Month: June 2019

Old Country Store, Longmeadow, Mass

by

The Old Country Store at 776 Longmeadow Street, near the corner of Williams Street in Longmeadow, on October 14, 1912. Image courtesy of the Longmeadow Historical Society.

The scene in 2018:

This building was constructed around 1805, and was originally owned by Calvin Burt, who operated a general store out of the first floor. The post office was also located here for many years, and the building housed a variety of retail occupants throughout the 19th century. These included William White, who had a gold and silver thimble shop here from 1839 to 1848, in addition to his duties as a postmaster. He was succeeded by button manufacturer Dimond Chandler, whose factory was located here in a part of the building that has since been demolished. Chandler went into business with his son-in-law, Nelson C. Newell, an Nelson’s brother Samuel, and the two carried on the business after Chandler’s retirement in 1855. They would subsequently relocate to Springfield in 1864, opening a large factory on Howard Street.

The store was later used as a spectacle shop, but by the end of the 19th century it had again reverted to a general store, run by Charles Allen. He died in 1909, and by 1911 the store had been sold to Charles L. Wood, whose shop is visible in the first photo.The sign above the door advertises for “Meat and Groceries” and “Fish and Oysters,” and there is an assortment of fresh fruits and vegetables visible in the window on the left side. To the right of the door is a large display for “Pillsbury’s Best Flour,” which was “Made from selected hard wheat,” and “never disappoints.” On the left side of the building, just beyond the mailbox, is a bulletin board with a number of flyers, including one that reads “$20 reward,” although the rest of this flyer, including the details of the reward, is unreadable from this distance.

The business would be owned by several more merchants during the first half of the 20th century, and remained as a general store until 1964, when it became a women’s clothing store called The Separate Shop. The building now houses the Spa on the Green, but it has seen very few exterior changes since the first photo was taken more than 100 years ago. It survives as a rare, well-preserved early 19th century commercial building, and it is a contributing property in the Longmeadow Historic District, which was added to the National Register of Historic Places in 1982.

Old Town Hall, Enfield, Connecticut

by

The old town hall on Enfield Street in Enfield, around 1896. Image from The Connecticut Quarterly (1896).

The scene in 2018:

This building was completed in 1775 as the third meeting house of the Enfield Congregational Church. It was originally located on the opposite side of the street from here, and was built with a steeple, but without the Greek Revival-style portico that was later added to the front of the building. It was used by the church for more than 70 years, but by 1848 it had become too small. A new church building, which still stands across the street, was completed the following year, and the old church was preserved and moved to its current location, thanks to funding provided by local carpet manufacturer Orrin Thompson.

Following the move, the building became Enfield’s town hall. Reflecting architectural tastes of the mid-19th century, the building was renovated to include a portico at the front entrance, and the original steeple was presumably removed during the same time. The interior was also renovated, including converting the balcony into a second floor. The building was used as a town hall for much of the 19th century, until a new town hall opened in 1892.

The first photo was taken a few years later, around 1896. Following its use as the town hall, the building deteriorated for many years, but was restored in the 1920s and used as a community center for many years. However, by the 1960s it had again fallen into disrepair, and was in serious danger of demolition. It was ultimately restored again in the 1970s, by the Enfield Historical Society, and in 1981 it was opened as the Old Town Hall Museum. Today, the building still serves as a museum, along with being the headquarters of the Historical Society. It is one of the oldest surviving public buildings in the area, and it is listed on the National Register of Historic Places.

Harriet Beecher Stowe House, Hartford, Connecticut

by

The Harriet Beecher Stowe House on Forest Street in Hartford, around 1905. Image courtesy pf the Library of Congress, Detroit Publishing Company Collection.

The scene in 2020:

Harriet Beecher Stowe, the author who was made famous by her 1852 anti-slavery novel Uncle Tom’s Cabin, was born in 1811 in Litchfield, Connecticut. She grew up in Connecticut and attended the Hartford Female Seminary, but she subsequently moved to Ohio, where she met her husband, Calvin Ellis Stowe, and then to Brunswick, Maine, where she wrote Uncle Tom’s Cabin. From there, they moved to Andover, Massachusetts, before finally returning to Connecticut in 1864.

