1900s

Junction House, White River Junction, Vermont (2)

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The Junction House, at the corner of South Main Street and Gates Street in White River Junction, around 1900. Image from The Gateway of Vermont : Hartford and its Villages (1903).

The scene in 2018:

As discussed in the previous post, the first Junction House was built here in 1849. It was located on land that had previously been the farm of Samuel Nutt, but his property became far more valuable in the late 1840s, when this area became one of the most important railroad crossroads in northern New England. Anticipating the need for a hotel, Nutt purchased the Grafton House in nearby Enfield, New Hampshire, dismantled it, and rebuilt it here in the newly-created village of White River Junction.

This original building stood here for nearly 30 years, and during this time it provided meals and accommodations for rail travelers, while also serving as a meeting place for locals. However, like many wood-frame hotels of the period, it was vulnerable to fire, and it ultimately burned on August 10, 1878, after a fire began in the kitchen and spread throughout the structure.

The owner at the time, Asa T. Barron, quickly rebuilt the hotel with the building shown in the first photo. It was completed in 1879, and it was about one and a half times larger than its predecessor, with four floors and a capacity of about 200 guests. The exterior design was somewhat of a blend of Second Empire and Queen Anne styles, and it was topped by a Mansard roof and towers on either end of the main facade.

Upon completion, the new hotel was praised by the Green Mountain Freeman of Montpelier, which declared that it will “take rank among the best of our many first-rate Vermont hotels.” In the same article, the newspaper provided the following description of the building:

The front is shaded by a fine wide piazza, which gives a comfortable lounging place or a fine promenade. On the first floor is a reception room, hall, billiard room, wash room, office and proprietor’s private office, a boot and shoe store, drug store and watch-maker’s shop. Leaving the office for the dining room one enters a fine, large room, lighted on both sides, finished in brown ash (carefully selected for its beauty) finished in Eastlake style, joining which is a perfectly appointed kitchen. A broad, handsome stairway leads to the next story, where are reception room, ladies’ parlor, bath room, closets, etc., besides rooms in suites and handsome single rooms. The rooms on each of the other floors are of the same size, furnished in the same style, and all are furnished with black walnut, marble-topped chamber sets, and the excellent spring beds are furnished with 40 pound pure hair mattresses and nice blankets.

Within a year after the new hotel opened, it was again threatened by fire, this time from an attempted arsonist in July 1880. The perpetrator, who was apparently never identified, ignited rags and shavings in the basement in the middle of the night. However, it was extinguished soon after the night clerk discovered it, and it caused minimal damage to the building.

In 1887, the Junction House played a role in the aftermath of a far more serious disaster. At 2:10 a.m. on February 5, a northbound passenger train departed the depot here in White River Junction, across the street from the hotel. It was headed for Montreal, but just ten minutes later the four rear cars were derailed by a broken rail at a bridge less than five miles northwest of here. The cars fell off the bridge, landed on the thick ice over the White River, and caught fire when the coal stoves and kerosene lamps toppled over. The fire subsequently ignited the wooden bridge, and the burning timbers began raining down on top of the cars.

About 115 people were in these cars, and many found themselves trapped within the burning wreckage. Further compounding the problem was the air temperature, which was 20 degrees below zero, meaning that those who survived the flames were then at risk of hypothermia. Ultimately, an estimated 37 people died in the disaster, many of whom were burned beyond recognition. Among the dead was Frank L. Wesson of Springfield, Massachusetts, the son of Smith & Wesson co-founder Daniel B. Wesson.

Of the survivors, about 50 were injured, and the Junction House became a temporary hospital, along with the Pease Hotel in the nearby village of Hartford. Frank Wesson’s sister-in-law, Emily Lovell, was brought here to the Junction House, but she had only minor injuries, so she spent most of her time here tending to others. Some of the more seriously hurt passengers here at the hotel included Andrew Wheeler of Fitchburg, Massachusetts, whose injuries were described as “a bad cut over his eyes, bruised all over and somewhat burned, although not fatally hurt.” Another Fitchburg resident, Joseph Jacques, was also here at the hotel, with “a broken leg, a broken nose and serious bruises on the body,” in addition to frostbite on one of his feet.

