richard Upjohn and his son, Richard Mitchell Upjohn. The elder Upjohn was one of the leading church architects in the United States during the mid-19th century, and his other notable works included Trinity Church in New York City. He had also previously designed George Atwater’s house, Rockrimmon, here in Springfield, which is probably how he ended up with the commission for Atwater’s church. The younger Upjohn was also a successful architect in his own right, and he subsequently designed the Connecticut State Capitol in Hartford.

Also in 1869, William T. Eustis was installed as pastor of the church. He had been the pastor of Chapel Street Congregational Church in New Haven since 1848, but he left there in order to accept this position here in Springfield. Eustis would go on to serve as pastor of the Memorial Church for nearly 20 years, until his death in 1888, and during this time the church saw significant growth, with around 350 members and 400 Sunday school students by the mid-1880s. Eustis’s replacement was John L. R. Trask, formerly of the Second Congregational Church in Holyoke, who remained here until his retirement in 1904.

The first photo was taken around the same time that Reverend Trask retired, and it depicts a winter scene, with snow on the ground and even some patches of snow clinging to the steep roof. At the time, the church was situated on the southern end of Round Hill, a roughly triangular-shaped raised ground bounded by Main, Plainfield, and Arch Streets. Although the rest of the North End was largely working class, Round Hill featured several large mansions, one of which is visible in the distance on the right side of the church. Constructed around 1868, this was the first of the houses to be constructed here, and it was originally the home of Dr. William G. Breck, a local physician.

The Memorial Church remained an active congregation here until 1940, when it sold the property to the Church of St. George, a Greek Orthodox parish that had previously worshiped in several other buildings nearby in the North End. This church became the St. George Greek Orthodox Memorial Church, and the interior was remodeled to meet the needs of its new congregation. Only a few years later, in 1944, the rear of the building was severely damaged by a fire, but it was restored by the following year.

Round Hill was all but obliterated by the 1960s, when Interstate 91 was constructed through the area, just to the west of the church. All of the mansions were demolished by then, and most of the hill was leveled to create an interchange with Route 20. The site of the Breck house is now a McDonald’s, and today the church is the only surviving 19th century building on Round Hill. It was nearly vacated in the 1970s, when St. George explored the possibility of relocating to Longmeadow, but the parishioners ultimately voted to remain here. The church was subsequently renamed St. George Greek Orthodox Cathedral, and around the same time it acquired the former Memorial Square Branch Library, which was converted into the Greek Cultural Center. St. George is still here today, and the building stands as an important architectural landmark in Springfield, with few exterior changes since the first photo was taken more than a century ago.

Ambrotype Saloon, Springfield, Mass

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An ambrotype saloon on the east side of Main Street, between Bridge and Worthington Streets in Springfield, probably sometime in the 1870s. Image courtesy of the New York Public Library.

The scene in 2018:

The first photo depicts a small, trailer-like building that appears to have originally been a traveling photographic studio, as suggested by the words “Ambrotype Saloon,” which are barely visible on the side of the building. Common in the mid-19th century, during the early years of commercial photography, these horse-drawn studios – known as saloons – traveled across the countryside in search of business. They were often built by the photographers themselves, and they frequently served as both a workplace and living quarters for their nomadic owners.  A 1917 article in The Youth’s Companion, written by C. A. Stevens, provides the following description:

Those “saloons” were picturesque little structures, not much more than five feet wide by fifteen feet long; they were mounted on wheels. On each side was a little window, and overhead was a larger skylight; and a flight of three steps led up to a narrow door at the rear. The door opened into the “saloon” proper, where the camera and the visitor’s chair stood; forward of that was the cuddy under the skylight, in which the photographer did his developing.

During the heyday of these photographic saloons, the most popular types of images were daguerreotypes and ambrotypes. The daguerreotype was the first widespread form of photography, and it was common throughout the 1840s and 1850s before being superseded by the ambrotype, which was primarily used in the 1850s and early 1860s. With both of these techniques, each photograph was unique. Like Polaroid images a century later, the image was exposed directly onto the surface, so there were no negatives and no way to reproduce an image, aside from photographing it.

By the time the above photograph was taken in the 1870s, both the daguerreotype and ambrotype had long since been replaced by newer photographic processes. The traveling saloon was also becoming a thing of the past, and this particular one had evidently found a permanent home here on Main Street in Springfield. Its wheels were either gone or hidden behind wood paneling, and it appears to have been connected to a building in the rear of the lot.

According to the handwriting on the back, the building was, at the time, the studio of Warren S. Butler, a photographer who appears in city directories as early as 1872. This is likely the earliest possible date for the first photo, although the city directories do not provide a specific location for his studio until 1877, when he was listed here at this address. Despite the words on the side of the building, it is unlikely that Butler would have been producing ambrotypes here during the 1870s. Instead, his primary photographic medium would have been albumen prints such as cartes de visite and cabinet cards, both of which appear to be visible in the window. Unlike the earlier methods, these were made using negatives, which allowed photographers to produce multiple prints of the same image.

Aside from Butler’s appearance in city directories starting in 1872, there are several other clues that suggest the first photo was taken no earlier than the early 1870s. To the left of the studio is a florist shop that was run by Edmund W. Clarke, who, like Butler, does not appear in any directories until 1872. However, perhaps the most conclusive evidence is the presence of two large brick buildings in the background. Located on the southern side of Worthington Street, these buildings do not appear on the 1870 city map, and were likely constructed at some point in the 1870s.

