Fenway Park Grandstands, Boston (2)

The view looking toward the outfield bleachers from the right field grandstands at Fenway Park, in the fall of 1914. Image courtesy of the Library of Congress, Bain Collection.

The scene in 2024:

These two photos were taken from around the same spot as the ones in the previous post, just facing the opposite direction. As with the previous post, the top photo here was taken in 1914, when workers were preparing the park for the upcoming 1914 World Series. Although the Red Sox were not in that particular World Series, the Boston Braves were, and they played their home games here because it had a larger seating capacity than their own home field, the South End Grounds.

Fenway Park was just two years old when the top photo was taken, and it shows the original outfield bleachers and right field grandstands. These were constructed of wood, and they remained in use until 1934, when the park was heavily renovated. The outfield and right field seating areas were reconstructed with concrete and steel, while keeping roughly the same footprint and field dimensions. Additional changes occurred in 1940, when the bullpens were added in front of the bleachers. This significantly shortened the home run distance to left field, and was supposedly done in order to benefit left-handed hitter Ted Williams.

Later changes included the addition of the large video screen atop the bleachers, and a seating area on the right field roof. Overall, though, this part of the park still looks largely the same as it did after the 1934 renovations. Although there is likely no original 1912 material here in this part of the park, other portions of Fenway Park are original to 1912, and it remains in use as the oldest active Major League Baseball park.

Fenway Park Grandstands, Boston (1)

The view looking toward home plate from the right field grandstands in Fenway Park, on September 28, 1914. Image courtesy of the Library of Congress, Bain Collection.

The scene in 2024:

These two photos were taken from close to the same spot, although the top one was likely taken a little closer to home plate. Either way, they both show the infield area of Fenway Park from the right field grandstands, and they show the many changes that have occurred here over the years.

The origins of the Boston Red Sox date back to 1901, although the team would not acquire its Red Sox name until 1908. For the first 11 years, the team played at Huntington Avenue Grounds, located on the modern-day campus of Northeastern University. It was there that the team won the first World Series, in 1903, and the Red Sox played there until the end of the 1911 season.

Fenway Park was constructed the following winter, and it opened on April 20, 1912. In that game, the Red Sox played the New York Highlanders—the future Yankees—and defeated them by a score of 7 to 6 in 11 innings. The Red Sox would go on to win the American League pennant that year, and defeated the New York Giants to win the World Series.

The top photo shows the grandstands and home plate area two years later, on September 28, 1914. At the time, preparations were underway to host another World Series here, but this time it wasn’t for the Red Sox. Instead, it was for the Boston Braves, the city’s original Major League Baseball team. The team played in the National League, where they had been one of the most dominant teams in baseball during the 19th century. However, with the establishment of the rival American League in 1901, the new Boston quickly eclipsed the older National League team in popularity.

Going into the 1914 season, the Braves had not been contenders in many years. The team had finished in last place for four consecutive seasons from 1909 to 1912, and they appeared to be headed for the same fate in 1914. By July 4, the Braves were in last place with a 26-40 record, and were 15 games behind first place. However, the “Miracle Braves,” as they came to be known, then went on to win 68 of the remaining 87 games in the season, and finished in first place, 10.5 games ahead of the second place Giants.

Throughout most of the 1914 season, the Braves played their home games at the South End Grounds. However, by September they were renting Fenway Park, in order to accommodate the larger crowds who came to watch their dramatic reversal and pennant run. Likewise, the Braves played their home games here at Fenway Park during the World Series, which they won in four games against the Philadelphia Athletics.

The following year, the Braves moved into a new park, Braves Field. However, it was the Red Sox who went to the World Series in 1915 and again in 1916, and they chose to play their home games at the larger Braves Field, rather than here at Fenway Park. But, the World Series would return to Fenway two years later in 1918, when the Red Sox played their home games here rather than at Braves Field. This would famously prove to be the final World Series championship for the Red Sox for the next 86 years, before their championship in 2004.

Overall, the 1910s were a successful time for the Red Sox, who won the World Series four times in the decade. Prominent players who played here at Fenway Park during this time included Hall of Famers such as Babe Ruth, Harry Hooper, Herb Pennock, and Tris Speaker. Other notable players included pitcher Smoky Joe Wood, catcher Bill Carrigan, third baseman Larry Gardner, and left fielder Duffy Lewis, the namesake of “Duffy’s Cliff,” an embankment that was once located on what is now the site of the Green Monster.

