Interiors

Great Hall, Library of Congress, Washington, DC (2)

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The Great Hall at the Thomas Jefferson Building of the Library of Congress, around 1897. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

The Great Hall at the Library of Congress was previously featured in an earlier blog post, although these photos here show a different angle, facing east toward the entrance to the Main Reading Room. As with the rest of the building, the Great Hall features ornate Beaux-Arts architecture, and it is decorated with symbolic carvings and paintings.

Starting at the bottom of this scene are three arches, which lead to the Main Reading Room. The central arch was designed by sculptor Olin L. Warner, and it features two male figures: one young, representing the search for knowledge, and the other old, representing wisdom and reflection. Above these figures is a tablet inscribed with the names of the people involved in the construction of this building, and the tablet is flanked by a pair of eagles.

On the second floor, the ceiling is supported by pairs of Corinthian columns, connected by more arches. Above each pair of columns in the foreground is a small tablet with the name of a prominent author. From left to right in this scene, they are Cervantes, Hugo, Scott, and Cooper. Further in the distance is another row of columns, and above these are painted figures of women, personifying the different genres of literature. In this scene, from left to right, they are Lyrica, Tragedy, Comedy, and History, and they were all painted by artist George Randolph Barse Jr. Beyond these, at the top of the stairs in the center of the scene, is a mosaic of Minerva, representing learning and wisdom. At 15.5 feet in height, the mosaic is more than double life size, and it was the work of artist Elihu Vedder.

The first photo was taken around 1897, the same year that this building opened. More than 120 years later, hardly anything has changed in this scene, and the Library of Congress remains one of the capital’s great architectural masterpieces, in addition to its role as one of the world’s largest libraries. Most of its collections are only accessible through the Main Reading Room, which requires a Reader Identification Card to enter. However, some of its most important items are on display here in the public parts of the building, including its copy of the Gutenberg Bible, which the library acquired in 1930. It is one of only five complete Gutenberg Bibles in the United States, and one of only 21 worldwide, and it is currently on display here in the Great Hall, just beyond the arch in the lower right corner of the present-day photo.

Main Reading Room, Library of Congress, Washington, DC

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The Main Reading Room at the Thomas Jefferson Building of the Library of Congress, around 1904. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

As discussed in an earlier post on the Great Hall of the Thomas Jefferson Building, the Library of Congress is one of the largest libraries in the world, with over 167 million items located in four different buildings in and around Washington, D.C. The original building, which is now named the Thomas Jefferson Building, is here on Capitol Hill, directly opposite the Capitol and adjacent to the Supreme Court Building. The building was completed in 1897, and today it stands as both an important research library and also a significant architectural landmark, with a highly ornate Beaux-Arts design on both the interior and exterior.

The centerpiece of the building is the Main Reading Room, shown here in these two photos. The room is octagonal, with desks arranged in concentric circles and the circulation desk in the center of the room. It is 125 feet in height from the floor to the top of the dome, and the room is surrounded by eight large columns that support the arches beneath the dome.

Above each of these columns is a 10 1/2-foot-tall plaster statue, with each representing a different branch of knowledge. These eight allegorical female figures are Art, Commerce, History, Law, Philosophy, Poetry, Religion, and Science. Just below the tops of the columns is a balustrade that encircles the room, featuring sixteen bronze statues of men who were recognized for their accomplishments in one of these eight fields. They are arranged so that the statues on each side of every column correspond to the representative figure atop the column.

In this particular view, the two allegorical statues are Philosophy on the left, created by sculptor Bela Lyon Pratt; and Art on the right, by Francois M. L. Tonetti-Dozzi. The bronze statues on either side of Philosophy are Plato on the left and Bacon on the right, both by John J. Boyle. On the left side of Art is Michelangelo by Paul Wayland Bartlett, and on the right is Beethoven by Theodore Baur.

The first photo was taken around 1904, less than a decade after this building opened. Since then, the library has significantly expanded, with three additional buildings to house its growing collections, but the Thomas Jefferson Building has remained essentially the same. There have been hardly any changes here in the Main Reading Room in more than a century, and the room remains one of the most impressive interior spaces in Washington.

Today, the Main Reading Room is open only to those who have a Reader Identification Card, which are available for free to researchers over the age of 16. These researchers can only use the materials here in the reading room, though, as only high-ranking government officials are permitted to check out books. Other parts of the building, including the Great Hall, are open to the public, and visitors can also view the Main Reading Room from the gallery where these two photos were taken.

Ventfort Hall Library, Lenox, Mass

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The library at Ventfort Hall in Lenox, probably around the 1890s. Image courtesy of the Lenox Library Association.

The scene in 2018:

As discussed in more detail in a previous post, Ventfort Hall was completed in 1893 as the summer home of George and Sarah Morgan. The house was subsequently owned by the Bonsal family from 1925 until 1945, and during the second half of the 20th century it was used for a variety of purposes, including as dormitory, hotel, ballet school, and religious organization. It was nearly demolished in the early 1990s, but it was instead preserved and restored, and it is now a museum.

These two photos show the library, which is located on the first floor in the northwest corner of the building. The first photo as probably taken soon after the house was completed, and the room’s appearance highlights the Victorian fashion of having eclectic, cluttered interior spaces. This included a mix of mismatched chairs, along with walls that were nearly hidden by bookcases, paintings, photographs, and knickknacks.