Here in Hartford, the Stowes constructed a Gothic Revival mansion along the banks of the Park River. Known as Oakholm, the house was a dream home for Harriet, and she built it using much of the money that she had earned through the sale of her books. However, it proved too expensive to maintain, and the Stowes ultimately sold the house in 1870. The house was demolished in 1905, and the site of the house is now approximately where Interstate 84 crosses Capitol Avenue.

The Stowes’ final house, seen here in these two photos, was constructed in 1871 by Franklin Chamberlin, a lawyer who owned a large tract of land at the corner of Forest Street and Farmington Avenue. The Stowes purchased the house in 1873, and a year later they were joined by Mark Twain, who built a house just around the corner from here on Farmington Avenue. These two famous authors became the leading figures in Hartford’s flourishing literary scene, and they remained neighbors until 1891, when Mark Twain and his family moved to Europe.

In the meantime, Harriet Beecher Stowe continued to write while living in this house, although none of her subsequent works could top her first novel, which had sold more copies during the 19th century than any other book except for the Bible. She was also involved in civic organizations such as the Hartford Society for Decorative Art, which she helped to establish in 1877 along with several other notable Hartford women, including Mark Twain’s wife Olivia Clemens. The society was later renamed the Hartford Art School, and it is now part of the University of Hartford.

Calvin Stowe died in 1886, and Harriet’s health soon began to deteriorate. She evidently suffered from Alzheimer’s disease, and displayed erratic behavior such as wandering around the neighborhood, sometimes even entering her neighbors’ gardens and homes. She also took to rewriting Uncle Tom’s Cabin from memory, unaware that she had already written it. She outlived her husband by a decade, and lived here in this house until her death in 1896, at the age of 85.

Stowe’s children subsequently sold the house to Frances Z. Niles, a wealthy heiress whose father, Jonathan S. Niles, had been a prominent foundry owner. She was living in the house when the first photo was taken around 1905, and the 1910 census shows her here along with her niece, Caroline Hansell, and two servants. Neither Frances nor Caroline had ever married, and they lived here until Frances’s death in 1922. She left an estate that was valued at over $90,000, or nearly $1.4 million today. The house itself was valued at $17,000, but her single greatest asset was 33 shares of Aetna, valued at over $44,000.

In 1924, nearly 30 years after the Stowe family sold the house, it was purchased by Harriet’s niece, Katharine Seymour Day. She moved into the house, and became an outspoken advocate of historic preservation. Perhaps her single most important accomplishment in this field came in the late 1920s, when she spearheaded an effort to rescue the neighboring Mark Twain House from potential demolition. Through her leadership, the Mark Twain Memorial and Library Commission was established, which purchased the house in 1929 and subsequently restored it. Then, in 1940, she purchased the house directly to the right of hers, which had once been owned by Franklin Chamberlin.

Today, very little has changed in this scene. The house is still standing, and it is now the centerpiece of the Harriet Beecher Stowe Center, which offers guided tours of the home. The organization also owns the house on the right, which is now known as the Katharine Seymour Day House. It now houses administrative offices, along with a research library. Although not visible in this scene, the Mark Twain House is also still standing, and it is located directly behind the Stowe House. It is operated by a separate organization, but it is also open to the public for tours. Because of their connections to two of the most important American writers of the 19th century, both of these homes are now listed as National Historic Landmarks, the highest level of recognition on the National Register of Historic Places.

Katharine Seymour Day House, Hartford, Connecticut

by

The house at the corner of Forest Street and Farmington Avenue in Hartford, around 1905. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2020:

This house was built in 1884, and was designed by noted New York architect Francis H. Kimball. It features a variety of exterior colors and building materials, as was typical for Queen Ann-style homes of this period, including light-colored limestone and contrasting brownstone trim. Other common Queen Anne elements include an asymmetrical facade, along with a complex roof that is filled with an eclectic mix of gables and dormers. This style was particularly common in the United States during the 1880s and 1890s, with this house dating to the early part of that period.

The original owner of this house was Franklin Chamberlin, a lawyer who had once owned much of the land here at the corner of Forest Street and Farmington Avenue. In 1871, he had constructed a house just to the left of here, at 73 Forest Street, and in 1873 he sold it to Harriet Beecher Stowe. A year later, he sold another part of his land to Mark Twain, who constructed a house of his own on the property. However, Chamberlain retained the corner lot for himself, and subsequently built this house, which was flanked on either side by two of the country’s most celebrated authors.

