Buildings

Jones’ Hotel, Philadelphia, Pennsylvania

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The Jones’ Hotel, on the south side of Chestnut Street between Sixth and Seventh Streets in Philadelphia, in December 1858. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

The first photo shows the Jones’ Hotel, which stood on the south side of Chestnut Street between Sixth and Seventh Street. The photo is part of a scrapbook that was compiled in the 1850s to document historic 18th and early 19th century buildings in Philadelphia. Most of the buildings in the scrapbook have long since been demolished, so images such as this one provide a rare glimpse of the city during the early years of photography. The original image, which is now in the collections of the Library Company of Philadelphia, also includes a caption, probably contemporary to the photo, that reads:

Yohe’s, late Jones’ Hotel. On the south side of Chestnut St., next to the Clymer mansion (afterward Geo. Harrison’s residence) between Sixth and Seventh St. The site, in the olden times, of the celebrated “Oeller’s hotel.”

As indicated by the caption, this was once the site of Oellers’s Hotel. It was one of the city’s leading hotels of the late 18th century, but it was destroyed by a fire on December 17, 1799. The site was subsequently redeveloped with houses, but in 1833 hotelier Catharine Yohe purchased two of these homes, demolished them, and constructed the right-hand side of the building in the first photo. It opened in December 1833, and according to a July 10, 1859 article in the Sunday Dispatch it was, at the time of its completion, the only purpose-built hotel building in the city. Its opening was widely announced in newspapers, including classified advertisements as well as news articles that may have been thinly-disguised advertisements. One such article, published in the Philadelphia Inquirer on December 5, speaks of the hotel in glowing terms:

This elegant and commodious establishment is now opened for the reception of Travellers. A more beautiful situation could hardly have been chosen for the erection of a large Hotel—it stands on Chestnut Street—directly opposite the Philadelphia Arcade and Peale’s Museum—between Sixth and Seventh Streets. This extensive building contains numerous parlours, all beautifully furnished—upwards of 100 Bed chambers, admirably arranged for comfort and convenience in all seasons. The Bars are judiciously placed so as to prevent confusion, in directing servants. The Dining Room is perhaps the largest, and most beautifully arranged, of any in the United States—the whole furnished after the order of Modern Architecture, with Furniture to correspond. This extensive and valuable establishment is under the immediate direction of Mrs. Yohe, the owner. From the well known character and capacity of this Lady we may infer that hospitality, kindness and attention will be extended to all, who favour the North American Hotel with their patronage.

Catharine Yohe operated the hotel for the next six years, but in 1839 she sold it to John A. Jones. He subsequently expanded the hotel by purchasing the other two adjoining houses, demolishing them, and building the section of the hotel on the left side of the scene. He also changed the name of the hotel, and it became Jones’ Hotel, as shown above the door in the first photo Under his management, the hotel became the finest in the city during the mid-19th century. The 1859 Dispatch article described it as having been the “‘crack’ house of its time,” a term that meant something very different than it does now.

Jones retired in 1847 and sold the hotel to Noah Bridges and John West. They retained the name, likely because of the reputation that it carried, and the hotel continued to be successful into the mid-1850s. During this time, one of its notable guests was Jenny Lind, during her highly-publicized tour of the United States. She arrived in Philadelphia in October 1850, and her first performance in the city was across the street from here at the Chestnut Street Theatre. Her arrival was highly anticipated by the people of Philadelphia, to the point where Chestnut Street was crowded with people waiting to catch a glimpse of her. However, because of the dense crowds she had to enter via the back entrance on Samson Street. This upset the crowd, though, and they did not disperse until Lind acceded to their demands and appeared at the window waving a handkerchief.

The hotel changed ownership several more times during the 1850s, and by 1858 it had declined to the point where it was vacant, with the furniture sold at auction by order of the sheriff. It was subsequently renovated and reopened in 1859, but it does not appear to have remained in business for very long. Over the next few decades, the building saw several other uses, including as a theater and as the newspaper offices of the Philadelphia German Democrat. Despite these changes, though, an 1887 article in the New York Tribune reported that the room where Jenny Lind stayed has never been altered, and was at the time being used as the offices of W. H. Shaffer & Co. jewelers.

It seems unclear as to exactly when the old hotel building was demolished, but it was definitely gone by the early 1920s, when this entire block of Chestnut Street was cleared to build the new office building of the Philadelphia Public Ledger. The newspaper went out of business only two decades later, but the massive 12-story building is still standing here today, as shown in the 2019 photo.

