1880s

Broadway from Spring Street, Newport, Rhode Island

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Looking south on Broadway toward the corner of Spring Street in Newport, around 1885. Image courtesy of the Providence Public Library.

The scene in 2017:

These two photos were taken more than 130 years apart, yet they show remarkably little change. In fact, many of these buildings were already old by the time the first photo was taken. Newport had been a prosperous seaport throughout much of the 18th century, but its economy was hit hard by the American Revolution. Its shipping industry never fully recovered, and the city saw very little growth during the first half of the 19th century. The first federal census, taken in 1790, shows 6,719 residents living here, and over the next 50 years Newport saw only a very modest increase in population, with 8,333 by 1840.

This long period of stagnation hurt Newport’s economy, and there was very little new construction during this time. By the time the first photo was taken around 1885, Newport had reinvented itself as a Gilded Age summer resort, with most of this development occurring to the south of the downtown area. As a result, downtown Newport remained remarkably well-preserved, and it now boasts one of the largest collection of 18th and early 19th century buildings in the country, many of which are visible in this scene.

Along with the buildings themselves, Newport has also retained its colonial-era street network, complete with narrow streets, sharply-angled intersections, and oddly-shaped building lots. These photos show the view looking south on Broadway, at the complex intersection of Broadway, Spring Street, Bull Street, and Marlborough Street. Both Spring Street, to the left, and Marlborough Street, on the extreme right, intersect with Broadway at sharp angles, creating triangular-shaped lots on either side of Broadway.

The narrower of these two lots is on the left, between Broadway and Spring Street. Long before the Flatiron Building was constructed on a similarly-shaped plot of land, a small three-story, wood-frame commercial building was built here. It appears to date back to the late 18th or early 19th centuries, and by the time the first photo was taken it was occupied by Cornell & Son, a grocery store operated by William Cornell and his son Rodman. William also lived here in the building, and the 1880 census showed him here with his wife Sarah and their daughter Ellen.

Today, this scene has not undergone few significant changes, and many of the buildings from the first photo are still standing, including the former Cornell building. Newport remains a popular summer resort, and the storefronts in this scene are now filled with a variety of shops and restaurants that cater to tourists and seasonal residents. Because of its level of preservation, and its high concentration of historic buildings, the downtown area now forms the Newport Historic District, which was designated as a National Historic Landmark in 1968.

Derby Square, Salem, Mass

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Derby Square from Front Street in Salem, with the Old Town Hall on the right side, around 1865-1885. Image courtesy of the New York Public Library.

The scene in 2017:

Derby Square is a small plaza in the center of Salem, and it is named for the prominent Derby family, which once owned the land here. Elias Hasket Derby (1739-1799) was a prosperous merchant and among the richest men in New England, referred to by Nathaniel Hawthorne in The Scarlet Letter as “King Derby.” During the 1790s, Derby had an elegant mansion built here on the site. It was designed by noted architect Charles Bulfinch and was completed in 1799, but Derby died later that year and the property was inherited by his son, Elias Hasket Derby, Jr. However, the younger Derby had little interest in paying the high costs to maintain the house, and it sat abandoned for some time before finally being demolished in 1815.

After demolishing the house, Derby sold the property to his brother, John Derby III, and his brother-in-law, Benjamin Pickman, Jr. The following year, they donated the property to the town of Salem, in order to build a new town hall on the site of the mansion. Construction began later that year, and was completed in 1817. It was built of brick, with an elegant Federal-style exterior, and there is some speculation that it may have been designed by Charles Bulfinch. Like many New England municipal buildings of the era, it was designed as a multi-use building, with a public market on the first floor, and a meeting hall and town offices on the upper floor. The basement also had commercial tenants, including a restaurant that was housed here during the early 19th century.

The first event held in the meeting hall was a reception for President James Monroe, who visited Salem in July 1817 during a tour of the New England states. At the time, Salem was at the peak of its prosperity as a major trading port. It was the tenth-largest city or town in the country during the 1820 census, and the second-largest in New England after Boston. However, it was still technically a town at the time, with a town meeting form of government, and this building continued to be used as the town hall until 1836, when Salem was incorporated as the second city in the state, just 14 years after Boston became the first city.

