Old Manse, Concord, Mass (2)

The view of the Old Manse facing the southeast corner of the house, around 1900-1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2023:

As discussed in more detail in the previous post, the Old Manse is an important historic landmark in Concord, with connections to the American Revolution and to two of the most important 19th century American writers. It was built in 1770 as the home of William Emerson, the pastor of the First Parish Church. Only five years later, the American Revolution started quite literally in his backyard, when the Battle of Concord was fought at Old North Bridge, which was located just 150 yards behind the house. Emerson subsequently joined the Continental Army as a chaplain, although he fell ill and died in 1776 while serving in the army. However, the house remained in his family for many years, and its later residents included his grandson, Ralph Waldo Emerson, who lived here for about a year from 1834 to 1835.

In the meantime, William Emerson’s widow Phebe remarried in 1780 to Ezra Ripley, who had become the new pastor of the church after Emerson’s death. Phebe died in 1825, but Ezra lived here until his death in 1841, and his son Samuel then inherited the property. For several years, Samuel rented the house to Nathaniel Hawthorne and his newlywed wife Sophia. They lived here from 1842 to 1845, and during this time Hawthorne wrote Mosses from an Old Manse, a collection of short stories that was published in 1846 and named for this house. However, by 1845 Samuel Ripley decided to return here to live in his childhood home, and the Hawthornes subsequently relocated to Salem.

Samuel Ripley died less than two years later in 1847, but his widow Sarah continued to live here. After her death in 1867, her daughter Sophia Thayer inherited it, and she still owned it when the first photo was taken at the turn of the 20th century. The photo shows the southeast view of the house, revealing its elegant Georgian-style architecture with its large gambrel roof. The Old North Bridge over the Concord River is located just beyond the house, although it is hidden from view by the trees in the distance.

By the early 20th century, the Old Manse was used primarily as a summer residence, and after Sophia’s death in 1914 the property went to her daughter, Sarah Ames, the wife of Boston architect John Worthington Ames. She owned it until her death in 1939, and her husband subsequently sold the house and its contents to the Trustees of Reservations. This organization, which focuses on historic preservation and land conservation, owns a number of historic properties throughout Massachusetts, although the Old Manse is perhaps one of its most important ones. More than 80 years later, the Trustees still own the house, which is open to the public for guided tours. During this time, the house has remained well-preserved, and there are few differences between these two photos.

Old Manse, Concord, Mass (1)

The Old Manse on Monument Street in Concord, around 1890-1901. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The house in 2023:

The Old Manse is one of the most important historic buildings in Concord, with connections to the American Revolution and to two of the most important authors in 19th century America. It dates back to 1770, when it was constructed as the manse, or parsonage, for the First Parish Church. The church itself was located in downtown Concord, while the Old Manse is about three-quarters of a mile north of there, along the banks of the Concord River and adjacent to the Old North Bridge.

The first pastor to live here in this house was William Emerson, the grandfather of future Transcendentalist author Ralph Waldo Emerson. He was about 27 years old at the time, and he had served in the church since 1766. It was during his pastorate that, in October 1774, the Massachusetts Provincial Congress met in his church after the British authorities had formally disbanded the colonial legislature. The delegates, who were presided over by John Hancock, continued to meet anyway, and during their time in Concord Emerson served as the chaplain of the congress.

Within six months, Concord was again at the center of revolutionary activity when, on April 19, 1775, British forces left Boston to search for hidden caches of munitions in Concord. After a brief skirmish in nearby Lexington, which marked the beginning of the American Revolution, the British arrived in Concord, where they began searching the town. They ended up at the Old North Bridge, which was quite literally in Emerson’s backyard, just beyond the trees on the far right side of this scene, about 150 yards from the house. It was here that the redcoats engaged with the local militia forces, and where the famous “Shot heard round the world”—as Emerson’s famous grandson later termed it—was fired.

