Government Buildings

U.S. Post Office and Courthouse, Rock Hill, South Carolina

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The U.S. Post Office and Courthouse at the corner of East Main and Caldwell Streets in Rock Hill, on March 6, 1933. Image courtesy of the National Archives.

The scene in 2020:

The city of Rock Hill experienced dramatic population growth during the late 19th and early 20th centuries, increasing from under a thousand in 1880 to over 11,000 by 1930. A new post office was built in Rock Hill in 1906, but within just a few decades the city had outgrown this space, requiring the construction of a new federal building. Work began on this building in the summer of 1931, and it was completed less than a year and a half later, in November 1932.

The first photo was taken a few months later, showing the view of the building from the southwest. At the time, the post office was located on the ground floor, with the federal district courtroom on the second floor. Further in the distance of this scene, on the right side of the two photos, is the First Baptist Church, which was built in 1920 and features a similar Classical Revival design with a yellow brick exterior. The third historic building in this scene is the Andrew Jackson Hotel, which opened in 1926 and is barely visible beyond the church on the far right.

Today, nearly 90 years after the first photo was taken, Rock Hill has continued to increase in population. The city’s postal needs ultimately outgrew this building after just a few decades, and in 1971 the post office moved to a new, larger facility. The old building was subsequently sold to the city of Rock Hill, and it is now known as the Gettys Art Center. The old courtroom is now a performing arts venue, and the rest of the building houses office and studio space for local artists and organizations. Despite these changes, though, this scene has remained essentially unchanged since the 1930s, and all three buildings here are part of the Rock Hill Downtown Historic District, which was added to the National Register of Historic Places in 1991.

Memorial Hall, Monson, Mass

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Memorial Hall on Main Street in Monson, around 1892. Image from Picturesque Hampden (1892).

The scene in 2020:

One of the most architecturally-impressive buildings in Monson is Memorial Hall, which was completed in 1885 as a town hall and a memorial to the town’s residents who served in the Civil War. Prior to this time, Monson did not have a purpose-built town hall; instead, town meetings were held at the First Church and the Methodist Church. It was at one of these town meetings, in 1883, that Rice M. Reynolds offered to donate land and money to help construct a new town hall. Together with his brother Theodore and their father, prominent local industrialist Joseph L. Reynolds, the family gave $17,000 towards the project, with the town covering the remaining $42,000 in construction costs.

The late 19th century was the heyday for Civil War monuments in New England, and almost every city or town had at least one to recognize its residents who fought for the Union. Here in Monson, the town had two major memorials. The first of these was the Soldiers’ Monument in front of the First Church, which was donated by Cyrus W. Holmes and dedicated in 1884. Memorial Hall followed a year later, and together these two monuments honored the 155 Monson residents who served in the war. Of these, sixteen were killed in battle, and thirteen died of disease during the war.

Memorial Hall was designed by architect George E. Potter, and it was constructed with granite that was quarried in the town by the William N. Flynt Granite Company. It features a Gothic-inspired design with an asymmetrical main facade. On the left side, at the northwest corner of the building, is a 100-foot tower, and on the right, in the southwest corner, is a 45-foot turret that is topped by a statue of a soldier. Most Gothic and Romanesque-style public buildings of this era were built with multi-colored exteriors, using either contrasting light and dark bricks or sandstone. This was not as easy to do with gray granite blocks, but there are were some efforts to create contrast, particularly with the alternating light and dark stones in the arches above the doors.

On the interior, the largest space in the building was the auditorium on the first floor. It had a capacity of a thousand people, and could be used for town meetings and other civic events. The building also included offices for town officials such as the town clerk, the selectmen, the assessor, and the superintendent of schools. In the basement was the town lockup, along with utility and storage space, including the town safe.

The second floor was originally occupied by the Marcus Keep Post of the Grand Army of the Republic. The GAR was a prominent and politically-powerful fraternal organization in the North during the late 19th century, and its membership was comprised exclusively of Union veterans of the Civil War. Here in Monson, the local chapter of the organization was named for Marcus Keep, a town resident who died from infection in 1864 after being wounded in the leg during a skirmish in Virginia. Along with the regular GAR post, the second floor space was also used by the Woman’s Relief Corps and the Sons of Veterans, the two main auxiliary organizations of the GAR.

