Street Scenes

Chestnut Street near Second Street, Philadelphia, Pennsylvania

by

The view looking east on Chestnut Street, between Second and Letitia Streets in Philadelphia, around 1842-1845. Image taken by William G. Mason, courtesy of the Library of Congress.

The scene in 2019:

As with the image in the previous post, the first photo here was taken by William G. Mason, in the early years of photography. It was possibly taken on the same day as the image in the other post, and it shows a similar scene; it was taken only about 50 yards east of the other photo. However, unlike that photo, which is a photograph of the original image, this photo here is the original daguerreotype taken in the 1840s, so it has a much higher image quality.

The first photo here shows a mix of commercial buildings on the north side of Chestnut Street, extending all the way down to the Delaware River in the distance. Most were likely built in the early 19th century, although it is possible that some of them, especially the shorter ones, might date back to the 18th century. Several signs are legible, including two on the three-story brick building on the left with the arched doorway. As indicated by the signs, this building was occupied by wine and liquor dealer John Gibson. Further to the right, the small two-story building has a partially-legible sign advertising lunch and oysters, and even further in the distance is a sign that reads “Refrigerators.” This likely referred to ice boxes, which became popular during this period due to the growth of the commercial ice industry in the United States.

Just a few years after the first photo was taken, the building on the left suffered a fire that destroyed much of John Gibson’s liquor business. The fire, which occurred on the morning of September 26, 1846, started in the distillery in the rear of the property. According to contemporary newspaper accounts, some of the liquor boiled over, igniting nearby flammable materials and spreading to the building here on Chestnut Street. Firefighters were able to contain the fire, which did not fully engulf this building or spread to its neighbors. However, Gibson’s still was almost entirely destroyed, as was some of the liquor that he was producing.

Today, nearly 180 years after the first photo was taken, the streetscape here is not dramatically different. This block of Chestnut Street is still lined with historic 19th century brick commercial buildings, and even the street itself is still paved with cobblestones. However, the buildings themselves are different; all of the ones from the first photo appear to have either been demolished or heavily altered at some point in the 19th century. Based on their ornate facades, the brick building on the left and the two just to the right of the center are clearly from the late 19th century, and the one that is partially visible on the extreme left was built in the early 20th century. The only possible survivors from the foreground of the first photo are the two matching five-story buildings in the center of the 2019 photo. They have similar architecture to the ones in the first photo, it is possible that one or both of these might have been built in the first half of the 19th century and subsequently altered.

Chestnut and Second Streets, Philadelphia, Pennsylvania

by

Looking east on Chestnut Street from the corner of Second Street in Philadelphia, around 1843. Image is an 1859 photographic reproduction of a daguerreotype taken around 1843. Courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

This is likely the oldest historic photo that I have featured on this blog, dating back to the very early years of photography. The actual photographic print was made around 1859 by Frederick De Bourg Richards, but the image appears to have been from a daguerreotype taken around 1843 by William G. Mason. Daguerreotypes were the first commercially successful photographic medium, producing high-resolution images that rivaled even modern digital cameras. However, daguerreotypes were also difficult to reproduce, as the process yielded only a single image on glass. Unlike later plate glass negatives, which could be used to create any number of prints at varying sizes, daguerreotypes could not be directly converted into prints; the only way to duplicate one was to photograph the original, and then make prints of that photograph. The above photo was one such example of this, ensuring the preservation of the image even though the original daguerreotype might very well be lost to history by now.

This image, along with several others taken by Mason during the 1840s, shows one of the earliest photographic glimpses of the streets of Philadelphia. At the time, the buildings along this block of Chestnut Street were predominantly brick commercial buildings, probably built early in the 19th century. The buildings occupied relatively narrow lots, with most being only three window bays in width, and almost all of them are either three or four stories in height. Aside from the two buildings in the foreground, most have pitched roofs. This was fairly typical for commercial buildings of the era, although by the second half of the 19th century flat roofs became more common. Because this image is a photograph of a photograph, there is not much fine detail, and only one sign is readily legible: an awning on the fourth building from the foreground, which identifies it as a leather store.

