Year: 2021

Independence Hall, Philadelphia, Pennsylvania (3)

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The south side of Independence Hall, seen from Independence Square around 1905. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

This view is similar to the one in a previous post, but this one shows the scene horizontally from a little further back, revealing more of the surrounding buildings near Independence Hall. As discussed in that post and another one, Independence Hall was the site of some of the country’s most important events in the years during and immediately after the American Revolution.

Independence Hall was completed in 1753 as the meeting place of the Pennsylvania colonial legislature, but at the start of the American Revolution it took on a second role as the de facto national capitol. The Second Continental Congress convened here on May 10, 1775, less than a month after the start of the war. The delegates met in the Assembly Room on the first floor of the building, which is located directly to the right of the tower in this scene. The building is most famous for the fact that the Declaration of Independence was voted on and signed here during the summer of 1776, but the building continued to be used by the Continental Congress throughout the Revolution, aside from two interruptions during British occupations of Philadelphia.

Congress finally left Philadelphia in June 1783, after a mob of about 400 soldiers descended upon the building, demanding payment for their wartime service. The state of Pennsylvania refused to deploy its militia to protect Congress, so the delegates left the city on June 21, and reconvened nine days later at Nassau Hall in Princeton, which became the first of several temporary national capitols over the next two years. Independence Hall would never again serve as the federal capitol building, but it nonetheless played another important role in 1787, when delegates from 12 of the 13 states met here for the Constitutional Convention. The result of this four-month convention was the current United States Constitution, which was signed here on September 17, 1787.

In the meantime, Independence Hall continued to serve as the seat of the state government. The federal government also returned to Philadelphia, although not to Independence Hall. Instead, two newer and smaller buildings were constructed, flanking Independence Hall. On the west side, barely visible on the extreme left side of the photos, is Congress Hall. This was the national capitol building from 1790 until 1800, with the House of Representatives occupying the large chamber on the first floor, and the Senate in a smaller chamber on the upper floor. On the opposite side of Independence Hall, on the extreme right side of the photos, is the Old City Hall. On the exterior, it is essentially identical to Congress Hall, and it was originally built to house the city government. However, during the 1790s it was also occupied by the Supreme Court, which had its courtroom on the ground floor.

The state government ultimately left Philadelphia in 1799 and moved to a more central location in Lancaster. Then, a year later, the federal government moved to Washington D.C., despite the best efforts by Philadelphians to retain the city’s status as the capital. No longer needed for governmental purposes, Independence Hall was threatened by demolition during the early 19th century. By this point the original wooden steeple was already gone, having been removed in 1781 and replaced by a low roof. Then, in 1812 the original wings on either side of Independence Hall were demolished, although the rest of the building was spared a similar fate after the city purchased it from the state in 1816.

It often takes many years before the significance of historic buildings is recognized, and in many cases this comes too late. For Independence Hall, though, it seems that its significance was widely understood by the 1820s. It was around this time that it came to be known as Independence Hall, rather than as the State House, and in 1825 the public square here in the foreground was formally named Independence Square. Three years later, a new steeple was constructed based on the plans of the original one, and it still stands atop the tower today.

By the time the first photo was taken around 1905, this scene had undergone further changes. Most significantly, the buildings that had replaced the old wings in 1812 were demolished in 1898, and new wings were constructed as replicas of the originals. Another change would come two years after the photo was taken, when the statue of Commodore John Barry was installed here in Independence Square, as shown in the 2019 photo.

Today, more than a century after the first photo was taken, Independence Hall still looks essentially the same. Both Congress Hall and the Old City Hall have also been preserved, and all three of these buildings are now part of the Independence National Historical Park. However, one notable difference in this scene from the first photo is the row of buildings beyond Independence Hall on the other side of Chestnut Street. All of these buildings, along with two more entire blocks further to the north, were demolished in the mid-20th century in an effort to improve the aesthetics of the area surrounding Independence Hall. However, in an example of historic buildings not being recognized until they are gone, the project included the removal of the remnants of the old President’s House, where George Washington and John Adams had lived during the 1790s. This site, at the corner of Sixth and Market Streets, is now marked by a partial reconstruction of some of the house’s architectural elements.

Mercantile Library, Philadelphia, Pennsylvania

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The Mercantile Library at the corner of Fifth Street and Library Street in Philadelphia, in December 1858. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

Prior to the second half of the 19th century, public libraries were essentially nonexistent in the United States. Instead, most cities had library organizations that were open to subscribing members. Among the first of these was the Library Company of Philadelphia, which was established by Benjamin Franklin in 1731, but by the early 19th century Philadelphia had several other libraries, including the Mercantile Library. It was established in 1821, and it was originally intended to serve primarily merchants and merchants’ clerks. However, its membership eventually expanded beyond the mercantile industry, and it became a popular library among the general public.