Today, the library has been restored, and it is easily recognizable from its appearance in the first photo. However, unlike most of the other rooms in Ventfort Hall, it is not furnished with period antiques. Instead, as the 2018 photo shows, it is filled with modern tables and chairs, and its modern-day uses now include serving as a gathering space for guided tours of the Ventfort Hall Mansion and Gilded Age Museum.

Ventfort Hall Entryway, Lenox, Mass

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The entryway at Ventfort Hall in Lenox, probably in the 1890s. Image courtesy of the Lenox Library Association.

The scene in 2018:

Ventfort Hall was completed in 1893, as one of the many grand summer estates that were built in the Berkshires during the late 19th and early 20th centuries. The first photo was probably taken soon after its completion, and it shows the first floor entry hall. The main entrance, located on the northeast side of the building, is just around the corner to the right, as is the grand staircase. This scene, which faces to the northwest, shows an ornate fireplace in the center, and it is flanked by doors on either side. To the left is the library, and to the right is the drawing room.

This house was used as a summer residence throughout the first half of the 20th century, but these large homes in the Berkshires had begun to fall out of fashion by the postwar era. With 28 rooms and 28,000 square feet, Ventfort Hall was far too large for a private home, so it was converted into institutional use. It was first used as a dormitory, then as a hotel, a ballet school, and finally as a religious organization before finally being abandoned in the late 1980s. By this point, the building was badly deteriorated, and it was sold to a developer and threatened by demolition in the early 1990s.

During this period, the interior woodwork was stripped in anticipation of demolition, but the property was ultimately acquired by the Ventfort Hall Association in 1997. In the years that followed, this organization restored both the interior and exterior, including re-installing the woodwork, most of which had been left here on site. Some of the pieces were unaccounted for, but these were replaced with modern replicas. The 2018 photo shows some of the new woodwork, which has a light color that contrasts with the darker original wood. Overall, though, this scene is not significantly different from the first photo, thanks to the meticulous restoration work over the past two decades.

Ventfort Hall Drawing Room, Lenox, Mass

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The drawing room at Ventfort Hall in Lenox, probably around the 1890s. Image courtesy of the Lenox Library Association.

The room in 2018:

Although the term is rather archaic now, a drawing room was essentially a living room, functioninging as a place that guests could “withdraw” to after a dinner party. Here in Ventfort Hall, the drawing room is located in the northwest corner of the first floor, next to the main entrance and across the entry hall from the grand staircase, which can be seen beyond the doors in the present-day photo. The first photo shows the room at some point around the 1890s, probably soon after the house was completed in 1893.

Ventfort Hall remained a summer home for more than 50 years, and the drawing room was likely used for its original purpose throughout much of this time. However, the last private owner sold the property in 1945, and the house subsequently became, at various times, a dormitory, a hotel, a ballet school, and a religious school. By the late 20th century, it had deteriorated on both the interior and exterior, and it was nearly demolished in the 1990s. It was ultimately preserved, though, and the house was restored to its original appearance and opened for public tours starting in 2000.

Today, the property is the Ventfort Hall Mansion and Gilded Age Museum, and the historic home is still open for guided tours of the interior. Here in the drawing room, the furnishing is not identical to the first photo, and plain white walls have replaced the busy Victorian wallpaper, but otherwise the room is easily recognizable from the first photo, including the restored ceiling and the ornate mantelpiece. Because of its location adjacent to the front door, the drawing room now serves as the museum’s gift shop, as shown in the present-day scene.

Ventfort Hall Grand Staircase, Lenox, Mass

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The grand staircase in Ventfort Hall in Lenox, around the 1890s. Image courtesy of the Lenox Library Association.

The staircase in 2018:

As discussed in more detail in the previous post, Ventfort Hall was completed in 1893 as the summer home of George and Sarah Morgan. Sarah was the sister of financier J. P. Morgan, and she constructed this house soon after receiving a $3 million inheritance from their father, Junius Spencer Morgan, upon his death in 1890. However, she died only three years after the house was completed, and George died in 1911, but the house remained in the Morgan family until 1925, when it was sold to railroad executive William Roscoe Bonsal.

The house was designed by the Boston architectural firm of Rotch & Tilden, with a brick, Jacobean Revival exterior. The interior consists of 28 rooms, but perhaps the most impressive space in the house is the grand staircase, shown here in this scene. It is located just inside the main entryway on the north side of the house, and it features a carved oak banister and oak paneling, matching the Jacobean style of the house. The second floor is decorated with arches, and above them is an ornate plaster ceiling.

Ventfort Hall remained a summer residence until around 1945, and during the second half of the 20th century it was used for a variety of other purposes, including a dormitory, hotel, and ballet school. From 1976 to 1987, it was part of the Bible Speaks College, but it subsequently sat vacant and was threatened with demolition. However, in 1997 it was acquired by the Ventfort Hall Association, which restored it and opened it as a museum.

Today, the appearance of the grand staircase has hardly changed since the first photo was taken some 125 years ago. Much of the interior suffered from neglect in the late 20th century, but the staircase remained well-preserved, and it remains one of the highlights of the building’s interior. Ventfort Hall is still open to the public for tours, and its restoration marks a major accomplishment for historic preservation in the Berkshires.