Reverend Emerson and his family witnessed the battle from the house, although he was not directly involved in the fighting. However, he subsequently joined the Continental Army as a chaplain, and he is generally considered to have been the army’s first such chaplain. He traveled north to Fort Ticonderoga in upstate New York during the summer of 1776, but he subsequently fell ill and died in Rutland, Vermont on October 20, at the age of 33.

His death left his widow Phebe with five young children to care for, including a newborn daughter. She subsequently remarried in 1780 to Ezra Ripley, who had succeeded her late husband as pastor of the church. This was not an uncommon practice for young pastors to marry the widows of their predecessors, although there was a bit of an age difference here, as Ezra was ten years younger than Phebe. The couple had three more children together, and they continued to live here at the Old Manse for the rest of their lives. Phebe died in 1825 at the age of 83, and Ezra continued to serve as pastor of the church until his death in 1841 at the age of 90, for a total of 63 years in the pulpit.

In the meantime, Phebe’s eldest son, William Jr., followed his father into the ministry, graduating from Harvard in 1789 and eventually becoming pastor of the First Church in Boston. Like his father, though, he also had a short life, dying in 1811 at the age of 42. His son, Ralph Waldo Emerson, was seven years old at the time, coincidentally the same age that William had been when his father died in 1776. Ralph would continue the family tradition by attending Harvard and becoming a pastor, serving in Boston’s Second Church starting in 1829. However, his young wife Ellen died two years later from tuberculosis, causing a crisis in faith that led him to resign from his position in 1832.

In 1834, when he was about 31 years old, Ralph Waldo Emerson moved into the Old Manse, where he lived for about a year with his elderly step-grandfather. Although he was not yet a published author, Emerson did some writing while he lived here, including working on his famous essay “Nature,” which was published in 1836. During this time, he also became engaged to his second wife, Lidian Jackson. They married in 1835, and they subsequently moved into their own house, which still stands at 18 Cambridge Turnpike in Concord.

After Ezra Ripley died in 1841, his son Samuel inherited the property. He was also a pastor, serving in Waltham, Massachusetts, but starting in 1842 he rented this house to newlyweds Nathaniel and Sophia Hawthorne. At the time, Nathaniel Hawthorne was about 38 years old, and he had enjoyed only moderate success as a writer. However, during his time here in Concord he continued to write, and in 1846 he published Mosses from an Old Manse, a collection of short stories that were, for the most part, written here in the house. The title of the book also provided the name for the house, which continues to be known as the Old Manse today.

Aside from writing a number of short stories here, Hawthorne also took inspiration from a tragedy that occurred in 1845, when 19-year-old Martha Hunt drowned herself in the Concord River near the house. He was part of the search party that recovered her body, and he later incorporated the incident into his 1852 novel The Blithedale Romance. In the book, one of the main characters, Zenobia, meets an identical fate, and Hawthorne provides a lengthy description of the search and the discovery of her body, which is described as “the marble image of a death-agony.”

In the three years that the Hawthornes lived in the Old Manse, they had several notable visitors, including future president Franklin Pierce, who came here in the spring of 1845. He and Hawthorne had been classmates at Bowdoin College, and they would remain lifelong friends. Several years later, in 1852, Hawthorne would publish a campaign biography of Pierce, using both his name recognition and literary talents to promote Pierce, who had earned the Democratic nomination for president. Pierce ended up winning the election, perhaps in part because of Hawthorne’s efforts, but his presidency ultimately failed to live up to the abilities that his friend had described in the biography.

In 1845, Samuel Ripley was looking to return to this house and live here, so by the end of the year the Hawthornes had relocated to Salem. They subsequently lived in Lenox before returning to Concord in 1852, purchasing The Wayside on Lexington Road. In the meantime, Samuel Ripley resided here at the Old Manse for only a few years before his death in 1847. However, his widow Sarah continued to live here for another 20 years. She was a noted scholar who, in the days before widespread higher education for women, had been almost entirely self-taught. She was an expert in a wide range of subjects, and over the years she tutored a number of college students.