Despite the success of the 1910s, it was followed by a decade of abysmal seasons during the 1920s, due in large part to the sale of Babe Ruth and other top players to the Yankees. The team continued to use Fenway Park during this time, but in 1926 a fire destroyed the wooden left field bleachers, which are partially visible on the far right side of the 1914 photo. The owners did not have the financial ability to rebuild the bleachers, nor was there much demand for the seating with such paltry attendance figures, so that part of Fenway Park remained vacant for the next few years.

The most dramatic changes to Fenway Park occurred in 1934, shortly after businessman Tom Yawkey purchased the team. He had much of the park rebuilt, including replacing the wooden sections with fireproof concrete and steel. Most of the modern-day park dates to this renovation, including the Green Monster wall in left field. The field dimensions also changed, and home plate was moved forward to accommodate more seating. Then, in 1947 the light towers were added to the park, enabling the Red Sox to play night games here for the first time.

Over the years, Fenway Park has continued to evolve. Later changes here in this scene included work in the 1980s to increase the park’s seating capacity. Most significantly, this included adding seating areas and luxury boxes on the grandstand roof, along with a large press box and an enclosed seating area directly behind home plate. Known as the 600 Club and later as the .406 club, this seating area was eventually remodeled after the 2005 season, and it now has two separate seating areas without any glass between the seats and the field.

Today, Fenway Park is still the home of the Red Sox, and it stands as the oldest active Major League Baseball field. Although much of it has been altered over the years, it still has largely the same layout, including the field dimensions and the footprints of the grandstands and bleachers. Portions of the park are original to 1912, including the exterior along Jersey Street, and the park was added to the National Register of Historic Places in 2012, during its centennial year.

Cornelius Vanderbilt II House, New York City (2)

The house at the northwest corner of Fifth Avenue and West 58th Street in New York City, around 1905-1910. Image courtesy of the Library of Congress, George Grantham Bain Collection.

The scene in 2019:

Perhaps no family is more closely associated with the Gilded Age than the Vanderbilts, who rose to prominence in the mid-19th century. The family patriarch, Cornelius Vanderbilt (1794-1877) gained his wealth through dominance of first the steamboat and then the railroad industries, and he left nearly all of his fortune to his son, William Henry Vanderbilt (1821-1885), who managed to double its value in just eight years before his death. At the time, he had a net worth of about $200 million, which was divided among his eight children.

While the first two Vanderbilt generations had grown the family fortune, the third generation primarily spent it. This included the construction of lavish mansions here on Fifth Avenue and summer homes in resort communities such as Newport. William Henry Vanderbilt had built homes a little south of here on Fifth Avenue in the early 1880s for himself and two of his daughters, but his children outdid him in their massive, costly houses.

One of his sons, William Kissam Vanderbilt (1849-1920) built the Petit Chateau on Fifth Avenue, along with Marble House in Newport, and his youngest child, George Washington Vanderbilt II (1862-1914) built the Biltmore in Asheville, North Carolina, the largest private home ever constructed in the United States. However, it was his eldest child, Cornelius Vanderbilt II (1843-1899) who built two of the most memorable Gilded Age mansions, with The Breakers in Newport, and his primary residence here on Fifth Avenue, between West 57th and West 58th Streets.

After the death of his grandfather in 1877, the younger Cornelius had inherited over $5 million, and in 1883 he used some of this money to built this five-story home. It was designed by architect George  P. Post, featuring a Châteauesque design with a red brick exterior and limestone trim. It was completed in 1883, and it was intended to surpass his younger brother’s Petit Chateau, which had been built a year earlier. At the time, the house was situated at the northwest corner of Fifth Avenue and West 57th Street (a photo in an earlier post shows a better view of that side of the house), and it was considerably larger than that of his brother’s.

However, this house was not large enough for Cornelius. He inherited nearly $70 million from his father in 1885, and he soon set about expanding his home. In 1887 he purchased five houses along West 58th Street and demolished them, clearing the way for an addition that would extend his mansion along the length of the entire block. This $3 million project was done to prevent any other mansions from rivaling it in size, and it was evidently successful, because the 130-room house remains the largest private residence ever built in New York City.

The work on the house was finished in 1893, two years before The Breakers was completed in Newport. However, Vanderbilt did not get to enjoy either house for very long, because he suffered a debilitating stroke in 1896 and died three years later, at the age of 55. His wife Alice (1845-1934) outlived him by many years, though, and she continued to live here well into the 20th century, alternating her time between here and Newport. The first photo was taken sometime within about a decade after Cornelius Vanderbilt’s death, showing the northern side of the house from Grand Army Plaza, near the southeast corner of Central Park. The part of the house in the foreground is the 1893 addition, with the original house partially visible in the distance on the left.

