1890s

First Central Baptist Church, Chicopee, Mass

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First Central Baptist Church, at the corner of Broadway and East Streets in Chicopee Falls, around 1892. Image from Picturesque Hampden (1892).

The church in 2018:

The first Baptist organization in Chicopee was established in 1828, back when this area was still part of Springfield. The congregation constructed its first church building in 1832, and it was located just a block away from here at the corner of Maple and Belcher Streets. Chicopee was incorporated as a separate town, and the church became the First Baptist Church of Chicopee. Two years later, the building was moved down the hill to Market Street and enlarged, and the congregation worshiped there for the next 28 years.

In 1878, the First Baptist Church moved back up the hill, constructing this brick High Victorian Gothic-style church building on Broadway. The pastor at the time was Rufus King Bellamy, who had served in this capacity since 1848. He would continue as pastor until 1882, but he would probably be remembered best as the father of novelist and journalist Edward Bellamy, who was one of the most successful American authors of the late 19th century.

Following Reverend Bellamy’s retirement, none of the next few pastors here at First Baptist came close to matching his longevity. By the time the first photo was taken a decade later, the church had seen three new pastors, and it would have two more by the turn of the 20th century. However, this kind of pastoral turnover was not uncommon for churches of the period, and Bellamy’s 34 years in the pulpit was unusually long, even compared with other churches in Chicopee.

In 1931, the First Baptist Church merged with Central Baptist Church, which had been located in the center of Chicopee at the corner of School and Cabot Streets. Central Baptist sold that property, and the united congregation continued to worship here in this church on Broadway, becoming the First Central Baptist Church. Since then, the building has been expanded with an addition to the rear that was built in 1965, but otherwise the historic church is still standing with few alterations to its original exterior. It remains an active church, although it has been renamed again, and it is now the First Central Bible Church.

St. Stephen’s Church, Boston

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Looking north on Hanover Street in Boston, with St. Stephen’s Church in the center of the scene, around 1895-1905. Image courtesy of the Boston Public Library.

The scene in 2018:

These photos show the view looking north on Hanover Street from about the corner of Tileston Street, in Boston’s North End. The most prominent building here in this scene is St. Stephen’s Church, which is located directly opposite the Paul Revere Mall. Although it is currently a Roman Catholic church, it was constructed in 1804 as a Congregational church. It was originally known as the New North Church, as opposed to the more famous Old North Church less than 200 yards away, and it was the work of prominent architect Charles Bulfinch, who was responsible for designing many important buildings in early 19th century Boston.

This church was built around the same time that Unitarian theology was causing divisions within Congregational churches across New England. In 1813, New North became Unitarian, as did a number of other Congregational churches in Boston. That same year, 25-year-old Francis Parkman became its pastor. He would go on to serve the church for the next 36 years, and he was also the father of Francis Parkman Jr., who went on to become a noted historian and writer.

By the mid-19th century, the demographics of the North End had changed. As new, more desirable neighborhoods were developed in other parts of the city, affluent North End residents had steadily left the area. These largely Protestant, native-born residents were replaced by Irish Catholic immigrants, who settled in large numbers here in the North End. With its congregants leaving the increasingly crowded and impoverished neighborhood, the New North Church was ultimately sold in 1862 to the Roman Catholic Diocese of Boston, becoming St. Stephen’s Church.

The church building subsequently underwent some changes, including alterations to the original cupola. In 1870, it was moved back 16 feet when Hanover Street was widened, and it was also raised six feet on a new, higher foundation, in order to create a lower level. The interior was also modified, and it saw further changes after being damaged by fires in 1897 and 1929.

The first photo shows the church, and its surroundings on Hanover Street, around the turn of the 20th century. By this point, the North End was no longer predominantly Irish. Instead, the neighborhood was filled with newer immigrant groups, particularly Italians, and the North End was well on its way to becoming known as Little Italy. However, some of the Irish parishioners maintained their connections to St. Stephen’s Church, including John F. Fitzgerald, who was a congressman and mayor of Boston. His daughter Rose – the mother of John F. Kennedy – was baptized here in 1890, and her funeral was held here 104 years later, in 1995.