Sarah Ripley died in 1867, but the house remained in her family for several more generations. Her daughter Sophia Thayer inherited the property, and after her death in 1914 it went to her daughter, Sarah Ames. During the early 20th century, the house was used primarily as a summer residence, and Sarah Ames owned it until her death in 1939. Her husband, architect John Worthington Ames, then sold the property to the Trustees of Reservations, a nonprofit organization that focuses on historic preservation and land conservation.

The first photo was taken sometime around the 1890s, during Sophia Thayer’s ownership, and very little has changed in more than 120 years since then. Today, the Old Manse continues to be owned by the Trustees of Reservations, and it is open to the public for guided tours. Much of the surrounding area, including the battlefield site at the Old North Bridge, has also been preserved as part of the Minute Man National Historical Park, which was established in 1959 and is administered by the National Park Service.

Wright’s Tavern, Concord, Mass (2)

Wright’s Tavern on Lexington Road in Concord, around 1900-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

As discussed in more detail in the previous post, this building was constructed in 1747 as a tavern. It was originally owned by Ephraim Jones, but it changed hands several times during the mid-18th century. By the 1770s, it was owned by Daniel Taylor but operated by Amos Wright, whose name has come to be associated with the tavern because of several important events that occurred here at the start of the American Revolution.

In October 1774, the Massachusetts Provincial Congress met in Concord in defiance of the Intolerable Acts, which had dissolved the colonial legislature. The delegates met nearby in the First Parish Church, but they held committee meetings here at the tavern, in addition to visiting here for food and drink. About six months later, on April 19, 1775, the tavern became a gathering place for minutemen prior to the Battle of Concord, and later in the day it was briefly used as the headquarters of Major John Pitcairn, while he searched the town for munitions.

After the war, the tavern became a bakery, which remained in operation until 1831. From there, it went through a series of commercial tenants over the years before eventually being acquired and restored by the neighboring First Parish Church. The first photo was taken only a couple decades later, showing the tavern as it appeared at the turn of the 20th century. Since then, the tavern has remained largely the same, and it stands as one of the most historic buildings in Concord, having been designated as a National Historic Landmark in 1961.

Wright’s Tavern, Concord, Mass (1)

Wright’s Tavern, seen from Lexington Road in Concord, around 1910-1920. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2018:

This tavern has stood at the center of Concord for nearly 275 years, since its construction in 1747. It was built by Ephraim Jones, who ran the tavern here for several years before selling the property to Thomas Munroe in 1751. After Munroe’s death in 1766, it was purchased by Daniel Taylor, and he went on to own it for the next nine years. During this time, in the years leading up to the American Revolution, the tavern served as a popular gathering place for locals. These included the militiamen who met regularly on the nearby training field for drills, as well as congregants from the neighboring First Parish Church.

The tavern came to be known as Wright’s Tavern because of Amos Wright, who was the proprietor during the mid-1770s. Although he did not own the property, he ran the tavern, and it was during his tenure here that several historic events occurred. The first of these came in October 1774, when the Massachusetts Provincial Congress met in Concord. Earlier in the month, the colonial legislature had been dissolved as part of the so-called Intolerable Acts, but its members ignored this directive and met anyway, convening in Concord on October 7. The Congress itself met in the First Parish Church, with John Hancock presiding, but the tavern was used for committee meetings, in addition to providing food and drink for the 300 delegates in attendance.

Just six months later, Wright’s Tavern again found itself at the center of revolutionary activities in Massachusetts. In the early morning hours of April 19, 1775, Concord minutemen gathered here in advance of the approaching British forces, which were attempting to seize colonial military supplies that were stored here in town. Later in the day, these minutemen retreated to the north of town, on the other side of Old North Bridge, where they fired the famous “Shot heard round the world.”

In the meantime, though, the British temporarily occupied the center of Concord, and Major John Pitcairn made the tavern his headquarters. From here, he dispatched search parties in a largely unsuccessful attempt to find the military supplies. He also reportedly ordered a drink here at the tavern, which he is said to have stirred with his finger while declaring that he would “stir the damned Yankee blood” in the same manner by nightfall. However, as it turned out, the colonial minutemen defeated the British at Old North Bridge, and Pitcairn and his men were forced to retreat to Boston. Pitcairn returned safely, but he was ultimately killed two months later at the Battle of Bunker Hill.