The municipal government moved into the new city hall, which was completed on Washington Street in 1837, and this building remains in use today. By this point, though, Salem’s once-prosperous shipping industry was in decline, and the city saw slow population growth throughout most of the 19th century. Salem never again ranked among the ten largest cities in the country, and now it is no longer even one of the ten largest in the state. However, this early prosperity, followed by many decades of stagnation, has resulted in the preservation of a remarkable number of historic buildings. Today, while Salem is best-known for its infamous witch trials, the city also boasts hundreds of historic buildings from the 17th, 18th, and 19th centuries, including many of the buildings here at Derby Square.

Although Salem’s government moved out of the upper floor of the old town hall in the 1830s, the first floor continued to be used as a public market for many years. It was known as the Market House, as shown by the sign in the first photo, and had stalls for a number of merchants, most of whom sold food. The 1869 city directory lists a fruits and vegetable dealer, a butter and cheese dealer, plus five tenants whose business was described simply as “provisions.” As seen in the first photo, the area in front of the building was also used as a marketplace, with dealers selling goods from their wagons.

The old town hall continued to be used as a market into the 20th century. Although threatened by demolition, it was ultimately preserved following an extensive renovation from 1933-1934. The first floor was completely remodeled, and the old market stalls were replaced with office space for a variety of city offices. The “Market House” sign was removed, and the building became known as the “Old Town Hall,” despite having served in that function for just two decades. Despite the changes on the first floor, though, the old meeting hall on the upper floor has remained largely the same, and continues to be used as a venue for many different functions.

Today, aside from the sign, the exterior of the building has seen few changes since the first photo was taken, and most of the other neighboring buildings have also been preserved. The first floor of the old town hall is no longer used for city offices, and is instead an art exhibition space, but the area in front of the building on Derby Square is still used for its original purpose. Although it was empty when the 2017 photo was taken, the square is the site of a weekly farmers’ market during the summer, plus a monthly flea market that runs from May through September.

James Fisk, Jr. Monument, Brattleboro, Vermont

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The gravesite of James Fisk, Jr., in Prospect Hill Cemetery on South Main Street in Brattleboro, around 1872-1885. Image courtesy of the New York Public Library.

The scene in 2017:

This ornate marble obelisk marks the final resting place of James Fisk, Jr., a Vermont native who became a prominent Wall Street financier and, in the process, one of the most notorious of the Gilded Age robber barons. Fisk was born in 1835 in Pownal, Vermont, and was the son of James Fisk, Sr., a peddler who sold silk dressed and other high-end dry goods. The family moved to Brattleboro in 1843, and in 1849 the elder James opened the Revere House, which became a successful hotel at the corner of Main and Elliot Street. James, Jr. was about 15 at the time, and he lived in the hotel with his father, his stepmother Love, and his half-sister Mary.

For some time, the younger James worked as a waiter at the Revere House, but in 1850 he quite literally ran away with the circus, joining Van Amburgh’s Mammoth Circus and Menagerie. His flamboyant, outgoing personality was perfectly suited for the circus, although he primarily performed menial tasks like taking ticket, feeding animals, setting up tents, and cleaning cages. However, his time with the circus gave him valuable business experience. When he returned to Brattleboro a few years later, at the age of 18, he joined his father’s peddling business, where he applied some of the techniques he had learned with the circus, including traveling in brightly-colored wagons and wearing fancy clothing.

Fisk’s success as a peddler led to him being hired as a salesman for the Boston-based dry goods firm of Jordan Marsh & Company. However, his career remained unremarkable until the start of the Civil War. In 1861, he traveled to Washington, D.C., where his personality and business skills helped win him lucrative government contracts to provide textiles for army uniforms. He became a wealthy man, largely because of these contracts, but he also profited from the war in less scrupulous ways, including smuggling cotton from the south and selling Confederate bonds to European speculators.

Near the end of the war, Fisk became a stockbroker, and in 1866 he established his own brokerage firm of Fisk & Belden. He worked closely with Daniel Drew and Jay Gould, two of the most ruthless business tycoons of their era. Fisk followed in their ways, teaming up with them to gain control of the Erie Railroad and prevent Cornelius Vanderbilt from adding it to his railroad empire. To do so, the trio issued fraudulent shares of the company, which Vanderbilt purchased in large quantities. He lost a considerable amount of money in the process – over $100 million in today’s dollars – and, despite the fraud, Drew, Fisk, and Gould were able to retain control after bribing the New York state legislature to legalize the fraudulent shares.