The buildings in the foreground appear to have been demolished within a few decades after the first photo was taken, in order to construct a building for the Corn Exchange Bank. This was subsequently demolished around 1900, and replaced with the highly ornate Corn Exchange National Bank building in the present-day scene. The building originally consisted of just the section closest to the corner of Chestnut and Second Streets, but it was steadily expanded during the early 20th century, eventually reaching its current form in the early 1930s.

Today, nearly 180 years after the first photo was taken, this scene still consists of historic, low-rise commercial buildings. However, it seems unclear as to whether any of the buildings from the first photo have survived, or if they were all replaced later in the 19th century. Beyond the Corn Exchange Bank, most of the other current buildings have relatively ornate exteriors, suggesting that they were either built or heavily altered during the second half of the 19th century. However, two of these buildings—located at 117 and 119 Chestnut Street—have much more plain exteriors, so it is possible that they may have been built prior to the first photo and expanded over the years.

Fifth Street from Ranstead Street, Philadelphia, Pennsylvania

by

Buildings on the east side of Fifth Street, looking south toward the corner of Chestnut Street, in February 1859. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

This scene is similar to the one in an earlier post, just from a little further south along Chestnut Street. The building in the foreground here was built sometime around the late 18th or early 19th centuries, and over the years it was occupied by several prominent people. Most notably, it was the home of artist Thomas Sully, who lived in the townhouse on the far left side, at 23 South Fifth Street, from 1826 until his death in 1872. He was best known as a portrait painter, and perhaps his most recognizable painting was of Andrew Jackson; the portrait was later incorporated into the modern $20 bill. His other works included the Seated Liberty design, which appeared on most American silver coins from 1836 until 1891.

Sully was living here when the first photo was taken in 1859, and immediately beyond his house, at 25 South Fifth Street, was the music store of George E. Blake. Originally from England, Blake came to America sometime before 1793, and became a music teacher in Philadelphia. He subsequently became a music publisher, and by around 1814 he was running his business out of this building, in the center storefront. He was still here nearly 50 years later in the first photo, and he operated the store until his death in 1871 at the age of 96.

The other important building in the first photo is the five-story cast iron building on the right side, at the corner of Fifth and Chestnut Streets. It was completed in 1855, at the height of the popularity of cast iron architecture, and it was owned by Frederick Brown, a druggist who had his business here. Among his products was Brown’s Essence of Jamaica Ginger, which promised to treat ailments such as “ordinary diarrhoea, incipient cholera, in short, in all cases of the digestive functions,” according to an 1861 newspaper advertisement. Brown had been in business since the early 1820s, originally in a much older building on this site, and in the early years he seems to have mostly been a local druggist. However, by the late 1850s his business had significantly expanded, and his Essence of Jamaica Ginger was available throughout the country.

This scene underwent a change soon after the first photo was taken. This section of Fifth Street was slated to be the home of the new Eastern Market, the precursor to the modern Philadelphia Bourse that stands there now. Part of this project involved opening Rainstead Street on the south side of the new building. However, in the original plan this would have required the demolition of Thomas Sully’s house. Sully and his wife Sarah requested that their house be spared, and the city agreed, choosing to modify the plan rather than forcing the distinguished elderly couple to relocate. The resulting compromise resulted in a street that was somewhat narrower, taking a portion of the yard on the left side of the house while leaving the house itself intact.

It seems unclear exactly when Sully’s house and the adjoining rowhouses were ultimately demolished. It could have been as early as the 1870s, after Sully died, but the houses were definitely gone by 1907, when the Lafayette Building was constructed on the site. This 11-story office building had its main entrance on Chestnut Street, where the Frederick Brown building had stood in the first photo, but it also spanned the entire length of Fifth Street from Chestnut to Rainstead Street. It is still standing here today, as shown in the 2019 photo, although it no longer functions as an office building; in the early 2010s it was converted into the Hotel Monaco.