After the war, the old tavern became a bakery, with residential space for the baker on the upper floor. Starting in 1790, the bakery was run by Francis Jarvis, and it became a fixture here in the center of Concord for many years. Jarvis sold baked goods out of the building here, but part of his business also involved a wagon route that sold bread, pies, and other goods throughout the surrounding towns. His son, Francis Jr., was born here in 1794, and he would later become a partner in the bakery before taking it over from his father in 1824. The younger Francis operated the bakery for another seven years, before selling the property in 1831.

Over the next few decades, the building housed a variety of commercial tenants, ranging from the print shop to the manufacturer of Potter’s Hair Balm. By the late 19th century, the building was in poor condition, but in the 1880s it was purchased by Reuben Rice and former U.S. Attorney General Ebenezer Hoar, with the goal of preserving the historic structure. They then donated it to the First Parish Church, and it was subsequently converted back to its original use as an inn.

The first photo was taken around 30 years later, showing the old colonial-era tavern at the dawn of the automobile age. One such car is visible on the right side of the photo, with a group of occupants climbing into it, presumably after staying at the hotel or eating in its dining room. The exterior of the building is covered with a variety of signs, attesting to its historical significance as well as the amenities offered here. Another sign, located at the corner on the left side, indicates that it is an “Automobile Red Book Station.”

Today, around a century after the first photo was taken, the exterior of the tavern remains essentially the same as it did back then. It is still owned by the church, although it is no longer used as a hotel. Instead, part of the building is used by the Concord Museum for educational space, and another part of the building is occupied by two architectural firms. Because of its historical significance, the tavern was named as a National Historic Landmark in 1961, making it one of six sites in Concord to receive this level of recognition.

Independence Hall, Philadelphia, Pennsylvania (2)

The south side of Independence Hall, seen from Independence Square around 1900-1910. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

Independence Hall in 2018:

As discussed in greater detail in a previous post, Independence Hall was built over the course of a 21-year period between 1732 and 1753. It was designed and built by Edmund Woolley, and it featured a brick Georgian style of architecture that was common for public buildings of this period. Upon its completion, it became the first capitol building for the colony, and it remained the seat of Pennsylvania’s government throughout the rest of the 18th century.

However, Independence Hall is best remembered today for its role in the early history of the United States. From 1775 to 1783, the Continental Congress met here, and it was during this time that, in 1776, the delegates debated, approved, and signed the Declaration of Independence. This occurred in the Assembly Room, which is located on the first floor on the right side of the building. Eleven years later, state delegates gathered in the same room for the Constitutional Convention, and the current United States Constitution was signed here on September 17, 1787.

Over the years, the exterior of Independence Hall has undergone some significant changes. The original wooden steeple had, by the time of the American Revolution, become badly deteriorated, and it was ultimately removed in 1782. The brick tower was capped with a simple roof for the next few decades, but in 1828 a new steeple was added. It was designed by architect William Strickland, and it was similar to – although not identical to – the original one. Another change came in 1812, when the original wings of the building were demolished. However, replicas of these wings were constructed in 1898, and they are connected to the main building by the brick arcades that are visible on the right and left sides of both photos.

Today, despite these many changes, Independence Hall stands as one of the most historic landmarks in the country. The exterior has remained largely the same since the first photo was taken more than a century ago, and it has long been recognized as a major symbol of American liberty and freedom. In 1948, it became a part of the Independence National Historical Park, and in 1966 it was designated as a National Historic Landmark, which is the highest level of federal recognition for a historic site. However, it has also received international recognition for its significance, and in 1979 it was named as a UNESCO World Heritage Site. Because of its historical importance, it is one of the most popular tourist attractions in the northeast, with the park drawing an average of over 4 million visitors each year.

