Lawrence House, Smith College, Northampton, Mass

Lawrence House on the campus of Smith College in Northampton, around 1894. Image from Northampton: The Meadow City (1894).

Lawrence House in 2018:

When Smith College opened in the fall of 1875, there were just 14 students enrolled in the school. However, over the next few decades the school saw dramatic growth, resulting in a number of new buildings on campus in the 1880s and 1890s. In the six year period from 1886 to 1892, for example, enrollment grew from 247 to 636, and in 1892 two new dormitories were added to accommodate this influx. The two identical buildings, Lawrence House and Morris House, were both designed by William C. Brocklesby, a Hartford architect who was responsible for many of the campus buildings during this period, and they were named in honor of two Smith College alumnae: Elizabeth Crocker Lawrence, class of 1883; and Kate Morris, class of 1879.

Lawrence House, seen here in these two photos, became a cooperative house in 1912, with students receiving discounted tuition in exchange for doing one hour of chores each day. The 62 spots here were highly competitive, requiring high academic standing as well as an interview with the dean, and former resident Constance Jackson, writing for The Smith Alumnae Quarterly in 1922, noted that “it is considered a stroke of luck by most of the college to achieve Lawrence House.” At the beginning of the school year, students were assigned temporary jobs, but they later submitted their preferences for permanent jobs. As Jackson described in her article:

Later, when academic schedules are definitely settled, each student gives the head of the house a card bearing her first, second, and third choice for a permanent task, as well as her “pet aversion.” Needless to say these are never assigned! The freshmen are but little concerned for they have already been informed by upper classmen who have achieved the dignity of sweeping and setting up tables, that the dinner dishes constitute their particular destiny.

Jackson went on to explain how:

The work is never a burden in any sense, for the hour each day spent at one’s particular task is a wholesome change from the academic atmosphere. The interest which everyone takes in the well-being of the house as a whole is truly remarkable and far different from the attitude commonly seen in the houses where the duties of keeping up appearances fall to maids. A scrap of paper in the hallway, a bit of dust on the stairs, is noticed and immediately removed by whomever sees it first – not because it is a duty but because it reflects on the common home which we have all come to love.

Lawrence House remained a cooperative house for many years, and during this time its most famous resident was Sylvia Plath, who lived here from the fall of 1952 until her graduation in the spring of 1955. Although best known for her 1963 novel The Bell Jar, Plath has already written many short stories by the time she moved into Lawrence House, and several of these had been published in magazines. While at Smith College she also served on the editorial board of the school’s literary magazine, the Smith Review, and in 1953 she was selected as a guest editor for Mademoiselle. However, her college years were also marked by increased depression, and her time at Lawrence House was interrupted in 1953, when she spent six months in a psychiatric hospital after her first suicide attempt.

Today, Lawrence House is no longer a cooperative house, but it remains in use as one of 35 residential buildings on the Smith College campus, housing 68 students. The exterior has seen few changes, although at some point in the mid-20th century the dormer windows on the long sides of the building (not visible from this angle) were significantly altered. Otherwise, both Lawrence House and its twin, Morris House, remain very much the same as they did when they were completed over 125 years ago.

Hubbard House, Smith College, Northampton, Mass

Hubbard House on the campus of Smith College in Northampton, around 1894. Image from Northampton: The Meadow City (1894).

Hubbard House in 2017:

Washburn House was built in 1879-1880, and is among the oldest buildings on the Smith College campus. It was opened as a dormitory just a few years after the school opened, and was named for trustee and school treasurer George W. Hubbard. Like many of the other 19th century buildings on the campus, it was designed by the Boston-based architectural firm of Peabody and Stearns, with a High Victorian Gothic style that matched the rest of the campus.

Today, more than 120 years after the first photo was taken, the exterior of Hubbard House has not seen any significant changes from this angle. The building was renovated in the early 1990s, and was expanded on the back side with an enlarged dining room, but overall it has remained well-preserved. It continues to be used as a dormitory, now housing 53 students on three floors, and today it is one of 35 residential buildings on the Smith College campus.

College Hall at Smith College, Northampton, Mass

College Hall on the campus of Smith College, seen from West Street in Northampton, around 1900. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

College Hall in 2018:

Smith College was established in 1871, as part of the will of Sophia Smith (1796-1870), who left a large bequest to establish a women’s college in Northampton. This building, College Hall, was the first building on the campus, and it was completed in 1875, the same year that the school opened. It was designed by Peabody and Stearns, a prominent Boston-based architectural firm, and its design reflected the High Victorian Gothic style that was fashionable at the time. Smith College has just 14 students and six faculty members when it opened in the fall of 1875, and this building was used for almost everything except dormitory space. When completed, it included classrooms, a laboratory, a social hall, an art gallery, and administrative offices, although this soon began to change as the college grew.

