Jonathan Hunt House, Brattleboro, Vermont

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The house near the northwest corner of Main and High Streets in Brattleboro, around 1894. Image from Picturesque Brattleboro (1894).

The scene in 2017:

This house was the home to a number of notable Brattleboro residents throughout the 19th century, starting with Jonathan Hunt, Jr., a lawyer and politician who served several terms in Congress. Born in 1787 in the nearby town of Vernon, Hunt was the son of Jonathan Hunt, Sr., the first lieutenant governor of the state of Vermont. The elder Hunt was one of the early settlers of Vermont, arriving in the area in the mid-18th century, and he became the patriarch of a prominent family.

The younger Jonathan Hunt was an 1807 graduate of Dartmouth College, and subsequently became a lawyer here in Brattleboro. At some point in the early 19th century, he built this elegant house here on Main Street. It was reportedly the first brick house to be built in the area, and Hunt lived here with his wife, Jane Leavitt, who came from a prominent family in Suffield, Connecticut. The Hunts raised their five children here, and Jonathan went on to have a successful political career, serving in the state House of Representatives in 1811, 1816, 1817, and 1824, before being elected to the U.S. House of Representatives in 1826. He was re-elected two more times, and served in Congress until 1832, when he died from cholera while in Washington, D.C.

Jonathan Hunt’s death left Jane with five young children, all under the age of 10. Soon after his death, Jane and the children left this house, moving first to New Haven before going to New York and then to Boston. In the subsequent decades, three of her sons would go on to achieve fame as artists. The oldest, William Morris Hunt, was a prominent painter in Boston, while his brother, Richard Morris Hunt, was one of the most celebrated architects of the Gilded Age, designing mansions such as The Breakers and Marble House in Newport, along with the pedestal of the Statue of Liberty. The youngest child, Leavitt Hunt, was an attorney like his father, but he also became a noted photographer, and during an 1851-1852 tour he took some of the earliest photographs of the Middle East.

Later in the 19th century, this house was owned by George Howe. Like Jonathan Hunt, he was also a Vernon native who went on to become a lawyer and politician. He was an 1847 graduate of Harvard Law School, and later that year he was admitted to the bar and began his practice here in Brattleboro. From 1858 to 1860, he served as state’s attorney for Windham County, and from 1861 to 1864 he was the U.S. Attorney for the District of Vermont. He also served in the Vermont state Senate from 1874 to 1875, and was a delegate to the 1876 Republican National Convention. He moved out of Brattleboro in 1880, after being appointed to a position in the Pension Department, and he died eight years later in Vernon.

By the time the first photo was taken around the early 1890s, this house was owned by yet another prominent Brattleboro resident, Colonel George W. Hooker. A Civil War veteran, Hooker was 23 years old when he enlisted as a private at the start of the war. However, he quickly rose through the ranks, and by the end of the war he was a lieutenant colonel. During this time, he was noted for his heroism in combat, particularly at the Battle of Crampton’s Gap in 1862, when he single-handedly captured 116 Confederate soldiers at one time. He had been riding ahead of his men, and stumbled into the midst of the Confederate unit. Despite being alone, he demanded the colonel’s surrender, who complied and gave Hooker his sword, and Hooker was later awarded the Medal of Honor for his actions.

Later in the war, Hooker was badly wounded at the Battle of Cold Harbor, where he was shot five times. However, he recovered from his wounds, and after the war he resumed his peacetime occupation as a traveling salesman. Then, in 1876 he moved to Brattleboro, where he began a career in politics. He was Governor Redfield Proctor’s chief of staff in 1878, a delegate to the Republican National Convention in 1880, and the Sergeant at Arms of the U.S. House of Representatives from 1881 to 1883. He also served in the Vermont state House of Representatives, and he lived here in Brattleboro until his death in 1902.

Despite its connection to many important Brattleboro residents, this house was demolished sometime in the early 20th century, and the property was redeveloped for commercial use. The current buildings on this site date back to 1929, so the house was probably demolished shortly before then. However, there is one building that remains from the first photo. On the far right is the First Baptist Church, which was completed in 1870, just to the right of the Hunt-Howe-Hooker House. It is still standing today, although from this angle it is mostly hidden by buildings and trees.

High Street from Main Street, Brattleboro, Vermont

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Looking west up High Street, from the corner of Main Street in Brattleboro, in August 1941. Image taken by Jack Delano, courtesy of the Library of Congress, Farm Security Administration/Office of War Information Collection.

The scene in 2017:

The first photo was taken in August 1941 by Jack Delano, a noted photographer who worked for the Farm Security Administration. This Depression-era agency was part of the New Deal, and its programs included photographers who traveled around the country, documenting rural poverty in the wake of the Great Depression. Delano visited Vermont in 1941, and he took a number of photographs here in Brattleboro, capturing images of everyday life in the town, including this scene of a police officer directing traffic at the corner of Main and High Streets.