Assembly Room, Independence Hall, Philadelphia, Pennsylvania

The Assembly Room on the first floor of Independence Hall, around 1905. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The room in 2018:

As discussed in an earlier post, Independence Hall was completed in 1753 as the Pennsylvania State House, the colony’s first capitol building. The first floor consisted of two large rooms on either side of a central hall. To the west was the courtroom for the Supreme Court of Pennsylvania, while the room on the east side, which is shown here, housed the Pennsylvania Provincial Assembly. As a result, this room was known as the Assembly Room, and it was the meeting place of the colonial legislature – and later the state legislature – throughout the second half of the 18th century. However, this room is most remembered for housing the Continental Congress from 1775 to 1783, and for being the site of the signing of the Declaration of Independence and the United States Constitution.

Philadelphia had played a central role in the American Revolution since 1774, when the First Continental Congress convened in the city from September 5 to October 26 of that year. The city served as a convenient meeting place between the northern and southern colonies, but the delegates met at the recently-constructed Carpenters’ Hall, instead of here at the State House. It was not until the Second Continental Congress, which convened on May 10, 1775, that the colonial delegates would meet here in the Assembly Room of what would become known as Independence Hall.

When these delegates arrived here for the Second Continental Congress, the American Revolution was less than a month old, having started on April 19 with the Battles of Lexington and Concord. As a result, the Congress soon began to exercise control over the colonial military, starting with the creation of the Continental Army on June 14 and the appointment of George Washington as its commanding officer. Washington, who was part of the Virginia delegation here in Congress, was nominated for the position by John Adams, and Washington subsequently left for Boston to assume command of the army.

Another important congressional action occurred less than a month later, on July 8, when the delegates approved the Olive Branch Petition. Intended as a peace overture to Britain, in order to appease the more conservative members, this petition was summarily rejected by the British government. However, it proved significant in highlighting the fact that Britain was not receptive to compromises, which gave the more radical members a stronger case in favor of declaring independence.

Even so, it would take nearly another year before the Continental Congress finally declared independence. The resolution, known as the Lee Resolution after its sponsor, Richard Henry Lee of Virginia, was introduced here on June 7, 1776. In the ensuing weeks, the idea of independence was debated, a draft declaration was written, and the resolution finally passed on July 2, after last-minute actions to secure yes votes from South Carolina, Pennsylvania, and Delaware.

John Adams, who was among the delegates in attendance, believed that this day would be celebrated by future generations as Independence Day. As it turned out, though, it ended up being July 4 – the day when Congress approved the final wording of the Declaration of Independence – that would be remembered as such. However, despite popular images of the Founding Fathers lining up here to sign the document, no such scene actually occurred on that day. Instead, historians generally identify August 2 as the date when most delegates signed, although some signatures would be added as late as November.

Following the Declaration of Independence, Congress continued to meet here throughout most of the war, with two interruptions during British occupations of Philadelphia. The first occurred from December 1776 through March 1777, when Congress met in Baltimore, and the second lasted from September 1777 to July 1778, with Congress meeting in Lancaster for one day and then York, Pennsylvania for the duration. The Articles of Confederation, the nation’s first constitution, was written while Congress was in York, but it did not go into effect until 1781, when Maryland signed it here in the Assembly Room of Independence Hall.

Under the Articles of Confederation, the Continental Congress did not see significant change. It remained a unicameral legislature, with each state having one vote regardless of population, and it continued to meet here in Independence Hall for several years, making this the de facto national capitol building. However, Congress’s time here was cut short by a dispute between it and the state government of Pennsylvania, which also occupied this building. In June 1783, a mob of about 400 American soldiers descended upon Independence Hall, demanding payment for their wartime service. Congress asked the state’s Supreme Executive Council to call in the militia to suppress the riot, but the state declined, and Congress left the city on June 21.