Even as the injured were still recovering here, the state was already beginning its investigation. Just two days after the disaster, the Vermont Railway Commission convened here at the Junction House. The commission was chaired by former Governor Samuel E. Pingree, and the sessions here were also attended by then-Governor Ebenezer J. Ormsbee and Lieutenant Governor Levi K. Fuller. They heard testimony from various railroad employees and expert witnesses, and concluded that the broken rail had been defective. This, combined with the extremely cold temperatures and the fact that it was located at a slight curve in the tracks, caused it to break as the train passed over it. The commission also faulted the Central Vermont Railroad for using stoves and kerosene lamps, and reasoned that many of the victims would have otherwise survived the disaster if not for this practice.

Following this disaster, the Junction House continued to operate as an important railroad hotel, and in 1901 it was purchased by Lyman A. Gibbs and Nathaniel P. Wheeler for $50,000. The first photo was taken around this time, and it was published in the book The Gateway of Vermont : Hartford and its Villages in 1903, which provided the following description of the hotel:

The two hundred rooms of the house are maintained in perfect order, and the hotel’s cuisine, table, service and general accommodations are of a character that have won for the house a reputation throughout New England and the east. So many are the hotel’s daily guests that it in effect constitutes a community in itself, larger indeed than many a village. This daily assembly is preeminently a gathering of commercial men and representative of the country’s chief business interests. The management of the house is considerate, business-like and above all tactful. Large as it is and great as are the number of its guests there is that atmosphere about the house that causes the guest to feel at home, whether he be millionaire or commercial traveler on his initial trip. The house has every requisite of a hotel as respects heating, lighting, billiard room, barber shop, local and long distance telephones, and all else, but this does not mean that it has a bar for it has none, nor ever has had under its present management.

Under the ownership of Gibbs and Wheeler, the Junction House nearly doubled in size, bringing its total to 340 guest rooms. Then, in 1919, Gibbs sold his share of the business to Wheeler, who became the sole owner. A few years later, in January 1925, he renamed it the Hotel Coolidge, in honor of his close friend John C. Coolidge, a resident of Plymouth, Vermont whose son Calvin had just been re-elected as president.

However, only weeks later the building caught fire, on the evening of January 29, 1925, after an oil heater exploded on the second floor. All of the nearly 200 guests were safely evacuated, but the wood-frame hotel was quickly engulfed in flames and was a total loss. The fire caused the village’s electrical system to short circuit, leaving White River Junction in darkness, and it posed a serious threat to the surrounding buildings. The Boston Herald noted that local fire and police officials had initially called it a “1000 to 1 chance” of saving the rest of the village, but the responding firefighters, including crews from across the river in Hanover, Lebanon, and West Lebanon, New Hampshire, were ultimately able to prevent the flames from spreading.

Within a matter of weeks, Nathaniel Wheeler began construction on a new Hotel Coolidge building here on the same spot. Like the two previous hotels, it was built of wood, although it had a brick veneer on the South Main Street facade. In order to expedite its reopening, the front portion of the hotel was originally only two stories in height, with three stories along the Gates Street side of the building. It opened later in 1925, and in 1926 the front of the building was completed, with the addition of a third floor and two towers that echoed the appearance of its predecessor.

At the time, White River Junction was still a thriving railroad center, and the new Coolidge remained its leading hotel. A 1927 newspaper advertisement listed the room rates at $2.50 per night, or $3 for a room with a bath. According to another ad a few years later, the hotel had a total of 175 rooms, including 60 with tub baths and 40 with shower baths. During this time, its guests included President Coolidge himself, who visited here in May 1929 and spent a few nights at the hotel while on a fishing trip, two months after the end of his second term as president.

Both White River Junction and the Hotel Coolidge owed their existence to the railroads that brought prosperity to this village, but by the mid-20th century passenger rail travel was in a steep decline across the country. The village was also bypassed by the interstate highway system, with Interstates 89 and 91 meeting about a mile to the west of here. However, throughout this time the Hotel Coolidge has remained open, and it has retained much of its historic appearance on both the interior and exterior. Very little has changed in this scene since the mid-1920s, and the hotel’s neighbor to the right—the 1890 Gates Block⁠—is also still standing, as the only surviving building from the first photo. Both it and the hotel, along with many other buildings in the village, are now part of the White River Junction Historic District, which was added to the National Register of Historic Places in 1980.