By the early 20th century, this section of Fifth Avenue had become increasingly commercialized, and many of the Gilded Age mansions were being demolished and replaced with new skyscrapers as New York’s elite moved northward into the Upper East Side. However, Alice Vanderbilt resisted moving, remaining here in the house until she finally sold it in 1926 for $7 million. She then belatedly joined the northward migration, moving about ten blocks uptown to East 67th Street.

The new owners of the property had no intention of keeping the house here. It had never been a particularly practical residence to begin with, as it was built more for show than for comfort. It was also expensive to maintain, requiring more than 30 servants just to care for the house and its sole occupant. Adding to this was the fact that, by the 1920s, this land had become far more valuable as commercial property. So, the house was demolished later in 1926, and the flagship Bergdorf Goodman department store was built here in its place.

The department store, completed in 1928, is still standing here, and it is still the home of Bergdorf Goodman. However, almost nothing remains from the first photo, as all of the other low-rise 19th century buildings on the surrounding blocks have also long since been demolished. The only surviving building from the first photo is the present-day Peninsula New York hotel, visible a few blocks away on the far left side of the scene. Built in 1905 as the Gotham Hotel, it was one of the early skyscrapers along this section of Fifth Avenue, and it looms over the mansions as an ominous sign of the commercial development that was steadily making its way uptown.

Calvin Coolidge House, Northampton, Mass

The house at 19-21 Massasoit Street in Northampton, around 1915-1920. Image courtesy of the Library of Congress, George Grantham Bain Collection.

The scene in 2018:

Throughout American history, there have been plenty of presidents who have come from humble beginnings, but few of them lived quite as modestly, both before and after their presidencies, as Calvin Coolidge. He was president throughout most of the Roaring Twenties, yet he had far more in common with his Puritan ancestors than with any characters in an F. Scott Fitzgerald novel. In many ways, he was the archetypal frugal Yankee, and one of the most visible examples of this was his choice of a residence here in Northampton. Rather than owning a home, he spent nearly 25 years renting the left side of this duplex, and it was here that he rose in the political ranks from a state legislator to president of the United States.

This two-family home was built around 1901, in a residential development about a mile to the northwest of downtown Northampton. Most of the other nearby houses were built around the same time, and they were generally single-family homes occupied by middle class residents. Calvin and Grace Coolidge moved in several years later, in August 1906, less than a year after they were married and only a few weeks before the birth of their first child, John. They occupied the left side of the house, at 21 Massasoit Street, for which they paid $27 per month for seven rooms and 2,100 square feet of living space.

Although he spent most of his life in Northampton, Calvin Coolidge was a native of Vermont, where he grew up in the family home in Plymouth. However, he came to Massachusetts for college, attending Amherst College and graduating in 1895. From there, he moved to nearby Northampton, the county seat, and began studying law as an apprentice in the firm of Hammond & Field. He was admitted to the bar in 1897, and soon began practicing law while also getting involved in local politics. He served on the city council, was subsequently appointed city solicitor, and then became Clerk of Courts of Hampshire County, where he worked in the old county courthouse.

Coolidge married his wife Grace in October 1905, when he was 33 and she was 26. Two months later, he suffered the only electoral defeat of his career, when he lost a race for school committee. However, the following year he was elected to the Massachusetts House of Representatives, only a few months after moving here to Massasoit Street. He was reelected to the legislature in 1907, but he declined to run for a third term in 1908. This was motivated in part by the birth of his second son, Calvin Coolidge, Jr., in April of that year. Returning to Northampton meant that he could devote his full attention to his law practice, in order to pay for the added expenses of a second child.

However, Coolidge did not stay out of politics for long. In the fall of 1909, he ran for mayor of Northampton, winning by a margin of just 107 votes. He went on to serve two one-year terms in city hall from 1910 to 1911, where he applied his own personal frugality to the city budget. He reduced the city’s debt while also lowering taxes, yet he also managed to increase teachers’ salaries, improve the roads, and make the police and fire departments more efficient. Coolidge’s cost-saving measures included blocking a proposed new city hall, which would have replaced the old building that had stood since 1850. As it turned out, this proved to be a sensible move, because the old building remains in use as city hall more than a century later.