Memorial Hall was completed in mid-1885, and the first public event to be held here was, appropriately enough, a service in memory of Ulysses S. Grant, who had died on July 23. Then, on August 15, the building was formally presented to the town at the first official town meeting here in Memorial Hall. The occasion was marked with little ceremony, and only about 50 voters attended the meeting. Rice M. Reynolds spoke on the reason for its construction, and then the chairman of the building committee, Edward D. Cushman, presented it to the voters, who accepted it.

The first photo was taken less than a decade after the building opened. Since then, remarkably little has changed here in this scene. Memorial Hall continued to be used as the town hall until 1992, when the town offices moved a few blocks north to the old high school building at the corner of Main and State Streets. The town still owns Memorial Hall, though, and it is now used for concerts, plays, fairs, and other community events.

As shown in the present-day photo, the exterior has remained well-preserved throughout this time, and even the 19th century homes on either side of it are still standing, although the one on the left was significantly expanded around 1910. Because of its historic and architectural significance, Memorial Hall was added to the National Register of Historic Places in 1984, and in 1991 it became a part of the Monson Center Historic District, which is also listed on the National Register.

The Pavilion, Montpelier, Vermont

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The Pavilion on State Street in Montpelier, around 1904. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

Throughout the 19th and early 20th centuries, one of the major landmarks in Montpelier was the Pavilion Hotel, which stood on the north side of State Street, just east of the Vermont State House. The original Pavilion was built in 1808, the same year that the first state house was built next door. At the time, Montpelier had just recently been designated as the capital of Vermont, and it was still a small town, with under 900 residents during the 1800 census. As a result, the Pavilion was built, in part, to meet the anticipated need for accommodations, especially during legislative sessions. Over time, the hotel would come to be closely identified with the state government, and despite being privately owned it was unofficially regarded as the “third house” of the legislature.

The first Pavilion Hotel stood here until 1875, when it was demolished to build a new, larger Pavilion. Work on the new hotel began with the groundbreaking on February 22, 1875, and it opened for guests exactly 11 months later, on January 22, 1876. The formal dedication ball occurred a month later, on February 22, and it was attended by over 250 couples. The event lasted well into the night, and did not wrap up until 6:00 the following morning.

Upon completion, the new hotel consisted of four floors, with a low roof atop the building; the fifth floor with its Mansard roof would not be added until 1888. The main entrance was located here on the State Street side of the building, with the ladies’ entrance on the left side facing the state house. The first floor of the building featured the hotel offices, along with a reception room, reading room, two dining rooms, the kitchen, and some of the guest rooms. On the second floor there were more guest rooms, along with three parlors and the hotel proprietor’s living quarters, and the two upper floors were entirely comprised of guest rooms. In total, the hotel had 90 guest bedrooms. The basement was primarily utility space, but it also included a billiards room and barber shop.

The first photo was taken around the turn of the 20th century, after the 1888 expansion that added 35 guest rooms to the building. At the time, the hotel was still popular among Vermont legislators, and it also enjoyed steady business from tourists who sought the relatively quiet, rural setting of Montpelier. According to a 1906 advertisement in a travel guide, rooms cost $2 per night, or about $58 in today’s dollars, which made it the most expensive of the three Montpelier hotels that had prices listed.

By mid-century, though, these trends had changed. Across the country, historic downtown hotels were suffering from declining business, and the Pavilion was no exception. The explosion of car owner0hips, along with the Interstate Highway System, made it easier for travelers to stay at convenient new motels right off the highway, rather than driving into a downtown area and trying to find parking in order to stay at an aging hotel. Here in Montpelier, this was compounded by the fact that many legislators no longer needed to stay overnight in the city during legislative sessions. With travel times drastically reduced, commuting became a more attractive option for those who lived within easy driving distance of the capital.

As a result, the Pavilion declined to the point where it was in poor repair, and was generally seen as a low-budget alternative to newer motels. In the meantime, the state became interested in acquiring the property, given its highly visible location next to the state house. The state ultimately purchased it in 1966, and the hotel closed for good later in the year.

