Massachusetts

70-76 Temple Street, Springfield, Mass

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The townhouses at 70-76 Temple Street in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The scene in 2017:

Unlike many other large cities in the northeast, Springfield never saw large-scale development of townhouses during the 19th century, with residents preferring detached single-family homes on larger lots. However, there were some townhouses that were built throughout the downtown area, including this block of four houses on Temple Street, which was completed in 1874. The houses are among the city’s finest surviving examples of High Victorian Gothic architecture, and they were designed by local architect George E. Potter, whose other works included the six townhouses at the corner of Maple and Central Streets.

Temple Street itself was developed in the 1870s, on land that had previously belonged to the prominent Morris family, including probate judge Oliver B. Morris and his son George B. Morris, who served as the Clerk of Courts for many years. However, Oliver died in 1871, followed by George a year later, and within a few years George’s son Robert had opened Temple Street through the property. This townhouse block was among the first buildings to be developed on the street, and was constructed at a cost of about $32,000 for the four homes, or about $700,000 today.

The houses were numbered 70, 72, 74, and 76 Temple Street, starting with 70 on the far right. They were jointly owned by Robert Morris and William S. Shurtleff, with Morris living at number 72 and Shurtleff at number 74. Morris had become the Clerk of Courts after his father’s death in 1872, and served in that position until his own death in 1925. Along with this, he was also a directory of the United Electric Light Company and president of the Springfield Five Cents Savings Bank, and in 1901 he published a book, The Birds of Springfield and Vicinity. He and his wife Lizzie lived here in this townhouse for many years, although around 1912 they moved a short distance to the east of here, to a house at 82 Temple Street.

William S. Shurtleff was also a longtime resident of this townhouse block, living at 74 Temple Street until the early 1890s. Shurtleff had served in the Civil War, enlisting as a private but ending up as a colonel. In 1863, he was appointed Judge of Probate and Insolvency, and served on the bench for the next 33 years, until his death in 1896. He also served several terms on the city’s Common Council, and was also the vice president of the state Board of Public Reservations, a founder and vice president of the Connecticut Valley Historical Society, and a director of the City Library Association. During the 1880 census, he was living here with his wife Clara and their daughter Mabel, plus his niece Clara, his brother Roswell, Roswell’s wife Sarah, and two servants.

Although designed as upscale single-family homes, this began to change by the turn of the 20th century. During the 1900 census, Morris’s house was the only one still occupied by a single family, with the other three having been converted into boarding houses. The most crowded of these was 74 Temple, which had three residents, along with a servant and six boarders living here. The subsequent 1910 and 1920 censuses show fewer numbers of boarders in these houses, although this would change dramatically by 1930, perhaps as a result of the Great Depression. During that year, there were eight lodgers in number 70, eleven in number 72, thirteen in number 74, and eight in 76. These residents included a variety of middle class workers, such as a pharmacy clerk, a waitress, a factory inspector, an auto mechanic, several teachers, a chauffeur, an accountant, a traveling salesman, and a milkman.

The first photo was taken later in the decade, only a few years before the 1940 census. By this point, the townhouses were still in use as boarding houses, with similar numbers of residents. As was the case in 1930, the residents held a variety of jobs, and nearly all of them earned under $1,000 a year, or under $18,000 today. By the time the first photo was taken, there was also another building attached to this block, just to the right of 70 Temple Street. This building first appears in city atlases in 1899, and had a plain brick exterior that contrasted sharply with the much more ornate Gothic townhouses that adjoined it. It was numbered 66-68 Temple Street, and during the 1940 census it housed four apartment units in number 66, plus a boarding house with six tenants in number 68.

Today, this addition on the right side is gone, having been demolished sometime in the second half of the 20th century. However, the four original townhouses are still standing, with well-preserved exteriors that have seen few changes since the first photo was taken. The interiors, though, have undergone substantial renovations over the years. The houses had started as single-family homes, before becoming boarding houses, and they are now divided into condominiums, with four units in each of the four houses. Like the Classical High School directly across the street, they are one of a number of historic properties in Springfield that have been converted into condominiums, and today this block of townhouses is part of the city’s Lower Maple Local Historic District.

Radding Building, Springfield, Mass

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The Radding Building, at the corner of State and Willow Streets in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The building in 2017:

This eight-story, Classical Revival-style commercial building was built in 1915 by real estate developer Edward Radding, and was one of the largest early 20th century buildings on State Street. It was the work of Boston-based architect Charles R. Greco, and featured decorative elements such as Corinthian columns and pilasters on the first two floors, carvings in between windows on the third floor, and cornices above the third, seventh, and eight floors. Upon completion, the building housed a variety of commercial tenants, and included stores, offices, and assembly halls.

The first photo shows the building as it appeared in the late 1930s. There are a number of of signs in the windows, although only a few are legible. The ground floor storefront on the left side was the State Barber Shop, while the storefront on the right was vacant, with a “For Rent” sign in the window. Directly above this empty storefront was a fur retailer, but none of the other signs are visible from this distance. Only a few years later, in 1943, the Mutual Fire Assurance Company began renting space in the building. This company would later become its primary tenant, and was headquartered here for many years.