The library was housed in a series of different locations during its early years, but in 1845 this building was completed here at the corner of Fifth and Library Streets. It was designed by prominent Philadelphia architect William L. Johnston, and it featured a Greek Revival exterior, including a columned portico here on the Fifth Street side of the building. The building was dedicated on September 6, 1845, with a ceremony that included a keynote speech by Congressman Joseph Reed Ingersoll, who would later become the United States Minister to Great Britain.

The first photo shows the building a little over a decade later, in 1858. By this point the library had around two thousand members, and around 20,000 books in its collection. Its most popular items were novels, which accounted for 60 percent of the books checked out in 1858. As described in the 1884 History of Philadelphia, the library focused on developing its collection of novels, as the librarians saw it as “their duty to gratify popular tastes, taking care, however, not to furnish material for abnormal or morbid appetites.” Because of this, the novels were carefully curated, to avoid any “immoral or pernicious works” in the library.

By 1868 the library had grown to a membership of 6,387, and a total of 52,000 books. The following year, the library sold this building and relocated to a new facility on Tenth Street. It continued to prosper throughout much of the 19th century, but then in 1894 the Free Library of Philadelphia opened, which provided a free alternative to subscription libraries. The Mercantile Library was ultimately absorbed into the public library system, with its Tenth Street location becoming a branch library.

In the meantime, the old building here on Fifth Street was converted into offices. By the early 1870s it was owned by Horatio N. Burroughs, and it became known as the Burroughs Building. It was ultimately demolished around 1925, and this site is now open parkland as part of the Independence National Historical Park.

Fifth Street from Ranstead Street, Philadelphia, Pennsylvania

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Buildings on the east side of Fifth Street, looking south toward the corner of Chestnut Street, in February 1859. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

This scene is similar to the one in an earlier post, just from a little further south along Chestnut Street. The building in the foreground here was built sometime around the late 18th or early 19th centuries, and over the years it was occupied by several prominent people. Most notably, it was the home of artist Thomas Sully, who lived in the townhouse on the far left side, at 23 South Fifth Street, from 1826 until his death in 1872. He was best known as a portrait painter, and perhaps his most recognizable painting was of Andrew Jackson; the portrait was later incorporated into the modern $20 bill. His other works included the Seated Liberty design, which appeared on most American silver coins from 1836 until 1891.

Sully was living here when the first photo was taken in 1859, and immediately beyond his house, at 25 South Fifth Street, was the music store of George E. Blake. Originally from England, Blake came to America sometime before 1793, and became a music teacher in Philadelphia. He subsequently became a music publisher, and by around 1814 he was running his business out of this building, in the center storefront. He was still here nearly 50 years later in the first photo, and he operated the store until his death in 1871 at the age of 96.

The other important building in the first photo is the five-story cast iron building on the right side, at the corner of Fifth and Chestnut Streets. It was completed in 1855, at the height of the popularity of cast iron architecture, and it was owned by Frederick Brown, a druggist who had his business here. Among his products was Brown’s Essence of Jamaica Ginger, which promised to treat ailments such as “ordinary diarrhoea, incipient cholera, in short, in all cases of the digestive functions,” according to an 1861 newspaper advertisement. Brown had been in business since the early 1820s, originally in a much older building on this site, and in the early years he seems to have mostly been a local druggist. However, by the late 1850s his business had significantly expanded, and his Essence of Jamaica Ginger was available throughout the country.

This scene underwent a change soon after the first photo was taken. This section of Fifth Street was slated to be the home of the new Eastern Market, the precursor to the modern Philadelphia Bourse that stands there now. Part of this project involved opening Rainstead Street on the south side of the new building. However, in the original plan this would have required the demolition of Thomas Sully’s house. Sully and his wife Sarah requested that their house be spared, and the city agreed, choosing to modify the plan rather than forcing the distinguished elderly couple to relocate. The resulting compromise resulted in a street that was somewhat narrower, taking a portion of the yard on the left side of the house while leaving the house itself intact.

It seems unclear exactly when Sully’s house and the adjoining rowhouses were ultimately demolished. It could have been as early as the 1870s, after Sully died, but the houses were definitely gone by 1907, when the Lafayette Building was constructed on the site. This 11-story office building had its main entrance on Chestnut Street, where the Frederick Brown building had stood in the first photo, but it also spanned the entire length of Fifth Street from Chestnut to Rainstead Street. It is still standing here today, as shown in the 2019 photo, although it no longer functions as an office building; in the early 2010s it was converted into the Hotel Monaco.