Mount Vernon, Virginia (4)

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Looking south along the east piazza of the Mount Vernon mansion in Virginia, around 1900-1915. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

As shown in the previous post, perhaps the most distinctive feature of George Washington’s Mount Vernon estate is the piazza here on the east side of the mansion, although it is not original to the house. The house was constructed in several stages, starting around 1734 when the future president’s father, Augustine Washington, built a small house here. This was later expanded twice by George Washington, first in 1758 with the construction of a full second story, and then in 1774 with additions on both the north and south sides, along with the piazza on the east side.

The mansion sits on a bluff about 125 feet above the Potomac River, and from here the piazza offers expansive views of the river and the Maryland shoreline on the opposite side. Following the American Revolution, George Washington had envisioned that the river would serve as the primary gateway to the west, with all of the resulting east-west traffic literally passing by his front door. He was even involved with establishing the Patowmack Company, which made navigational improvements further upstream. The river ultimately did not become the great trade route that he had hoped, but it did become the site of the new national capital of Washington, D. C., which was built only 15 miles upstream on Mount Vernon.

After George Washington’s death in 1799 and his widow Martha’s in 1802, Mount Vernon remained in the Washington family for more than 50 years. It steadily declined during this period, though, and by the late 1850s the piazza was in danger of collapsing, with ship masts being used to support the roof. Then, in 1858 the last Washington owner, John Augustine Washington III, sold the property to the Mount Vernon Ladies’ Association. This organization restored the mansion, and opened it to the public and a museum in 1860, making it one of the first historic house museums in the country.

Very little has changed here at Mount Vernon since then. The first photo was taken at the turn of the 20th century, showing at least nine visitors, mostly women, on and around the piazza. More than a century later, it looks essentially the same as it did then, with even the same style chairs still lined up here. The estate is still owned by the Mount Vernon Ladies’ Association, and it remains open to the public as one of the most popular tourist attractions in Virginia.

Mount Vernon, Virginia (3)

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The Mount Vernon mansion in Virginia, seen from the east side around 1900-1915. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

As discussed in a previous post, which shows the house from the west side, Mount Vernon was the estate of George Washington, who lived here from 1754 until his death in 1799. This property had been in the Washington family since 1674, when it was acquired by John Washington. His grandson, George Washington’s father Augustine Washington, later owned the land, and around 1734 he built the original portion of this house, on the banks overlooking the Potomac River.

In 1739, Augustine Washington gave the property—which was then known as Little Hunting Creek—to his oldest son Lawrence. He subsequently renamed it Mount Vernon, in honor of his former commanding officer Admiral Edward Vernon, and he lived here until his death in 1752, when he was in his early 30s. Lawrence and his wife Anne had four children, although all of them died young, and shortly after his death she remarried to George Lee and moved out of the house.

Under the conditions of Lawrence’s will, Anne owned Mount Vernon for the rest of her life, at which point his brother George would inherit it. With the house vacant, though, Anne began leasing it to her brother-in-law starting in 1754, when George Washington was about 22 years old. In 1758 he expanded the house by adding a second story, and then in 1761 he gained ownership of the property upon Anne’s death.

In the meantime, in 1759 Washington married Martha Dandridge Custis, a wealthy widow who was a year older than him. They never had any children together, but Martha had two surviving children from her first marriage, and they grew up here at Mount Vernon. This was also around the time that Washington became involved in politics. He had served with distinction as a colonel in the Virginia militia during the French and Indian War, and in 1758 he was elected to the Virginia House of Burgesses, where he served until the beginning of the American Revolution.

Washington further expanded the mansion here at Mount Vernon in 1774, with two-story additions on either side of the original house. The large piazza here on the east side was also added as part of this project, and it would later become perhaps the most recognizable feature of the house. However, Washington did not get to enjoy the enlarged house for very long, because in 1775 he traveled north to take command of the Continental Army, and he was away from Mount Vernon for eight years before the war ended.

At the end of the war, Washington resigned his commission in the Continental Army and returned to civilian life here at Mount Vernon. His retirement did not last for long, though, because in 1789 he was elected president. For the next eight years, Washington spent most of his time in the temporary capital cities of New York and Philadelphia, before eventually returning to Mount Vernon at the end of his second term in 1797. He lived here for the last two and a half years of his life before his death in 1799, and Martha Washington died in 1802.