Chestnut Street Theatre, Philadelphia, Pennsylvania

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The Chestnut Street Theatre on the north side of Chestnut Street, just west of Sixth Street in Philadelphia, on April 30, 1855. Image courtesy of the Library Company of Philadelphia, James McClees Philadelphia Photograph Collection.

The scene in 2019:

During the colonial era, theater was not a significant part of American culture, particularly in the northern and middle colonies. In New England, the Puritans saw plays and acting as immoral, and here in Philadelphia the Quakers similarly disapproved, believing that going to theaters was a frivolous use of time and money. Some colonies, including Pennsylvania, even outlawed plays. However, this trend began to change after the American Revolution, and one of the first purpose-built theaters in the country was the Chestnut Street Theatre, which opened here in 1794. 

At the time, Philadelphia was the capital city of both the United States and Pennsylvania, and the theater was located in the midst of these governmental buildings. The national capitol, Congress Hall, was diagonally across the street from the theater, and just beyond Congress Hall was Independence Hall, the seat of the state government. The Supreme Court met in a building on the other side of Independence Hall, and a block to the north of the theater was the President’s House, home of George Washington and later John Adams.

The original Chestnut Street Theatre burned in 1820, but it was rebuilt two years later. This new building, which is shown here in the first photo, was designed by prominent Philadelphia architect William Strickland, who was responsible for many important buildings in the city during the early 19th century. On the exterior, the theater featured classically-inspired elements such as the arched entryways on the ground level and the four columns on the upper floor. The columns were flanked by a pair of statues, representing Tragedy and Comedy, that were carved by sculptor William Rush. The interior of the theater featured three rows of boxes arranged in a semi-circle around the stage, and it could accommodate around 2,000 people. It was built with fire safety in mind, including large stairways and multiple exits with outward-swinging doors, and it was said that a full crowd could evacuate the building in under three minutes.

The theater opened on December 2, 1822, and the occasion was marked by the reading of a letter from poet Charles Sprague, followed by a performance of the comedy The School for Scandal. Several days later, the National Gazette reported on it, observing that it opened “to a crowded, brilliant and good humoured house. The spectators and the actors appeared to be in the best spirits and both performed their respective parts in the best manner.” The article went on to say that “Everything went on and off swimmingly and satisfactorily” and that “Several gentlemen who had been abroad, and some foreigners, were heard to say that the Theatre was the prettiest they had ever seen.”

The new Chestnut Street Theatre, which came to be known as “Old Drury,” remained a popular venue for plays and concerts throughout the first half of the 19th century. During this time, perhaps the most famous performer was Jenny Lind, a Swedish opera singer who toured America from 1850 to 1852. The tour was organized by P. T. Barnum, who used his showman skills to generate fanfare for her performances. She arrived in New York in September 1850, and a month later she came to Philadelphia, where her first performance in the city occurred here at the Chestnut Street Theatre on October 17. In order to meet the anticipated demand, the tickets were auctioned off. The first one sold for the astronomical price of $625, equivalent to around $20,000 today, but prices quickly dropped for the subsequent tickets. The second one sold for just $15, and before long they were selling for under $10. In the end, about 1,700 tickets were sold at the auction, at an average of $7 each.

The day after the concert, the Philadelphia Inquirer published an account of the event, including a description of the crowd inside the theater:

A more brilliant audience never assembled within its walls, and this is saying a great deal, for “Old Drury” ranked for many years as the very temple of taste, fashion, dramatic and musical triumph. The spectacle was, indeed, fairy-like. The splendid dresses, the bright eyes, the flushed cheeks, the eager expectation depicted on every countenance, the brilliant gas-lights, and the whisperings and buzzings of many voices, served to produce an unwonted excitement; and thus, long before the hour for the commencement of the entertainment, the blood seemed to flow more rapidly through the veins, even of the most passionless.

The excitement of this event notwithstanding, by the 1850s the Chestnut Street Theatre was past its prime. Its location was no longer as desirable as it had once been, and the building was considered too small by this point. The first photo was taken on April 30, 1855, a day before its final performance, as indicated by the playbills at the main entrance, which indicate that it will be the “last night but one” for the old theater. That evening’s entertainment consisted of the burletta The Loan of a Lover, followed by the comedy Faint Heart Never Won Fair Lady and the drama Sixteen String Jack. The leading performer was 21-year-old Philadelphia native Julia Daly, whose name appears prominently on the playbills. According to newspaper advertisements, admission started at 12.5 cents for the gallery. General admission was 25 cents, and reserved seats for 37.5 cents. Orchestra and private box seating was 50 cents, and the “Colored Gallery” was 25 cents.