Congress Hall and Independence Hall, Philadelphia, Pennsylvania

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Congress Hall and Independence Hall, seen from the corner of Chestnut and Sixth Streets in Philadelphia, around 1859. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

These two photos show the south side of Chestnut Street, between Sixth and Fifth Streets. This block contains three historic 18th century government buildings, each of which played an important role in the early history of the United States. In the center of this scene is Independence Hall, Philadelphia’s most famous historic landmark, which served as the meeting place of the Continental Congress and the Constitutional Convention. It is flanked on either side by two nearly identical buildings, both of which were occupied by the federal government in the late 18th century. In the foreground, to the west of Independence Hall, is Congress Hall, and to the east is the Old City Hall, which once housed the United States Supreme Court.

Independence Hall was completed in 1753, and it was originally used as the colonial capitol building of Pennsylvania. However, because of Philadelphia’s central location relative to the northern and southern colonies, it took on a second role during the American Revolution. Aside from several short interruptions during British occupations, the Continental Congress met here from 1775 until 1783, and it was during this time that the delegates approved and signed the Declaration of Independence in 1776. Congress left Philadelphia in 1783, but the building continued to be used by the state government. Then, during the summer of 1787, the Constitutional Convention met here to draft and sign the United States Constitution, which was ratified a year later.

At the time of the convention, New York City was the national capital, but in 1790 the federal government returned to Philadelphia, which would serve as the capital city for ten years while Washington D.C. was being developed. Rather than sharing Independence Hall with the state government, the federal government moved into its own buildings here. Congress Hall, shown in the foreground of these two photos, became the capitol building, with a chamber on the first floor for the House of Representatives, and a smaller one upstairs for the Senate. However, the building is noticeably smaller and more modest than the adjacent Independence Hall, providing an interesting visual contrast between the perceived importance of the state and federal governments during the nation’s early years.

Congress Hall was overshadowed by Independence Hall, both physically and also in terms of its historical significance. Nevertheless, a number of important events occurred here at Congress Hall. George Washington was inaugurated here at the start of his second term, as was John Adams four years later, and the Bill of Rights was formally added to the Constitution here in 1791. It was also here that Congress passed many important bills that would shape the future of the country, including legislation that established the First Bank of the United States, the Post Office, and the Navy.

On the far side of Independence Hall, at the corner of Fifth Street, is the Old City Hall. Its exterior is nearly identical to Congress Hall, and it was completed in 1791. It served as Philadelphia’s city hall until 1854, but it was also occupied by the United States Supreme Court from 1791 until 1800. The court held its sessions on the first floor during this period, with the city council meeting on the second floor. The first case in the history of the court, West v. Barnes, was argued here on August 2, 1791, and the court issued a unanimous decision the following day. Overall, though, the Supreme Court had a relatively minor role in the federal government in these early years, and the court decided few significant cases here in Philadelphia.

Both the state and federal governments left Philadelphia at the end of the 18th century, with the state capital moving to Lancaster in 1799 and the national capital to Washington a year later. Independence Hall faced threats of demolition in the early 19th century, and the building’s original wings were razed and replaced with new buildings, which are partially visible in the first photo. However, the main part of Independence Hall was ultimately preserved, and by the time the first photo was taken in the late 1850s it had become a major symbol of the American Revolution.

In the meantime, City Hall was occupied by the municipal government until 1854, and for many years Congress Hall served as the county courthouse. Both of these buildings were restored around the turn of the 20th century, and Congress Hall was rededicated in 1913 by President Woodrow Wilson. Around this same time, the 1812 wings of Independence Hall were replaced by replicas of the original wings. Since then, this scene has not changed very much in its appearance, and all three buildings are now part of the Independence National Historical Park, which was established in 1948.

Jones’ Hotel, Philadelphia, Pennsylvania

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The Jones’ Hotel, on the south side of Chestnut Street between Sixth and Seventh Streets in Philadelphia, in December 1858. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

The first photo shows the Jones’ Hotel, which stood on the south side of Chestnut Street between Sixth and Seventh Street. The photo is part of a scrapbook that was compiled in the 1850s to document historic 18th and early 19th century buildings in Philadelphia. Most of the buildings in the scrapbook have long since been demolished, so images such as this one provide a rare glimpse of the city during the early years of photography. The original image, which is now in the collections of the Library Company of Philadelphia, also includes a caption, probably contemporary to the photo, that reads:

Yohe’s, late Jones’ Hotel. On the south side of Chestnut St., next to the Clymer mansion (afterward Geo. Harrison’s residence) between Sixth and Seventh St. The site, in the olden times, of the celebrated “Oeller’s hotel.”