A few years later, in 1869, Fisk and Gould would attempt an even more ambitious scheme to corner the gold market. They managed to drive the price as high as $160 per ounce before President Ulysses S. Grant ordered Treasury Secretary George S. Boutwell to release $4 million in treasury gold. The price of gold quickly plummeted, breaking their corner on the market. Fisk and Gould managed to avoid serious financial losses, but many investors were ruined, and the scheme triggered a nationwide economic panic.

Aside from his questionable business practices, Fisk’s personal life also had its share of scandal. He had married his wife, Lucy Moore, in 1854, not long after he left the circus. They remained married even after his rapid ascent from dry goods peddler to Wall Street tycoon, but she spent most of her time in Boston rather than with Fisk in New York. During this time, Fisk had a mistress, the actress Josie Mansfield, whom he housed in a brownstone on 23rd Street in New York. However, after a few years she fell in love with one of Fisk’s business partners, Edward Stiles Stokes, and she began threatening Fisk with blackmail. Fisk refused to pay, and the love triangle eventually led to Stokes shooting Fisk on the staircase of the Grand Central Hotel, in January 6, 1872. Fisk died the following day, at the age of 36, although not before identifying Stokes as the shooter.

Fisk’s body lay in state on January 8, at the Grand Opera House, where around 20,000 mourners came to pay their respects. On Wall Street, Fisk has been a ruthless businessman, but the poor and working-class of New York admired him for his charity work, and many saw him as the typification of the American Dream: a circus laborer and country peddler who rose to greatness through hard work and determination. That night, his body was returned to Brattleboro, where around 5,000 people – equivalent to the town’s entire population at the time – were on hand when the funeral train arrived at almost midnight. His funeral was held the next morning at the Revere House, and then his body was brought here to Prospect Hill Cemetery for burial.

At the time of his death, Fisk’s estate was valued at just under $1 million, or about $20 million today. Of this, $25,000 was spent on a marble obelisk here at his gravesite. It was designed by prominent sculptor Larkin Mead, a Brattleboro native whose other works of this era included Abraham Lincoln’s tomb in Springfield, Illinois. His design for Fisk’s monument included a bas-relief portrait of Fisk in the center, surrounded on all four corners by partially nude female figures. Each figure symbolized trade and commerce in some way, with one representing railroads, another steamships, a third the stage, and the fourth finance.

The first photo was probably taken soon after the monument was installed, because at this point it did not yet include Fisk’s dates of birth or death. His widow, Lucy, outlived him by 40 years, and she was interned here after her death in 1912. Her inscription was added to the base of the monument, and over the years other members of the family were buried here in this plot, as shown by the many gravestones in the present-day photo.

Overall, though, the monument has not aged well. No longer the brilliant white of the first photo, its marble has been weathered and blackened by nearly 150 years of New England’s climate. Along with this, the bas-relief of Fisk was removed in the early 2000s, leaving a faint shadow in the oval. Souvenir hunters have also caused damage over the years, with Fisk’s admirers occasionally chipping off pieces of the marble. However, as one of Fisk’s friends noted many years later, in an excerpt published by Jay Gould biographer Edward J. Renehan, Jr., these visitors “have made the monument more fitted to commemorate Jim’s career – striking from many aspects, picturesque, but blemished.”

Main Street from High Street, Brattleboro, Vermont (2)

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Looking north on Main Street from the corner of High Street in Brattleboro, probably around 1865-1885. Image courtesy of the New York Public Library.

The scene in 2017:

The first photo is from an undated stereocard, and could have been taken anytime around 1865 to 1885. However, it may have been taken in the earlier end of that range, since the First Baptist Church is not visible on the left side of the photo. This church was completed in 1870, and its absence seems to suggest that the photo was taken before this year, although it is possible that it could be hidden by trees. Either way, this photo shows Main Street as it appeared in the second half of the 19th century, when Brattleboro was developing as a small but prosperous mill town in the southeastern corner of Vermont.

On the extreme right side of the first photo is the corner of the town hall, which was built in 1855 and stood here for nearly a century before its demolition in 1953. Further in the distance on the right is the Centre Congregational Church, which was initially built in 1816 on the town common. In 1842, the church was dismantled, moved, and reconstructed here on Main Street, where it originally featured a Greek Revival-style design that included a columned portico and a steeple above it. However, this steeple was destroyed in a windstorm in 1864, and was subsequently rebuilt with a new design that also eliminated the portico.