More than 75 years after the first photo was taken, this scene has not changed significantly. On the far left is the Brooks House, a hotel that was built in 1871 and converted into apartments and offices a century later. Next to it is the small, wood-frame Retting Block, which was built around 1850 and is probably the oldest building in this scene. Just beyond it is the much larger Manley Brothers Block, which was built around 1910, and on the other side of the street is the Manley Apartment Building, which was built about eight years later. Probably the newest building in the first photo was the Gulf station on the far right, at the corner of Main Street. It was later replaced by a Dunkin Donuts, which was, in turn, demolished to create Pliny Park, which now occupies the space.

Revere House, Brattleboro, Vermont

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The Revere House, at the southwest corner of Main and Elliot Streets in Brattleboro, around 1860-1877. Image from Picturesque Brattleboro (1894).

The same location, around 1894. Image from Picturesque Brattleboro (1894).

The scene around 2017:

The first photo shows the Revere House, a hotel that was built in 1849 by James Fisk, Sr. Born in Rhode Island, Fisk grew up in Adams, Massachusetts, and as an adult he moved first to Pownal and then to Bennington, Vermont. He became a successful peddler, traveling throughout western New England and eastern New York, where he sold silk dresses and other high-end dry goods. He moved to Brattleboro in 1843, and about six years later he built the Revere House. By this point, the Fisk family included James’s second wife Love, their daughter Mary, and Fisk’s son from his first marriage, James, Jr.

The Fisks moved into the Revere House after its completion, and the younger James, who was about 15 at the time, worked as a waiter here in the hotel. He later joined his father’s peddling business, before becoming a salesman for the Boston-based Jordan Marsh and Company. James, Jr. went on to make his fortune during the Civil War, obtaining contracts with the federal government to supply textiles for army uniforms, while also smuggling scare cotton from the south. With his earnings, he speculated heavily, gaining and losing significant sums in the process.

Fisk eventually became one of the most notorious of the Gilded Age “robber barons.” Using dubious tactics, he and fellow investor Jay Gould managed to gain control of Cornelius Vanderbilt’s Erie Railroad, and in 1869 the two men triggered a nationwide economic panic in an unsuccessful attempt to corner the gold market. However, his career as a financier was cut short less than three years later, when he was murdered by Edward Stiles Stokes, who was a rival for the affections of Fisk’s mistress, Josie Mansfield.

Although Fisk was living in New York City at the time of his murder, his body was returned to Brattleboro for burial. An estimated 5,000 mourners – equivalent to the entire population of the town at the time – were on hand when his funeral train arrived in town at almost midnight, and his body was brought to the Revere House. The next morning, on January 9, 1872, his funeral was held here at the hotel, followed by his burial at the Prospect Hill Cemetery on South Main Street.

By this point, the Fisk family had moved out of the Revere House, and the building burned down only a few years later, in 1877, after a fire broke out in the hotel stables. The site was quickly rebuilt, though, and the current building was completed in 1880 as the home of the People’s National Bank. Unlike the plain Greek Revival-style hotel that preceded it, this building had an ornate design that was based on High Victorian Gothic architecture, and included an elaborate cornice with turrets, along with a highly contrasting exterior of red brick and white marble.

When the first photo was taken, People’s National Bank occupied the left side of the ground floor, with Brattleboro Savings Bank on the right. The upper floors housed professional offices, including the studio of noted local photographer Caleb L. Howe. People’s National Bank remained here until 1923, when they merged with Vermont National Bank, which was located directly across the street from here. After a series of mergers, the name has since come full circle, and the former Vermont National Bank building is now the location of a People’s United Bank branch.

Today, the old People’s National Bank building still stands here at the corner of Main and Elliot Streets. Its appearance has been somewhat altered over the years, most notably with the removal of the upper part of the cornice. However, it still remains a unique example of High Victorian Gothic architecture in downtown Brattleboro, and it is one of the many 19th century commercial buildings that still line Main Street. Along with the rest of the neighborhood, the building is now part of the Brattleboro Downtown Historic District, which was added to the National Register of Historic Places in 1983.

Crosby Block, Brattleboro, Vermont

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The Crosby Block on Main Street, just north of the corner of Elliot Street in Brattleboro, around 1871-1885. Image courtesy of the New York Public Library.

The scene in 2017:

As mentioned in the previous post, the Crosby Block was built in 1871, replacing several earlier commercial buildings that had been destroyed in a large fire two years before. It was owned by grain and flour merchant Edward Crosby, who built it at a cost of almost $175,000, or around $3.6 million today. Its Italianate-style design was the work of local architect George A. Hines, and it was originally 26 window bays in width, extending along Main Street from the corner of Elliot Street north to the Brooks House. Upon completion, the ground floor of the building housed a variety of stores, while the second floor had professional offices and the third floor had apartments.