In 1912, Coolidge returned to the State House, this time as a state senator. This began his meteoric rise in state politics, from mayor of a small city to governor of Massachusetts in just seven years. He served four years in the state senate, including the last two years as senate president, and in the fall of 1915 he became the Republican nominee for lieutenant governor. His running mate, Samuel W. McCall, had narrowly lost the gubernatorial race to David I. Walsh a year earlier, but McCall and Coolidge won in 1915. In an early sign of Coolidge’s popularity, he won the lieutenant governor’s race by over 52,000 votes, while McCall was elected governor by just 6,313 votes.

McCall and Coolidge were successfully reelected in 1916 and 1917. In 1918, McCall announced that he would not run for a fourth term, so Coolidge became the Republican nominee for governor. He defeated his Democratic challenger, businessman Richard H. Long, by over 17,000 votes, and he was inaugurated as governor on January 2, 1919. He would go on to win reelection in the fall of 1919, this time defeating Long by a commanding margin of 125,000 votes.

As was the case here in Northampton, Coolidge’s time as governor was marked by fiscal conservativism. The best example of this came in September 1919, when the Boston Police Department threatened to strike. At the time, the city’s police department was directly controlled by the governor, not the mayor, and Coolidge threatened to fire any striking officers. About three-quarters of the police force went on strike anyway, and Coolidge followed through with his threat, famously declaring, “There is no right to strike against the public safety by anyone, anywhere, any time.” The strike caused a temporary increase in crime and violence in Boston, but the National Guard soon restored order while the city hired and trained new officers.

The police strike earned Coolidge national attention. In the days before the strike, many feared that, if the Boston police offers were successful in their strike, it would inspire similar actions across the country, leading to local governments being essentially extorted by their own police. By taking a hard stance against the strikers, and by emphasizing the need for law and order, Coolidge became a hero to many, and he was seen as a rising star within the Republican Party. The strike also contributed to Coolidge’s overwhelming victory in the 1919 election, earning him more than 60% of the statewide vote.

As a result, Coolidge was viewed as a presidential contender in 1920. Warren Harding was ultimately chosen as the party’s nominee at the Republican National Convention in June, but Coolidge was selected as the vice presidential candidate. It was the first election after the passage of the 19th Amendment gave women the right to vote, and both Harding and Coolidge had been supporters of women’s suffrage. Women voted overwhelmingly for the Republican ticket, resulting in a landslide victory for Harding and Coolidge, who carried 37 states and won over 60% of the popular vote.

Upon becoming vice president, Coolidge and his family moved to Washington, where they lived at the Willard Hotel. However, they would maintain this house as their Northampton residence, throughout Coolidge’s time in Washington. His vice presidency was relatively uneventful for nearly two and a half years, but this all changed when Warren Harding died suddenly on August 2, 1923. Coolidge was visiting his father in Vermont at the time, and he was awakened early in the morning and informed that he had become president. The elder Coolidge, who was a justice of the peace, administered the oath of office to his son in the parlor of his house, and then Calvin Coolidge’s first act as president was to go back to bed.

Coolidge easily won reelection in 1924, winning 35 states and 382 electoral votes in a three-way race between Democrat John W. Davis and Progressive Robert M. La Follette. As was the case in Northampton and in Boston, Coolidge sought to cut taxes and lower spending while also reducing the national debt. He held a laissez-faire attitude toward the economy, and his presidency saw widespread growth and prosperity during what came to be known as the Roaring Twenties. However, his economic policies are sometimes criticized for the role that they may have played in the stock market crash of 1929, which occurred less than eight months after he left office.

Coolidge did not run for reelection in 1928, instead endorsing the candidacy of his commerce secretary, Herbert Hoover. He and Grace left the White House in March 1929, and they returned here to their home on Massasoit Street. The 1930 census listed Coolidge’s occupation simply as “retired,” and at the time they were paying $40 per month in rent, equivalent to about $620 today. They lived alone except for one servant, Alice Reckahn, who had been with the family since 1916 and had cared for the house while the Coolidges were in Washington.

It was certainly a modest home for an ex-president, but this did not seem to bother him. In his autobiography, published in 1929, Coolidge explained why he had lived here for so long, writing:

We liked the house where our children came to us and the neighbors who were so kind. When we could have had a more pretentious home we still clung to it. So long as I lived there, I could be independent and serve the public without ever thinking that I could not maintain my position if I lost my office. I always made my living practicing law up to the time I became Governor, without being dependent on any official salary. This left me free to make my own decisions in accordance with what I thought was the public good. We lived where we
did that I might better serve the people.