Somewhat more ominously than the playbills, the first photo also includes several visible posters advertising for the public sale that would take place on May 2, the day after the final performance. The sale would include the theater’s scenery, wardrobe, machinery, and other items, along with building materials such as doors, windows, rafters, roofing, and even the marble facade. This included the four marble columns, which sold for $25 each.

The theater was demolished soon after the sale, and it was replaced by a commercial building. All of the other buildings in the first photo have since been demolished as well, and the site of the theater is now a bank, which was built in 1965. It was originally the First Pennsylvania Bank, but after a series of mergers it is now a Wells Fargo branch. Further in the distance, on the other side of Sixth Street, is part of the Independence National Historical Park, and just out of view on the far right is Congress Hall and Independence Hall.

Chestnut Street from Sixth Street, Philadelphia, Pennsylvania

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Looking east on Chestnut Street from the corner of Sixth Street in Philadelphia, in June 1851. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

The first photo is a print made from a daguerreotype that was taken in June 1851, looking east along Chestnut Street from the corner of Sixth Street. The photo shows a mix of brick commercial buildings, mostly ranging from three to five stories in height. They stood directly opposite Independence Hall, which is just out of view on the right side of the scene. Based on their architectural style, the buildings with the sloped roofs were likely older, probably from the early 19th century, while the ones with flat roofs were likely from around the 1840s.

In the foreground of the first photo, on the left side of the scene, is Hart’s Building, a five-story building constructed only a few years earlier in 1848 by publisher Abraham Hart. This building housed a number of commercial tenants. By late 1851 these included, on the first floor, a hat store, a bookstore, a draper and tailor, a music dealer, a Venetian blind manufacturer, another tailor, a shaving saloon, a cigar store, and a musical instrument manufacturer. The second floor housed a billiard saloon, along with Sattler’s Cosmorama, which appears to have been an art gallery of some sort. On the upper floors, the building housed several different businesses involved in the publishing industry, including wood engraver William Gihon, bookbinder John F. Ducomb, Butler’s copper plate printing, and Mears’s Stereotype Foundry.

Further down Chestnut Street, just to the right of Hart’s Building, was the law book publishing firm of T. & J. W. Johnson. Beyond it was the three-story Eagle Hotel, followed by a four-story building occupied by bookseller J. W. Moore. His bookstore was located on the first floor, and other tenants of the building included a restaurant and a boarding house. The only other building with legible signs in the first photo is the five-story building in the center of the scene. It has a large sign atop it that reads “China Hall,” and it was occupied by William J. Kerr, who sold china and other imported goods.

This scene was dramatically altered only months after the first photo was taken. In the early morning hours of December 27, 1851, a fire broke out in Hart’s Building, in the third floor drying room of Butler’s copper plate printing offices. Firefighting efforts were hampered by below-zero temperatures, which froze some of the water sources. Because of this, plus the amount of flammable materials stored inside it, the entire building was soon engulfed, and firefighters began trying to save the surrounding buildings.

In the end, Hart’s Building was a total loss, and was insured for only $10,000 of the estimated $100,000 that it would cost to replace it. The neighboring book publishing building was also completely destroyed, at a cost of about $50,000, and the Eagle Hotel likewise suffered heavy damage. The building beyond the Eagle Hotel was only minimally damaged, but the fire also spread across Sixth Street and damaged or destroyed several other properties. There were even fears that the fire might spread across Chestnut Street to Independence Hall, but the famous landmark ultimately escaped damage.

Even worse than the property loss, though, was the loss of life from the fire. Contemporary newspaper articles give different reports on the death toll, but there appear to have been at least five fatalities. The early accounts mentioned two unidentified African Americans who were killed by falling debris, along with a police officer named Johnson who was also killed in the fire. As workers sifted through the debris, though, they uncovered the bodies of William H. Haly and William Baker. Haly, a lawyer and former state legislator, was probably the most notable victim of the fire. However, his body was burned to the point where it was indistinguishable from Baker’s body, so the two men were buried together in the same coffin.