The first photo shows the 1864 steeple, possibly only a few years after it was completed. This steeple was damaged in a fire in 1929, but it was repaired and now looks essentially the same as it did when the first photo was taken. Today, the church is the only identifiable photo from the first photo that still survives. The buildings on the left side of the present-day scene date back to around the late 1920s, replacing the old Jonathan Hunt House that once stood on this lot. On the other side of the street is the old W. T. Grant department store, which was built in the mid-1950s to replace the old town hall. Overall, this section of Main Street has undergone far more changes than other parts of downtown Brattleboro, but some of these buildings – including the two churches – are now contributing properties in the Brattleboro Downtown Historic District, which was added to the National Register of Historic Places in 1983.

Francis Goodhue House, Brattleboro, Vermont

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The Francis Goodhue House on Main Street in Brattleboro, probably around 1870-1885. Image from Picturesque Brattleboro (1894).

The scene in 2017:

This house was built in 1815, and was originally the home of Francis Goodhue, a businessman who had previously lived in Swanzey, New Hampshire, and Weathersfield, Vermont. In 1811, when he was about 43 years old, Goodhue moved to Brattleboro, which at the time was still a small town of fewer than 2,000 residents. He built this house a few years later, and went on to become a prominent local figure. He had a wide variety of business ventures, and was also involved in a proposed canal that, if constructed, would have linked Brattleboro New Haven by way of Northampton, Massachusetts.

An 1880 biographical sketch in Brattleboro, Windham County, Vermont describes how Goodhue “carried on a wool-carding, cloth-dressing, saw and grain mill, cotton spinning, distilling, and a large store of such goods as were sold from country stores at that time. He was also erecting a building of some kind every year, and largely, at the same time, engaged in farming, yet his note was never worth less than 100 cents on the dollar.”

Francis Goodhue lived here with his wife Mary and their three children: Joseph, Lucy, and Wells. In 1834, Francis gave this house to Joseph, and he and Mary moved to a house across the street, where they lived until Francis’s death in 1839 and Mary’s death a decade later. In the meantime, Joseph lived here in the old family home with his wife Sarah until his death in 1862. Sarah outlived Joseph by more than two decades, and was presumably still residing here until she died in 1883, at the age of 87.

The first photo was probably taken during Sarah’s lifetime or soon after her death, because around 1885 the house was demolished by businessman and philanthropist George Jones Brooks, in order to build a public library on the site. Brooks had grown up in the Brattleboro area, but made his fortune as a merchant in San Francisco during the Gold Rush. Later returning to Brattleboro, he built the landmark Brooks House hotel in 1871, and in 1885 began work on a permanent home for the town’s public library. Brooks was the older brother of Mary E. Goodhue, whose husband was Francis J. Goodhue, the son of Joseph and Sarah, so Brooks likely acquired the property through this connection.

The George J. Brooks Library was dedicated in January 1887, only a few weeks after its benefactor’s sudden death, and it was used as the Brattleboro public library for about 80 years. However, by the 1960s the building was overcrowded, and the neighboring post office needed the room to expand. As a result, in 1967 the current library building was completed just to the north of here, and the old building was demolished in 1971. Today, there are no surviving traces of either the Goodhue House or the library that had replaced it, and the site is now a parking lot for the post office, which can be seen on the right side of the photo.

Crosby Block, Brattleboro, Vermont

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The Crosby Block on Main Street, just north of the corner of Elliot Street in Brattleboro, around 1871-1885. Image courtesy of the New York Public Library.

The scene in 2017:

As mentioned in the previous post, the Crosby Block was built in 1871, replacing several earlier commercial buildings that had been destroyed in a large fire two years before. It was owned by grain and flour merchant Edward Crosby, who built it at a cost of almost $175,000, or around $3.6 million today. Its Italianate-style design was the work of local architect George A. Hines, and it was originally 26 window bays in width, extending along Main Street from the corner of Elliot Street north to the Brooks House. Upon completion, the ground floor of the building housed a variety of stores, while the second floor had professional offices and the third floor had apartments.

Nearly 150 years after it was built, most of the Crosby Block has seen little change. However, the southernmost section of the building – once the home of Vermont National Bank – was rebuilt in the late 1950s, with an International Style yellow brick and metal facade. Now occupied by People’s United Bank, this section is still standing on the left side of the scene, and sharply contrasts with the surviving three quarters of the Crosby Block. The rest of the building, particularly the upper floors, has remained well-preserved, though. Today, it is one of the many historic 19th century commercial buildings that still line Main Street, and it is a contributing property in the Brattleboro Downtown Historic District, which was added to the National Register of Historic Places in 1983.