Architecture

Staircase in the Connecticut State Capitol, Hartford

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A staircase in the Connecticut State Capitol in Hartford, around 1891. Image from Hartford Illustrated (1891).

The staircase in 2019:

The Connecticut State Capitol is an architectural masterpiece, on both the interior and exterior. It was the work of prominent architect Richard M. Upjohn, and it was completed in 1879 with an ornate High Victorian Gothic design comprised largely of marble and granite. At the center of the building, beneath the dome, is a large rotunda that is flanked on either side by marble staircases. This particular staircase is on the east side of the rotunda, and in the distant center of the scene, on the second floor, is the door to the House of Representatives chamber.

Today, around 130 years after the first photo was taken, there are hardly any differences between these two photos. The building underwent a major restoration from 1979 to 1989, and on the interior this included cleaning grime off of the marble floors and other stonework, along with restoring the intricately painted details throughout the building. As a result, the building now looks the way that it did when it first opened nearly 150 years ago, and it remains an important architectural landmark while also continuing to serve as the seat of the Connecticut state government.

Nathan Hale State, Connecticut State Capitol, Hartford

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The Nathan Hale statue inside the Connecticut State Capitol in Hartford, around 1891. Image from Hartford Illustrated (1891).

The statue in 2019:

Perhaps the most celebrated Revolutionary War figure from Connecticut is Nathan Hale, the young schoolteacher-turned-soldier who was hanged as a spy in 1776. He is memorialized by several statues throughout the state, including here in the east wing of the state capitol building. This statue was designed in 1886 by sculptor Karl Gerhardt, and it is made of bronze atop a marble base, on which is inscribed Hale’s famous, if possibly apocryphal last words: “I only regret that I have but one life to lose for my country.”

The statue was formally unveiled here in the capitol on June 14, 1887, in a ceremony attended by dignitaries such as Governor Phineas C. Lounsbury and Mayor Morgan Bulkeley, who would later go on to become governor and U.S. senator. The dedication address was presented by Charles Dudley Warner, a writer whose most famous work was the novel The Gilded Age: A Tale of Today, which he had co-authored with fellow Hartford resident Mark Twain.

The first photo was taken about four years after the statue was installed here, and since then essentially nothing has changed in this scene. The statue is still here in the same spot, and the interior of the capitol itself has remained well-preserved, retaining its original ornate Victorian-era design.

The Genius of Connecticut, Connecticut State Capitol, Hartford

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The plaster model of The Genius of Connecticut, located inside the Connecticut State Capitol in Hartford, around 1891. Image from Hartford Illustrated (1891).

The scene in 2019:

Connecticut’s current state capitol building was completed in 1878, and it was originally topped by The Genius of Connecticut, which was designed by sculptor Randolph Rogers. This 18-foot-tall bronze statue stood atop the building’s dome for many years, but the original plaster model was also retained, and it stood here on the main floor of the capitol, just inside the northern entrance. The first photo was taken around 1891, showing the plaster model along with some of the ornate Victorian-era decorations inside the building.

The statue on the dome was ultimately damaged during the 1938 hurricane and was taken down, and it was subsequently melted down for scrap metal during World War II. However, the plaster model has remained here inside the capitol, although in the 1980s it was painted bronze as part of a restoration effort. Then, in 2007, it was again used as a model, this time with the use of lasers to accurately measure every detail of the statue. Using this information, a replica statue was cast in bronze, with the goal of eventually placing it atop the dome.

Today, neatly 130 years after the first photo was taken, the plaster model still stands here in the entryway. Aside from the bronze paint to the statue and the addition of a few items inside the building, hardly anything has changed here in this scene, and the capitol remains in use as the seat of the state government. Just around the corner, out of view to the left, is the replica bronze statue, which as of right now stands at the base of the rotunda, awaiting the necessary funds to raise it to the top of the building.

New Hampshire State Library, Concord, New Hampshire

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The New Hampshire State Library on Park Street in Concord, around 1905. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The building in 2019:

The New Hampshire State Library dates back to 1717, making it the oldest state library in the country. It has been in Concord since 1808, and for most of the 19th century it was located in the State House. However, in 1895 the library moved into this building across Park Street from the State House. It was designed by New Hampshire-born architect Amos P. Cutting, and it features a Renaissance Revival exterior built of red Conway granite with contrasting light-colored Concord granite trim. In addition to the library, it also housed the New Hampshire Supreme Court upon its completion.

The building was dedicated on January 8, 1895, in a ceremony that was attended by a number of state dignitaries. Supreme Court justice Isaac W. Smith gave a speech, as George C. Gilmore, the chairman of the library’s board of trustees, and the keynote speaker was William Jewett Tucker, president of Dartmouth College. The closing speaker was Ainsworth Rand Spofford, a New Hampshire native who served as Librarian of Congress from 1864 to 1897.