Chamberlin died in 1896, but his widow Mary lived here in this house until her death in 1907. The next owner of the house was Willie Olcott Burr, the editor of the Hartford Times. His father, Alfred Edmund Burr, had been the editor of the newspaper for 60 years, and Willie began working for him as a teenager in 1861. The newspaper prospered under both father and son, and by the early 20th century it had the largest circulation of any paper in the state. Willie Burr moved into this house sometime in the early 1910s, and the 1920 census shows him living here with his wife Angie and two servants. He died only a year later, although Angie would continue to live here throughout the 1920s and 1930s.

In 1940, the house was purchased by Katharine Seymour Day, who was the grandniece of Harriet Beecher Stowe. She had previously purchased her great aunt’s former home next door, and in the late 1920s she led the effort to save the Mark Twain House, which was being threatened with demolition at the time. Her 1940 acquisition of this house helped to further preserve the neighborhood, and the house is still standing today, with few noticeable differences between the two photos. Along with the neighboring Stowe House, it is now part of the Harriet Beecher Stowe Center, and it serves as offices and as a research library for the organization.

Mark Twain House, Hartford, Connecticut

by

The Mark Twain House on Farmington Avenue in Hartford, around 1880. Image courtesy of the New York Public Library.

The house in 2018:

Samuel Clemens, better known by his pen name Mark Twain, was born and raised in Missouri, and he is probably best identified with the Mississippi River, where many of his works are set. However, Mark Twain actually spent much of his literary career in Hartford. He moved here in 1871, a year after his marriage to Olivia Langdon, and the couple initially rented a house here in the Nook Farm neighborhood. Mark Twain came to Hartford in part because it was the home of his publisher, Elisha Bliss. However, the city also enjoyed a thriving literary community, with prominent authors such as Charles Dudley Warner and Harriet Beecher Stowe also living in Nook Farm.

After several years of renting, Mark Twain decided to build a house of his own. He purchased a lot on Farmington Avenue, just around the corner from Harriet Beecher Stowe’s house on Forest Street, and he hired architect Edward Tuckerman Potter, who designed this ornate High Victorian Gothic-style house. It was completed in 1874, and the family would go on to live here for the next 17 years. At the time, the couple had two young daughters, Susy and Clara, and a third daughter, Jean, would be born in 1880. They had one other child, a son named Langdon, but he died in 1872 at the age of 19 months. The first photo was taken around the time that Jean was born, and it shows the house as it appeared before the servants’ wing was added to the right side of the scene in 1881.

Mark Twain was already a prominent author by the time he moved into this house, having recently published books such as The Innocents Abroad (1869) and The Gilded Age: A Tale of Today (1873). However, his 17 years at this house would become perhaps the most productive of his career, and he wrote many of his most famous works here, including The Adventures of Tom Sawyer (1876), A Tramp Abroad (1880), Life on the Mississippi (1883), The Prince and the Pauper (1881), Adventures of Huckleberry Finn (1884), and A Connecticut Yankee in King Arthur’s Court (1889).

Despite significant literary success throughout the 1880s, Mark Twain suffered several major financial setbacks in the early 1890s. Because his Hartford house was so expensive to maintain, he and his family moved to Europe, where he went on lecture tours. He eventually succeeded in paying off his creditors and becoming financially stable again, but during this time he also experienced struggles within his own family. In 1896, his youngest daughter Jean was diagnosed with epilepsy – which would ultimately lead to her early death in 1909 at the age of 29 – and only five months later, in August 1896, his 24-year-old daughter Susy died of spinal meningitis. Her death hit the family particularly hard, and they never lived in this house again, in part because of its association with Susy.

Mark Twain finally sold this house in 1903, a year before his wife Olivia’s death. He would eventually return to Connecticut, although not to Hartford. In 1908, he built a home in Redding, near the southwest corner of the state in Fairfield County. He named it Stormfield, after his short story “Captain Stormfield’s Visit to Heaven,” which would prove to be his last story published during his lifetime. It was at Stormfield that, on Christmas Eve in 1909, Jean drowned after apparently having a seizure in the bathtub. Less than four months later, Mark Twain also died at his Redding house, having outlived his wife and three of his four children.

