1900s

Metropolitan Museum of Art, New York City (2)

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The Metropolitan Museum of Art, seen from the corner of 5th Avenue and East 83rd Street, around 1903. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The view around 1904-1909. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

As discussed in more detail in the previous post, the Metropolitan Museum of Art has been at this location on 5th Avenue since 1880, but the building has been dramatically expanded and altered from its original appearance over the years. The first two photos here, taken only a few years apart, show some of this work in progress during the early 20th century.

The original museum building was set back from 5th Avenue, as were two additions that were constructed in the 1880s and 1890s. A portion of the northern wing, completed in 1894, is visible in the distance on the right side of the photo, but the rest of the 19th century museum building is hidden from view behind the 1902 addition, which stands in the foreground of this scene. This wing extended the museum all the way to 5th Avenue, and provided a grand main entrance that remains in use today.

This section of the building was designed by prominent architect Richard Morris Hunt, who is perhaps best remembered for designing Gilded Age mansions for affluent New York families such as the Vanderbilts. He was the first American to attend the École des Beaux-Arts in France, and this is reflected in his works, which are generally in the Beaux-Arts style. The museum expansion was among his last commissions, and he died in 1895, long before it was finished, so his son Richard Howland Hunt ultimately saw the project to completion.

The first photo was taken within about a year after this wing was completed. At this point, 5th Avenue was still not fully developed this far north, and there were still many vacant lots here in the vicinity of the museum, including one directly across the street in the foreground of the scene. The street itself was unpaved, and there are no automobiles in sight, but there is a mix of horse-drawn vehicles, including a delivery wagon on the extreme left, a stagecoach in front of it, and what appears to be a construction wagon on the far right. Next to this last wagon is the blurry image of a bicycle, and elsewhere there are a variety of pedestrians, including a man walking a small dog and several women with baby carriages.

Although the Hunt addition was only just finished, the museum was already preparing for further expansion. While architecturally impressive, it added little gallery space to the museum, as it consisted primarily of the Great Hall, which served as the museum’s main entrance, and the Grand Staircase, which connected the new wing to the original building. As a result, in 1904 the museum hired the architectural firm of McKim, Mead & White to design new wings, including one that extended north along 5th Avenue, on the right side of this scene.

The first photo does show some work occurring on the right side, although it does not seem clear as to whether this is related to the new wing or something else. However, by the time the second photo was taken a few years later, the expansion work was well underway. The exterior wall was largely completed by this point, but there was no roof yet, and the window here was an empty hole, with a brick wall visible beyond it. This project would eventually be completed in 1909, and four years later the northern side of the 5th Avenue facade was completed with the construction of another McKim, Mead & White addition.

As shown in the previous post, the museum would remain asymmetrical from this view for several years, but in 1917 a matching wing was built to the south, on the left side of this scene. This was the last significant change to the 5th Avenue side of the museum, but it would continue to expand to the rear, including a number of additions during the 1970s and 1980s. This incremental growth over the years has given the museum an interesting combination of architectural styles, and the original 1880 building is still standing, although it is now entirely surrounded by newer additions, with only small portions of the old exterior visible inside the building.

Overlook, Hartford, Vermont

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The Overlook house in Hartford, around 1900. Image from The Old and the New.

The scene in 2018:

This house, which was known as Overlook, was built at some point during the 19th century, probably around the 1870s based on its Second Empire-style architecture. For many years it was the home of Alfred E. Watson, a noted businessman and local politician. He was born in 1857 and he grew up in Hartford, where his father, Edwin C. Watson, manufactured agricultural tools in the firm of French, Watson & Co. Alfred attended nearby Dartmouth College, graduating in 1883, and that same year he married Mary Maude Carr of Montpelier.

Alfred Watson was primarily involved in the insurance business, but he was also a director and treasurer of the White River Savings Bank, director of Hartford National Bank, and director of the Chicago, Kalamazoo & Saginaw Railway. In addition, he was involved in politics, holding a number of different offices. He served as Secretary of Civil and Military Affairs during the administration of fellow Hartford native Governor Samuel E. Pingree, and he was subsequently elected to both houses of the state legislature, along with serving on the state’s Board of Railway Commissioners.

Alfred and Mary Watson had two children. Their son Cedric died in 1890 before his first birthday, but their daughter Margery lived to adulthood. The first photo was taken sometime around the turn of the 20th century, and the 1900 census shows that they were living here with Margery, who was 12 years old at the time, Mary’s father Walter S. Carr, and Alfred’s nephew, Carl W. Cameron. The latter moved out sometime before the 1910 census, but the rest of the family was still here during that year. Walter subsequently died in 1915 at the age of 82, and Margery evidently moved out of the house by the time of her marriage in 1917.