However, the location of the house proved to be a problem during Coolidge’s retirement. By this point, he was a prominent public figure, and his house offered little privacy from the many curious people who came down Massasoit Street to see the house. Author Claude M. Fuess, in his 1940 biography Calvin Coolidge, The Man From Vermont, provided the following description of the situation:

But Massasoit Street was sought by a continuous procession of sightseers; indeed Dr. Plummer [Frederic W. Plummer, principal of Northampton High School, who had lived in the unit on the right since about 1918], who still occupied the other side of the house, estimated that, in May, an automobile passed on the average every six seconds, and later in the summer the street was sometimes blocked with cars. The Coolidges did their best to lead a normal life. Mrs. Reckahn continued to act as housekeeper, and the flower garden was turned into a runway for the dogs brought from Washington. The ex-President tried to sit on the porch in the evening as he used to do. But whenever he appeared in public a crowd was sure to gather, and the unceasing demonstrations of popularity wore on his nerves. The house was altogether too near the street, and he soon found his conspicuous position highly distasteful.

As a result, in 1930 the Coolidges purchased a house at 16 Hampton Terrace, located just to the south of downtown Northampton. It was known as The Beeches, and it was situated on a large lot, at the end of a long driveway. From the street, the house was almost entirely hidden by trees, offering a much greater degree of privacy than they had been able to enjoy here on Massasoit Street. Calvin Coolidge lived there for the rest of his life, and he died there in 1933 at the age of 60. Grace remained at The Beeches for several more years, but by the late 1930s she had moved to a house at 11 Ward Avenue, which stands less than a half mile away from their former home here on Massasoit Street.

The first photo shows the Massasoit Street house at some point during the late 1910s, probably when Coolidge was either lieutenant governor or governor. A century later, there have been a few changes, including the removal of the shutters and the balustrade over the porch on the right side, and the addition of a downspout on the front of the house. Overall, though, the exterior remains essentially the same as it did when Calvin Coolidge moved in here as a small-town attorney in 1906, and today it remains in use as a private residence. In 1976, the house was added to the National Register of Historic Places, but the only visible sign of its historical significance is a small plaque on the front porch, which identifies it as having been the home of Calvin Coolidge.

Rosecliff, Newport, Rhode Island

The Rosecliff mansion on Bellevue Avenue in Newport, around 1910-1915. Image courtesy of the Library of Congress, George Grantham Bain Collection.

The scene in 2018:

Rosecliff was one of the many Gilded Age summer homes that were built in Newport during the late 19th and early 20th centuries. It was completed in 1902, and was originally the home of businessman Hermann Oelrichs (1850-1906) and his wife, the silver heiress Theresa Fair Oelrichs (1871-1926). The property had previously been owned by George Bancroft (1800-1891), a prominent historian, politician, and diplomat who had served as U. S. Secretary of the Navy from 1845 to 1846, Minister to the United Kingdom from 1846 to 1849, and Minister to Germany from 1867 to 1874. During this time, he maintained a modest summer home here in Newport, which was named Rosecliff for his extensive rose garden.

Following Bancroft’s death in 1891, the Oelrichs purchased the Rosecliff property. The old house was demolished, and they hired the prominent architectural firm of McKim, Mead & White to design a new, larger, and far more elegant replacement. Most of the design work was done by Stanford White, whose earlier Newport commissions included the Isaac Bell House. Although built less than 20 years after the Isaac Bell House, Rosecliff represented a significant shift in White’s designs, from the Shingle style of the 1880s to the Beaux-Arts style of the turn of the century. It also reflected the changes in tastes among the Newport elite, who increasingly demanded summer “cottages” that were modeled after European palaces. In this case, Rosecliff was based on the design of the Grand Trianon at Versailles, which had been built during the reign of Louis XIV.

Hermann and Theresa Oelrichs lived in New York, but spent summers here at Rosecliff, where Theresa was one of the leaders of Newport society. As such, her house was designed for entertaining. Its ballroom, which measures 40 by 80 feet, is the largest in Newport, and it occupies the entire central section of the first floor, between the two projecting wings. The entire house has a total of 30 rooms, is 28,800 square feet in size, and was built at a cost of $2.5 million, or over $73 million today.

