College Green, Brown University, Providence, RI

The College Green at Brown University, around 1906. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

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The scene in 2016:

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Brown University is one of the oldest colleges in the United States, and one of the nine that date back to the colonial era. It was established in 1764 as Rhode Island College (or, in its original charter, the slightly wordier name of “the College or University in the English Colony of Rhode Island and Providence Plantations, in New England, in America”). Originally, it was located in the town of Warren, but in 1770 the school moved to its current campus in Providence.

The first building at the new campus is the one in the center of the photo. Known today as University Hall, it opened in 1770, and has served a variety of roles over the years. During the American Revolution, it even housed soldiers prior to the departure for Yorktown near the end of the war. Today, it is used for administrative offices, including the offices of Brown’s president.

On the right side of the photo is the Greek Revival-style Manning Hall, which is another one of the older buildings on the campus. It was completed in 1834 as a library and chapel, and over the years its uses expanded to include a museum, studio, and lecture space. Today, it includes the Haffenreffer Museum of Anthropology as well as the Manning Chapel.

The newest building in this scene is Slater Hall, on the far left. It was built in 1879, making it more than a century newer than its colonial neighbor. It is named for its benefactor, Horatio Nelson Slater, and was designed as a dormitory by the Providence architectural firm of Stone & Carpenter. Today, it remains in use as a dormitory, and like the other two buildings in this scene, very little has changed in its exterior appearance.

First Church, Deerfield, Mass

The First Church of Deerfield on Old Main Street, around 1891. Image from Picturesque Franklin (1891).

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The church in 2020:

Deerfield’s Old Main Street is a remarkably well-preserved New England village, with a number of historic homes and other buildings dating back to the 18th and early 19th centuries. The entire village is included in the Old Deerfield Historic District, which is listed as a National Historic Landmark on the National Register of Historic Places. One of the most prominent buildings in the district is the First Church of Deerfield, also known as the Brick Church. Although not as old as many of the nearby homes, the church has been at the center of the village for nearly 200 years.

It was built in 1824 and designed by architect Winthrop Clapp, although it was virtually a copy of the Second Congregational Church in Greenfield, which had been built in 1819 about three miles away. The Greenfield church had been designed by Isaac Damon, whose other works included churches in Springfield, Northampton, and Southwick. Although he did not actually design the Deerfield church, his influence is still evident, and it bears a strong resemblance his other churches.

Damon’s Greenfield church has long since been demolished and replaced with the present-day building, but the Deerfield church is still standing. Its interior was restored to its original appearance in 1916, and today the building still houses an active Unitarian-Universalist congregation. The brick exterior has remained essentially the same as it was when it was built, and its surroundings have also changed very little, with the village still retaining its appearance as a small, colonial-era community.

American House, Greenfield, Mass

The American House at the corner of Main and Davis Streets in Greenfield, sometime around the 1880s. Photo from Greenfield Illustrated.

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The scene in 2016:

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In modern-day redevelopments, architects often attempt to preserve the facades of old buildings, even if everything else is being demolished and rebuilt, and incorporate them into new structures. Especially in historic urban settings, this helps to maintain the visual appearance of the street while at the same time allowing a new building to occupy the site. However, in the 1960s the trend was the exact opposite. Many historic buildings had their original facades removed or covered, which the rest of the structure survived more or less intact underneath.

This was the case for several buildings along Greenfield’s historic Main Street, including this architectural monstrosity in the center of the photo. It was originally built in 1876, a few years before the first photo was taken, and was known as the American House. At the time it was Greenfield’s largest hotel, with a hundred guest rooms on the upper floors. The first floor had several stores, including a clothing store that was purchased in 1896 by John Wilson. He turned it into a department store and soon expanded into the second floor, and his business has remained here in the building ever since.

As for the hotel, it went through several other names, including the Devens Hotel and the Hotel Greenfield. Over time, though, the department store gradually expanded into the former hotel section. The building is still standing today, although it is completely unrecognizable from its original appearance. In 1965 its exterior was remodeled, with a metal facade that covered the original Italianate exterior. This original facade is probably still hiding under there, though, so perhaps someday the bland, warehouse-like exterior will be removed and the building restored to its 1870s appearance.