In the meantime, the new owner of his Hartford home was Richard M. Bissell, an insurance executive who would later go on to serve as president of The Hartford for many years. He and his wife Mary had three children who grew up here, including Richard M. Bissell, Jr., who was born in 1909. The younger Richard went on to become a high-ranking CIA executive during the Cold War. He was involved in the development of the U-2 spy plane, and he was later appointed Deputy Director for Plans in 1959, a position that put him in charge of planning clandestine operations. These included the disastrous 1961 Bay of Pigs Invasion, the failure of which ultimately led to his departure from the CIA in 1962.

Richard Bissell, Jr. spent the first eight years of his life here in this house, before he and his family moved to Farmington in 1917. The elder Bissell subsequently leased the house to the Kingswood School, a private school for boys that Richard Bissell, Jr. attended. The Bissell family sold the property in 1920, but the sale included a stipulation that allowed Kingswood to remain here until 1922. They did so, and after they left the new owners announced plans to demolish the house and build an apartment building on the site. These plans were eventually scrapped after a significant public outcry, and the interior of the house was instead divided into 11 apartment units in 1923.

The threatened demolition of the historic house helped to spur support for its preservation, and in 1929 it was purchased by the Mark Twain Memorial and Library Commission. The ultimate goal of this organization was to restore the house to its original appearance, but these plans took many years to come to fruition. In the meantime, the first floor became a branch of the Hartford Public Library, and the upper floors continued to be rented to residential tenants while the organization raised funds for the restoration.

This work was finally completed in 1974, and today the entire house is open to the public as a museum. Thanks to the preservation efforts that began nearly a century ago, there is very little difference between these two photos, aside from the addition of the 1881 servants’ wing. The neighboring Harriet Beecher Stowe House has also become a museum, known as the Harriet Beecher Stowe Center, and both of these houses are now designated as National Historic Landmarks because of their literary significance.

The Breakers, Newport, Rhode Island (3)

by

The view of The Breakers in Newport, seen from the south side of the property, around 1895. Image courtesy of the Library of Congress.

The scene in 2017:

The first photo was apparently taken around the same time as the one in the previous post, and shows the southeastern and southwestern sides of The Breakers, around the time that it was completed in 1895. The Classical Revival-style mansion was the work of noted architect Richard Morris Hunt, and the grounds of the 14-acre property were designed by landscape architect Ernest W. Bowditch. Some of this landscaping is visible in this scene, including the south parterre, which was planted with a variety of flowers in its formal garden.

The Breakers was the largest of the many opulent mansions that were built in Newport during the late 19th and early 20th centuries, and it was originally the summer home of Cornelius Vanderbilt II and his wife Alice. Cornelius had inherited a substantial fortune from his father, William Henry Vanderbilt, and his grandfather, Cornelius Vanderbilt, and upon his death in 1899 he had a net worth of about $73 million – equivalent to about $2.2 billion today. The house would remain in the family for several more generations, with their daughter Gladys Széchenyi inheriting the property after Alice’s death in 1934, and Gladys’s daughter Sylvia inheriting it in 1968.

During this time, the house itself remained well-preserved, but the grounds underwent some changes. The 1938 hurricane caused only minimal damage to the house, but it significantly altered Bowditch’s landscaping. Over the years, the landscaping also suffered from neglect, and by the late 1950s the garden here on the south parterre were replaced with turf. Beginning in 1948, The Breakers was leased to the Preservation Society of Newport County for the nominal sum of $1 per year, and it was opened to the public for tours. The family continued to occupy the third floor of the house, but in 1972 Sylvia sold the property to the Preservation Society for $365,000, with the stipulation that she be allowed to use the third floor apartment for the rest of her life.

Today, the grounds look very different compared to their appearance over 120 years ago. However, the garden on the south parterre was replanted at some point after the Preservation Society acquired the property, and it now features a symmetrical design similar to what Bowditch had envisioned. In the meantime, the house itself has remained well-preserved on both the exterior and interior, and in 1994 it was designated as a National Historic Landmark. It is also the most popular tourist site in Rhode Island, drawing around 400,000 visitors each year.