Similarly, the latest possible date for the first photo is about 1886, the last time that Edmund W. Clarke’s florist shop appears at this address in the city directories. Butler is listed here as late as 1887, but both of these buildings were demolished by the end of that year, when this entire half of the block was cleared in order to build the Fuller Block. This five-story brick building was among the finest commercial blocks in the city when it was completed, and it still stands today, occupying a prominent location at the corner of Main and Bridge Streets.

Main and Bridge Streets, Springfield, Mass

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The northeast corner of Main and Bridge Streets in Springfield, Mass, around the 1860s or 1870s. Image courtesy of the New York Public Library.

The scene in 2018:

Up until the mid-19th century, the commercial center of Springfield was along Main Street in the immediate vicinity of Court Square, where most of the important stores, banks, hotels, and other businesses were located. This began to change with the arrival of the railroad in 1839, when a railroad station opened on Main Street, about a half a mile north of Court Square. A second commercial center soon sprung up near the station, with a particular emphasis on hotels and restaurants for travelers.

By 1850, Springfield was experiencing steady growth, but its population was still under 12,000 people at the time, and the Main Street corridor in the downtown area was still not fully developed. There were plenty of businesses and large buildings clustered around Court Square and the railroad station, but the blocks in between consisted of just a few commercial buildings, interspersed by homes, churches, and vacant lots. It would not be until the city’s post-Civil War population boom that this entire section of Main Street would be lined with larger buildings.

The first photo was taken sometime soon after the end of the war, and it shows a couple of the modest, wood-frame buildings that once stood along this part of Main Street. They were located at the corner of Bridge Street, about halfway between Court Square and the railroad station, and they would have been the first things that an eastbound traveler to Springfield would see on Main Street, after coming across the old covered bridge and walking up Bridge Street. Dwarfed by a massive tree – probably an elm – on the left side, these small, two-story buildings were probably constructed sometime in the 1850s. By the time the first photo was taken, they housed, from left to right, sign painter James C. Drake, wholesale cigar dealer C.H. Olcott, and stove dealer Edmund L. DeWitt.

These buildings stood here until the mid-1880s, and they were probably among the last surviving wood-frame buildings on Main Street in the downtown area. However, they were demolished to make room for the Fuller Block, a large five-story brick building that was completed in 1887. Like the other new commercial blocks that were constructed in the late 19th century, it housed retail shops on the ground floor, with professional offices on the upper floors. However, it featured a unique Romanesque-style design that incorporated Moorish elements, such as the horseshoe arches above the fifth floor windows, and a large onion dome that originally sat atop the right-hand corner of the roof.

Today, some 150 years after the first photo was taken, there are no surviving landmarks except for the streets themselves. However, the Fuller Block that replaced these older buildings is still standing, and aside from the loss of the onion dome its exterior has remained well-preserved. It is one of the finest 19th century commercial blocks in the city, and in 1983 it was added to the National Register of Historic Places.

Johnson’s Bookstore, Springfield, Mass

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The Johnson’s Bookstore building at 1373-1383 Main Street in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The scene in 2017:

This building was constructed in 1861, and was originally part of the Union Block, a group of three matching Italianate-style commercial buildings that extended to the corner of Harrison Avenue. The left-most part of the block was demolished around 1915 to build the ten-story Third National Bank building that now stands there, and the central part was heavily remodeled around 1909. However, the section on the far right still retains its original exterior on the two upper floors, and gives a sense of what the entire row of buildings once looked like.

The early 20th century remodeling of the central building occurred after it was purchased by Henry R. Johnson, the owner of Johnson’s Bookstore. This longtime fixture in downtown Springfield had been founded in 1893 by Henry and his brother, Clifton Johnson. Henry was the one who was primarily involved in running the bookstore, but Clifton served as a silent partner, providing financing for the business. The latter was also a noted author and photographer, and his works included the books in the Picturesque series of the 1890s, which he co-authored while also doing much of the photography. These books, each of which highlighted a different western Massachusetts county, featured hundreds of photographs of local scenes, and have provided many of the historic images that are used on this blog.

Johnson’s Bookstore was located in several other downtown buildings before Henry purchased this one around 1909. He soon set about renovating the exterior, replacing the old Italianate-style facade with one that matched the Classical Revival tastes of the early 20th century. The new facade was designed by the local architectural firm of Kirkham and Partlett, and included much larger windows, along with a polychromatic exterior made of contrasting red bricks and light-colored stones. Overall, the building was left essentially unrecognizable from its original appearance, as seen in the difference between it and its once-identical neighbor to the right.

Henry Johnson retired from active business in 1922, and Clifton’s sons, Arthur and Roger, took over the operation of the bookstore. The business steadily grew, and the store eventually occupied three floors of this building, plus the building to the rear of it, and it also owned a four-story warehouse on the other side of Market Street. By the early 1950s, the store employed 100 people, and brought in $1.3 million in sales per year. Aside from new and used books, the store sold a variety of stationery, office supplies, toys, and gifts, and was a popular destination for downtown shoppers throughout the 20th century.

The bookstore would remain in the Johnson family for several more generations, with Clifton Johnson’s great-grandson, Paul C. Johnson, eventually becoming president in the early 1990s. However, by this point shopping trends had shifted toward suburban malls and away from traditional downtown businesses. Many iconic stores, from Forbes & Wallace to Steiger’s, closed in the late 20th century, and Johnson’s Bookstore followed in January 1998, after more than 100 years in business. The building itself is still standing, though, and aside from the loss of the bookstore this scene has not undergone any significant changes in nearly 80 years since the first photo was taken.