Although the American House has survived more or less intact under its mid-century shroud, the same cannot be said for the other historic building from the first photo, the Colonnade Block on the right. It was built in the 1790s as the home of Jerome Ripley, a prominent resident whose children included George Ripley, a Transcendentalist writer who founded the Brook Farm utopian community. In 1842, Dr. Daniel Hovey added the columns and portico to the front of the building, and for many years it was a commercial building known as the Colonnade Block. It stood here until 1975, when the 18th century structure was demolished to build a bank building, which is now a branch of Greenfield Community College.

Rose Cottage, Springfield, Mass (2)

Another view of the Rose Cottage, this time taken at its new location on Mulberry Street, around 1938-1939. Image courtesy of the Springfield Preservation Trust.

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The house in 2016:

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This house, once known as Rose Cottage, is the same as the one in the previous post, but in a different location. As mentioned in the other post, it was originally built in 1824 on Chestnut Street as the home of Elisha and Eunice Edwards. After Eunice’s death in 1875, Edwards Street was developed through the property, but the house was preserved. It was moved to 57 Mulberry Street, and her daughter, Charlotte Edwards Warner, lived here until her death in 1916.

Warner was an author who wrote A Chronicle of Ancient Chestnut Street, a short book that gives historical accounts of the old houses on Chestnut Street, including Rose Cottage. She also wrote a poem, “The Old House,” which was published in 1907 in The Poets and Poetry of Springfield in Massachusetts. Although the house is not specifically identified, it seems unmistakable that Warner was referring to the home where she and her nine siblings were born and raised:

“The Old House”

          Still the sun shines
Shines luminously bright
          On the white wall.
Deserted is the home:
Strangers will hither come,
Still will the sun give light
          Alike to all.

          Many thoughts rise
As my memory glides
          Over the past;
Bringing the dead to life,
Now freed from mortal strife;
Passed o’er the surging tides
          Peaceful at last.

          Children I see,
Lovely they were to me
          As the May morn;
But soon the angel Death
Received their parting breath;
They to Eternity
          Onward were borne

          Matron and maid
Passed through the valley’s shade
          In the deep sea:
Strong was the maiden’s heart
Loving the better part;
In God her hope was staid
          So trustingly.

          Still the sun shines
Through the wide open blinds
          On the white wall:
No shadow passes near,
No friendly voice I hear,
No one the beggar finds
          Answers his call.

          On each fair morn
I raise my eyes to see
          The vision bright
And, as the glad sunshine
Enters this heart of mine,
Spirits there seem to me
          Bathed in its light.

By the time the first photo was taken, the house was no longer in the Edwards family. However, just as the home had likely inspired Warner’s poem, Mulberry Street also found itself memorialized in literature. In 1937, a year or two before the first photo was taken, Springfield native Theodor Geisel published his first children’s book, And to Think That I Saw It on Mulberry Street, written under his pen name of Dr. Seuss.

Today, the old Rose Cottage home is still standing on Mulberry Street. With simple Greek Revival architecture, it is very different from the more elaborate homes on the street, which date to the late 19th and early 20th centuries. Its significance, though, seems to have gone mostly unnoticed. Aside from a single article in the Springfield Republican a century ago, I have found little about this house. Having been built in 1824, it is among the oldest buildings in the downtown area, and it is the last of the original Chestnut Street homes still standing in the city, yet information about the house is fairly scarce. However, its exterior nonetheless remains well preserved. Aside from the loss of the porch, very little has changed from the 1930s view, and as the photo in the previous post shows, it looks essentially the same as it did when it stood on Chestnut Street.

Rose Cottage, Springfield, Mass (1)

Rose Cottage, on Chestnut Street at the present-day corner of Edwards Street, sometime in the 1800s. Image from A Chronicle of Ancient Chestnut Street (1897).

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The scene in 2016:

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This house on Chestnut Street was built in 1824, at the time when the street was first being developed. Unlike some of its more elaborate neighbors, this house was a fairly simple, modest Greek Revival-style home. Its original owner was Elisha Edwards and his wife Eunice, who had been married in 1821 and moved in here three years later. They had a total of ten children before Elisha’s death in 1840, including Oliver Edwards, who was born here in 1835. He joined the Civil War as a lieutenant in 1861, but soon moved up the ranks, eventually commanding the 37th Massachusetts at the Battle of Gettysburg and later retiring as a brevet major general. One of Elisha and Eunice’s grandsons, Clarence R. Edwards, was also a prominent general, achieving fame in World War I.