Out of the five churches that Charles Bulfinch designed in Boston, this church is the only one that survived into the 20th century. By the 1960s it was also one of his few remaining churches anywhere, and it was recognized for its historic and architectural significance. From 1964 to 1965, it underwent a major renovation, which included lowering the building to its original level and restoring the cupola. The interior was also restored during this time, although it is somewhat different from Bulfinch’s original plans.

Today, St. Stephen’s Church is still an active Roman Catholic parish, and the restored building stands as an important architectural landmark in the North End. The surrounding streetscape has seen some changes since the first photo was taken around 120 years ago, with the most obvious being the three buildings on the right side, which were constructed around 1905. Overall, though, this scene has maintained the same scale since the late 19th century, which still consists primarily of four-story brick commercial blocks, and the North End remains a remarkably well-preserved section of Boston.

Ventfort Hall Library, Lenox, Mass

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The library at Ventfort Hall in Lenox, probably around the 1890s. Image courtesy of the Lenox Library Association.

The scene in 2018:

As discussed in more detail in a previous post, Ventfort Hall was completed in 1893 as the summer home of George and Sarah Morgan. The house was subsequently owned by the Bonsal family from 1925 until 1945, and during the second half of the 20th century it was used for a variety of purposes, including as dormitory, hotel, ballet school, and religious organization. It was nearly demolished in the early 1990s, but it was instead preserved and restored, and it is now a museum.

These two photos show the library, which is located on the first floor in the northwest corner of the building. The first photo as probably taken soon after the house was completed, and the room’s appearance highlights the Victorian fashion of having eclectic, cluttered interior spaces. This included a mix of mismatched chairs, along with walls that were nearly hidden by bookcases, paintings, photographs, and knickknacks.

Today, the library has been restored, and it is easily recognizable from its appearance in the first photo. However, unlike most of the other rooms in Ventfort Hall, it is not furnished with period antiques. Instead, as the 2018 photo shows, it is filled with modern tables and chairs, and its modern-day uses now include serving as a gathering space for guided tours of the Ventfort Hall Mansion and Gilded Age Museum.

Ventfort Hall, Lenox, Mass (2)

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The southwestern side of Ventfort Hall in Lenox, around the 1890s. Image courtesy of the Lenox Library Association.

The scene in 2018:

These photos show the back side of Ventfort Hall, which faces southwest across a sloping lawn in the rear of the property. The first photo was probably taken soon after the house was completed in 1893, and at the time it was the summer residence of New York banker George Morgan and his wife Sarah, who was the sister of J. P. Morgan. The exterior of the house is built of brick, and it features a Jacobean Revival-style design that resembles a 17th century English country house. It was the work of Rotch & Tilden, a Boston architectural firm that was responsible for several other large Gilded Age estates here in Lenox.

At the time, the Berkshires region was a popular resort destination for the wealthy, particularly for New Yorkers who wanted to escape the summer heat and smells of the city. As in other such places, including Newport, Bar Harbor, and the Gold Coast of Long Island, prominent families outdid each other in constructing lavish “cottages.” Ventfort Hall was actually built on the site of an older, smaller home that was named Vent Fort, which is French for “strong wind.” When the Morgans purchased the property, they disposed of the old house – which was moved across the street – but they kept the name for their new house, which featured 28 rooms and 28,000 square feet of floor space.

Sarah Morgan died only three years after the house was completed, and her husband George died in 1911, but the house remained in the family until it was sold in 1925. However, in the interim it was also rented by several other prominent families, including Margaret Emerson Vanderbilt, who spent several summers here in the late 1910s. She was the young widow of Alfred Gwynne Vanderbilt, who had died in the sinking of the Lusitania in 1915, and after a few years of renting Ventfort Hall she moved into a house of her own here in Lenox. The house was subsequently rented by railroad executive William Roscoe Bonsal and his wife Mary, and in 1925 they purchased the property outright.