A number of other people were badly injured in the fire, including at least three other police officers and a fireman. One of the officers, Thomas Grant, was pulled from the wreckage while on fire, and was described as having been “bruised in a shocking manner.” Newspaper accounts gave little hope for his recovery, but it seems unclear as to whether he ultimately succumbed to his injuries.

The damaged area was rebuilt soon after the fire, and for the next century this block of Chestnut Street continued to feature a mix of low-rise commercial buildings. However, this all changed in the mid-20th century, as part of an urban renewal project to create Independence Mall, a three-block park area with Independence Hall at its southern end. As part of this, all of the buildings between Fifth and Sixth Streets were demolished, from Chestnut Street up to Race Street, with the sole exception of the Free Quaker Meeting House on Arch Street. This included all of the buildings that stood in this scene, although it seems as though few, if any, of the buildings from the 1851 photo were still standing by that point anyway.

Today, the Independence Mall is part of the Independence National Historical Park, and it remains mostly open parkland, with a few modern buildings running along the Sixth Street side. Here at the corner of Sixth and Chestnut Streets, just out of view on the far left side of the scene, is the Liberty Bell Center, which houses the famous bell across the street from its original location at Independence Hall.

Library Hall, Philadelphia, Pennsylvania

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Library Hall, on Fifth Street near Chestnut Street in Philadelphia, in February 1859. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Collection.

The scene in 2019:

The Library Company of Philadelphia was established in 1731 by Benjamin Franklin as the first lending library in the present-day United States. At the time, free municipally-supported libraries were still more than a century in the future, but Franklin’s library functioned as a sort of quasi-public library, making books available to subscribing members. These types of subscription libraries would become common in America in the late 18th and early 19th centuries, and the Library Company of Philadelphia served as a model for many of these.

During its early years, the library did not have a permanent home. Instead, it was successively located in several different rented spaces, including the second floor of Carpenters’ Hall, which was occupied by the library starting in 1773. However, the library wanted a building of its own, a move that Franklin himself encouraged. So, in 1789 the library solicited designs for a new building, stipulating that it should measure 70 feet by 48 feet, and be two stories in height. The winning entry came from a rather unlikely source in William Thornton, a physician who had no architectural training and had never before designed a building. This would not be the only such competition that he would win, though. Four years later, George Washington selected his design for the U.S. Capitol building in Washington, D.C.

The new building, known as Library Hall, was built here on the east side of Fifth Street, a little south of Chestnut Street. This was an important location, as it was less than a block away from both Independence Hall, where the state legislature met, and Congress Hall, which would serve as the national capitol from 1790 to 1800. Construction began on Library Hall in 1789, and the cornerstone was laid on August 31. The stone featured an inscription written by Benjamin Franklin, who was still alive more than 50 years after he established the library. However, he would not live to see the building completed; he died on April 17, 1790, and the library moved into it around October. Two years later, the library added a marble statue of Franklin, which was installed in the niche above the front entrance.

The building’s completion occurred around the same time that the national government returned to Philadelphia, after a seven-year absence. The city would remain the capital for the next ten years, before the government moved to Washington. At the time, there was no Library of Congress, so the Library Company of Philadelphia served as the de facto national library for members of Congress during these formative years in the country’s history.

Also during this time, the library continued to expand its collections. In 1792 it absorbed the nearby Loganian Library, with its nearly 4,000 volumes. Although just completed, the new building here on Fifth Street was already too small, requiring a new wing to the rear that opened in 1794. This growth would continue into the 19th century, through a variety of bequests and purchases from private collections. By 1851, the library had around 60,000 volumes, making it the second-largest in the United States, behind only Harvard’s library.

As a result, the library was again in need of more space. A solution to this problem came in 1869, when Dr. James Rush left the library nearly $1 million in his will, for the purpose of constructing a new building. However, it came with stipulations, most significantly that it had to be located at the corner of Broad and Christian Streets in South Philadelphia. This was far removed from the city center, and from the homes of most of the library’s patrons, so the gift caused considerable controversy. By a very narrow margin, library members ultimately voted to accept it, and the building—known as the Ridgway Library—was completed there in 1878. Because of its remoteness, though, the building was used primarily for storage and for housing rare books.