With no biological children, George Washington left Mount Vernon to his nephew, Bushrod Washington, who was a justice on the U. S. Supreme Court. After his death in 1829, his nephew John Augustine Washington II inherited it, followed by John’s son, John Augustine Washington III. He was the last member of the Washington family to own Mount Vernon, and in 1858 he sold the estate to the Mount Vernon Ladies’ Association, which preserved it and turned it into a museum.

By the time the association acquired the property, the mansion was in poor condition. As with many other southern planters, the Washington family owned vast amounts of land, but had relatively little cash. Consequently, the house suffered from many years of neglect, to the point that by the 1850s ships’ masts were being used as makeshift supports for the piazza roof, which was in danger of collapsing. However, the house was subsequently restored, and it opened to the public in 1860.

The first photo was taken about 40-50 years later, showing the mansion’s appearance at the turn of the 20th century. As shown in the second photo, very little has changed since then, aside from the removal of the small porch on the left side and the balustrades over the piazza, neither of which existed during George Washington’s ownership. The estate is still owned by the Mount Vernon Ladies’ Association and open for public tours, and it remains a popular tourist attraction, drawing an estimated one million visitors here each year.

Statuary Hall, US Capitol, Washington, DC (3)

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Statuary Hall in the U. S. Capitol, seen from the southeast corner around 1904. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

As discussed in previous posts showing the north and south sides of this room, this was once the chamber for the U. S. House of Representatives, which met here from 1819 until the current chamber was opened in 1857. The room sat vacant for several years afterwards, amid a variety of proposals for its reuse. Then, in 1864 it was designated as the National Statuary Hall. Each state was invited to send two statues for display here, representing prominent citizens from the state’s history.

The states were slow in responding to this request, and the first statue, of Rhode Island’s Nathanael Green, did not arrive here until 1870. By the time the first photo was taken around 1904, there were 45 states in the union, yet only 27 statues here in the collection, 11 of which are shown in the photo. Going around the room from left to right, they are: Lewis Cass (MI), James Garfield (OH), William Allen (OH), Jacob Collamer (VT), Robert Fulton (PA), Nathanael Greene (RI), Roger Williams (RI), George Clinton (NY), Richard Stockton (NJ), James Shields (IL), and Philip Kearny (NJ).

Today, more than a century later, the Capitol’s collection is now complete, with 100 statues from all 50 states. This room still serves as Statuary Hall, although only 38 of the statues are currently here, and the rest are distributed throughout the Capitol building. Of the 11 from the first photo, only the statues of Cass and Fulton are still in this room, and only Fulton’s is visible in the second photo, just to the right of the mantlepiece in the lower right-center of the scene. Aside from the arrangement of the statues, though, very little has changed in this scene since the first photo was taken, and the room is one of several stops included on most public tours of the Capitol.

Statuary Hall, US Capitol, Washington, DC (2)

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Statuary Hall in the U. S. Capitol, around 1900-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

As discussed in more detail in an earlier post, this room was once occupied by the U. S. House of Representatives, which met here from 1819 until the opening of its current chamber in 1857. The House has two earlier chambers here on this same spot, starting in 1801 with a temporary brick structure. A more permanent chamber was completed here in 1807, although it was destroyed just seven years when the British burned Washington during the War of 1812.

This particular view faces the semicircular northern wall of the room, with the Rotunda and the Senate wing visible in the distance down the hallway. When completed, this wall was the rear of the House chamber, so this would have been the view looking up the central aisle from the Speaker’s rostrum. The chamber is surrounded by marble Corinthian columns, and the original design also included two statues. One of these, The Car of History, is visible in this scene above the doorway. It features the muse Clio recording history as she travels in a winged chariot that represents time, and it was created by sculptor Carlo Franzoni and installed in 1819.