For the next 75 years, this building continued to be used by both the Supreme Court and the State Library, but in 1970 the Supreme Court moved into its current building, located about a mile away on the other side of the Merrimack River. However, the library has remained here ever since, and the building has seen few exterior changes from this angle since the first photo was taken, aside from the removal of the tower around the 1960s.

Old Post Office, Concord, New Hampshire

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The post office on North State Street in Concord, around 1900-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The building, now the Legislative Office Building, in 2019:

This building is located directly to the west of the New Hampshire State House, and it was completed in 1889 as a post office and federal building. Like many public buildings of the era, it features Romanesque Revival architecture, and it was constructed of local New Hampshire granite. The ground floor of the building originally housed the post office, along with offices for the district attorney and U. S. marshal, while the second floor was occupied by the federal courtroom, court offices, and the pension office. The third floor had a variety of uses, including rooms for juries, railway mail clerks, and janitorial space.

The building was subsequently expanded in 1913 and then again in 1938, although these changes did not significantly affect the appearance from here on North State Street. It continued to be used as a federal building until 1967, and it was left vacant for several years before being purchased by the state and converted into offices for the state legislature. Now known as the Legislative Office Building, it continues to serve this purpose today, with few exterior changes from this angle since the first photo was taken. Because of its significance, it was added to the National Register of Historic Places in 1973, and it is also a contributing property in the Concord Civic District.

Chestnut Street near Ninth Street, Philadelphia, Pennsylvania

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The view along the north side of Chestnut Street, taken looking west from near the corner of Ninth Street, around 1859. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

The first photo shows a row of houses that were built around the late 18th or early 19th centuries for some of Philadelphia’s wealthiest residents. The houses were located on the north side of Chestnut Street, about halfway between 9th and 10th Streets, and they range from 919 Chestnut Street on the far right, to 925 Chestnut on the far left. At the time of their construction, this section of the city was predominantly residential, but this had begun to change by the time the first photo was taken a half century later. Some of these houses, particularly the one on the far right, had already been converted to commercial use, and over the next few decades more would see similar conversions, or would be demolished to make way for new, larger buildings.

As shown in the first photo, the house on the right was the Markoe House, a boarding house that had, at one point, been the residence of John Markoe. It had been built around 1810,and was designed by Benjamin Henry Latrobe, a prominent architect whose other works included the United States Capitol. The Markoe family lived here until around 1840, when they evidently fell on hard times and sold the property.

The house was converted into a boarding house, which was named for its original owners. In its early years the Markoe House had several prominent guests, as noted in contemporary newspapers. Senator Alexander Porter of Louisiana stayed here during a visit to Philadelphia in 1843, and in 1844 and 1845 Mirabeau Lamar, the former president of Texas, stayed here on at least two separate occasions. At the time, Texas was still an independent nation, and on the second visit, he was accompanied by Edwin Ward Moore, the commander-in-chief of the Texas Navy. The Markoe House would remain a boarding house here for more than 20 years after the first photo was taken, and it even underwent a significant renovation in 1869. However, it was ultimately demolished in 1881 to build a new office building for the Philadelphia Record.

Aside from the Markoe House, many of the other houses along this section of Chestnut Street were undergoing changes by the time the first photo was taken. In 1860, about a year after the photo was taken, the building immediately to the left of the Markoe House, at 921 Chestnut, was converted into offices for the Penn Mutual Insurance Company. This left, according to an 1860 newspaper article, only two or three buildings on Chestnut Street east of Tenth Street that were exclusively residential.

One of these exceptions was the house at 925 Chestnut Street, which is partially visible on the far left side of the photo. This was the home of General George Cadwalader, who served in the U.S. Army during the Mexican-American War. Shortly after the first photo was taken, Cadwalader returned to the Army upon the outbreak of the Civil War, and served in the Union army throughout the duration of the war. He lived here until at least the early 1870s, making him perhaps one of the last owners of a single-family residence on this part of Chestnut Street. During the 1870 census he lived here with his wife Frances and four servants, and he was very wealthy, with an estate valued at $600,000 at the time, or about $12.5 million today.

Today, more than 160 years after the first photo was taken, there are no surviving buildings from that photo here in this scene. All of them were likely demolished in the late 19th or early 20th centuries, and they were definitely gone by the 1930s, when this block of Chestnut Street became the site of two Depression-era federal buildings. On the left is the former Federal Reserve Bank Building, which was completed in 1935, and on the right is the Nix Federal Building, completed six years later. Both of these buildings are still standing here, as shown in the 2019 photo, although the former Federal Reserve Bank Building is now occupied by Thomas Jefferson University Hospital.