By the time the first photo was taken at the turn of the 20th century, the college’s enrollment had increased significantly. The campus had grown accordingly, and included new residential buildings, a gymnasium, a music hall, an art gallery building, a science building, a chemistry building, and a new academic building. College Hall itself had also been expanded, with an 1890 addition that increased the capacity of the social hall – renamed Assembly Hall – from 500 to 900. In 1901, Assembly Hall was expanded again, by opening up the second floor above the hall and adding another 500 seats. However, this ended up being a temporary change. John M. Greene Hall, with its 2,225-seat auditorium, was completed in 1910, eliminating the need for such a large auditorium here in College Hall, and the second floor above Assembly Hall was subsequently reconstructed.

By the 1909-1910 school year, Smith College employed 104 faculty members and had 1,635 students, with an annual tuition that had just been increased from $100 to $150. At this point, College Hall was only used for the auditorium, some classrooms, and administrative offices, but over time this would continue to change as more buildings were added to the campus. College Hall would ultimately come to be used only for offices, resulting in significant changes to the interior in he process. However, the exterior appearance has remained well-preserved over 140 years after the building first opened, and today the only noticeable difference between these two photos is the lack of ivy on the brick walls of the building.

Main Street from Masonic Street, Northampton, Mass

Looking west on Main Street from near the corner of Masonic Street in Northampton, around 1894. Image from Northampton: The Meadow City (1894).

The scene in 2017:

This scene, on the western end of Main street, was at the outer edges of downtown Northampton for most of the 19th century, and it was not fully developed into its present-day form until the 1870s and 1880s. The oldest building in the first photo is the Edwards Church, located directly in the center of the photo. This congregation was established in 1833 as an offshoot of the First Church, and was named in honor of Jonathan Edwards, the prominent theologian who had served as the pastor of the First Church from 1729 to 1750. The first permanent home of the new congregation was a church at the corner of Main and Old South Streets, but this building was destroyed in a fire in 1870 and, a few years later, the church completed a new building a few blocks to the west, as seen in the first photo.

Around the same time that the new church was built here, Smith College was established on a site just beyond the church, where Main Street divides into West and Elm Streets. The school’s first building, College Hall, was completed in 1875, and can be seen in the distance on the left side of both photos. Like many of the other 19th century buildings on the campus, College Hall was the work of the Boston-based architectural firm of Peabody and Stearns, and was designed in the High Victorian Gothic style that was popular at the time, particularly for schools and other institutional buildings.

The newest buildings in the first photo were the five brick commercial blocks in the foreground on the right side. Known as the Daley Blocks, these buildings were completed around 1886-1887 and were originally owned by Patrick J. Daley, an Irish native who owned a dry goods store in Florence. As the first photo shows, the three buildings in the middle were built with the same architectural style – red brick, with light-colored lintels and sills – but paint and other alterations have obscured these details on the buildings to the left and the right.

Today, aside from these minor changes to the Daley Blocks, the only significant difference in this scene is the Edwards Church. The old church building from the first photo stood here for over 80 years, and during this time it was the home church of Calvin Coolidge and his family, as well as the site of his funeral in 1933. However, by the 1950s it was in in need of serious repairs, and the congregation voted to build a new church rather than renovate the old one. As a result, it was demolished and replaced with the current church building, which was completed in 1958 on the same site as the old church.

City Hall, Northampton, Mass

City Hall on Main Street in Northampton, around 1890. Image from Picturesque Hampshire (1890).

The scene in 2017:

Northampton’s city hall is perhaps one of the most unusual-looking municipal buildings in the state, with a distinctive Gothic-inspired exterior that stands about amid the more conventional brick commercial buildings that line Main Street. It was the work of William Fenno Pratt, a prominent local architect who designed a number of buildings in the area, and it was completed in 1850 as the town hall, since Northampton would not become a city for another 33 years. The building’s original layout included an auditorium on the second floor, which could accommodate over a thousand people. This space was often used for lectures, dances, and other civic events, and over the years a number of prominent people gave speeches here, including Henry Ward Beecher, Frederick Douglass, Ralph Waldo Emerson, William Lloyd Garrison, Oliver Wendell Holmes, and Sojourner Truth.

Not long after Northampton became a city, this building played a role in the early political career of future president Calvin Coolidge. An 1895 graduate of Amherst College, he subsequently moved to Northampton and began practicing law, only a few years after the first photo was taken. In 1898, he was elected to his first political office as a city councilor, serving one term before being appointed as city solicitor. In 1904 he ran unsuccessfully for a seat on the school committee – the only election that he ever lost – but two years later he was elected as a state legislator. Then, in 1910 and 1911, he served two terms as mayor of Northampton, with his office here in city hall, before being elected to the state senate. From there, he held a succession of state offices, including senate president, lieutenant governor, and governor, and then in 1920 he was elected as vice president of the United States, before becoming president in 1923 upon the death of Warren Harding.