As indicated by the caption, this was once the site of Oellers’s Hotel. It was one of the city’s leading hotels of the late 18th century, but it was destroyed by a fire on December 17, 1799. The site was subsequently redeveloped with houses, but in 1833 hotelier Catharine Yohe purchased two of these homes, demolished them, and constructed the right-hand side of the building in the first photo. It opened in December 1833, and according to a July 10, 1859 article in the Sunday Dispatch it was, at the time of its completion, the only purpose-built hotel building in the city. Its opening was widely announced in newspapers, including classified advertisements as well as news articles that may have been thinly-disguised advertisements. One such article, published in the Philadelphia Inquirer on December 5, speaks of the hotel in glowing terms:

This elegant and commodious establishment is now opened for the reception of Travellers. A more beautiful situation could hardly have been chosen for the erection of a large Hotel—it stands on Chestnut Street—directly opposite the Philadelphia Arcade and Peale’s Museum—between Sixth and Seventh Streets. This extensive building contains numerous parlours, all beautifully furnished—upwards of 100 Bed chambers, admirably arranged for comfort and convenience in all seasons. The Bars are judiciously placed so as to prevent confusion, in directing servants. The Dining Room is perhaps the largest, and most beautifully arranged, of any in the United States—the whole furnished after the order of Modern Architecture, with Furniture to correspond. This extensive and valuable establishment is under the immediate direction of Mrs. Yohe, the owner. From the well known character and capacity of this Lady we may infer that hospitality, kindness and attention will be extended to all, who favour the North American Hotel with their patronage.

Catharine Yohe operated the hotel for the next six years, but in 1839 she sold it to John A. Jones. He subsequently expanded the hotel by purchasing the other two adjoining houses, demolishing them, and building the section of the hotel on the left side of the scene. He also changed the name of the hotel, and it became Jones’ Hotel, as shown above the door in the first photo Under his management, the hotel became the finest in the city during the mid-19th century. The 1859 Dispatch article described it as having been the “‘crack’ house of its time,” a term that meant something very different than it does now.

Jones retired in 1847 and sold the hotel to Noah Bridges and John West. They retained the name, likely because of the reputation that it carried, and the hotel continued to be successful into the mid-1850s. During this time, one of its notable guests was Jenny Lind, during her highly-publicized tour of the United States. She arrived in Philadelphia in October 1850, and her first performance in the city was across the street from here at the Chestnut Street Theatre. Her arrival was highly anticipated by the people of Philadelphia, to the point where Chestnut Street was crowded with people waiting to catch a glimpse of her. However, because of the dense crowds she had to enter via the back entrance on Samson Street. This upset the crowd, though, and they did not disperse until Lind acceded to their demands and appeared at the window waving a handkerchief.

The hotel changed ownership several more times during the 1850s, and by 1858 it had declined to the point where it was vacant, with the furniture sold at auction by order of the sheriff. It was subsequently renovated and reopened in 1859, but it does not appear to have remained in business for very long. Over the next few decades, the building saw several other uses, including as a theater and as the newspaper offices of the Philadelphia German Democrat. Despite these changes, though, an 1887 article in the New York Tribune reported that the room where Jenny Lind stayed has never been altered, and was at the time being used as the offices of W. H. Shaffer & Co. jewelers.

It seems unclear as to exactly when the old hotel building was demolished, but it was definitely gone by the early 1920s, when this entire block of Chestnut Street was cleared to build the new office building of the Philadelphia Public Ledger. The newspaper went out of business only two decades later, but the massive 12-story building is still standing here today, as shown in the 2019 photo.

Chestnut Street Theatre, Philadelphia, Pennsylvania

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The Chestnut Street Theatre on the north side of Chestnut Street, just west of Sixth Street in Philadelphia, on April 30, 1855. Image courtesy of the Library Company of Philadelphia, James McClees Philadelphia Photograph Collection.

The scene in 2019:

During the colonial era, theater was not a significant part of American culture, particularly in the northern and middle colonies. In New England, the Puritans saw plays and acting as immoral, and here in Philadelphia the Quakers similarly disapproved, believing that going to theaters was a frivolous use of time and money. Some colonies, including Pennsylvania, even outlawed plays. However, this trend began to change after the American Revolution, and one of the first purpose-built theaters in the country was the Chestnut Street Theatre, which opened here in 1794. 