Mary died in 1948 at the age of 83, and Alfred continued to live here until his death in 1950 at the age of 93. They both outlived their daughter Margery, who died in 1940. With no surviving heirs, and with little demand for such a large single-family home during the mid-20th century, the house was ultimately divided into apartments. At some point, the house underwent some significant changes, including the removal of the barn on the left side and the large front porch. Many of its other Victorian-era exterior details are similarly lost, having been replaced by modern siding. Overall, though, the house, which is now known as Hillcrest Manor, is still standing, and it is still recognizable from the first photo. It recently underwent a major renovation shortly before the present-day photo was taken, and it now consists of nine affordable housing units.

Louis S. Newton House, Hartford, Vermont

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The house at 1683 Maple Street in Hartford, around 1900. Image from The Old and the New.

The house in 2018:

This Greek Revival-style cottage was built around 1859, and its earliest recorded owner was George Brockway, a chair manufacturer who was listed here as the owner in the 1869 county atlas. It does not indicate whether he personally lived here or just owned the property, but it seems likely that this was his home, and the 1870 census shows him living in Hartford with his four young children, who ranged in age from three months to four years old. He ultimately sold the property for $1,400 to John H. French in 1871, and he died two years later at the age of 43.

In 1884, the house was purchased by Almira L. Newton, who lived here for many years along with several other family members, including her sister Caroline and her brother Louis. None of the three siblings evidently ever married, although Almira raised her adopted son Bradleigh here. All three of the Newtons were living at the house during the 1900 and 1910 censuses, but Louis appears to have moved elsewhere in town by 1920, and in 1921 he relocated to Burlington.

Louis S. Newton was a noted local architect. Here in Hartford, he is perhaps best remembered for his 1903 remodeling of the historic Second Congregational Church, and he also did some work here on his sister’s house, adding Colonial Revival-style details around 1900. Elsewhere, his other works consisted of a variety of houses and commercial buildings, including both renovations and new construction. He designed the Occom Ridge houses at nearby Dartmouth College at the turn of the 20th century, and in 1914 he restored the Old Constitution House in Windsor, which is regarded as the birthplace of Vermont.

The house remained in the Newton family until at least the early 1940s, and it has since changed ownership many times over the years. However, its appearance has remained remarkably unchanged throughout this time, with few exterior changes more than a century after the first photo was taken. Today, the house is part of the Hartford Village Historic District, which was added to the National Register of Historic Places in 1998.

Ephraim Morris House, Hartford, Vermont

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The house at 1627 Maple Street in Hartford, around 1900. Image from The Old and the New.

The scene in 2018:

This house was built in 1894 as the home of Ephraim Morris, one of the most prominent residents of late 19th century Hartford, Vermont. Morris was born in 1832, a little to the north of here in the town of Strafford, and he grew up in Norwich, where he attended Norwich University before moving to Boston to become a clerk in a boot and shoe firm. However, he ultimately returned to Vermont in 1854, settling in Hartford and joining his father Sylvester’s business. Later in the year, he married his wife, Almira M. Nickerson, who was originally from South Dennis, Massachusetts.

Sylvester Morris retired in 1857, and Ephraim carried on the business with his brother Edward. In the early years, they ground plaster and sold it for use as fertilizer, but they subsequently switched to manufacturing chairs. Then, later in the 19th century the brothers entered the woolen manufacturing industry, operating the Hartford Woolen Company along with the Ottauquechee Woolen Company in nearby North Hartland.

Aside from these businesses, Ephraim was also a director and vice president of the National Bank of White River Junction, and he represented Hartford in the state legislature from 1896 to 1898. However, perhaps his single most important contribution to the town came in 1893, when he donated $5,000 to build the Hartford Library. The library, which remains in use today, stands directly adjacent to the spot where, a year later, he built his own house.

Ephraim and Almira Morris had two daughters, Kate and Annie. Both attended Smith College, and Kate was in the school’s first graduating class, along with being the first to receive a Ph.D. from the school. She married Charles M. Cone in 1884, and they lived in a historic house just a little to the east of here in the center of Hartford. Annie, who was 14 years younger than her sister, was still living with her parents when they moved into this house in 1894, and she was still here during the 1900 census, shortly before her marriage to Roland E. Stevens.

The first photo was taken around this time, showing the side view of the house from the library grounds. The architecture of the house was primarily Colonial Revival in style, with distinctive elements such as the large Palladian window, but it also had some features from the earlier Queen Anne style, including the asymmetrical design and the turret at the southeast corner of the house.