Over the next five years, the building became the topic of debate between state officials who wanted to demolish the old hotel and construct a new state office building, and preservationists who wanted to see the historic building renovated into offices. The reasoning behind the demolition was that it would cost more to renovate the building than to construct a new one. In the end, the state struck a sort of compromise that involved demolishing the hotel and constructing an exact replica on the same spot. This maintained the visual effect from the street, but it was hardly a win for preservationists, who argued that complete demolition could in no way be considered a type of historic preservation.

The building was demolished during the winter of 1969-1970, and the replica state office building was completed in early 1971. Among the occupants of the new building was the governor. The formal governor’s office remained in the state house, and continues to be used during legislative sessions, but the governor’s working office has been in the new Pavilion ever since. Initially, the governor’s office was located on the fifth floor, in the corner on the right side of the building, but it was subsequently relocated to a modernist addition, located in the rear of the building.

Today, these two photos give the appearance that very little has changed, although in reality there is almost nothing left from the first photo. Aside from a few pieces of the old Pavilion façade that were incorporated into the new one, the only survivor in this scene is the former offices of the Vermont Mutual Insurance Company, the corner of which is visible on the right side of the first photo. Although it is not shown in the 2019 photo, it is still standing today, and it is now used as offices for the state’s attorney and the sheriff’s department. The other government building visible in this scene is the one on the far left of the 2019 photo, which was completed in 1918 and houses the state library and the state supreme court.

Vermont State House, Montpelier, Vermont (2)

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The Vermont State House, seen from State Street in Montpelier, around 1865-1875. Image courtesy of the New York Public Library.

The scene in 2019:

As explained in more detail in an earlier post, the current Vermont State House was completed in 1859, replacing an earlier building that stood here on this same site. The older state house had been built in 1838, and was designed by prominent architect Ammi B. Young. It burned in 1857, leaving only the outer granite shell still standing, and it was subsequently reconstructed by architect Thomas Silloway, who incorporated the columned portico and portions of the old walls into the new building.

The first photo was taken within about a decade or two after the building was completed. In front of the building is State House Park, which featured a liberty pole, as shown in the foreground. Behind the state house is Hubbard Hill, which provides a pastoral backdrop for the smallest capital city of any state in the country.

Today, around 150 years after the first photo was taken, the state house remains in use as the seat of Vermont’s government. The liberty pole is long gone, and Hubbard Hill is now far more forested than it had been in the 19th century, but the state house itself has seen few changes. The dome was gilded in the early 20th century, and the statue of Ceres above the dome has been replaced several times, but overall the building remains well-preserved on both the exterior and interior.

Governor’s Office, Montpelier, Vermont

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The governor’s office in the Vermont State House, around the 1870s. Image courtesy of the New York Public Library.

The scene in 2019:

The current Vermont State House was completed in 1859, and over the years it has remained remarkably well-preserved. On the interior, this includes the House and Senate chambers, along with the governor’s office, which is shown here in these two photos. The office is located on the second floor, in the northwest corner of the building, and it was originally occupied by Hiland Hall, who served as governor from 1858 to 1860.

The first photo was taken a little over a decade after the state house opened, and it shows the view from near the door that connects the office to the second floor lobby. The governor’s desk occupies the foreground, and in the lower left corner is the governor’s chair, known as the Constitution Chair. This chair was one of the original pieces of furniture in the room, having been given to the state in 1858 by Captain Horace B. Sawyer, a naval officer and Vermont native who had, many years earlier, served aboard the U.S.S. Constitution during the War of 1812. The chair is made of timers from the famous ship, and it features the state seal, which is carved atop the chair.

Aside from the chair, another important feature in the first photo is the marble bust of Erastus Fairbanks, who served as governor from 1852-1853 and 1860-1861. It was the work of noted sculptor John Quincy Adams Ward, and it was given to the state by Governor Fairbanks’s sons, Horace and Franklin, in 1872. Because of this, the sculpture’s presence here in the office provides an approximate date of the first photo. Both of the Fairbanks brothers were involved in state politics, with Franklin serving as Speaker of the Vermont House of Representatives from 1872 to 1874. Then, from 1876 to 1878, Horace served as governor, where he was able to sit here at this desk, directly across from the bust of his father.