When Congress reconvened nine days later, it was at Nassau Hall in Princeton, New Jersey. Over the next few years, Congress would also meet in Annapolis, Trenton, and then in New York City, which became the national capital until 1790. Congress would never return here to Independence Hall, but this room would play one more important role in the national government in 1787, when the Constitutional Convention met here from May 25 through September 17, 1787. Although officially intended to “revise” the heavily flawed Articles of Confederation, this convention ultimately created a completely new blueprint for the national government, and the current United States Constitution was signed here on September 17, by delegates from 12 of the 13 states.

The Constitutional Convention became famous for its many compromises, with delegates seeking to strike a balance between the large states and small states, and between the north and the south. Perhaps the most important was the Connecticut Compromise, which established a bicameral legislature, with equal representation in the Senate and proportional representation in the House. The proportional representation caused another controversy, though, with regards to how slaves should be counted for representation purposes. This was resolved by the Three-Fifths Compromise, which counted three-fifths of the slave population toward Congressional representation, thus preventing southern states from becoming too dominant in national politics.

The end of the Constitutional Convention also marked the end of this room’s use for national political gatherings. The new Constitution went into effect in 1789, and a year later the national government returned to Philadelphia for a ten-year period, while Washington, D.C. was being developed. However, during this time period Congress met next door in Congress Hall, while the Supreme Court met in a matching building on the other side of Independence Hall. In the meantime, the Assembly Room here in Independence Hall would continue to be used by the state legislature, but in 1799 the state capital was moved to Lancaster, leaving this building largely vacant.

During the early 19th century, parts of Independence Hall were used by artist Charles Willson Peale, who established a natural history museum and portrait gallery here. The building was nearly demolished in the 1810s, but it was instead purchased by the city of Philadelphia. Early in the city’s ownership, the original paneling here in the Assembly Room was removed, but the room was subsequently restored by noted architect John Haviland in 1833. However, this restoration, which is shown in the first photo some 70 years later, was not entirely accurate, and was largely based on the appearance of the adjacent Supreme Court Room.

Throughout the 19th century, the Assembly Room was used for a wide variety of purposes. Many patriotic events were held here, with distinguished visitors such as Henry Clay, Andrew Jackson, and Abraham Lincoln. The bodies of both Clay and Lincoln would later lay in state here in this room, as did the body of John Quincy Adams following his death in 1848. In addition, this room was also used as a museum, displaying a number of objects relating to American Revolution. During the second half of the 19th century, the Liberty Bell was on display here, before being moved to the base of the tower, and the room also housed a large collection of Charles Willson Peale’s portraits. Some of these are visible in the first photo, including his famous George Washington at Princeton, which stands in the corner on the left side of the scene.

The Assembly Room later underwent a second major renovation in the mid-20th century, restoring it to its presumed 18th century appearance. The room was also furnished during this time, although almost none of the objects are original to the room. Today, there are only two artifacts that survive from the Revolutionary period. The oldest of these is the Syng inkstand, which sits on the table at the front of the room in the present-day scene. Made in 1752, this inkstand was used in the signing of both the Declaration of Independence and the Constitution, and it is visible in the first photo, in a small display case in front of the fireplace on the left side.

The other object, and the only surviving piece of furniture from the 18th century, is the chair in the center of the room, which is visible in both photos. This was made in 1779, and it was the seat where George Washington sat while presiding over the Constitutional Convention. It is often known as the Rising Sun Armchair, because of the carved sun on the top of it. This decoration caught the attention of Benjamin Franklin during the Constitutional Convention, and he remarked on it as the delegates were signing the document. His words, which were recorded in James Madison’s notes, provided a fitting conclusion to the convention that marked a new beginning for the United States:

Whilst the last members were signing it Doctr. Franklin looking towards the Presidents Chair, at the back of which a rising sun happened to be painted, observed to a few members near him, that Painters had found it difficult to distinguish in their art a rising from a setting sun. I have said he, often and often in the course of the Session, and the vicisitudes of my hopes and fears as to its issue, looked at that behind the President without being able to tell whether it was rising or setting: But now at length I have the happiness to know that it is a rising and not a setting Sun.