Congress Hall and Independence Hall, Philadelphia, Pennsylvania

by

Congress Hall and Independence Hall, seen from the corner of Chestnut and Sixth Streets in Philadelphia, around 1859. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

These two photos show the south side of Chestnut Street, between Sixth and Fifth Streets. This block contains three historic 18th century government buildings, each of which played an important role in the early history of the United States. In the center of this scene is Independence Hall, Philadelphia’s most famous historic landmark, which served as the meeting place of the Continental Congress and the Constitutional Convention. It is flanked on either side by two nearly identical buildings, both of which were occupied by the federal government in the late 18th century. In the foreground, to the west of Independence Hall, is Congress Hall, and to the east is the Old City Hall, which once housed the United States Supreme Court.

Independence Hall was completed in 1753, and it was originally used as the colonial capitol building of Pennsylvania. However, because of Philadelphia’s central location relative to the northern and southern colonies, it took on a second role during the American Revolution. Aside from several short interruptions during British occupations, the Continental Congress met here from 1775 until 1783, and it was during this time that the delegates approved and signed the Declaration of Independence in 1776. Congress left Philadelphia in 1783, but the building continued to be used by the state government. Then, during the summer of 1787, the Constitutional Convention met here to draft and sign the United States Constitution, which was ratified a year later.

At the time of the convention, New York City was the national capital, but in 1790 the federal government returned to Philadelphia, which would serve as the capital city for ten years while Washington D.C. was being developed. Rather than sharing Independence Hall with the state government, the federal government moved into its own buildings here. Congress Hall, shown in the foreground of these two photos, became the capitol building, with a chamber on the first floor for the House of Representatives, and a smaller one upstairs for the Senate. However, the building is noticeably smaller and more modest than the adjacent Independence Hall, providing an interesting visual contrast between the perceived importance of the state and federal governments during the nation’s early years.

Congress Hall was overshadowed by Independence Hall, both physically and also in terms of its historical significance. Nevertheless, a number of important events occurred here at Congress Hall. George Washington was inaugurated here at the start of his second term, as was John Adams four years later, and the Bill of Rights was formally added to the Constitution here in 1791. It was also here that Congress passed many important bills that would shape the future of the country, including legislation that established the First Bank of the United States, the Post Office, and the Navy.

On the far side of Independence Hall, at the corner of Fifth Street, is the Old City Hall. Its exterior is nearly identical to Congress Hall, and it was completed in 1791. It served as Philadelphia’s city hall until 1854, but it was also occupied by the United States Supreme Court from 1791 until 1800. The court held its sessions on the first floor during this period, with the city council meeting on the second floor. The first case in the history of the court, West v. Barnes, was argued here on August 2, 1791, and the court issued a unanimous decision the following day. Overall, though, the Supreme Court had a relatively minor role in the federal government in these early years, and the court decided few significant cases here in Philadelphia.

Both the state and federal governments left Philadelphia at the end of the 18th century, with the state capital moving to Lancaster in 1799 and the national capital to Washington a year later. Independence Hall faced threats of demolition in the early 19th century, and the building’s original wings were razed and replaced with new buildings, which are partially visible in the first photo. However, the main part of Independence Hall was ultimately preserved, and by the time the first photo was taken in the late 1850s it had become a major symbol of the American Revolution.

In the meantime, City Hall was occupied by the municipal government until 1854, and for many years Congress Hall served as the county courthouse. Both of these buildings were restored around the turn of the 20th century, and Congress Hall was rededicated in 1913 by President Woodrow Wilson. Around this same time, the 1812 wings of Independence Hall were replaced by replicas of the original wings. Since then, this scene has not changed very much in its appearance, and all three buildings are now part of the Independence National Historical Park, which was established in 1948.

Chestnut Street from Sixth Street, Philadelphia, Pennsylvania

by

Looking east on Chestnut Street from the corner of Sixth Street in Philadelphia, in June 1851. Image courtesy of the Library Company of Philadelphia, Frederick De Bourg Richards Photograph Collection.

The scene in 2019:

The first photo is a print made from a daguerreotype that was taken in June 1851, looking east along Chestnut Street from the corner of Sixth Street. The photo shows a mix of brick commercial buildings, mostly ranging from three to five stories in height. They stood directly opposite Independence Hall, which is just out of view on the right side of the scene. Based on their architectural style, the buildings with the sloped roofs were likely older, probably from the early 19th century, while the ones with flat roofs were likely from around the 1840s.