Nearly 80 years since the first photo was taken, the exterior of the Radding Building has seen few changes. Because of its level of preservation and its architectural significance, it was added to the National Register of Historic Places in 1983, and it remains well-preserved today. When the first photo was taken in 2017, it was undergoing major renovations to convert it from an office building to a Holiday Inn Express. This project was completed earlier in 2018, and the hotel now occupies the historic building.

Brewer Building, Springfield, Mass

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The Brewer Building at 119-125 State Street, near the corner of Main Street in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The scene in 2017:

This four-story commercial block was built in 1893, and featured a distinct Romanesque architectural style, with features such as rounded arches, sandstone trim, and a castle-like turret on the left side. It was owned by businessman and state legislator Edward S. Brewer, and it housed a variety of commercial tenants over the years, with shops on the ground floor and professional offices on the upper floors. During the early 20th century, these included an optician, watchmaker, barber, tailor, jeweler, dentist, and an insurance company.

By the time the first photo was taken in the late 1930s, tenants included the Surprise Barber Shop on the left side of the ground floor, Dean’s Music House in the storefront just to the left of the arch, and A. I. Blitz Furrier on the second floor. However, just a few years later the building was badly damaged by a fire in 1945. It was not a total loss, but the two upper floors were removed, resulting in its current appearance. The facade was later covered in panels to match mid-20th century architectural trends, although these were removed in 1981 and the exterior was restored. Today, despite the loss of its upper floors, the building still has some resemblance to its 19th century appearance, and even its original outline is still visible on the walls of the neighboring Masonic Building.

Unitarian Church, Springfield, Mass

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The Unitarian church at the corner of State and Willow Streets in Springfield, probably sometime in the 1860s. Image from Picturesque Hampden (1892).

The scene in 2017:

 

For nearly 200 years, the Congregational Church was essentially the only church in Springfield. Aside from small groups of religious minorities such as Baptists and Methodists, who arrived at the turn of the 19th century, nearly all of Springfield’s residents were affiliated with the First Church. However, this hegemony began to break apart in the early 19th century, when the New England Congregationalists saw a schism between the traditional Trinitarians and the newer, theologically-liberal Unitarians.

Here in Springfield, the First Church had two fairly liberal pastors throughout much of the 18th century, beginning with Robert Breck, who served from 1736 to 1784. Breck’s ordination had been highly controversial, due to the perceived unorthodox beliefs of the young clergyman. He was popular among the Springfield congregants, but many of the pastors of surrounding towns – including Jonathan Edwards of Northampton – had advised against him, and some of his opponents had Breck arrested for heresy on the day of his scheduled ordination.

The charges against Breck were ultimately dropped, and he was duly ordained, serving the church for nearly 50 years. After his death, he was replaced by another young liberal pastor, Bezaleel Howard, who served for 18 years before announcing his resignation in 1803, due to poor health. He agreed to remain with the church until his replacement was found, but this process likely took longer than Howard had anticipated. By this point, the Unitarian-Trinitarian controversy had become the dominant issue in New England churches, and it took six years – and 37 candidates – before Samuel Osgood was selected as pastor in 1809.

Osgood, a 24-year-old Dartmouth graduate, had been the unanimous choice of the congregation, who had viewed him as being theologically liberal. However, as the divide grew between the two factions, Osgood ultimately favored the orthodox Trinitarian theology, alienating some of the most influential citizens of Springfield in the process. The majority of the church sided with Osgood, but the Unitarians were both vocal and wealthy, and included prominent businessmen such as merchant Jonathan Dwight, Sr. As a result, around 117 Unitarians separated from the First Church in 1819, forming the Third Congregational Society of Springfield. This name came from the fact that Chicopee, home of the Second Congregational Church, was still a part of Springfield at the time.

Later in 1819, the Unitarians moved into this newly-completed church building at the corner of State and Willow Streets. Both the land and the building had been donated by Jonathan Dwight, and the building was designed by local architect Simon Sanborn. It bore a strong resemblance to the new First Church building, which had been completed several weeks earlier at Court Square, and it reflected the Greek Revival style of architecture, which was becoming popular for churches and other public buildings during this era.

The first pastor of the Unitarian church was William B. O. Peabody, who was just 21 years old when he was ordained in October 1820. He served the church for the next 27 years, until his death in 1847, and during this time he also had a successful career as an author. He wrote several books, plus a number of poems and hymns, and he was also a regular contributor to the North American Review literary magazine. None of Peabody’s 19th century successors were able to match his longevity with the congregation, but the second-longest pastorate here in this church building was that of Francis Tiffany, who served from 1852 until 1864, when he left to accept a position as professor of English and rhetoric at Antioch College in Ohio. Like Peabody, he also became a published author, writing a biography of social reformer Dorothea Dix in 1890.