Soon after Eunice’s death in 1875, the house became one of the first to disappear from Chestnut Street. Chester Harding’s nearby estate had been demolished a few years earlier to build Mattoon Street, and the Edwards house, which had been known as Rose Cottage for the many roses that grew up the side of the house, soon fell victim to progress. Edwards Street was laid out through the property, and the old house was directly in its path. Thankfully, though, it was not completely lost to history. Sometime before 1882, the house was moved about a half mile away to 57 Mulberry Street, where it still stands today.

In the meantime, the area that had once been the Edwards’ backyard is now part of the Quadrangle, which houses the city’s museums, including the Museum of Springfield History on the left. Only a handful of homes are still standing on Chestnut Street today, none of which date back to the 19th century. Several were built in the first decade of the 20th century, though, including the house at 73 Chestnut Street, on the right side of the 2016 photo. Built in 1901 as a private home, it is now used for professional offices.

Whistler House, Springfield, Mass

The former home of George Washington Whistler on Chestnut Street near the corner of Edwards Street, sometime in the 1800s. Image from A Chronicle of Ancient Chestnut Street (1897).

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The scene in 2016:

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Perhaps no house in Springfield has been home to as many historical figures as this one was, so it seems only appropriate that the Museum of Springfield History is now located on the site. The house was built in the 1820s by Simon Sanborn, who built a number of buildings in Springfield during the early 19th century, including the architecturally-similar Alexander House. When this spacious, 20-room house was completed, Chestnut Street was Springfield’s most prestigious residential street, and the home enjoyed unobstructed views of downtown and the Connecticut River in the distance.

Its original owner was James Sanford Dwight, a merchant and member of the prominent Dwight family who died while vacationing in Italy in 1831. Several years after his death, the house was briefly the home of Chester Harding, a notable portrait artist. He was born in Conway, Massachusetts, but he worked as an itinerant painter in the western states, living for a time in Pittsburgh, Kentucky, and St. Louis. After this, he spent time in England, then returned to the US, living in Boston for a few years. By the early 1830s, he was living in Springfield, first renting the Alexander House and then moving into this house. He only remained here for a short time, though, before building a new house just to the left of here, on the site of present-day Mattoon Street.

Despite Harding’s prominence, he would turn out to be only the second most famous artist to reside in the house in the first photo. After he moved out, it was the home of George Washington Whistler and his family from 1839 to 1842. Whistler had been hired as chief engineer for the Western Railroad, which was under construction from Worcester to the New York state line at the time. He achieved fame in his own right as a railroad builder, and left Springfield in 1842 when Czar Nicholas I of Russia hired him to build a railroad from St. Petersburg to Moscow. However, his son James Abbott McNeill Whister, who was just eight when they moved from Springfield, would go on to become one of the most prominent American artists of the 19th century. Although he only spent three years here, it is interesting to consider what influence, if any, their next-door neighbor Chester Harding may have had on the young future artist.

After the Whistlers left, its next resident was Major James Ripley, the commandant of the Springfield Armory from 1842 to 1854. He was third consecutive nationally-prominent figure to live in the house, and earned recognition for his efforts to modernize the Armory. Under his leadership, many new buildings were constructed, including the distinctive Main Arsenal, as well as the nearby Commandant’s House. The latter was completed in 1846, at which point Ripley moved out of his house here on Chestnut Street. Although he left Springfield in 1854, his reforms came just in time. When the Civil War started less than a decade later, the Armory was in an ideal position to meet the wartime demands of the Union army.

The house was later owned by Ethan Chapin. He and his brother Marvin were the co-owners of the Massasoit House, the city’s premier hotel during the 19th century. After his death in 1889, his Chestnut Street home went through several other owners, including Dr. Frederick Sweet and his wife Adeline. However, by the turn of the century, its location was no longer as fashionable as it had been some 75 years earlier, and the house fell into disrepair. It was demolished in the mid-1920s, and although the historical significance of its former residents was recognized at the time, there does not seem to have been any call to preserve it at the time. The site was later redeveloped, though, and it is now the home of the Lyman and Merrie Wood Museum of Springfield History, which is seen in the 2016 photo.