In the foreground of the first photo, on the left side of the scene, is Hart’s Building, a five-story building constructed only a few years earlier in 1848 by publisher Abraham Hart. This building housed a number of commercial tenants. By late 1851 these included, on the first floor, a hat store, a bookstore, a draper and tailor, a music dealer, a Venetian blind manufacturer, another tailor, a shaving saloon, a cigar store, and a musical instrument manufacturer. The second floor housed a billiard saloon, along with Sattler’s Cosmorama, which appears to have been an art gallery of some sort. On the upper floors, the building housed several different businesses involved in the publishing industry, including wood engraver William Gihon, bookbinder John F. Ducomb, Butler’s copper plate printing, and Mears’s Stereotype Foundry.

Further down Chestnut Street, just to the right of Hart’s Building, was the law book publishing firm of T. & J. W. Johnson. Beyond it was the three-story Eagle Hotel, followed by a four-story building occupied by bookseller J. W. Moore. His bookstore was located on the first floor, and other tenants of the building included a restaurant and a boarding house. The only other building with legible signs in the first photo is the five-story building in the center of the scene. It has a large sign atop it that reads “China Hall,” and it was occupied by William J. Kerr, who sold china and other imported goods.

This scene was dramatically altered only months after the first photo was taken. In the early morning hours of December 27, 1851, a fire broke out in Hart’s Building, in the third floor drying room of Butler’s copper plate printing offices. Firefighting efforts were hampered by below-zero temperatures, which froze some of the water sources. Because of this, plus the amount of flammable materials stored inside it, the entire building was soon engulfed, and firefighters began trying to save the surrounding buildings.

In the end, Hart’s Building was a total loss, and was insured for only $10,000 of the estimated $100,000 that it would cost to replace it. The neighboring book publishing building was also completely destroyed, at a cost of about $50,000, and the Eagle Hotel likewise suffered heavy damage. The building beyond the Eagle Hotel was only minimally damaged, but the fire also spread across Sixth Street and damaged or destroyed several other properties. There were even fears that the fire might spread across Chestnut Street to Independence Hall, but the famous landmark ultimately escaped damage.

Even worse than the property loss, though, was the loss of life from the fire. Contemporary newspaper articles give different reports on the death toll, but there appear to have been at least five fatalities. The early accounts mentioned two unidentified African Americans who were killed by falling debris, along with a police officer named Johnson who was also killed in the fire. As workers sifted through the debris, though, they uncovered the bodies of William H. Haly and William Baker. Haly, a lawyer and former state legislator, was probably the most notable victim of the fire. However, his body was burned to the point where it was indistinguishable from Baker’s body, so the two men were buried together in the same coffin.

A number of other people were badly injured in the fire, including at least three other police officers and a fireman. One of the officers, Thomas Grant, was pulled from the wreckage while on fire, and was described as having been “bruised in a shocking manner.” Newspaper accounts gave little hope for his recovery, but it seems unclear as to whether he ultimately succumbed to his injuries.

The damaged area was rebuilt soon after the fire, and for the next century this block of Chestnut Street continued to feature a mix of low-rise commercial buildings. However, this all changed in the mid-20th century, as part of an urban renewal project to create Independence Mall, a three-block park area with Independence Hall at its southern end. As part of this, all of the buildings between Fifth and Sixth Streets were demolished, from Chestnut Street up to Race Street, with the sole exception of the Free Quaker Meeting House on Arch Street. This included all of the buildings that stood in this scene, although it seems as though few, if any, of the buildings from the 1851 photo were still standing by that point anyway.

Today, the Independence Mall is part of the Independence National Historical Park, and it remains mostly open parkland, with a few modern buildings running along the Sixth Street side. Here at the corner of Sixth and Chestnut Streets, just out of view on the far left side of the scene, is the Liberty Bell Center, which houses the famous bell across the street from its original location at Independence Hall.