Nearly 150 years after it was built, most of the Crosby Block has seen little change. However, the southernmost section of the building – once the home of Vermont National Bank – was rebuilt in the late 1950s, with an International Style yellow brick and metal facade. Now occupied by People’s United Bank, this section is still standing on the left side of the scene, and sharply contrasts with the surviving three quarters of the Crosby Block. The rest of the building, particularly the upper floors, has remained well-preserved, though. Today, it is one of the many historic 19th century commercial buildings that still line Main Street, and it is a contributing property in the Brattleboro Downtown Historic District, which was added to the National Register of Historic Places in 1983.

Crosby Block and Brooks House, Brattleboro, Vermont

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Looking north on Main Street, from near the corner of Elliot Street in Brattleboro, around 1871-1885. Image courtesy of the New York Public Library.

The scene in 2017:

This block, on the west side of Main Street between Elliot and High Streets, was the scene of one of the most disastrous fires in Brattleboro history, which occurred on October 31, 1869. All of the buildings along this section of Main Street, mostly wood-frame stores and hotels, were destroyed in the fire, including the Brattleboro House hotel and several other important commercial blocks. However, the property was quickly redeveloped, and within two years the ruins had been replaced by two large, brick commercial buildings, with the Crosby Block on the left and the Brooks House further in the distance on the right.

The first photo shows the Crosby Block as it appeared within about 15 years of its completion in 1871. It was owned by grain and flour merchant Edward Crosby, and was designed by local architect George A. Hines, whose plans reflected the prevailing Italianate style for commercial buildings of this era. Only about two thirds of the building is visible in this scene, as it was once 26 window bays wide, extending all the way to the corner of Elliot Street. As was often the case in downtown commercial blocks, it was originally a mixed-use building, with stores on the ground floor, professional offices on the second floor, and apartments on the third floor.

Further in the distance, on the right side of the scene, is the Brooks House, which was also known as the Hotel Brooks. Although completed in the same year as the Crosby Block, it featured far more elaborate Second Empire-style architecture that contrasted with the modest design of its neighbor. Designed by noted architect Elbridge Boyden, the hotel was reportedly the country’s largest Second Empire-style building outside of New York City at the time, and was a popular Gilded Age summer resort. It was owned by George Jones Brooks, a merchant who had grown up in the Brattleboro area but later made his fortune in San Francisco, as a merchant during the Gold Rush. However, he later returned to Brattleboro, where he built this hotel and also later founded the Brooks Memorial Library.

More than 130 years after the first photo was taken, this scene has remained remarkably unchanged. The facade of the southernmost section of the Crosby Block, just out of view to the left, was rebuilt in the late 1950s and is now completely unrecognizable from its original appearance. However, the section of the building in this scene has been well-preserved, and still continues to house a variety of shops on its ground floor. On the right side of the scene, the Brooks House is also still standing. The interior was completely rebuilt in the early 1970s and converted into offices and apartments, but the exterior was preserved. More recently, the upper floors were heavily damaged by a fire in 2011, but the building has since been restored and still stands as a major landmark in downtown Brattleboro.

Carpenter Organ Company, Brattleboro, Vermont

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The Carpenter Organ Company on Flat Street in Brattleboro, around 1894. Image from Picturesque Brattleboro (1894).

The scene in 2017:

During the second half of the 19th century, Brattleboro became a prosperous mill town, and one of its leading industries was the manufacturing of organs. Also known as pump organs, reed organs, or melodeons, these instruments enjoyed widespread popularity in the late 19th and early 20th centuries, and Brattleboro had several companies that produced them. The largest of these was Estey Organ, which was once the largest organ manufacturer in the country, but Estey also had several competitors, including the Carpenter Organ Company, which was located here in this factory on Flat Street.

The Carpenter Organ Company had originally been established in Worcester, Massachusetts by Edwin P. Carpenter, a second-generation organ maker whose father, Edwin B. Carpenter, had been one of the early partners in the Estey company. The elder Carpenter later relocated to Illinois, but his son subsequently returned to New England, producing organs in Worcester until 1884, when he moved the company to Brattleboro. The first photo, taken about a decade later, shows the company’s factory on Flat Street. This six-story building had once been home to Brattleboro Melodeon Company, which had been established in 1867, and the building was likely constructed around the same time.

The first photo comes from the 1894 book Picturesque Brattleboro, which declared that “The Company makes nothing but absolutely high grade goods, and its reputation is such the world over. In England, Germany, Russia, Holland, Denmark, Switzerland, Australia and South Africa its agents are the leading music houses who handle the Carpenter Organ for their best trade, using other makes to supply the demand for cheaper goods.” The article also cited recent recognition given to the company, including awards at the 1890 Edinburgh Exhibition and the 1893 World’s Columbian Exposition in Chicago.

The Carpenter Organ Company continued to produce organs here until it closed around 1917. By this point, musical tastes had changed, and demand for portable, in-home organs was not as high as it had been during the Victorian era. Its greatest competitor, Estey Organ, did manage to survive well into the 20th century, before finally closing in 1961. Most of the Estey buildings are still standing, and have been preserved as a museum, but the Carpenter Organ factory here on Flat Street is long gone. The site of the building is now a parking garage, although the garage’s brick facade helps to give it the appearance of a 19th century factory building.