The chamber remained in use by the House for nearly 40 years, and during this time it was the scene of many important debates and other events in the period leading up to the Civil War. However, by the mid-19th century the House was in need of a new chamber, in part because of the poor acoustics caused by the curved ceilings, and also because the steady admission of new states began to cause crowding here. Starting in the early 1850s, the Capitol underwent a major expansion, including the addition of a new dome and two large wings to accommodate new chambers for both the House and Senate. The House wing was completed in 1857, directly behind the spot where these photos were taken, and the House subsequently vacated this chamber.

In the years that followed, this space was the subject of several different proposals, including one that would have divided it into two floors of conference rooms. However, in 1864 it was designated as the National Statuary Hall, and each state was invited to send two statues to put on display here. The statues were slow in arriving, and it was not until 1971 that all 50 states were represented here. By the time the first photo was taken at the turn of the 20th century there were about two dozen statues in the collection. Two of them, representing New Hampshire, are visible here in the first photo, with John Stark on the left and Daniel Webster on the right. Both arrived here in 1894, and they were both the work of noted sculptor Carl Conrads.

Today, more than a century after the first photo was taken, this room is still used as Statuary Hall. In 1976 it was partially restored to its original appearance, including the addition of curtains behind the columns, but otherwise this scene still looks essentially the same as it did at the turn of the 20th century. The statues themselves have been rearranged over the years, though. Because of overcrowding and structural concerns about the weight of the many statues, many have since been relocated to other parts of the Capitol. Thirteen of them, one from each of the original states, are now in the crypt below the rotunda, including New Hampshire’s statue of John Stark. The state’s other statue, of Daniel Webster, is still here in the room, although it is not visible from this particular angle.

Old Senate Chamber, US Capitol, Washington, DC

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The Old Senate Chamber at the U. S. Capitol, around 1902, during its time as the courtroom of the Supreme Court. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

The United States Capitol was first used in 1800, the same year that the government moved to Washington D.C. from its temporary location in Philadelphia. Aside from a short interruption in the aftermath of the War of 1812, when the British burned much of Washington, the building has remained in use ever since, although it has undergone significant changes and expansions since then.

In its original form, the Capitol consisted of two wings, connected by a central rotunda that was topped by a low wooden dome. The south wing was occupied by the House of Representatives, which met in the chamber that is now known as Statuary Hall. Here on the north side of the building was the Senate wing, which had a chamber that was somewhat smaller than the House’s, given the smaller number of senators.

As with the House chamber, this Senate chamber was rebuilt after the War of 1812, and the work was completed in 1819. It was designed by architect Benjamin Henry Latrobe, and it is semicircular in shape, reflecting the appearance of an ancient amphitheater. Other classically-inspired features include the marble Ionic columns, which are similar to the Corinthian ones found in the House chamber. The room was built with two visitor galleries, with one along the curved wall behind the senators, and the other above the front of the room, as shown in this scene.

This chamber was the home of the Senate for the next 40 years, from 1819 to 1859. It was the scene of many important events in the years leading up to the Civil War, and for much of this time the Senate was dominated by the Great Triumvirate, consisting of John C. Calhoun of South Carolina, Henry Clay of Kentucky, and Daniel Webster of Massachusetts. Representing the three major regions of the country at the time, these men were three of the most powerful American politicians of the Antebellum period, and they were involved in many debates in this room.

However, perhaps the single most noteworthy incident in this room occurred on May 22, 1856, when abolitionist Senator Charles Sumner of Massachusetts was nearly caned to death at his desk by South Carolina Representative Preston Brooks. The attack was prompted by a speech that Sumner had given here two days before, in which he harshly criticized slavery in general and South Carolina Senator Andrew Butler in particular. Brooks, who was Butler’s cousin, then waited until Sumner was nearly alone here in the chamber, and began bludgeoning him with his cane while pinned Sumner under his desk.

The attack rendered Sumner unconscious, but Brooks continued to beat him until several other congressmen intervened. By this point, he had suffered serious trauma to his head and spinal cord, and it took three years before he had recovered enough to resume his duties in the Senate. In the meantime, the attack helped to further polarize the already divided nation, with southerners praising Brooks while northerners condemned his actions as an attack on free speech itself. Within less than five years, South Carolina would become the first state to secede from the Union, and it would begin the Civil War with its bombardment of Fort Sumter.