Around the same time that Coolidge became president in 1923, Northampton’s city hall was the center of controversy here in his hometown. The eclectic design of the building had long been unpopular with many people, including then-mayor Harry E. Bicknell, who derided its “flip-flops and flop-doodles,” as he put it. However, despite calls to replace it with a modern, more conventionally-designed building, frugality ultimately carried the day, since it was far cheaper to renovate the old building than to demolish it and build a replacement. The renovations did include some significant changes to the interior, including converting the auditorium into offices, but overall the exterior remained largely the same aside from the wooden crenellations atop the towers, which had rotted away by this point. Since they were entirely decorative and sat atop towers that, likewise, served no practical purpose, these crenellations would not replaced until the late 20th century.

Today, the building remains in use as Northampton’s city hall, still standing as an iconic feature on Main Street, with an appearance that is the same as it was over 125 years ago when the first photo was taken. The surrounding buildings have also changed very little over the years, including the 19th century commercial buildings on either side of the photo, as well as the 1872 Memorial Hall, located just to the right of City Hall. All of these buildings, along with the rest of the surrounding area, are now part of the Northampton Downtown Historic District, which was added to the National Register of Historic Places in 1976.

Warner House, Northampton, Mass

The Warner House hotel on Main Street in Northampton, sometime around the 1860s. Image from Northampton: The Meadow City (1894).

The scene in 2017:

The Warner House, seen on the left side of the first photo, had been perhaps the most prominent hotel in early 19th century Northampton. The wooden, three-story Federal-style building dated back to the 1790s, when it was built by Asahel Pomeroy, who operated it as a tavern. It was ideally located in the center of Northampton, where several major stagecoach routes crossed, including an east-west route from Boston to Albany, and a north-south route from New Haven and Hartford to Brattleboro and other points north.

In 1821, the tavern was purchased by Oliver Warner, and it continued to serve as both a stagecoach stop as well as a popular gathering place for locals. Probably its most famous visitor during this time was the Marquis de Lafayette, who stayed here in 1825 during his grand tour of the United States. The Revolutionary War hero arrived in Northampton to much fanfare, and attended a reception and dinner in his honor here at the Warner House. He later gave a speech from the balcony, and spent several days in Northampton before continuing on his journey east.

Another 1820s visitor was Prince Bernhard of Saxe-Weimar-Eisenach, a German prince who had fought for the Netherlands in the Seven Years’ War a decade earlier. He later published an account of his 1825-1826 visit to the United States, which included a stop here at the Warner House. In the English translation of the book, he gives a detailed description of both the hotel and Northampton itself:

About a mile from Northampton we passed the Connecticut river, five hundred yards wide, in a small ferry-boat, which, as the night had already set in, was not very agreeable. At Northampton we took lodgings at Warner’s Hotel, a large, clean, and convenient inn. In front of the house is a large porch, and in the first story a large balcony. The gentlemen sit below, and the ladies walk above. Elm trees stand in front of the house, and a large reflecting lamp illuminates the house and the yard. This, with the beautiful warm evening, and the great number of people, who reposed on the piazza, or went to and from the house, produced a very agreeable effect. The people here are exceedingly religious, and, besides going to church on Sundays, they go thrice during the week. When we arrived, the service had just ended, and we saw some very handsome ladies come out of the church. Each bed-chamber of our tavern was provided with a bible.

By the middle of the 19th century, railroads had supplanted stagecoaches as the primary means of intercity transportation, but the Warner House continued to be one of Northampton’s leading hotels. It was one of three Northampton hotels listed in the 1851 The Mt. Holyoke Hand-book and Tourist’s Guide; for Northampton, and its Vicinity, which wrote that:

Warner’s Hotel is in the centre of the town, and in the midst of the trading part of the community. The house was inadequate in size to its business, and a large and very handsome addition has just been made to it, the rooms of which are spacious, airy and pleasant. The venerable proprietor has made a spirited and liberal outlay, by which he has added much to the beauty of the town, as well as promoted to public convenience; and we trust he will receive that ample remuneration he so well deserves.

This “handsome addition” was likely the three-story brick building on the right side of the photo, which was built in the prevailing Italianate style of architecture, in sharp contrast to the 18th century tavern building. With this expansion, the hotel remained in business for the next two decades. However, the 1870s saw several disastrous fires in downtown Northampton, including one that started here in the Warner House. The fire burned for four hours, destroying the old hotel building, the newer brick addition to the right, and the Lyman Block on the left, and it caused about $125,000 in damage.

In the wake of the fire, the site was rebuilt as the Fitch House, a large four-story brick, Italianate-style hotel building that was completed in 1871. The hotel was later named the Mansion House, and then the Draper Hotel,and it remained in business until it finally closed in 1955. The eastern two thirds of the Draper Hotel was subsequently demolished, and the current one-story building was built in its place, but the westernmost section of the building is still standing, and can be seen on the left side of the present-day photo.