The Unitarians worshiped here in this building for nearby 50 years, but by the 1860s they had begun planning the construction of a new building further up the hill, opposite where the Springfield City Library now stands. In the process, they helped to start the career of Henry H. Richardson, who would become one of the most influential architects in American history. Although he did not have any major commissions at the time, Richardson was allowed to enter the design competition thanks to Chester W. Chapin, a railroad and bank executive who was a prominent member of the Unitarian church. Chapin’s son-in-law had attended college with Richardson, and this connection enabled the young architect to submit his plans for a new church, which were ultimately the ones chosen in the competition. The new building, known as the Church of the Unity, was completed in 1869, and Richardson’s work helped to establish his reputation as an architect.

The other building in the first photo, just to the right of the church, is the Springfield Bank. This brick, two-story Greek Revival structure was built around in 1814, the same year that the Springfield Bank was established as the first bank here in Springfield. It was one of the many business interests of Jonathan Dwight, who was one of its founders and its first president, serving from 1814 to 1817. The building was also the first home of the Springfield Institution for Savings, which was established in 1827. It was the first savings bank in Springfield, and it shared this building with the Springfield Bank until 1849, when it moved into the newly-completed Foot Block at the corner of Main and State Streets. In the meantime, the Springfield Bank remained here in this building until 1863, when it was reorganized as the Second National Bank. This new bank relocated three years later, and the old building later became a store owned by grain merchant John W. Wilder.

Only four years after the Unitarians moved up the hill to their new building, the old church burned down on the night of October 12, 1873. The site was later redeveloped with a large brick commercial building known as the Kirkham and Olmstead Block, which was in turn replaced by the two-story building that is now standing here. However, the old bank building survived well into the 20th century, despite being converted to other commercial use. The 1920 atlas shows it still standing, but it was demolished sometime before 1933, when the Art Deco-style Springfield Safe Deposit and Trust Company building was completed on the site. This building, now the Community Music School, is still here today, and is visible on the far right side of the 2017 photo.

Kennedy Block, Springfield, Mass

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The Kennedy Block, at the corner of Main and Taylor Streets in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The scene in 2017:

This large commercial block was built in 1874, and was owned by businessmen Warren H. Wilkinson and Emerson Wight. It was part of the commercial and industrial development that was occurring in downtown Springfield during the mid-19th century, spurred by the presence of the Boston & Albany Railroad just a few blocks to the north of here. Wilkinson and Wight had owned an earlier building on this site, but it burned down on January 6, 1874, and was replaced with this five-story, Italianate-style building. Wight went on to serve as mayor of Springfield from 1875 to 1878, and in 1879 he purchased Wilkinson’s interest in the building, becoming the sole owner of the property.

One of the building’s original tenants was the Morgan Envelope Company, which had been founded in 1864 by Springfield resident Elisha Morgan. Then, in 1873 Morgan Envelope produced the first government-issued postcards in the country, after securing a lucrative contract from the federal government. At the time, postcards were prepaid, pre-stamped cards that were issued directly by the post office, and Morgan Envelope was the lowest bidder out of 14 companies, submitting a bid of $1.39 7/8 per 1,000 postcards. The company moved into this building upon its completion in 1874, and remained here for the next decade, until moving into its own facility on Harrison Avenue in 1884.

Beginning in 1917, the ground floor of the building was the home of Kennedy’s, a men’s clothing store. The first photo shows the building as it appeared in the late 1930s, with Art Deco-style signage above the storefront, and Kennedy’s remained here at this location until the early 1970s. Since then, many of the large 19th century commercial blocks in downtown Springfield have since been demolished, but the Kennedy Block is still standing with few significant changes to the exterior. The building is now part of the Silverbrick complex, with an interior that has been converted into apartments, and it is listed on the National Register of Historic Places, along with the neighboring Worthington Building on the right side of the scene.

Hampden Savings Bank Building, Springfield, Mass

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The Hampden Savings Bank building at 1665 Main Street in Springfield, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

The scene in 2017:

The Hampden Savings Bank was established in 1852, and its headquarters was located in several different buildings in downtown Springfield during the late 19th and early 20th centuries. From 1899 to 1918, it was in the Fort Block, at the corner of Main and Fort Streets, but in 1918 the bank moved into this new headquarters, located a block away on the other side of Main Street. The building was designed by local architect Max Westhoff, and featured a Classical Revival-style design that was popular for banks in the early 20th century.

The first photo, taken in the late 1930s, shows the Hampden Savings Bank building, along with portions of the surrounding buildings. On the far left is the Chapin National Bank, which was built in 1917 and heavily altered on the Main Street side around the early or mid-1930s. On the right side is the Olmsted-Hixon-Albion Block, which extends all the way to the corner of Taylor Street. Originally built in the 1860s and 1870s as three separate buildings, the interiors of these commercial blocks were connected in 1927. However, the exteriors remained largely unchanged, giving the appearance of three different buildings, although only two of these sections are visible in this scene.

Hampden Savings Bank was located in this building until 1952, when a new headquarters was built a few blocks away on Harrison Avenue. The bank remained there until 2015, when it was acquired by Berkshire Bank, which continues to have a branch location in the Harrison Avenue building. In the meantime, this building on Main Street was later converted into law offices, although its exterior has hardly changed since the first photo was taken almost 80 years ago. It is now vacant, but there are currently plans to restore its interior and convert it into a recreational marijuana shop.