North Pearl Street from State Street, Albany, New York

by

Looking north on North Pearl Street from the corner of State Street in Albany, around 1904. Image courtesy of the Library of Congress, Detroit Publishing Company Collection.

The scene in 2019:

Pearl Street is one of the main north-south streets through downtown Albany, and these photos show the view looking north from the corner of State Street. When the first photo was taken, much of the streetscape consisted of four-story brick Italianate-style commercial buildings from the second half of the 19th century. However, the one major exception was the Albany Savings Bank, which stands on the left side of the scene. The building, with its Corinthian columns and large dome, was designed by noted architect Henry Ives Cobb, and it was constructed in 1898.

Just to the left of the bank was another notable downtown building, the Tweddle Building. It stood at the corner of State and North Pearl Streets, and it is more visible in a photo from an earlier post, which shows it from State Street. Here on the North Pearl Street side of the building, it had several different retail tenants on the ground floor. Starting on the far left side of the first photo, it housed “Cut Price Druggists,” which had a window advertisement for “Lime-Ade,” declaring it to be “First Aid to the thirsty.” Just to the right of the drugstore is the Whittle Brothers florist shop, and further to the right is the umbrella shop of J. McElwee, which had an outdoor display advertising for “Covering and Repairing” of umbrellas.

Elsewhere in the first photo, a number of signs adorn the sides of the buildings and extend outward across the sidewalk, hoping to catch the attention of the pedestrians. On the far right side near the foreground, these included the Albany & Troy Candy Kitchen, the Hallwood Cash Register Company, Harry Ellis’s men’s furnishings shop, the W. F. Antemann & Son jewelry shop, and the Joseph Feary & Son boot and shoe store. Antemann’s shop was marked by a large pocket watch sign, but many of his competitors apparently had the same idea, since there are at least three similar pocket watch signs visible across the street on the left side. Also on the left side, just beyond the bank, is Failing’s Apothecary, with a name that inspires even less confidence than the competing “Cut Price Druggists” a block away.

On the street, the traffic in the photo consists primarily of horse-drawn wagons. The most visible of these is the well-decorated wagon of the Grand Union Tea Company, on the far left side of the photo. The driver is perhaps delivering tea to the Cut Price drugstore, and the horse is staring directly at the camera. There are no automobiles visible in the photo, although by this point there were already thousands registered in the state of New York, and within just a few years they would largely displace the horse-drawn vehicles. In the meantime, though, the only sign of new transportation methods in the first photo is the electric trolley in the distance.

Today, around 115 years after the first photo was taken, very little remains of the early 20th century scene, especially here in the foreground. Cars now dominate the street, with not a draft animal in sight, and even the trolleys are long gone, having been replaced by buses, such as the one in the lower center of the 2019 photo. Most of the buildings here are also gone. Among the first to be demolished was the Tweddle Building on the far left, which was replaced by the 17-story Ten Eyck Hotel in the mid-1910s. This hotel was then demolished in the early 1970s, around the same time as the Albany Savings Bank building. The spot where the hotel once stood is now a modern office building, and the site of the bank is the Ten Eyck Plaza.

Despite all of the changes, though, there are a few surviving buildings near the foreground on the right side of the scene. Closest to the camera is the four-story building at 23-25 North Pearl Street, which was occupied by Feary’s boot and shoe store in the first photo. It was built in 1854, and it is still standing today, with few significant exterior changes aside from the storefronts. A little further north, just beyond Maiden Lane, are two other historic buildings, at 29-31 North Pearl Street. These were built in 1869 and feature distinctive cast iron lintels over the windows. The main facade of 29 North Pearl was altered at some point in the 20th century with a Tudor-style appearance, but otherwise the buildings are still recognizable from the first photo.

Overall, the best-preserved section of this scene is far in the distance. The two blocks between Pine and Columbia Streets are still lined on both sides with predominantly 19th and early 20th century buildings. These include the former YMCA building, site of the first basketball game played away from the sport’s Springfield birthplace, and the Kenmore Hotel, an ornate High Victorian Gothic building that opened in 1878. These buildings, along with the other historic buildings in this scene, are now part of the Downtown Albany Historic District, which was added to the National Register of Historic Places in 1980.