The Bonsal family owned Ventfort Hall for another 20 years, before the heirs of William and Mary sold it in 1945. By this point the Gilded Age was a distant memory, having been eclipsed by two world wars and the Great Depression, and massive summer homes such as this one were regarded as costly white elephants. Many were converted into institutional use, with Ventfort Hall variously being used as a dormitory, hotel, ballet school, and a religious organization. It was abandoned by the late 1980s, and was nearly demolished, but it was instead acquired by the Ventfort Hall Association in 1997, and was subsequently restored.

Soon after this restoration work began, the exterior of Ventfort Hall was used as a filming location for the 1999 film The Cider House Rules, which went on to win two Academy Awards. The historic building features prominently in the movie, where it stands in as St. Cloud’s Orphanage. It even appears in the background of the photograph for the theatrical release poster, which shows Ventfort Hall from an angle similar to these two photos. Most of the interior filming was done elsewhere, although the grand staircase of Ventfort Hall does appear in several scenes.

Today, around 125 years after the first photo was taken, the restored exterior of Ventfort Hall shows few differences. Perhaps the only significant difference between these two photos is the angle, as there are now trees on the grounds that block the view further to the right. Some of these might even be the same trees that, in the first photo, were recently-planted seedlings on the right side. The interior of Ventfort Hall has also been restored, and it is open to the public for guided tours as the Ventfort Hall Mansion and Gilded Age Museum.

Ventfort Hall Porch, Lenox, Mass (2)

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The porch on the southwest side of Ventfort Hall in Lenox, around 1893. Image courtesy of the Springfield Preservation Trust.

The scene in 2018:

This porch is the same one that is shown in an earlier post, except this view shows the porch from the outside of the house, rather than from the porch itself. The scene is also very similar to the previous post, which features a close-up of the steps in the lower center. The first photo was taken around 1893, and it shows the exterior of Ventfort Hall as it appeared at the time of its completion, when it was used as the summer home of George and Sarah Morgan.

Ventfort Hall remained a private residence until 1945, and it subsequently saw a variety of different uses before being abandoned in the late 1980s. By the early 1990s it was badly deteriorated and threatened with demolition. It was purchased by a developer, and it was stripped of much of its interior woodwork, but it was ultimately preserved after being purchased by the Ventfort Hall Association in 1997.

The house then underwent a major restoration, on both the exterior and interior, and it opened to the public as a museum in 2000. Around the same time, the exterior of the house was also used as a filming location for the 1999 film The Cider House Rules, with Ventfort Hall taking on the role of St. Cloud’s Orphanage. Today, the house is still open as a museum, and, aside from different landscaping, this scene is very similar to its appearance some 125 years ago.

Ventfort Hall Painters, Lenox, Mass

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A group of painters standing on the steps of Ventfort Hall in Lenox, on May 13, 1893. Image courtesy of the Lenox Library Association.

The scene in 2018:

Ventfort Hall was completed in 1893, and it was originally the summer home of wealthy New York banker George Morgan and his wife Sarah, who was the sister of J. P. Morgan. Sarah had inherited $3 million (around $85 million today) when her father, Junius Spencer Morgan, died in 1890, and she and George subsequently purchased this property in Lenox and built this house. The first photo shows a group of painters, who are standing on the steps on the southwest side of the house on May 13, 1893. They were presumably working on putting the finishing touches on the new house, and preparing it for the 1893 summer season.

Sarah Morgan ultimately spent only a few summers here at Ventfort Hall before her death in 1896, but her family continued to own the property for several decades, often renting it out to other wealthy families. The Bonsal family purchased the house in 1925, and owned it until 1945, when it was sold and converted into a dormitory for Tanglewood. It would go through several more uses during the second half of the 20th century, and it was ultimately abandoned in the late 1980s and threatened with demolition.

Thankfully, Ventfort Hall was preserved and restored, starting in the late 1990s. It is now open to the public as the Ventfort Hall Mansion and Gilded Age Museum, and this scene on the steps is not significantly different from its appearance in the first photo, taken 125 years earlier. There have been a few changes, such as the installation of handrails on the steps and statues atop the balustrade on the left, and the steps themselves have seen more than a century of wear, but overall this spot is still easily recognizable from the first photo.