At the time, Philadelphia was the capital city of both the United States and Pennsylvania, and the theater was located in the midst of these governmental buildings. The national capitol, Congress Hall, was diagonally across the street from the theater, and just beyond Congress Hall was Independence Hall, the seat of the state government. The Supreme Court met in a building on the other side of Independence Hall, and a block to the north of the theater was the President’s House, home of George Washington and later John Adams.

The original Chestnut Street Theatre burned in 1820, but it was rebuilt two years later. This new building, which is shown here in the first photo, was designed by prominent Philadelphia architect William Strickland, who was responsible for many important buildings in the city during the early 19th century. On the exterior, the theater featured classically-inspired elements such as the arched entryways on the ground level and the four columns on the upper floor. The columns were flanked by a pair of statues, representing Tragedy and Comedy, that were carved by sculptor William Rush. The interior of the theater featured three rows of boxes arranged in a semi-circle around the stage, and it could accommodate around 2,000 people. It was built with fire safety in mind, including large stairways and multiple exits with outward-swinging doors, and it was said that a full crowd could evacuate the building in under three minutes.

The theater opened on December 2, 1822, and the occasion was marked by the reading of a letter from poet Charles Sprague, followed by a performance of the comedy The School for Scandal. Several days later, the National Gazette reported on it, observing that it opened “to a crowded, brilliant and good humoured house. The spectators and the actors appeared to be in the best spirits and both performed their respective parts in the best manner.” The article went on to say that “Everything went on and off swimmingly and satisfactorily” and that “Several gentlemen who had been abroad, and some foreigners, were heard to say that the Theatre was the prettiest they had ever seen.”

The new Chestnut Street Theatre, which came to be known as “Old Drury,” remained a popular venue for plays and concerts throughout the first half of the 19th century. During this time, perhaps the most famous performer was Jenny Lind, a Swedish opera singer who toured America from 1850 to 1852. The tour was organized by P. T. Barnum, who used his showman skills to generate fanfare for her performances. She arrived in New York in September 1850, and a month later she came to Philadelphia, where her first performance in the city occurred here at the Chestnut Street Theatre on October 17. In order to meet the anticipated demand, the tickets were auctioned off. The first one sold for the astronomical price of $625, equivalent to around $20,000 today, but prices quickly dropped for the subsequent tickets. The second one sold for just $15, and before long they were selling for under $10. In the end, about 1,700 tickets were sold at the auction, at an average of $7 each.

The day after the concert, the Philadelphia Inquirer published an account of the event, including a description of the crowd inside the theater:

A more brilliant audience never assembled within its walls, and this is saying a great deal, for “Old Drury” ranked for many years as the very temple of taste, fashion, dramatic and musical triumph. The spectacle was, indeed, fairy-like. The splendid dresses, the bright eyes, the flushed cheeks, the eager expectation depicted on every countenance, the brilliant gas-lights, and the whisperings and buzzings of many voices, served to produce an unwonted excitement; and thus, long before the hour for the commencement of the entertainment, the blood seemed to flow more rapidly through the veins, even of the most passionless.

The excitement of this event notwithstanding, by the 1850s the Chestnut Street Theatre was past its prime. Its location was no longer as desirable as it had once been, and the building was considered too small by this point. The first photo was taken on April 30, 1855, a day before its final performance, as indicated by the playbills at the main entrance, which indicate that it will be the “last night but one” for the old theater. That evening’s entertainment consisted of the burletta The Loan of a Lover, followed by the comedy Faint Heart Never Won Fair Lady and the drama Sixteen String Jack. The leading performer was 21-year-old Philadelphia native Julia Daly, whose name appears prominently on the playbills. According to newspaper advertisements, admission started at 12.5 cents for the gallery. General admission was 25 cents, and reserved seats for 37.5 cents. Orchestra and private box seating was 50 cents, and the “Colored Gallery” was 25 cents.

Somewhat more ominously than the playbills, the first photo also includes several visible posters advertising for the public sale that would take place on May 2, the day after the final performance. The sale would include the theater’s scenery, wardrobe, machinery, and other items, along with building materials such as doors, windows, rafters, roofing, and even the marble facade. This included the four marble columns, which sold for $25 each.

The theater was demolished soon after the sale, and it was replaced by a commercial building. All of the other buildings in the first photo have since been demolished as well, and the site of the theater is now a bank, which was built in 1965. It was originally the First Pennsylvania Bank, but after a series of mergers it is now a Wells Fargo branch. Further in the distance, on the other side of Sixth Street, is part of the Independence National Historical Park, and just out of view on the far right is Congress Hall and Independence Hall.