Gothic Revival

Union Congregational Church, Worcester, Mass

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The Union Congregational Church, at the corner of Chestnut and Pearl Streets in Worcester, around 1906 and 2016. Historic image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The church in 2016:

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This church building was completed in 1897, in a Gothic Revival style that bears some resemblance to a scaled-down version of the Notre-Dame Cathedral in Paris. It was originally home to the Union Congregational Church, which had been established in 1835 and had several different locations around the city before coming here at the end of the 19th century. Following a merger in 1936, the church became the Chestnut Street Congregational Church, and since then it has gone through several other owners. Currently, it is owned by the Presbyterian Church of Ghana, who began holding worship services here in early 2016.

Over the years, the building has seen few major changes. The spire, seen in the center of the first photo, was removed in 1954, and since then the tops of the two towers have also been removed. Otherwise, it remains well-preserved as an excellent example of late 19th century Gothic architecture, and it is listed on the National Register of Historic Places.

Cathedral of Saint Paul, Worcester, Mass

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The Cathedral of Saint Paul, on Chatham Street in Worcester, around 1908. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The building in 2016:

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Although now a cathedral, when the first photo was taken this building was still a Roman Catholic parish church. The first services had been held in the church in 1869, while it was still under construction. It was completed in 1874, with prominent Worcester architect Elbridge Boyden as its designer. Boyden had previously designed Worcester’s landmark Mechanics Hall, although its Italianate architecture is very different from the Gothic Revival style of this church. The only major change to the exterior of the church was the addition of the tower on the right side of the building, which was built in 1889 based on Boyden’s original designs.

Very little has changed in this view since the first photo was taken, although the role of the church has changed somewhat. In 1950, it became a cathedral, and since then it has been the mother church of the Diocese of Worcester. Because of its historical and architectural significance, it is now listed on the National Register of Historic Places.

Boynton Hall, Worcester, Mass

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Boynton Hall at Worcester Polytechnic Institute, around 1908. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The building in 2016:

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As mentioned in the previous post, Boynton Hall and the neighboring Washburn Shops to the right were the original two buildings on the campus of the Worcester Polytechnic Institute. Completed in 1868 the same year that the school opened, they were named for John Boynton and Ichabod Washburn, two local industrialists who helped to establish the school. At the time, the United States was experiencing a rapid growth in industry and technology, but there were relatively few colleges that focused on mechanical and scientific training. Among the first was the Massachusetts Institute of Technology in Boston, which began holding classes in 1865, but WPI soon followed, with Boynton, Washburn, and other donors recognizing the value of such an education.

As the oldest building on campus, Boynton Hall looks very different from most of the others. With its granite exterior and Gothic architecture, it looks more like a traditional university building than later buildings such as the Salisbury Laboratories, which has a more utilitarian, industrial appearance. However, both building were designed by Stephen C. Earle, a Worcester-based architect who designed many public buildings in the city and surrounding areas. He was best known for his Romanesque designs such as the Central Congregational Church, but Boynton Hall was one of his earlier works, designed at a time when Gothic Revival was still a prominent style for institutional buildings.

By the time the first photo was taken, the building was already nearly 50 years old, but its exterior appearance had not changed much, and another century later it still looks essentially the same. On the inside, however, it has changed uses several times. Originally built to house classrooms and laboratories, the labs were moved out when the Salisbury building was completed in 1888, and in 1955 it was converted into administrative offices. Today, it continues to serve in this role, with offices for the president, provost, and other administrative departments.

St. John’s Episcopal Church, Hartford, Connecticut

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St. John’s Episcopal Church on Main Street in Hartford, around 1903-1906. Image courtesy of the Connecticut State Library.

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The scene in 2016:

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When this church building was completed in 1842, it was one of two Episcopalian churches along Main Street in downtown Hartford, and it was designed by architect Henry Austin in the Gothic Revival style that was popular at the time. The same style of architecture can be seen today in the Wadsworth Atheneum, which was completed just north of here only two years later.

The congregation remained here for over 60 years, but by the early 20th century this section of Main Street had become predominantly commercial, and the property was being eyed for an expansion of the Atheneum. The church sold the property in 1905 and moved to a new location in West Hartford, and the old building was demolished to make way for the addition. Today, the site of the church is now partially occupied by a small park, located between the Atheneum on the left and the Hartford Municipal Building, which is just out of view to the right.

Wadsworth Atheneum, Hartford, Connecticut (2)

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Another view of the Wadsworth Atheneum on Main Street in Hartford, around 1907. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The building in 2016:

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As mentioned in the previous post, the Wadsworth Atheneum is the oldest public art museum in the country. It dates back to 1844, when this building first opened, and although it has been significantly modified over nearly 175 years, the original Gothic Revival facade remains as a prominent landmark along Main Street. Among the museum’s artwork is an extensive collection of paintings by artists of the Hudson River School, a movement that was popular in the first half of the 19th century. The museum’s benefactor, Daniel Wadsworth, was a patron of Thomas Cole, one of the leading artists of this era, and many of Cole’s works are now part of the museum’s collection.

Wadsworth Atheneum, Hartford, Connecticut (1)

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The Wadsworth Atheneum on Main Street in Hartford, around 1907. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The building in 2016:

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The Wadsworth Atheneum is an art museum that has been located in Hartford since this building opened in 1844. At a time when most art collections were found within the homes of the wealthy, the Wadsworth was one of the first public art museums in the country. Its Gothic Revival building was designed by architect Ithiel Town, a Connecticut native who designed a number of prominent buildings, including the state capitols of Connecticut, Indiana, and North Carolina.

The museum was funded by the prominent Wadsworth family and built on the site of Daniel Wadsworth’s home on Main Street, diagonally opposite from the First Church. Over the years, additional benefactors such as Elizabeth Jarvis Colt and J.P. Morgan have expanded the museum’s collections, and along with it the building itself has grown, with additions to the back and on the right side. It remains in operation today as the nation’s oldest public art museum, and the building is listed on the National Register of Historic Places.