Even as the nation was dividing, though, the Capitol itself was growing. Westward expansion had led to the admission of many new states over the years, and the original congressional chambers were becoming crowded. This was particularly evident here in the Senate chamber, with the number of senators increasing by nearly 50 percent between 1819 and 1858, from 44 to 64. As a result, by the early 1850s work had begun on a massive expansion of the Capitol, creating two new, much larger wings beyond the original ones. The new House chamber was completed in 1857, followed by the new Senate chamber in 1859.

Both of these new chambers are still used today, and the old ones have since been repurposed. The former House chamber became the National Statuary Hall, and starting in 1860 the Senate chamber was occupied by the U. S. Supreme Court, which had previously met in the room directly underneath it. It would go on to be used as the courtroom of the Supreme Court for the next 75 years, before its current building opened across the street from the Capitol in 1935.

During this time, the Supreme Court heard a number of important cases here, perhaps the most notable of which was the 1896 Plessy v. Ferguson decision, which ruled that segregation was legal under the “separate but equal” doctrine. This was followed by the Lochner era of the court’s history, from 1897 to 1937, when the court took a politically conservative approach to economic regulations. Using the due process clauses of the Fifth and Fourteenth Amendments, the court struck down many state and federal laws, including those that limited weekly working hours, prohibited child labor, and established minimum wages.

Many prominent Supreme Court justices served on the bench here in this room. When the court first moved here in 1860, the chief justice was Roger B. Taney, who had served in that capacity since 1836. He remained on the court until his death in 1864, making him the second-longest tenured chief justice in history, but he is probably best known as the author of the 1857 Dred Scott decision. Other notable justices who served here included John Marshall Harlan, the sole dissenting vote in the Plessy case; Oliver Wendell Holmes Jr., who coined the phrase “shouting fire in a theatre” in a 1919 court opinion; Charles Evans Hughes, the chief justice who frequently clashed with Franklin D. Roosevelt over the president’s New Deal policies; and former President William Howard Taft, who served as chief justice from 1921 to 1930.

It was during Taft’s time as chief justice that he began lobbying for a separate building for the Supreme Court. This would not only relieve the overcrowding here in its Capitol quarters, but it would also reflect the court’s role as a separate, independent branch of the federal government. After Taft’s retirement and death in 1930, his successor Hughes continued these efforts, and two years later construction began on the present-day Supreme Court building. The site was directly across First Street NE from the Capitol, on the spot where the Old Capitol Prison had previously stood. The building was completed in 1935, and the court subsequently vacated this space here in the old Senate chamber.

The first photo was taken around 1902, and it shows the room’s appearance when it was used by the Supreme Court. At the time, the layout of the room bore little resemblance to its time as the Senate chamber. The senators had taken their desks with them when they moved in 1859, and the vice president’s dais at the front of the room was replaced by a long bench for the justices, as shown in the first photo. Probably the only object left from the Senate in that photo is the gilded wood eagle, located in the center above the chief justice’s chair. It was installed here as early as 1838, and it originally sat atop a wood shield. After the Supreme Court moved into here, the shield was placed above the door on the outside of the chamber, although the eagle remained at its perch the front.

After the Supreme Court left in 1935, this room was used intermittently for meetings, committee hearings, and even by the Senate itself on several different occasions during the mid-20th century, while its current chamber was undergoing renovations. Then, in 1976 the room underwent a major restoration in order to return it to its Senate-era appearance. This included the installation of 64 replica mahogany desks, which are arranged in four semicircular rows, reflecting the arrangement of the room in 1859.

Several original furnishings were returned to the room, including the vice president’s desk at the front, although the table in front of it is a reproduction. The eagle and shield were also reunited as part of this restoration, and they once again hang at the front of the room. Another original object here is the portrait of George Washington, visible directly above the eagle in the present-day photo. It was painted by Rembrandt Peale in 1823, and the Senate purchased it in 1832 and hung it here above the gallery. The painting was removed when the Senate left in 1859, but it was returned here in 1976.

Today, the room remains in its restored appearance, and it is periodically used by the Senate for special events, such as mock swearing-in ceremonies. Photography is not allowed in the Senate chamber, where the senators typically take their oaths of office, so the mock ceremonies here allow the press to take photographs of the occasion. Aside from these types of events, the room is also open for some public tours, although visitor access is limited to just the central aisle, as shown in the present-day photo.