Ephraim Morris died in 1901, followed by his widow Almira in 1909. Their daughter Annie subsequently inherited this house, and she lived here with her husband Roland for many years. He was a lawyer, and probably his most famous case came late in his life, when in 1952 he sued the state of Vermont on behalf the Iroquois tribe, claiming that much of the state’s land was unlawfully taken from them. The suit was ultimately unsuccessful, but both he and his case gained widespread attention in newspapers across New England.

Annie apparently died at some point in the 1950s, and Roland died in 1957 at the age of 89. Their large house was subsequently sold to the Bible Baptist Church, which converted it into a church. Since then, the building has been acquired by a different church, Praise Chapel, and it remains in use today. Despite these changes in use, though, the exterior of the building has remained well-preserved in more than a century since the first photo was taken, and it is now a contributing property within the Hartford Village Historic District, which was added to the National Register of Historic Places in 1998.

Hartford Library, Hartford, Vermont

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The Hartford  Library on Main Street (now named Maple Street) in Hartford, around 1900. Image from The Old and the New.

The building in 2018:

This Queen Anne-style library building was constructed in 1893, in the center of the village of Hartford. It was built thanks to the efforts of several prominent locals, including Horace and Seraph Pease, who donated a parcel of land adjacent to their home, and Ephraim Morris, a woolen manufacturer who gave $5,000 to construct it.

The library was dedicated on September 16, 1893, in a ceremony that included remarks by former governor and Civil War Medal of Honor recipient Samuel E. Pingree. He was a Hartford resident and one of the founders of the library, and he also served on its board of trustees. His comments were followed by the keynote speaker, Dartmouth College President William Tucker, who spoke on “Uses of a Library.”

Upon completion, the library consisted of a reading room on the first floor, and a lecture room, known as Library Hall, on the second floor. At the time, it had about 2,000 books in its collections, but by the early 20th century it had grown to some 4,000. A total of 4,503 books were checked out from the library in 1908, and during its first 15 years in operation the library served 1,550 different patrons here.

The first photo was taken around this time, but very little has changed here in this scene more than a century later. It remains in use as a public library, with around 17,000 items in its collections today, and it is now one of four libraries in the town of Hartford. The exterior of the building has remained well-preserved throughout this time, and in 1994 it was added to the National Register of Historic Places. Four years later, it also became a part of the Hartford Village Historic District, which encompasses many of the buildings here in the traditional town center of Hartford.

 

Sunnyacre, Hartford, Vermont

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The house at the corner of Main and Pleasant Streets (present-day Maple and Elks Streets) in Hartford, around 1900. Image from The Old and the New.

The house in 2018:

This Queen Anne-style house was built in 1884 as the home of Horace Pease, a member of one of the most prominent families in Hartford during the late 19th century. His father, Luther Pease, had owned the original Pease Hotel here in the village for many years, and he was also a merchant who sold hardware, paints, tinware, stoves, and other such items out of his store nearby.

Horace Pease was born in 1844, and over the years he was involved in a number of different business in the area. He was a partner in the manufacturing firm of French, Watson & Co., which produced farming tools such as pitchforks, rakes, shovels, and spades, and he was also the president of the Ottauquechee Woolen Company. In addition, he served variously as town treasurer, town auditor, and a justice of the peace, and he was the secretary and treasurer of the Hartford Water Works, with his wife Seraph serving as president.

Horace and Seraph Pease were married in 1877, and in 1884 they moved into this newly-built house in the center of Hartford. This lot had been the site of an earlier house that was built here in 1801, but when Horace purchased the property he relocated it to Summer Street and constructed his own house here. He and Seraph subsequently lived here for the rest of their lives, until her death in 1929 and his death three years later.

With no surviving children, Horace’s nephew Charles W. Pease inherited the property, and the house remained in the family for a few more years until it was sold in 1938. Then, in 1945 the house was sold to the Hartford Elks Club, and it was used as the club’s lodge for the rest of the 20th century. During this time, it underwent a significant expansion with an addition to the rear of the building, as shown on the far right side of the second photo.

The Elks chapter has since disbanded, but their sign was still standing when the photo was taken in December 2018. Aside from the addition, the exterior of the house has seen other changes over the years. Many of the original Victorian-era details are now gone, along with the shutters, and the house is now covered in siding. Overall, though, it is still an architecturally-significant feature in the center of Hartford, and in 2018 the 11,000-square-foot building was eyed as the new home of the Hartford Historical Society. However, the organization was unable to raise the necessary funds, and the property has since been sold to a church for use as a community center.