Around the same time that the Ridgway Library was completed, the Library Company began constructing a new downtown building. With a more convenient, central location, this would serve primarily as a lending library, and its collection focused on modern works. It opened in 1880 at the corner of Juniper and Locust Streets, replacing this Fifth Street building as the Library Company’s downtown facility. The old building was then sold, and it was demolished in the late 1880s to make way for an addition to the adjacent Drexel Building.

The Drexel Building was demolished in the 1950s as part of the development of the Independence National Historical Park. This project involved demolishing entire blocks in the area adjacent to Independence Hall, leaving only the most historically-significant buildings as part of the park. Most of this cleared land then became open space, but here on Fifth Street the Drexel Building was replaced by a replica of the old Library Hall. This building was completed in 1959 as the home of the American Philosophical Society.

Today, there is little evidence of the changes that have occurred here since the first photo was taken in 1859. Despite being barely 60 years old, the new building has the appearance of being from the 18th century, and it fits in well with the nearby historic buildings. There are hardly any differences between its exterior and that of its predecessor, and it even has a replica of the Franklin statue in the niche above the door. In the meantime, the original statue is probably the only surviving object from the first photo. The marble is now badly weathered, but it is on display inside the current home of the Library Company of Philadelphia, at 1314 Locust Street.

Interior of The Cliffs, Philadelphia, Pennsylvania

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The living room inside The Cliffs in Philadelphia, in March 1932. Image courtesy of the Library of Congress, Historic American Buildings Survey Collection.

The scene in 2019:

The previous post shows the exterior view of The Cliffs, before and after it was destroyed by a fire in 1986, and these two photos here show the interior of the now-gutted building. As explained in more detail in that post, The Cliffs was built in 1753 as the summer home of merchant Joshua Fisher. At the time, the present-day site of Fairmount Park was still sparsely settled, and several miles distant from the city center, making it an ideal place for Philadelphia’s wealthy families to escape to during the summer months. The Cliffs was one of many such homes built here during this time, although it was comparatively modest, with only two rooms on each floor and a simple design with minimal ornamentation on the interior and exterior.

The first floor of The Cliffs had a hall-and-parlor layout, which was typical for homes of this period. The hall, shown here in the first photo, was the largest room in the house, and it was where guests would be greeted, as both the front and back doors opened into it. It occupied slightly more than half of the space on the first floor, and it was located on the north side of the house. The adjoining room, the parlor, occupied the south side of the first floor. Like the hall, it had a fireplace, and it also had stairs connecting it to the kitchen in the basement and to the bedrooms on the second floor. By the time the first photo was taken in the 1930s, the hall and parlor had taken on more modern roles, as the living room and dining room, respectively.

The Cliffs was owned by the Fisher family for more than a century, although during part of the American Revolution it was rented to Benjamin Franklin’s daughter, Sarah “Sally” Franklin Bache. She was part of a women’s sewing group that would occasionally meet in the house—perhaps even here in this room—to sew clothes and bandages for Continental soldiers. Her time here may have coincided with the two years that Joshua Fisher’s son Samuel was imprisoned by colonial authorities because of suspected Loyalist beliefs.

Joshua Fisher died in 1783, the same year that the war ended, and after the war Samuel carried on the family business. He and his family continued to spend summers here at The Cliffs, including his daughter Deborah Fisher Wharton, who achieved prominence as a Quaker minister. She was active in the abolitionist movement, in addition to advocating for Native American rights and women’s suffrage. One of her children was Joseph Wharton, a wealthy 19th century industrialist and philanthropist who spent some of his childhood here at The Cliffs. He was one of the founders of Bethlehem Steel, and in 1881 he donated $100,000 to establish a school of business at the University of Pennsylvania, which became known as the Wharton School in his honor.

Starting in the mid-1800s, the city of Philadelphia began purchasing the old estates here along the Schuylkill River, in order to protect the drinking water supply from the encroaching development of the growing city. The city purchased The Cliffs in 1868, and it became part of Fairmount Park, which would eventually grow to encompass over two thousand acres on both sides of the river. The historic homes were generally preserved, and some, including The Cliffs, became housing for park employees.

The house was still occupied by park employees when the first photo was taken in 1932, and it remained in use until 1970. It was added to the National Register of Historic Places two years later, and photos from the nomination form show the house boarded up and tagged with graffiti. It would remain vacant for the next 14 years, before eventually being destroyed by an arsonist on February 22, 1986. The fire destroyed the entire house, leaving only the exterior masonry walls and chimneys still standing.