The house was built using the wealth that Theresa had inherited from her father, James Graham Fair (1831-1894). Fair had come to the United States in 1843 as a poor young Irish immigrant, but he went on to make his fortune in silver mining following the discovery of the Comstock Lode in Nevada. He also served one term as a U. S. Senator from Nevada, from 1881 to 1887, but was defeated for re-election in 1886. Despite – or perhaps because of – this vast wealth, Fair had a strained relationship with his wife and children, thanks in no small part to his serial adultery. His wife, also named Theresa, divorced him in 1883, and his daughter Theresa did not even invite him to her wedding in 1890. However, this did not stop the younger Theresa from accepting his $1 million wedding gift, nor the $40 million inheritance that she and her sister split after his death in 1894. She would eventually honor his legacy by building the Fairmont Hotel in San Francisco and naming it for him.

Hermann Oelrichs died in 1906, but Theresa continued to spend summers here at Rosecliff until her death in 1926 at the age of 55. Her only child, Hermann Oelrichs, Jr. (1891-1948) inherited the property, but by this point Newport’s massive Gilded Age mansions were falling out of fashion. This would only get worse in the wake of the Great Depression, and Oelrichs ultimately sold the house in 1941 for just $21,000. Adjusted for inflation, this was less than a half of a percent of what his parents had spent to build Rosecliff only 40 years earlier.

The new owner of Rosecliff was Gertrude Niesen (1911-1975), a singer, actress, and Vaudeville performer who was active during the 1930s and 1940s. She owned it for several years, but during this time the house sustained serious damage from a frozen water pipe. She subsequently sold it to Ray Alan Van Clief, who restored the interior, but he was killed in a car accident while on his way to visit the house for the first time after the completion of the renovations.

The next owner of the house was J. Edgar Monroe (1897-1992), a wealthy New Orleans businessman who purchased the property in 1947. He and his wife Louise spent summers here until 1971, when they donated Rosecliff to the Preservation Society of Newport County, a nonprofit organization that owns many of the historic mansions in Newport, including The Breakers and Marble House. The house was opened to the public, and over the years it has also been used as a filming location for a variety of movies, including The Great Gatsby (1974), True Lies (1994), Amistad (1997), and 27 Dresses (2008). Today, the exterior of the house has not significantly changed since the first photo was taken over a century ago, and it is now a contributing property in the Bellevue Avenue Historic District, which was designated as a National Historic Landmark district in 1973.

Lost New England Goes West: Palace Hotel, San Francisco (3)

The Palace Hotel in San Francisco, seen from the corner of Market, Kearny, and Geary Streets in San Francisco, probably on April 15, 1906. Image courtesy of the Library of Congress.

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The new Palace Hotel, around 1910-1920. Image courtesy of the Library of Congress, Bain Collection.

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The hotel in 2015:

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The first photo here shows the original Palace Hotel as it appeared shortly before it was destroyed in the 1906 earthquake. The caption reads “The Palace April 15. Copyright 1906 Pillsbury Picture Co.”, so it appears to have been taken on April 15, 1906, just three days before the disaster. The hotel had been a San Francisco landmark since its completion in 1875, and as explained in an earlier post it had been specifically designed to withstand both earthquakes and fire. However, while its thick walls survived the earthquake itself, the building was gutted by the subsequent fires, as seen in the first photo of this earlier post, which was taken as the building burned. Yet another previous post, taken from almost the same spot as this April 15 scene, shows the burned-out remains of the hotel and other buildings along Market Street.

Three years later, the hotel was rebuilt on the same site, as seen in the second photo, and it retained its status as one of the city’s premier hotels. Several years after the second photo was taken, President Warren G. Harding died in an eighth-floor suite on this side of the building. He was visiting the city during a tour of the west coast, arriving on July 29, 1923. His health had been rapidly deteriorating amid a busy schedule, and he spent several days in the hotel before his sudden death from an apparent heart attack on August 2.

Today, not much has changed in the “new” Palace Hotel’s exterior appearance. It remains a prominent San Francisco hotel, and the buildings on either side of it are also still standing from the second photo. Market Street is as busy as it was in the early 1900s, and trolleys still run down the middle of the street as they did a century ago. Part of the “F” line of the Muni system, it runs historic streetcars, a few of which date back to the era the second photo was taken. The one in this particular 2015 scene is a PCC streetcar that was built in 1948, making it still far closer in age to the first two photos than to the present-day.

This post is part of a series of photos that I took in California this past winter. Click here to see the other posts in the “Lost New England Goes West” series.