For more than a century, from before the Civil War until after World War II, the Republican Party dominated state politics here in Vermont. During this time, the state had fifty consecutive Republican governors, starting in 1855 with Stephen Royce, whose portrait hangs on the wall on the far right side of the first photo. Not until 1963, following the election of Philip H. Hoff, would the state have a Democrat as governor. Part of the reason for this long string of electoral successes was the Mountain Rule, an agreement within the party that nominations for governor would alternate every two years between candidates from the eastern and western halves of the state. This helped maintain party unity, while also ensuring a balance of power between Vermont’s two major regions.

Today, nearly 150 years after the first photo was taken, this room is no longer the governor’s primary office. Since 1971, the governor’s working office has been located in the Pavilion, a building adjacent to the state house. However, this office here in the state house continues to serve as the governor’s ceremonial office, and it typically used during legislative session. Overall, though, the room has retained its historic appearance throughout this time. The Constitution Chair is still here, as is the marble bust of Erastus Fairbanks. Even the portrait of Stephen Royce is still in the office, although it is slightly further to the right from its location in the first photo, and it lies just outside the frame of the 2019 photo.

Senate Chamber, Montpelier, Vermont

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The Senate chamber in the Vermont State House, around 1865-1875. Image courtesy of the New York Public Library.

The scene in 2019:

Vermont originally had a unicameral legislature, but in 1836 the state added a senate, which consisted of 30 members elected from Vermont’s 14 counties. Each county was guaranteed one senate seat, and the remaining seats were allocated to the counties based on population. By contrast, the Vermont House of Representatives was comprised of one representative from each town, regardless of population, which gave a disproportionately large voice to the state’s many sparsely-populated towns. In this sense, representation in the Vermont state legislature was essentially the opposite of the U. S. Congress, where each state has two senators but a varying number of representatives.

The present state senate chamber, shown here in these two photos, has been in use since 1859, when the current state house was completed. It is located in the eastern wing of the building, and these two photos show the view looking down the central aisle from the rear of the chamber. Shortly after the state house opened, the Vermont Watchman & State Journal published an article about the building, which included a lengthy description of the senate chamber:

The Senate Chamber . . . is elliptical in form, 46 by 38 feet, 22 feet high, adorned with Corinthian fluted columns, having carved capitals, supporting an entablature, from which springs a cove ceiling, continuing the outline of the ellipse.

This ceiling is moulded and enriched in panels, having counter curved heads ornamented in stucco, and bead and button mouldings in the beams, terminating in a moulded rim of elliptical form, surrounding yet other ornamental panels, with circular returns and ornaments in between, on the flat of the ceiling, converging to the centre piece, from which is hung a massive twelve light chandelier. The lobbies are adorned with fluted columns, having bases and Corinthian capitals, resting on a pedestal, and supporting an entablature and open balustrade of the gallery. In front of the balustrade and fitted between the rails and base is a neat marble-faced clock.

The lobbies are parallel to the curve of the room, returned by a quarter circle to the wall. The President’s desk is of solid black walnut, of highly ornamental pattern, designed by the Architect especially for the place, and made, as was also the Secretary’s table, and the furniture and upholstery of the entire building, by Blake & Davenport, of Boston, under the immediate direction of John A. Ellis. The desk is curved and irregular in outline, paneled and cvarved, and has at each projection in front a carved buttress, and in the centre panel the coat of arms of the State of Vermont is elegantly carved.

The Senators’ desks and chairs are designed and arranged so as to give ample space for the comfort and convenience of Senators. The furniture throughout the building is of black walnut. The carpeting, which was furnished by Lovejoy & Wood, of Boston, is excellent in quality and well adapted to the various rooms.

The first photo was taken within a decade or after this description was published. Like the nearby House of Representatives chamber, the Senate chamber has remained largely unchanged since then. In this scene, the only significant difference is the addition of two computer desks in front of the rostrum.

The Senate itself has also retained the same basic structure over the years, unlike the House, which was dramatically altered by reapportionment in 1965. The only major difference is that the Senate districts no longer strictly follow county lines; some districts include towns from neighboring counties, in order to ensure equal representation. In addition, two of the smaller counties, Essex and Orleans, have been combined into a single district, making 13 total districts. However, as was the case in the 19th century, these districts continue to have multiple members based on population. They range from the three smallest, which only have one senator each, to the largest, Chittenden, which has six senators in its district.