More than 30 years after the fire, the present-day photo is a haunting contrast to the first photo. The house was never rebuilt, and the ruins remain here, partially hidden by trees and weeds in a remote section of Fairmount Park. The interior and exterior walls are now covered in graffiti, with empty cans of spray paint littering the basement. Here on the north wall of what used to be the largest room in the house, the empty windows and damaged chimney give the north wall of the house an almost skull-like appearance, providing only a hint of what the house once looked like.

The Cliffs, Philadelphia, Pennsylvania

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The Cliffs in Fairmount Park, in March 1931. Image courtesy of the Library of Congress, Historic American Buildings Survey Collection.

The scene in 2019:

As discussed in the previous post, the present-day site of Fairmount Park was once a fashionable place for affluent Philadelphia residents to have country estates. These homes stood atop the banks overlooking the Schuylkill River, and they served as summer residences, enabling their owners to escape the heat, crowds, and disease of central Philadelphia. Most of these homes were built in the 18th or early 19th centuries, and many are still standing today, having been incorporated into Fairmount Park. However, this house, known as The Cliffs, is one of the exceptions, surviving only as a masonry shell after being gutted by a fire in 1986.

The Cliffs was built in 1753 by Joshua Fisher, a wealthy Philadelphia merchant. Perhaps because of his Quaker beliefs, the house was fairly modest, especially when compared its much larger, more elaborate neighbors. Its walls were made of rubble masonry, with very little exterior ornamentation. The interior was similarly plain, and featured just two rooms on each floor. On the first floor, the front door opened into the hall, the largest room in the house. It occupied slightly more than half of the first floor, and it was located on the right side of the house from this perspective. On the other side of the house was the parlor, which had a staircase connecting it to the kitchen in the basement and the bedrooms on the second floor.

The Revolutionary War was a difficult time for the Fisher family, as the war hurt their shipping business while also challenging their nonviolent Quaker beliefs. Joshua Fisher’s son Samuel was imprisoned for two years during the war because of suspected Loyalists beliefs, and for part of this time The Cliffs was rented to Sarah “Sally” Franklin Bache, the daughter of Benjamin Franklin. While here, she was involved in a sewing group consisting of other local women who made clothes and bandages for soldiers in the Continental Army.

After the war, Samuel Fisher continued to use The Cliffs as a summer residence. His father died in 1783, but Samuel carried on the family mercantile business, which thrived in the late 18th century. He remained a bachelor for much of his life, but he ultimately married in 1793 at the age of 48, to 29-year-old Hannah Rodman of Newport, Rhode Island. They had three children who survived infancy, and probably the most notable was Deborah Fisher, who became a Quaker minister and civil rights activist, supporting causes such as abolitionism, women’s suffrage, and Native American rights. She married William Wharton, and among their children was Joseph Wharton, who was born in 1826. As a child he spent time here at The Cliffs, and he subsequently went on to become a successful industrialist. He was one of the founders of Bethlehem Steel, and he was also the founder and namesake of the Wharton School, the business school at the University of Pennsylvania.

In the meantime, the Cliffs was owned by the Fisher family until 1868, when the property was purchased by the city and incorporated into Fairmount Park. By this point, Philadelphia had grown considerably since the 18th century, and this area along the Schuylkill River was no longer as remote as it had once been. No longer as desirable of a location for summer retreats, the riverbanks instead attracted the attention of the city, which wanted to protect its public water supply. This had the side effect of creating a large, scenic urban park, and by the late 19th century the city had acquired many historic homes here.

For the next century, The Cliffs served as a residence for park employees. The first photo was taken during this time, in 1931, showing the east side of the house. Just beyond the house is the river, and in the distance is the west side of Fairmount Park, including the Letitia Street House, which is barely visible to the left of the tree on the left side of the scene. Although not as grand as many of the other historic homes in Fairmount Park, it was nonetheless a good example of Georgian architecture, and it was added to the National Register of Historic Places in 1972, two years after it was vacated by the city.

The house sat empty for many years, and it suffered from vandalism. It was ultimately destroyed by arson on February 22, 1986, leaving only the empty stone shell still standing. It was never rebuilt, and the ruins are still standing here today. Now overgrown with weeds and trees and covered in graffiti, the house bears little resemblance to its appearance in the first photo. As such, it provides a significant contrast to the other historic homes in Fairmount Park, which have been much better preserved over the years.